Thomas of Edessa flourished as a teacher at the School of Nisibis, an important Christian intellectual centre in sixth-century Persia. He accompanied the later patriarch Mar Aba on his travels around the Mediterranean and followed him to Nisibis. Thomas's only surviving writings are two lectures in Syriac ('Explanations') on the feasts of the Nativity and Epiphany. These discourses were later incorporated into a collection of Explanations of the Feasts covering the whole ecclesiastical year. This volume presents an edition of Thomas of Edessa's Syriac text of Nativity and Epiphany, accompanied by a facing-page English translation. These discourses, with the editors' introduction and notes, elucidate Thomas's place in the theological development of the Church of the East. He is the earliest author after Narsai to draw extensively upon the theology of Theodore of Mopsuestia, but earlier Syriac traditions are also reflected in his work, and his Christology is not yet the doctrine characteristic of Babai and later East Syriac authors.

In 1993 and 1994, The Centre for Christianity and the Arts at the Institute of Church History, University of Copenhagen, arranged symposia with liturgy and the arts in the Middle Ages as the uniting theme. Scholars, with different professional backgrounds and from different European countries, as well as from the USA, presented papers of which 11 are collected and published in this book.

Thirteen acrostic hymns from a manuscript in the Sahidic dialect of Coptic which were written for the Monastery of the Archangel St Michael at Hamouli in the Fayyum, and hitherto available only in the few distributed copies of the 1922 photographic edition. The stanzas of each hymn begin with each letter of the Greek alphabet in turn. The hymns are in praise of the Virgin Mary, the apostles, and a number of saints particularly popular in the Coptic Church, and were no doubt used on the appropriate saint's day, while two hymns have for their subject the resurrection and the ascension, and baptism, and may have been appointed for the relevant seasons in the ecclesiastical year. This edition comprises an Introduction, particularly discussing the contents, structure, and language of the hymns; Coptic text with facing English translation and succinct notes; paleographical appendix; indexes; and two plates.

What happens to the Bible when it is used in worship? What does music, choreography, the stringing together of texts, and the architectural setting itself, do to our sense of what the Bible means-and how does that influence our reading of it outside of worship? In Liturgy and Biblical Interpretation, Sebastian Selven answers questions concerning how the Hebrew Bible is used in Jewish and Christian liturgical traditions and the impact this then has on biblical studies. This work addresses the neglect of liturgy and ritual in reception studies and makes the case that liturgy is one of the major influential forms of biblical reception. The case text is Isaiah 6:3 and its journey through the history of worship. By looking at the Qedushah liturgies in Ashkenazi Judaism and the Sanctus in three church traditions-(pre-1969) Roman Catholicism, Anglicanism (the Church of England), and Lutheranism (Martin Luther, and the Church of Sweden)-influential lines of reception are followed through history. Because the focus is on lived liturgy, not only are worship manuals and prayer books investigated but also architecture, music, and choreography. With an eye to modern-day uses, Selven traces the historical developments of liturgical traditions. To do this, he has used methodological frameworks from the realm of anthropology. Liturgy, this study argues, plays a significant role in how scholars, clergy, and lay people receive the Bible, and how we understand the way it is to be read and sometimes even edited. Liturgy and Biblical Interpretation will interest scholars of the Bible, liturgy, and church history, as well as Jewish and Christian clergy.

Those who make their home in God, Who wrap themselves in the blanket of God, Can cling to a deeper peace. The Faithful One provides warmth within, Sanctuary, from the fears that chill. FROM PSALM 91 A wellspring of prayer and praise for thousands of years, the Psalms give voice to every human emotion from intense joy to anger and disorientating sorrow. They are eternal soul songs that lift our hearts and address the same concerns and questions we face today, with fearlessness and acceptance. In this book, Lezley J. Stewart reimagines key Psalms in strikingly beautiful contemporary language and incorporates them into ready to use liturgies that focus on central themes in the Psalms: refuge, lament, refreshment and more. Let Everyone Find Their Voice offers a wealth of exquisitely crafted and sensitive worship resources that will enrich personal prayer and public worship, and will readily lend itself to multiple pastoral contexts.

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Second of two-volume edition of twelfth-century Ordinal from Fecamp, giving a detailed view of monastic liturgy. The abbey of Fecamp, reformed in the early years of the eleventh century by William of Volpiano, abbot of St-Benigne at Dijon, was a key institution in the development of Norman monasticism in the middle ages. As one of the most energetic monastic reformers of his time, William was noted for the attention he paid to the liturgy of the many abbeys he superintended, and his liturgical cursus was influential in English and continental monastic houses. The Fecamp Ordinal, edited here from a manuscript of the early thirteenth century, but transmitting the liturgy observed in the abbey some two centuries earlier, is the first complete source of William's liturgical work tobe printed. It is expanded by readings from complementary Fecamp service books, creating a text which gives a particularly detailed view of medieval monastic liturgy. The first volume contains the Temporale; this volume contains the remainder of the Ordinal (Sanctorale, Commune Sanctorum and Miscellanea), together with comprehensive indexes. DAVID CHADD teaches in the School of Music at the University of East Anglia.

"Common Prayer" explores the relationship between prayer and poetry in the century following the Protestant Reformation. Ramie Targoff challenges the conventional and largely misleading distinctions between the ritualized world of Catholicism and the more individualistic focus of Protestantism. Early modern England, she demonstrates, was characterized less by the triumph of religious interiority than by efforts to shape public forms of devotion. This provocatively revisionist argument will have major implications for early modern studies.
Through readings of William Shakespeare's "Hamlet, " Richard Hooker's "Lawes of Ecclesiastical Politie," Philip Sidney's "Apology for Poetry" and his translations of the Psalms, John Donne's sermons and poems, and George Herbert's "The Temple, " Targoff uncovers the period's pervasive and often surprising interest in cultivating public and formalized models of worship. At the heart of this study lies an original and daring approach to understanding the origins of devotional poetry; Targoff shows how the projects of composing eloquent verse and improving liturgical worship come to be deeply intertwined. New literary practices, then, became a powerful means of forging common prayer, or controlling private and otherwise unmanageable expressions of faith.

The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 26 and 40 in the present series.

In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick's analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.

The order for the coronation of William III and Mary at Westminster on 11 April 1689 (from London, College of Arms, MS L.19; Lambeth Palace, Misc.MS 1077) with a fourteenth century Anglo-French text (Cambridge, Corpus Christi College, MS 20) and an eleventh century rite for the coronation of an Anglo-Saxon kingfrom an English pontifical (Cambridge, Corpus Christi College, MS 44). With apparatus and considerable notes.

This volume presents a kind of anticipated companion volume to the HBS edition of the Directorium Sacerdotum, a variety of ordinal or directory, which was privately compiled by Clement Maydeston, who though a priest held formally the post of 'deacon' at the Brigittine Abbey of Syon, Middlesex (c. 1390-1456). Despite these origins, the compilation acquired a de facto official status. The Directorium Sacerdotum itself was published as volumes 20 and 22. The Directorium aimed in part at providing calendrical and rubrical solutions for those observing the Sarum Use. It did this by making a distinction between the practice of the Salisbury cathedral chapter and the practice that could reasonably be required from the many others in England who followed in general the Sarum Use. Maydeston's position was that outside the Salisbury chapter it was reasonable to make modifications to meet local conditions and calendars. This was deemed unacceptable by some, who maintained that the practice observed at Salisbury itself should be followed everywhere. This line of argument ignored the fact that in any case there were contradictions between the existing manuscript drafts of the Sarum ordinal and the rubrics of the liturgical books. The edition focuses in particular on two printed texts which offer Maydeston's defence. The first is the Defensorium Directorii Sacerdotum printed in successive editions of the Directorium Sacerdotum by Wynkyn de Worde in 1495 . The second is the text Crede Michi, a longer and more considered rubrical tract compiled by Maydeston but incorporating rubrical adjudications made by the Salisbury canons c. 1440-1450, and partly based on an earlier work by one John Raynton. The text given is that printed by Wynkyn de Worde in the quarto of 1495.

Who will mourn with me? Who will break bread with me? Who is my neighbor? In the wake of the religious reformations of the sixteenth century, such questions called for a new approach to the communal religious rituals and verses that shaped and commemorated many of the brightest and darkest moments of English life. In England, new forms of religious writing emerged out of a deeply fractured spiritual community. Conflicts of Devotion reshapes our understanding of the role that poetry played in the re-formation of English community, and shows us that understanding both the poetics of liturgy and the liturgical character of poetry is essential to comprehending the deep shifts in English spiritual attitudes and practices that occurred during the sixteenth and seventeenth centuries. The liturgical, communitarian perspective of Conflicts of Devotion sheds new light on neglected texts and deepens our understanding of how major writers such as Edmund Spenser, Robert Southwell, and John Donne struggled to write their way out of the spiritual and social crises of the age of the Reformation. It also sheds new light on the roles that poetry may play in negotiating-and even overcoming-religious conflict. Attention to liturgical poetics allows us to see the broad spectrum of ways in which English poets forged new forms of spiritual community out of the very language of theological division. This book will be of great interest to teachers and students of early modern poetry and of the various fields related to Reformation studies: history, politics, and theology.

Liturgy was the first and most significant subject taken up by the Second Vatican Council. The Council produced a document on the liturgy, The Constitution on the Sacred Liturgy, that would give shape to Catholic worship for years to come. By calling for the revision of all the rites according to the principles set forth in The Constitution on the Sacred Liturgy, the Council set in motion the most comprehensive liturgical reform in Catholic history. This new book explains and puts into context the background of the new translation of the Mass, only now approved by the American bishops. It presents a useful schema of the contents of The Constitution on the Sacred Liturgy by identifying seven essential themes of the document. No book in recent years has selected these themes or presented them with such clarity. It evaluates critically the "reform of the reform" movement, and other groups that currently propose a radical revision of the church's liturgy. It links the theoretical to the practical by asking concrete, pastoral questions about where the church stands today with respect to all of the key elements of the Constitution, making the book especially useful for pastoral practitioners. It offers a positive evaluation of the reform overall, while clearly focusing on the question of ongoing renewal. Finally, the unique annotated bibliography for further reading will appeal to a diverse readership by offering a stimulating variety of subjects, writing styles, and perspectives on the issues.

Communion and otherness: how can these be reconciled? In this wide-ranging study, the distinguished Orthodox theologian, Metropolitan John (Zizioulas) of Pergamon, seeks to answer that question. In his celebrated book, Being as Communion (1985), he emphasised the importance of communion for life and for unity. In this important companion volume he now explores the complementary fact that communion is the basis for true otherness and identity. With a constant awareness of the deepest existential questions of today, Metropolitan John probes the Christian tradition and highlights the existential concerns that already underlay the writings of the Greek fathers and the definitions of the early ecumenical councils. In a vigorous and challenging way, he defends the freedom to be other as an intrinsic characteristic of personhood, fulfilled only in communion. After a major opening chapter on the ontology of otherness, written specially for this volume, the theme is systematically developed with reference to the Trinity, Christology, anthropology and ecclesiology. Another new chapter defends the idea that the Father is cause of the Trinity, as taught by the Cappadocian fathers, and replies to criticisms of this view. The final chapter responds to the customary separation of ecclesiology from mysticism and strongly favours a mystical understanding of the body of Christ as a whole. Other papers, previously published but some not easily obtainable, are all revised for their inclusion here. This is a further contribution to dialogue on some of the most vital issues for theology and the Church from one of the leading figures in modern ecumenism.

Michael Brown's book helps to explain why Christians throughout the ages have interpreted texts differently, especially cultic texts. Beginning with an imagined Greco-Roman auditor of the Lord's Prayer, Brown demonstrates how a Greco-Roman's understanding of the prayer would have been different from that of a Hellenized Jew in Palestine. Brown takes the reader into discussions of early Greco-Roman Christians regarding prayer in general and the Lord's Prayer in particular. Focusing on cultic didachai of Clement of Alexandria and Tertullian of Carthage, The Lord's Prayer through North African Eyes is a window into the turbulent and sometimes confusing world of second century Christianity in Africa.

In this gift-size book, Cameron shares beautiful prayers of empowerment followed by potent declarations on the nature of creativity that extend beyond affirmations to facilitate a powerful awakening of the artistic child within and revitalize fading dreams, while lending encouragement and compelling reminders that we can all tap into the creative spirit. Heart Steps is certain to ignite the creative spark, drawing readers inward toward the fire of their own creativity. Whether read in one sitting or savored over time, Heart Steps is a book no creative being will want to be without. Index.

R.J. Urquhart provides the first systematic description of the ceremonial of the Sarum Mass in 500 years. Using a variety of sources, and tracing the Sarum rite and its occasional use from the Act of Supremacy through to modern times, Urquhart has compiled a volume that offers the best possible reconstruction and overview of these profoundly beautiful rites from the liturgical treasury of the Church. Urquhart considers Sarum in the light of Pope Benedict XVI's groundbreaking apostolic constitution, Anglicanorum Coetibus, and how this has reopened the question of the catholicity of part of the Anglican patrimony. He also considers the impact of Pope Benedict's Summorum Pontificum and its proposition that what was sacred for earlier generations remains sacred now, arguing that this supremely pastoral teaching calls for a more profound and detailed study of the rite. Urquhart covers all aspects of the ritual, beginning with an outline of the vessels, books and vestments and then moving on to outline both Low and High Mass, special forms, processions and blessings, and the ritual year. Appendices cover the role of the laity, and offer an Ordo Missae with simple rubrics.

The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

Most histories of Christian worship are written as if nothing significant in liturgical history ever happened in North America, as if cultural diversities were insignificant in the development of worship, and as if most of what mattered were words the priest or minister addressed to God. This book is a revisionist work, attempting to give new direction to liturgical history by treating the experience of worship of the people in the pews as the primary liturgical document. It means liturgical history written facing the other way--that is, looking into the chancel rather than out of it. Relishing the liturgical diversity of recent centuries as firm evidence of Chritianity's ability to adapt to a wide variety of peoples and places, Professor White shows that this tendency has been apparent in Chrisitian worship since its inception in the New Testament churches. Instead of imposing one tradition's criteria on worship, he tries to give a balanced and comprehensive approach to the development of the dozen or more traditions surviving in the modern world.

Eucharist is a detailed history of the Christian Eucharistic formularies. Bouyer gives a thorough analysis of the Jewish meal prayers, the berakoth, to which he traces the origins of the eucharistic rite, and ends with the recent addition of new eucharistic prayers to the Roman rite. He also includes the history of the various forms of the early Christian liturgies, of the Byzantine, Gallican, and Mozarabic Eucharists, of the changes introduced during the Reformation, and of developments in the Anglican, Lutheran, and Reformed traditions.

The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded 'for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

A Eucharist-shaped Church: Prayer, Theology, Mission is a historical-theological survey of major movements and thinkers that have shaped sacramental theology and liturgical worship within the Anglican/Episcopal tradition. The contributors attend closely to the interplay between Christian thinking, praying, and living in order to distil lessons for liturgical revision and worship renewal. Each chapter explores a major thinker or movement, and explores how the theological, liturgical, ecclesiological, and missiological commitments of the thinker or movement interacted and shaped the thinker's or movement's overall thought. This serves a two-fold purpose: 1.) Much scholarship about Anglican eucharistic theology treats some aspect of that theology in isolation (presence, sacrifice, etc.) from other aspects, and from the context in which the theology was developed. This approach shows how these various aspects and contexts in fact have mutual explanatory power. 2.) The interaction of these various aspects of eucharistic theology provide a framework for those involved in liturgical revision to think through the commitments communicated by the proposed revisions.

Popular perceptions of American writers as either godless radicals or God-fearing reactionaries overlook a vital tradition of Christian leftist thought and creative work. In Communion of Radicals, Jonathan McGregor offers the first literary history of theologically conservative writers who embraced political radicalism, as their reverence for tradition impelled them to work for social justice. Challenging recent accounts that examine twentieth-century American literature against the backdrop of the rising Religious Right, Communion of Radicals uncovers a different literary lineage in which allegiance to religious tradition fostered dedication to a more just future. From the Gilded Age to the Great Depression to the civil rights movement, traditional faith empowered the rebellious writing of socialists, anarchists, and Catholic personalists such as Vida Scudder, Dorothy Day, Claude McKay, F. O. Matthiessen, and W. H. Auden. By recovering their strain of traditioned radicalism, McGregor shows how strong faith in the past can fuel the struggle for an equitable future. As Christian socialists, Scudder and Ralph Adams Cram envisioned their movement for beloved community as a modern version of medieval monasticism. Day and the Catholic Workers followed the fourteenth-century example of St. Francis when they lived and wrote among the disaffected souls on the Bowery during the Great Depression. Tennessee's Fellowship of Southern Churchmen argued for a socialist and antiracist understanding of the notion of "the South and the Agrarian tradition" popularized by James McBride Dabbs, Walker Percy, and Wendell Berry. Agrarian roots flowered into creative expressions encompassing the queer and Black medievalist poetry of Auden and McKay, respectively; Matthiessen's Catholic socialist interpretation of the American Renaissance; and the genteel anarchism of Percy's southern comic novels. Imaginative writing enabled these Christian leftists to commune with the past and with each other, driving their radical efforts in the present. Communion of Radicals chronicles a literary Christian left that unites deeply traditional faith with radicalism, and offers a usable past that disrupts perceived alignments of religion and politics.