The liturgies of the Word and the Lord's Supper that are included in this volume range from those of the church fathers Justin Martyr and Hippolytus through the Roman Mass (in both Latin and English), to the great Reformation liturgies of Luther, Zwingli, Calvin, Knox, Baxter, and Wesley, as well as the Middleburg Liturgy of the English Puritans and the Westminster Directory. In addition to his translations, Thompson draws upon copies of many original documents to insure accuracy. An introduction, which places the liturgy within its tradition, accompanies each text.

(Re-released as part of the "Classics in Liturgy" series) Originally published as "Early Sources of the Liturgy, " this book presents the principal texts of the Christian liturgy from its beginnings to the fifth century. Included among the main sources treated are liturgical texts of the Jewish tradition; doxologies, hymns, and blessings of the New Testament; the Didache; the Letter to the Corinthians of Clement of Rome; the Apostolic Tradition of Hippolytus of Rome; the Anaphora of Addai and Mari; the Didascalia of the Apostles; the Euchology of Serapion.

Later witnesses include the Strasbourg Papyrus; the Apostolic Constitutions; the Euchology of Der Balyzeh; the Catechesis of Cyril of Jerusalem.

"Lucien Deiss, CSSp, for ten years a professor of theology and Scripture at the Grand Scholastica de Chevilly-Larue, is one of the pioneers of the biblical and liturgical renewal. He worked for the reform brought about by Vatican II and participated in the ecumenical translation of the Bible. He is the author of numerous books, including "Celebration of the Word; Springtime of the Liturgy; The Mass; "and "Joseph, Mary, Jesus, " published by The Liturgical Press. He has composed many liturgical songs, some of which have been translated into the principal world languages, including Chinese."

This well-known and respected work on the eucharistic celebration has been updated and revised. The editor Monsignor Maas-Ewerd has incorporated the insights of recent research, updated the bibliography, and re-formulated many passages in light of some important changes in thought and language since the first edition.

"The Eucharist: Essence, Form, Celebration" helps readers gain an understanding of correct form for celebration of the eucharistic liturgy in light of the renewals of Vatican Council II. It is therefore an explanation of the Mass, as Pius Parsch, to whom the first edition was dedicated, understood it. It is an explanation both of the biblical foundations and of the historical development of the liturgy within its two-thousand-year tradition. Thus, Maas-Ewerd maintains that we must inquire into both aspects - Jesus' foundational intention and the Church's long tradition of celebrating the Lord's legacy - to obtain a clear picture of the enduringly valid form of the Mass at all times, including its present realization.

In the foreword to the first edition, Johannes Emminghaus wrote that, despite the many content and language changes since the first edition, Parsch's fundamental principle was correct, and it remains so today: the essence or nature of the liturgy can only be explained on the basis of Christ's institution (as witnessed in Scripture) and the traditional teaching of the Church. Its form, in turn, with its many changes and its high and low points, is explicable also through Scripture and history; but the manner of its celebration can only be explained through the form as we know it and especially through the concrete faith of people.

The intent of "The Eucharist: Essence, Form, Celebration" is practical: it is meant as an aid to an appropriate and responsible celebration of the congregational Eucharist. Readers - those in ministry, teachers, catechists, and members of parish liturgical committees and study groups, as well as those interested in Church history - are invited to an active participation, one that bears fruit because it stems from faith.

Maas-Ewerd maintains that our task now is to live with the renewed liturgy, to integrate it more fully into our lives, and at the same time understand and celebrate it as a sign of salvation and as the Church's self-expression. "The Eucharist: Essence, Form, Celebration" encourages this process.

Part One is "The Fundamental Structure of the Mass Through the Ages." Chapters are: "Fundamental Structure of the Mass," and "The Continuing Identity of the Mass Through Many Changes." Part Two is "The Celebration of Mass in Its Current Form." Chapters are: "The Celebration Begins," "Liturgy of the Word," "The Celebration of the Eucharist," and "The Conclusion of the Mass." A reminiscence of Professor Johannes H. Emminghaus (1919-1989), a bibliography, appendices, and an index are also included."

Second of two-volume edition of twelfth-century Ordinal from Fecamp, giving a detailed view of monastic liturgy. The abbey of Fecamp, reformed in the early years of the eleventh century by William of Volpiano, abbot of St-Benigne at Dijon, was a key institution in the development of Norman monasticism in the middle ages. As one of the most energetic monastic reformers of his time, William was noted for the attention he paid to the liturgy of the many abbeys he superintended, and his liturgical cursus was influential in English and continental monastic houses. The Fecamp Ordinal, edited here from a manuscript of the early thirteenth century, but transmitting the liturgy observed in the abbey some two centuries earlier, is the first complete source of William's liturgical work tobe printed. It is expanded by readings from complementary Fecamp service books, creating a text which gives a particularly detailed view of medieval monastic liturgy. The first volume contains the Temporale; this volume contains the remainder of the Ordinal (Sanctorale, Commune Sanctorum and Miscellanea), together with comprehensive indexes. DAVID CHADD teaches in the School of Music at the University of East Anglia.

The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

Those interested in Christian worship have tended to limit their attention to three areas: (1) the history of rites and texts; (2) the theological meaning of specific liturgical acts; and (3) the nature of ritual speech and gesture. But there has been little attention paid to the interaction between Christian worship and its immediate social context. This book will argue that one of the primary influences on the social context of Christian worship is the pervasive presence of technology and technological process, and that these have had a profound effect on liturgical theory and practice.

After a survey of some of the important work being done in the history and philosophy of technology, White goes on to cite specific historical examples of the creative interplay between technological processes and Christian worship. This will include such things as the pasteurization of grape juice for the use at communion and the changes in funeral rites which were made necessary by the practice of embalming. The argument will then turn to the way in which individuals who "think technologically" approach the act of Christian worship today, and then to a discussion of the technological influences at work on those involved in preparing services of public worship. This last section will describe how technology has affected the way in which every mainline denomination produces its official service materials, as well as how individual congregations appropriate liturgical change.

In the final section of the book, one issue remains to be addressed: Is technology a dangerous social force, against which Christian worship can be a potent weapon? Or, on the other hand, is technology an inextricable element in a contemporary society to which Christian worship must accommodate itself in order to be "relevant"?

What makes Christian worship both true and relevant to ever-changing human circumstances? How can our gathering about the Scriptures, the Table of the Lord, and the waters of baptism shape and express authentic Christian faith in the world of everyday life? In this book, Don Saliers finds a fresh way of answering these questions by exploring four "senses" of God: awe, delight, truth, and hope. Why are wonderment, surprise, truthfulness, and expectancy so often missing or diminished in Christian liturgy today, whether Protestant or Roman Catholic, "high church" or "low church", "traditional" or "contemporary"? These are essential qualities of both worship and life. Saliers contends that we are still restless for communion with God, and suggests how these essentials may be rediscovered by every worshiping congregation. At stake are the means of grace received from Christ, attested to in the Scriptures and shown in every faithful worshiping assembly.

The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 26 and 40 in the present series.

The order for the coronation of William III and Mary at Westminster on 11 April 1689 (from London, College of Arms, MS L.19; Lambeth Palace, Misc.MS 1077) with a fourteenth century Anglo-French text (Cambridge, Corpus Christi College, MS 20) and an eleventh century rite for the coronation of an Anglo-Saxon kingfrom an English pontifical (Cambridge, Corpus Christi College, MS 44). With apparatus and considerable notes.

This volume presents a kind of anticipated companion volume to the HBS edition of the Directorium Sacerdotum, a variety of ordinal or directory, which was privately compiled by Clement Maydeston, who though a priest held formally the post of 'deacon' at the Brigittine Abbey of Syon, Middlesex (c. 1390-1456). Despite these origins, the compilation acquired a de facto official status. The Directorium Sacerdotum itself was published as volumes 20 and 22. The Directorium aimed in part at providing calendrical and rubrical solutions for those observing the Sarum Use. It did this by making a distinction between the practice of the Salisbury cathedral chapter and the practice that could reasonably be required from the many others in England who followed in general the Sarum Use. Maydeston's position was that outside the Salisbury chapter it was reasonable to make modifications to meet local conditions and calendars. This was deemed unacceptable by some, who maintained that the practice observed at Salisbury itself should be followed everywhere. This line of argument ignored the fact that in any case there were contradictions between the existing manuscript drafts of the Sarum ordinal and the rubrics of the liturgical books. The edition focuses in particular on two printed texts which offer Maydeston's defence. The first is the Defensorium Directorii Sacerdotum printed in successive editions of the Directorium Sacerdotum by Wynkyn de Worde in 1495 . The second is the text Crede Michi, a longer and more considered rubrical tract compiled by Maydeston but incorporating rubrical adjudications made by the Salisbury canons c. 1440-1450, and partly based on an earlier work by one John Raynton. The text given is that printed by Wynkyn de Worde in the quarto of 1495.

Whether you have made prayer a habit for many years or this is your first prayer devotional, inspiration is waiting for you in the daily prayers written here. Ultimately, prayer is a conversation with God. You don't need to use fancy words or recite long passages of Scripture. Just talk to God. Open your heart. He adores you, and he's listening to every word you say. Some days your prayers may be filled with gratitude, some days with repentance, and some with need. Just lay your heart and your prayers at the Father's feet and wait for his powerful response. May God bless you as you connect daily with God. SPECIAL FEATURES - High-grade faux leather cover provides durability and exquisite tactile appeal. - Special heat debossing gives the cover a two-tone appearance and creates indentation which shows off the intricate design and varied texture. - Metallic and matte foil finishing touches are elegantly placed to enhance features, capturing attention and adding class for an aesthetic appeal. - This high-quality, sturdy Smythe-sewn binding stitches the signatures together creating durability and allowing pages to lay flat when open. Decorative head and foot bands are also added to further complement the binding. - This matte art high quality paper with a smooth satin touch provides long-lasting vivid coloration and durability. - A beautiful satin ribbon marker conveniently keeps your place so you can quickly pick up where you left off. - Coordinating sturdy zippered closure allows you to tuck important extras inside.

If grandmothers ran the world, our grandchildren would always be within arms' reach-at least until we needed a little quiet time to relax and re-energise. But, life doesn't often work out that way. Even if we live right around the corner, our grown children- and their children - lead busy lives. 'Grandma Time' may never be as long, or frequent, as our hearts wish it would be. Here's a way we can make the most of the time we have, together or apart, by drawing closer to God, as well as our grandchildren. These 52 devotions for devoted grandmas cover topics like worry, playing favourites, and how to keep from becoming a 'Nana Diva'. They also include creative ideas on how to put our grandmotherly love into action. The perfect gift for a first-time grandma, or perhaps a well-deserved bit of encouragement for yourself, this devotional will inspire readers to get off their rockers and on their knees as they celebrate the unparalleled blessings that being a grandparent brings.

Courage isn't something that comes naturally to most. The only way to truly be brave is to walk in the confidence that comes from knowing God and relying on him to be your strength. When you spend time with him, he will fill you with peace and hope for the future. When you finally see yourself as God sees you, you will recognize the talents and abilities you have been blessed with and start operating in the fullness of those gifts.

Be encouraged with truth as you spend time with God, reflecting on these devotions, scriptures, and prayers. Let him show you that you are beautiful, you are strong, and you were created with a purpose. Take courage in God's love for you and be ready to conquer each day!

- Exquisite faux leather cover, heat debossed and stamped with foil
- Beautifully designed full color interior on high quality paper
- Encouraging Scriptures
- Inspiring devotions
- Heartfelt prayers
- Thought-provoking questions
- Ribbon marker

A complete prayer book in the Slavonic language printed with the Cyrillic (old orthography) alphabet. Includes morning and evening prayers, the liturgy of St. John Chrysostom, various Akathists and Canons annd much more besides.

The Oxford History of Christian Worship is a comprehensive and authoritative history of the origins and development of Christian worship to the present day. Backed by an international roster of experts as contributors, this new book will examine the liturgical traditions of Orthodox, Catholic, and Protestant, and Pentecostal traditions throughout history and across the world. With 240 photographs and 10 maps, the full geographical spread of Christianity is covered, including Europe, North America, Latin America, Africa, East Asia, and the Pacific. Following contemporary trends in scholarship, it will cover social and cultural contexts, material culture and the arts.
Written to be accessible to the educated layperson, this unique and beautiful volume will also appeal to clergy and liturgists and more generally to students and scholars of the liturgy, Christian theology, church history, and world history.

Those who make their home in God, Who wrap themselves in the blanket of God, Can cling to a deeper peace. The Faithful One provides warmth within, Sanctuary, from the fears that chill. FROM PSALM 91 A wellspring of prayer and praise for thousands of years, the Psalms give voice to every human emotion from intense joy to anger and disorientating sorrow. They are eternal soul songs that lift our hearts and address the same concerns and questions we face today, with fearlessness and acceptance. In this book, Lezley J. Stewart reimagines key Psalms in strikingly beautiful contemporary language and incorporates them into ready to use liturgies that focus on central themes in the Psalms: refuge, lament, refreshment and more. Let Everyone Find Their Voice offers a wealth of exquisitely crafted and sensitive worship resources that will enrich personal prayer and public worship, and will readily lend itself to multiple pastoral contexts.

The central thesis of this book is that there is a distinctive Wesleyan Eucharistic spirituality. Looking at the Wesleys' Eucharistic practices, theology and sources for these, the writer identifies a spirituality that has three themes. These revolve around the dynamic encounter with a personal Christ, the grace-filled life, the therapeutic growth towards holiness and wholeness. They provide a way of looking at life and the formation of characters which may conform to the image of the Christ. While there were several reasons for the decline of Wesleyan Eucharistic spirituality after the death of the Wesleys, the writer maintains that this spirituality can be rediscovered, revived and communicated in new forms so as to impact Methodists around the world who are facing the challenges of the 21st century.

A complete prayer book in the Slavonic language printed with the Cyrillic (old orthography) alphabet. Includes morning and evening prayers, the liturgy of St. John Chrysostom, various Akathists and Canons annd much more besides.

The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded 'for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

This collection of ten essays constitutes the proceedings of a two-day conference held at Harvard in October 2007. The conference focused on three medieval manuscripts of Ambrosian chant owned by Houghton Library. The Ambrosian liturgy and its music, practiced in and around medieval Milan, were rare regional survivors of the Catholic Church s attempt to adopt a universal Roman liturgy and the chant now known as Gregorian. Two of the manuscripts under scrutiny had been recently acquired (one perhaps the oldest surviving source of Ambrosian music), and the third manuscript, long held among the Library s collections of illuminated manuscripts, had been newly identified as Ambrosian.

The generously illustrated essays gathered here represent the work of established experts and younger scholars. Together they explore the manuscripts as physical objects and place them in their urban and historical contexts, as well as in the musical and ecclesiastical context of Milan, Italy, and medieval Europe.

A pair of leaves recently acquired by Houghton Library presents an opportunity to examine the illuminated sequence composed in honor of John the Evangelist, Verbum dei, deo natum, within its broader cultural context. Written and illuminated at the Dominican nunnery of Paradies bei Soest in Westfalia as part of a set of liturgical books that are among the most elaborate of their kind from the entire Middle Ages, the richly decorated fragments promise to transform our understanding of the special place of Christ's "beloved disciple" in 14th-century art, liturgy, theology, and mysticism. In addition to an introduction on art and liturgy in the Middle Ages, the interdisciplinary collection of essays includes contributions by musicologists, philologists and art historians.

What happens to the Bible when it is used in worship? What does music, choreography, the stringing together of texts, and the architectural setting itself, do to our sense of what the Bible means-and how does that influence our reading of it outside of worship? In Liturgy and Biblical Interpretation, Sebastian Selven answers questions concerning how the Hebrew Bible is used in Jewish and Christian liturgical traditions and the impact this then has on biblical studies. This work addresses the neglect of liturgy and ritual in reception studies and makes the case that liturgy is one of the major influential forms of biblical reception. The case text is Isaiah 6:3 and its journey through the history of worship. By looking at the Qedushah liturgies in Ashkenazi Judaism and the Sanctus in three church traditions-(pre-1969) Roman Catholicism, Anglicanism (the Church of England), and Lutheranism (Martin Luther, and the Church of Sweden)-influential lines of reception are followed through history. Because the focus is on lived liturgy, not only are worship manuals and prayer books investigated but also architecture, music, and choreography. With an eye to modern-day uses, Selven traces the historical developments of liturgical traditions. To do this, he has used methodological frameworks from the realm of anthropology. Liturgy, this study argues, plays a significant role in how scholars, clergy, and lay people receive the Bible, and how we understand the way it is to be read and sometimes even edited. Liturgy and Biblical Interpretation will interest scholars of the Bible, liturgy, and church history, as well as Jewish and Christian clergy.

In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick's analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.