"A Singing Faith" is a book of inspiring hymns composed by renowned hymn writter Jane Parker Huber. It includes an introduction in which Huber discusses her songwriting process, commentaries on the hymns, and a topical index.

This volume seeks to address the needs of teachers and advanced students who are preparing classes on the Middle Ages or who find themselves confounded in their studies by reference to the various liturgies that were fundamental to the lives of medieval peoples. In a series of essays, scholars of the liturgy examine "The Shape of the Liturgical Year," "Particular Liturgies," "The Physical Setting of the Liturgy," "The Liturgy and Books," and "Liturgy and the Arts." A concluding essay, which originated in notes left behind by the late C. Clifford Flanigan, seeks to open the field, to examine "liturgy" within the larger and more inclusive category of "ritual." "The essays are intended to be introductory but to provide the basic facts and the essential bibliography for further study. They approach particular problems assuming a knowledge of medieval Europe but little expertise in liturgical studies per se.

The articles on Eucharistic liturgy given here are reprinted from the pages of Worship magazine. This expanded edition of the 1982 printing includes three additional essays: Justice and the Eucharist" by R. Kevin Seasoltz, O.S.B.; "Stipends and Eucharistic Praxis" by M. Francis Mannion; and "Stipends in the New Code of Canon Law" by John M. Huels, O.S.M.

The presumed mystery" of liturgical functions is swept away as Seale gives basic, practical steps leading to an effective liturgy.

(Re-released as part of the "Classics in Liturgy" series) Originally published as "Early Sources of the Liturgy, " this book presents the principal texts of the Christian liturgy from its beginnings to the fifth century. Included among the main sources treated are liturgical texts of the Jewish tradition; doxologies, hymns, and blessings of the New Testament; the Didache; the Letter to the Corinthians of Clement of Rome; the Apostolic Tradition of Hippolytus of Rome; the Anaphora of Addai and Mari; the Didascalia of the Apostles; the Euchology of Serapion.

Later witnesses include the Strasbourg Papyrus; the Apostolic Constitutions; the Euchology of Der Balyzeh; the Catechesis of Cyril of Jerusalem.

"Lucien Deiss, CSSp, for ten years a professor of theology and Scripture at the Grand Scholastica de Chevilly-Larue, is one of the pioneers of the biblical and liturgical renewal. He worked for the reform brought about by Vatican II and participated in the ecumenical translation of the Bible. He is the author of numerous books, including "Celebration of the Word; Springtime of the Liturgy; The Mass; "and "Joseph, Mary, Jesus, " published by The Liturgical Press. He has composed many liturgical songs, some of which have been translated into the principal world languages, including Chinese."

Those interested in Christian worship have tended to limit their attention to three areas: (1) the history of rites and texts; (2) the theological meaning of specific liturgical acts; and (3) the nature of ritual speech and gesture. But there has been little attention paid to the interaction between Christian worship and its immediate social context. This book will argue that one of the primary influences on the social context of Christian worship is the pervasive presence of technology and technological process, and that these have had a profound effect on liturgical theory and practice.

After a survey of some of the important work being done in the history and philosophy of technology, White goes on to cite specific historical examples of the creative interplay between technological processes and Christian worship. This will include such things as the pasteurization of grape juice for the use at communion and the changes in funeral rites which were made necessary by the practice of embalming. The argument will then turn to the way in which individuals who "think technologically" approach the act of Christian worship today, and then to a discussion of the technological influences at work on those involved in preparing services of public worship. This last section will describe how technology has affected the way in which every mainline denomination produces its official service materials, as well as how individual congregations appropriate liturgical change.

In the final section of the book, one issue remains to be addressed: Is technology a dangerous social force, against which Christian worship can be a potent weapon? Or, on the other hand, is technology an inextricable element in a contemporary society to which Christian worship must accommodate itself in order to be "relevant"?

What makes Christian worship both true and relevant to ever-changing human circumstances? How can our gathering about the Scriptures, the Table of the Lord, and the waters of baptism shape and express authentic Christian faith in the world of everyday life? In this book, Don Saliers finds a fresh way of answering these questions by exploring four "senses" of God: awe, delight, truth, and hope. Why are wonderment, surprise, truthfulness, and expectancy so often missing or diminished in Christian liturgy today, whether Protestant or Roman Catholic, "high church" or "low church", "traditional" or "contemporary"? These are essential qualities of both worship and life. Saliers contends that we are still restless for communion with God, and suggests how these essentials may be rediscovered by every worshiping congregation. At stake are the means of grace received from Christ, attested to in the Scriptures and shown in every faithful worshiping assembly.

A pair of leaves recently acquired by Houghton Library presents an opportunity to examine the illuminated sequence composed in honor of John the Evangelist, Verbum dei, deo natum, within its broader cultural context. Written and illuminated at the Dominican nunnery of Paradies bei Soest in Westfalia as part of a set of liturgical books that are among the most elaborate of their kind from the entire Middle Ages, the richly decorated fragments promise to transform our understanding of the special place of Christ's "beloved disciple" in 14th-century art, liturgy, theology, and mysticism. In addition to an introduction on art and liturgy in the Middle Ages, the interdisciplinary collection of essays includes contributions by musicologists, philologists and art historians.

A photographic reprint of the rare edition,first published in 1912, of the `Fulda Sacramentary' (Gottingen, UB, Cod. theol. 231), a 10th-century manuscript written at Fulda which represents a distinct recension of the Gregorian Sacramentary, possibly connected with the scholarly activities of Hrabanus Maurus (d.856). The Fulda Sacramentary was richly illuminated; it is also a rich repository of prayers and mass formulas, and its ample contents include aprayer in Old High German.

A complete prayer book in the Slavonic language printed with the Cyrillic (old orthography) alphabet. Includes morning and evening prayers, the liturgy of St. John Chrysostom, various Akathists and Canons annd much more besides.

A complete prayer book in the Slavonic language printed with the Cyrillic (old orthography) alphabet. Includes morning and evening prayers, the liturgy of St. John Chrysostom, various Akathists and Canons annd much more besides.

This is a book to accompany the readings in year B of the Lectionary. It aims to help individuals and groups to understand and use Mark's Gospel. There are two other books that will follow this one: Journeying with Luke in Year C and Journeying with Matthew in Year A. This book's unique slant is that it asks readers to use their imagination 'to bring the Gospel to life.' It asks readers to visualize themselves in the scenes that Mark describes in order see Mark's Gospel in a fresh and exciting way.

To a deplorable extent, Christians accept Church rituals as sacred but baffling heirlooms from the Church's past. It is to remedy this situation that Father Danielou has written this book. The Bible and the Liturgy illuminates, better than has ever before been done, the vital and meaningful bond between Bible and liturgy. Father Danielou aims at bringing clearly before his reader's minds the fact that the Church's liturgical rites and feasts are intended, not only to transmit the grace of the sacraments, but to instruct the faithful in their meaning as well as the meaning of the whole Christian life. It is through the sacraments in their role as signs that we learn. So that their value will be appreciated, Danielou attempts to help us rediscover the significance of these rites so that the sacraments may once again be thought of as the prolongation of the great works of God in the Old Testament and the New.

A collection of fresh, new liturgies and prayers, closely targeted at different age ranges from 5yrs to 18yrs old, plus material for all-age. All the material has arisen from experience and has been written to be used or adapted with confidence. Includes material for: 'Sunday School' and mid-week children's services; Youth services, clubs and events; School assemblies; Family services.

Diplomatic edition of interesting sacramentary from the Carolingian period. This sacramentary, compiled at the abbey of Echternach between 895 and 900, is one of the most interesting and unusual examples from the Carolingian period. Unique in combining aspects of Gregorian, Gelasian, and Old Gelasian sacramentaries, it also has important implications for such matters as Carolingian liturgical reforms, and it is a vital source for the study of the local history of the abbey of Echternach itself. The Sacramentary, with material appended to it (such as a list of the benefactors of the abbey), is presented here in a diplomatic edition, with introduction, notes and collation tables by the editor. YITZHAK HEN is Lecturer in History at the Ben-Gurion University of the Negev, Israel.

Jesus is our source for everything. When we rely on him alone, our satisfaction in life increases and anxiety begins to subside. Comparisons cease. Unnecessary pursuits pause. And we begin to notice the little things. The things that matter. Life. Breath. Kindness. Stillness. Beauty. This is where we find deep connection with our loving Savior. As you quiet yourself before him and meditate on these Scriptures, devotions, and prayers, experience the goodness of his presence, and be refreshed with his perfect peace. When you recognize that Jesus really is all you need, other concerns fade. Hope dawns with the sunrise. Tender mercies fall fresh. Boundless joy springs up from a well within. And you find the strength to walk through each day with grace. Features: - High-grade faux leather provides durability and exquisite tactile appeal. - Heat debossing on faux leather darkens its color, giving the cover a two-tone appearance and creating indentation which shows off the intricate design and varied texture. - Metallic and matte foil finishing touches are elegantly placed to enhance certain features, capturing attention and adding class for an aesthetic appeal. - This high-quality sturdy Smyth-sewn binding stitches book signatures together creating durability and allowing pages to lay flat when open. Decorative head and foot bands are also added to further complement the overall design. - This matte art high quality paper with a smooth satin touch provides long-lasting vivid coloration and durability. - A beautiful satin ribbon marker conveniently keeps your place so you can quickly pick up where you left off.

The central thesis of this book is that there is a distinctive Wesleyan Eucharistic spirituality. Looking at the Wesleys' Eucharistic practices, theology and sources for these, the writer identifies a spirituality that has three themes. These revolve around the dynamic encounter with a personal Christ, the grace-filled life, the therapeutic growth towards holiness and wholeness. They provide a way of looking at life and the formation of characters which may conform to the image of the Christ. While there were several reasons for the decline of Wesleyan Eucharistic spirituality after the death of the Wesleys, the writer maintains that this spirituality can be rediscovered, revived and communicated in new forms so as to impact Methodists around the world who are facing the challenges of the 21st century.

Early 11c service book containing many masses commemorating English and Continental saints. The `Missal of Robert of Jumieges' is one of the most important, and also most beautifully written and decorated, service books which have survived from the late Anglo-Saxon period. Probably written at Canterbury in the early years of the eleventh century, it eventually came into the possession of Robert, bishop of London (1044-51), who gave it to the abbey of Jumieges in France, where it remained until 1791. From a liturgical point of view, the manuscriptis notable for the large number of masses commemorating not only native English, but also continental, and particularly Flemish, saints culted in late Anglo-Saxon England; the book is thus an important witness to the cultural links between England and the Continent at that time. The text, first published in 1896, has a still-valuable introduction by its editor and is accompanied by fifteen black and white plates, which give some impression of the original, lavish decoration. There are also full indexes of liturgical forms and subjects.

The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

The order for the coronation of William III and Mary at Westminster on 11 April 1689 (from London, College of Arms, MS L.19; Lambeth Palace, Misc.MS 1077) with a fourteenth century Anglo-French text (Cambridge, Corpus Christi College, MS 20) and an eleventh century rite for the coronation of an Anglo-Saxon kingfrom an English pontifical (Cambridge, Corpus Christi College, MS 44). With apparatus and considerable notes.

This collection of ten essays constitutes the proceedings of a two-day conference held at Harvard in October 2007. The conference focused on three medieval manuscripts of Ambrosian chant owned by Houghton Library. The Ambrosian liturgy and its music, practiced in and around medieval Milan, were rare regional survivors of the Catholic Church s attempt to adopt a universal Roman liturgy and the chant now known as Gregorian. Two of the manuscripts under scrutiny had been recently acquired (one perhaps the oldest surviving source of Ambrosian music), and the third manuscript, long held among the Library s collections of illuminated manuscripts, had been newly identified as Ambrosian.

The generously illustrated essays gathered here represent the work of established experts and younger scholars. Together they explore the manuscripts as physical objects and place them in their urban and historical contexts, as well as in the musical and ecclesiastical context of Milan, Italy, and medieval Europe.

How has the Orthodox liturgy come to have the shape it has? How different is it from the eucharistic rites of the Western churches? Hugh Wybrew's authoritative but splendidly readable book traces the development of the Orthodox liturgy from the Last Supper to the present day.