Second of two-volume edition of twelfth-century Ordinal from Fecamp, giving a detailed view of monastic liturgy. The abbey of Fecamp, reformed in the early years of the eleventh century by William of Volpiano, abbot of St-Benigne at Dijon, was a key institution in the development of Norman monasticism in the middle ages. As one of the most energetic monastic reformers of his time, William was noted for the attention he paid to the liturgy of the many abbeys he superintended, and his liturgical cursus was influential in English and continental monastic houses. The Fecamp Ordinal, edited here from a manuscript of the early thirteenth century, but transmitting the liturgy observed in the abbey some two centuries earlier, is the first complete source of William's liturgical work tobe printed. It is expanded by readings from complementary Fecamp service books, creating a text which gives a particularly detailed view of medieval monastic liturgy. The first volume contains the Temporale; this volume contains the remainder of the Ordinal (Sanctorale, Commune Sanctorum and Miscellanea), together with comprehensive indexes. DAVID CHADD teaches in the School of Music at the University of East Anglia.

Pam Rhodes is best known as the familiar face of the BBC's Songs of Praise, and here she brings together her personal selection of carols, poems, Bible readings and other inspirational passages from a wide range of sources. As well as the usual old favourites - from Hark the Herald Angels Sing to the stories of the shepherds and the wise men visiting the baby Jesus - there are plenty of lighter moments, with excerpts from Gervase Phinn's memoirs and funny poems by modern writers. Alongside the items themselves Pam shares some of her own Christmas reminiscences and explores the resonance of the Christmas story for all our lives in her trademark inviting and heartwarming style. There is something here for everyone, from those wanting to enjoy dipping in for a taste of Christmas to those needing a sourcebook to inspire selections for Christmas services. Enjoy!

Those who make their home in God, Who wrap themselves in the blanket of God, Can cling to a deeper peace. The Faithful One provides warmth within, Sanctuary, from the fears that chill. FROM PSALM 91 A wellspring of prayer and praise for thousands of years, the Psalms give voice to every human emotion from intense joy to anger and disorientating sorrow. They are eternal soul songs that lift our hearts and address the same concerns and questions we face today, with fearlessness and acceptance. In this book, Lezley J. Stewart reimagines key Psalms in strikingly beautiful contemporary language and incorporates them into ready to use liturgies that focus on central themes in the Psalms: refuge, lament, refreshment and more. Let Everyone Find Their Voice offers a wealth of exquisitely crafted and sensitive worship resources that will enrich personal prayer and public worship, and will readily lend itself to multiple pastoral contexts.

The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 26 and 40 in the present series.

This volume presents a kind of anticipated companion volume to the HBS edition of the Directorium Sacerdotum, a variety of ordinal or directory, which was privately compiled by Clement Maydeston, who though a priest held formally the post of 'deacon' at the Brigittine Abbey of Syon, Middlesex (c. 1390-1456). Despite these origins, the compilation acquired a de facto official status. The Directorium Sacerdotum itself was published as volumes 20 and 22. The Directorium aimed in part at providing calendrical and rubrical solutions for those observing the Sarum Use. It did this by making a distinction between the practice of the Salisbury cathedral chapter and the practice that could reasonably be required from the many others in England who followed in general the Sarum Use. Maydeston's position was that outside the Salisbury chapter it was reasonable to make modifications to meet local conditions and calendars. This was deemed unacceptable by some, who maintained that the practice observed at Salisbury itself should be followed everywhere. This line of argument ignored the fact that in any case there were contradictions between the existing manuscript drafts of the Sarum ordinal and the rubrics of the liturgical books. The edition focuses in particular on two printed texts which offer Maydeston's defence. The first is the Defensorium Directorii Sacerdotum printed in successive editions of the Directorium Sacerdotum by Wynkyn de Worde in 1495 . The second is the text Crede Michi, a longer and more considered rubrical tract compiled by Maydeston but incorporating rubrical adjudications made by the Salisbury canons c. 1440-1450, and partly based on an earlier work by one John Raynton. The text given is that printed by Wynkyn de Worde in the quarto of 1495.

The Church of Jerusalem, the 'mother of the churches of God', influenced all of Christendom before it underwent multiple captivities between the eighth and thirteenth centuries: first, political subjugation to Arab Islamic forces, then displacement of Greek-praying Christians by Crusaders, and finally ritual assimilation to fellow Orthodox Byzantines in Constantinople. All three contributed to the phenomenon of the Byzantinization of Jerusalem's liturgy, but only the last explains how it was completely lost and replaced by the liturgy of the imperial capital, Constantinople. The sources for this study are rediscovered manuscripts of Jerusalem's liturgical calendar and lectionary. When examined in context, they reveal that the devastating events of the Arab conquest in 638 and the destruction of the Holy Sepulchre in 1009 did not have as detrimental an effect on liturgy as previously held. Instead, they confirm that the process of Byzantinization was gradual and locally-effected, rather than an imposed element of Byzantine imperial policy or ideology of the Church of Constantinople. Originally, the city's worship consisted of reading scripture and singing hymns at places connected with the life of Christ, so that the link between holy sites and liturgy became a hallmark of Jerusalem's worship, but the changing sacred topography led to changes in the local liturgical tradition. Liturgy and Byzantinization in Jerusalem is the first study dedicated to the question of the Byzantinization of Jerusalem's liturgy, providing English translations of many liturgical texts and hymns here for the first time and offering a glimpse of Jerusalem's lost liturgical and theological tradition.

In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick's analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.

Who will mourn with me? Who will break bread with me? Who is my neighbor? In the wake of the religious reformations of the sixteenth century, such questions called for a new approach to the communal religious rituals and verses that shaped and commemorated many of the brightest and darkest moments of English life. In England, new forms of religious writing emerged out of a deeply fractured spiritual community. Conflicts of Devotion reshapes our understanding of the role that poetry played in the re-formation of English community, and shows us that understanding both the poetics of liturgy and the liturgical character of poetry is essential to comprehending the deep shifts in English spiritual attitudes and practices that occurred during the sixteenth and seventeenth centuries. The liturgical, communitarian perspective of Conflicts of Devotion sheds new light on neglected texts and deepens our understanding of how major writers such as Edmund Spenser, Robert Southwell, and John Donne struggled to write their way out of the spiritual and social crises of the age of the Reformation. It also sheds new light on the roles that poetry may play in negotiating-and even overcoming-religious conflict. Attention to liturgical poetics allows us to see the broad spectrum of ways in which English poets forged new forms of spiritual community out of the very language of theological division. This book will be of great interest to teachers and students of early modern poetry and of the various fields related to Reformation studies: history, politics, and theology.

The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

Liturgy was the first and most significant subject taken up by the Second Vatican Council. The Council produced a document on the liturgy, The Constitution on the Sacred Liturgy, that would give shape to Catholic worship for years to come. By calling for the revision of all the rites according to the principles set forth in The Constitution on the Sacred Liturgy, the Council set in motion the most comprehensive liturgical reform in Catholic history. This new book explains and puts into context the background of the new translation of the Mass, only now approved by the American bishops. It presents a useful schema of the contents of The Constitution on the Sacred Liturgy by identifying seven essential themes of the document. No book in recent years has selected these themes or presented them with such clarity. It evaluates critically the "reform of the reform" movement, and other groups that currently propose a radical revision of the church's liturgy. It links the theoretical to the practical by asking concrete, pastoral questions about where the church stands today with respect to all of the key elements of the Constitution, making the book especially useful for pastoral practitioners. It offers a positive evaluation of the reform overall, while clearly focusing on the question of ongoing renewal. Finally, the unique annotated bibliography for further reading will appeal to a diverse readership by offering a stimulating variety of subjects, writing styles, and perspectives on the issues.

Michael Brown's book helps to explain why Christians throughout the ages have interpreted texts differently, especially cultic texts. Beginning with an imagined Greco-Roman auditor of the Lord's Prayer, Brown demonstrates how a Greco-Roman's understanding of the prayer would have been different from that of a Hellenized Jew in Palestine. Brown takes the reader into discussions of early Greco-Roman Christians regarding prayer in general and the Lord's Prayer in particular. Focusing on cultic didachai of Clement of Alexandria and Tertullian of Carthage, The Lord's Prayer through North African Eyes is a window into the turbulent and sometimes confusing world of second century Christianity in Africa.

An all-round companion for everyone involved in the ministry of serving. Servers play a key part in the celebration of the Eucharist and knowing what to do is only half the story, - how to serve in a dignified way that adds to worship and doesn't detract from is equally important. This guide includes instruction on: relating to the clergy and the congregation, and working as a team; how to cultivate one's own spiritual space; knowing your way round the sanctuary;tools of the trade; movement, posture and processions, the Eucharist step-by-step;the liturgical year, and prayers and personal preparation for serving.

Eucharist is a detailed history of the Christian Eucharistic formularies. Bouyer gives a thorough analysis of the Jewish meal prayers, the berakoth, to which he traces the origins of the eucharistic rite, and ends with the recent addition of new eucharistic prayers to the Roman rite. He also includes the history of the various forms of the early Christian liturgies, of the Byzantine, Gallican, and Mozarabic Eucharists, of the changes introduced during the Reformation, and of developments in the Anglican, Lutheran, and Reformed traditions.

R.J. Urquhart provides the first systematic description of the ceremonial of the Sarum Mass in 500 years. Using a variety of sources, and tracing the Sarum rite and its occasional use from the Act of Supremacy through to modern times, Urquhart has compiled a volume that offers the best possible reconstruction and overview of these profoundly beautiful rites from the liturgical treasury of the Church. Urquhart considers Sarum in the light of Pope Benedict XVI's groundbreaking apostolic constitution, Anglicanorum Coetibus, and how this has reopened the question of the catholicity of part of the Anglican patrimony. He also considers the impact of Pope Benedict's Summorum Pontificum and its proposition that what was sacred for earlier generations remains sacred now, arguing that this supremely pastoral teaching calls for a more profound and detailed study of the rite. Urquhart covers all aspects of the ritual, beginning with an outline of the vessels, books and vestments and then moving on to outline both Low and High Mass, special forms, processions and blessings, and the ritual year. Appendices cover the role of the laity, and offer an Ordo Missae with simple rubrics.

The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded 'for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

A Eucharist-shaped Church: Prayer, Theology, Mission is a historical-theological survey of major movements and thinkers that have shaped sacramental theology and liturgical worship within the Anglican/Episcopal tradition. The contributors attend closely to the interplay between Christian thinking, praying, and living in order to distil lessons for liturgical revision and worship renewal. Each chapter explores a major thinker or movement, and explores how the theological, liturgical, ecclesiological, and missiological commitments of the thinker or movement interacted and shaped the thinker's or movement's overall thought. This serves a two-fold purpose: 1.) Much scholarship about Anglican eucharistic theology treats some aspect of that theology in isolation (presence, sacrifice, etc.) from other aspects, and from the context in which the theology was developed. This approach shows how these various aspects and contexts in fact have mutual explanatory power. 2.) The interaction of these various aspects of eucharistic theology provide a framework for those involved in liturgical revision to think through the commitments communicated by the proposed revisions.

This cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from a sacramental theology that gave credit to the material realm as a vehicle for religious experience and moral formation, and they came to be distinguished by their participation in major aesthetic and social welfare endeavors. Williams traces how the church helped transmit a European-inflected artistic patronage that was adapted to the American scene by clergy and laity intent upon providing moral and aesthetic leadership for a society in flux. Episcopalian influence is most visible today in the churches, cathedrals, and elite boarding schools that stand in many cities and other locations, but Episcopalians also provided major support to the formation of stellar art collections, the performing arts, and the Arts and Crafts movement. Williams argues that Episcopalians thus helped smooth the way for acceptance of materiality in religious culture in a previously iconoclastic, Puritan-influenced society.

Einander ins Bild setzen. Darum gehe es beim Predigen, sagte 2002 Martin Nicol, Praktischer Theologe in Erlangen, und begrundete mit diesem Leitbild die Dramaturgische Homiletik. Mehr Gott wagen. Das sei die Herausforderung angesichts religioeser Indifferenz, sagt Nicol nun, nach vielen Jahren pastoraler Fortbildung im Predigen, und oeffnet seine eigene Predigtwerkstatt zur Besichtigung. Zehn Predigten werden prasentiert, kommentiert, jeweils einem aktuellen Thema der Homiletik zugeordnet und dieses Thema in der offenen Form von Reden entfaltet. Dabei gibt Nicol eine Fulle handwerklicher Anregungen fur die laufende Predigtarbeit. Zugleich zeichnet er an den Konturen kunftiger Predigt, die sich als Kunst unter Kunsten von Gustav Mahler ebenso inspirieren lasst wie von Udo Jurgens, die dem leidigen Kanzelpathos mit Humor begegnet, die mit Lust an Sprache ins Ungesagte springt, die dem Bibelwort traut, Verheissungen der Tradition in die Zukunft wirft und in alledem auf spezifische Resonanz hofft: Aufmerksamkeit bei den Menschen und Gehoer bei Gott.

Using narrative, testimonies from leaders and members, and photographs, this book tells the story and explains the remarkable influence of the Vineyard Church of Anaheim on both the early years of the Vineyard movement and the emergence of contemporary worship in the broader church. Not only does this volume present an in-depth look at the congregation's pastor, John Wimber, and the church's first several years, it also tells an inspiring story of revival and renewal for people hungering for deeper knowledge of God. With interviews, sermon excerpts, sidebars, timelines, and a glossary of terms to enhance the text, Worshiping with the Anaheim Vineyard addresses core issues about knowing God intimately for all Christians.

Sacrosanctum Concilium (SC) was the first document promulgated by the Second Vatican Council. The impact of this document was broad and ecumenical - the liturgical reforms approved by the Council reverberated throughout Christendom, impacting the order and experience of worship in Reformed and Orthodox Churches. This study examines Orthodox liturgical reform after Vatican II through the lens of Catholic-Orthodox ecumenical dialogue. The study presents the history of liturgical reform through four models: the liturgical reforms of Alexander Schmemann; the alternative liturgical center in the Russian Orthodox Church Outside of Russia (ROCOR); the symposia on liturgical rebirth authorized by the Church of Greece; and the renewed liturgy of New Skete Monastery. Following a discussion of the main features of liturgical reform, catechesis, ars celebrandi, and the role of the clergy, Denysenko concludes with suggestions for implementing liturgical reform in the challenges of postmodernity and in fidelity to the contributions of Catholic-Orthodox ecumenical dialogue.

When contemporary Christians worship (be they Catholic, Protestant, Orthodox or Pentecostal), they engage in a variety of ritual acts whose diversity and complexity may at first puzzle the observer. A closer look reveals that worship incorporates a limited number of major components which, repeated, form the backbone of the ceremonies Christians enact when they meet on Sundays. The refined typology of ritual acts described here focuses on six elementary forms: praise, prayer, sermon, sacrifice, sacrament and spiritual ecstasy. 'Sacred Games' argues that the essential meaning of Christian ritual is embodied in these six elements, all of which have their roots in ancient, pre-Christian ritual life. Each has its own constituents, dynamics, meaning and distinct story. Accordingly, this book is divided into six interpretative sections which, using French, German and English sources and contrasting past experience with the present, European with American, and Catholic with Protestant, explain the meanings of each. Lang uncovers their ancient biblical roots and follows their course through history with special emphasis on biblical, historic and contemporary forms.This is a pioneering book and a major scholarly achievement: the first full-scale history and interpretation of a collective spiritual act fraught with meaning. Well-illustrated, written in a highly readable style and geared to the informed general reader as well as to students and scholars, it should become an indispensable additon to the broader study of Christianity. Bernhard Lang is Professor of Religion at the University of Paderborn, Germany and has taught in Tubingen, Mainz, Philadelphia (Temple University) and Paris (the Sorbonne). He has written many books, including (with Colleen McDannell) 'Heaven: A History', published by Yale University Press and translated into seven languages.