Second Samuel 16:5-14 is an important text for defining the character of both King David and Yahweh, the God of Israel. In this scene, the points of view of the various speakers battle for control of the narrative, attempting in turn to align their perspective with some aspect of what has been revealed earlier about Yahweh in the larger biblical story. Shimei, relative of the dead King Saul, paints David as a murderer and under a divine curse. Shimei presents himself as God's instrument of truth and vengeance. Abishai, David's nephew, first paints Shimei as a seditionist worthy of death, and then David as a kind of moral weakling who has lost his previous vigor and resolve. Abishai presents himself as the upholder of God's Torah, the traditional family and the values that David himself used to espouse. David, when it comes his turn to speak, cuts a middle path between Shimei and Abishai, agreeing and disagreeing with both in turn. He then makes a startling theological declaration about his relationship to Yahweh that has often been taken to be a sign of faith, but which can more easily be read as a sign of his own hubris, which in turn fundamentally shapes the way in which the reader comes to think about Yahweh.

With extraordinary range and literary energy, the story of Absalom's rebellion in 2 Samuel ranks as the most elaborate and extensively narrated internal political event in the Hebrew Bible, complete with a host of scandalous and sordid events: illicit sex, murder, cover-up, petty crime, to name a few. For many students approaching the historical books of the Bible, however, texts often fail to address the vitality of this most turbulent period of King David's career. Bodner addresses this shortcoming with his The Rebellion of Absalom, a lively analysis of the early monarchy of Israel, written by a recognized commentator of the Bible's historical books. Concise and insightful, each chapter incrementally focuses on the stages of David's rise to power and Absalom's early life and rebellion. Crucial issues in the development of Israel's monarchy are embedded in this story, including: royal legitimation divine election succession usurpation divine and human punishment. The Rebellion of Absalom is a student-friendly, culturally savvy approach to one of the most important episodes in deciding how the kings of Israel would be determined throughout the monarchic period.

This new edition of a bestselling evangelical survey of the Old Testament (over 180,000 copies sold) has been thoroughly updated and features a beautiful new interior design. It is lavishly illustrated with four-color images, maps, and charts and retains the pedagogical features that have made the book so popular: * chapter outlines, objectives, and summaries * study questions * sidebars featuring primary source material, ethical and theological issues, and contemporary applications * lists of key terms, people, and places * further reading recommendations * endnotes and indexes The book is supplemented by web-based resources through Baker Academic's Textbook eSources, offering course help for professors and study aids for students.

With extraordinary range and literary energy, the story of Absalom's rebellion in 2 Samuel ranks as the most elaborate and extensively narrated internal political event in the Hebrew Bible, complete with a host of scandalous and sordid events: illicit sex, murder, cover-up, petty crime, to name a few. For many students approaching the historical books of the Bible, however, texts often fail to address the vitality of this most turbulent period of King David's career. Bodner addresses this shortcoming with his The Rebellion of Absalom, a lively analysis of the early monarchy of Israel, written by a recognized commentator of the Bible's historical books. Concise and insightful, each chapter incrementally focuses on the stages of David's rise to power and Absalom's early life and rebellion. Crucial issues in the development of Israel's monarchy are embedded in this story, including: royal legitimation divine election succession usurpation divine and human punishment. The Rebellion of Absalom is a student-friendly, culturally savvy approach to one of the most important episodes in deciding how the kings of Israel would be determined throughout the monarchic period.

Antonios Finitsis and contributors continue their examination of dress and clothing in the Hebrew Bible in this collection of illuminating essays. Straddling the divide between the material and the ideological, this book lends shape and texture to topics including social standing, agency, and the motif of cloth and clothing in Esther. Essays also explore the function of dress metaphors in imprecatory Psalms, the symbolic function of headdresses, and the divine clothing of Adam and Eve and the hermeneutics of trauma recovery. Together, the contributors continue to shape scholarly discourse on a growing body of scholarship on dress in the Bible. By turning their analytical gaze to this primary evidence, the contributors are able to reveal the social, psychological, aesthetic, ideological and symbolic meanings of dress in the Hebrew Bible, thereby producing insights into the literature and cultural world of the ancient Near East.

The Festschrift in Honor of Professor Paul Nadim Tarazi includes a collection of articles discussing the latest scholarly findings in the field of the Old Testament studies. Scholars from around the world conducting research in the Old Testament text, theology, canon, interpretation, and criticism have contributed their recent findings in the fields of their research and teaching to this volume.

Transforming Literature into Scripture examines how the early textual traditions of ancient Israel - stories, laws, and rituals - were transformed into sacred writings. By comparing evidence from two key collections from antiquity - the royal library at Nineveh and the biblical manuscripts from the Dead Sea Scrolls - the book traces the stabilisation of textual traditions in the ancient Near East towards fixed literary prototypes. The study presents a new methodology which enables the quantification, categorisation and statistical analysis of texts from different languages, writing systems, and media. The methodology is tested on wide range of text genres from the cuneiform and biblical traditions in order to determine which texts tend towards stabilised forms. Transforming Literature into Scripture reveals how authoritative literary collections metamorphosed into fixed ritualised texts and will be of interest to scholars across Biblical, Judaic and Literary Studies.

Through a distinguished career of critical scholarship and translation, Robert Alter has equipped us to read the Hebrew Bible as a powerful, cohesive work of literature. In this landmark work, Alter's masterly translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Winner of the PEN Center USA Literary Award for Translation and the Koret Jewish Book Award for Translation, a Newsweek Top 15 Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.

The book of Isaiah is without doubt one of the most important books in the Hebrew Bible/Old Testament, as evidenced by its pride of place in both Jewish and Christian traditions as well as in art and music. Most people, scholars and laity alike, are familiar with the words of Isaiah accompanied by the magnificent tones of Handel's 'Messiah'. Isaiah is also one of the most complex books due to its variety and plurality, and it has accordingly been the focus of scholarly debate for the last 2000 years. Divided into eight sections, The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, and also offer up-to-date information in an attractive and easily accessible format. The result does not represent a unified standpoint; rather the individual contributions mirror the wide and varied spectrum of scholarly engagement with the book. The authors of the essays likewise represent a broad range of scholarly traditions from diverse continents and religious affiliations, accompanied by comprehensive recommendations for further reading.

"The volume is tightly argued and well reasoned and the book is penned with humour the book could be described - methodologically, ideologically, and stylistically - as roguish. And quite delightfully so." - The Bible and Critical Theory "Stuart Macwilliam writes with charm and a high degree of epistemological and methodological awareness."- Review of Biblical Literature Using queer theory and building on feminist biblical scholarship, Queer Theory and the Prophetic Marriage Metaphor in the Hebrew Bible critiques the heteronormativity of the marriage metaphor in the Hebrew Bible, with particular reference to Jeremiah 2-3, Hosea 1-3 and Ezekiel 16 and 23. Section I explores methodological issues involved in the application of queer theory to biblical texts. It surveys the development of the core idea of gender performativity mainly in the work of Judith Butler and demonstrates how her denial of any notion of gender identity in the pre-discursive stage of development led to the perception, and sometimes the practice, of queer theory as a neo-conservative academic exercise. The Section concludes with arguments for the political potential of queer theory. In Section II the introductory chapter 3 offers an ideological theory of metaphor: metaphor is perceived as a means of both justifying and reinforcing gender performativity. In chapter 4 it is argued that the addressees of the marriage metaphor are the male citizens of Judah / Israel. This allows room for the following chapters in the Section to speculate about the implications of a metaphor that compares male citizens with the wife of Yhwh. Linguistic evidence for breakdowns in gender performativity is sought within the text of Jeremiah 1-2 by means of an anti-schema that maps the gender structure of the metaphors vehicle in relation to the tenor. Section III offers a methodology of camp derived from reader-response and autobiographical criticism. A camp performance of Ez.23.11-21 is then reported and then used as a basis for subverting the masculinist horror of the text: it reveals Oholibah both as the (self)-repulsive sex addict of the writers fascinated imagination and a powerful and defiant camp-iconic figure.

This luminous book on texts Jesus knew and quoted is the fruit of the author's lifelong engagement with the Psalms. As a broadcaster and writer, John is loved for being entirely genuine and, in the words of Archbishop Justin Welby, 'his cogent and penetrating contributions reach an audience well beyond the churches'. Here John explores the Psalms as they relate to daily life, drawing on stories and personal testimonies to help us to rejoice, grieve or draw encouragement from this most extraordinary and fascinating collection of sacred poems and songs.

This six-session LifeGuide(R) Bible Study of Ruth we meet not only Ruth herself but also other significant players who populate the drama: Naomi, Elimelech, Mahlon, Kilion, Orpah and Boaz. In addition there are other unnamed characters: a kinsman, reapers, elders and neighbors. Like us, each of these characters in their own way needs the Redeemer who is foreshadowed here.These six studies follow the popular inductive study approach that has marked LifeGuide Bible studies for the past thirty years. For over three decades LifeGuide Bible Studies have provided solid biblical content and raised thought-provoking questions--making for a one-of-a-kind Bible study experience for individuals and groups. This series has more than 130 titles on Old and New Testament books, character studies, and topical studies.

The first systematic and comprehensive attempt to identify and analyze the role of Isaianic language and imagery in literature, art, and music Using reception history as its basis for study, Isaiah Through the Centuries is an unprecedented exploration of the afterlife of the Book of Isaiah, specifically in art, literature, and music. This is a commentary that guides the reader through the Book of Isaiah, examining the differing interpretations of each phrase or passage from a variety of cultural and religious perspectives, Jewish, Christian and Muslim. Clearly structured and accessible, and richly illustrated, the book functions as a complete and comprehensive educational reference work. Isaiah Through the Centuries encourages readers to learn with an open mind and to understand how different interpretations have helped in the teaching and comprehension of the Bible and Isaiah's place in it. As part of the Wiley-Blackwell Bible Commentaries series, which is primarily concerned with reception history, the book emphasizes that how people interpret the prophet--and how they've been influenced by him--is often just as important as the sacred text's original meaning. Uses reception history to study the renowned prophet Provides a historical context for every use or interpretation discussed Offers essential background information on authors, artists, musicians, etc. in its glossary and biographies Minimizes historical details in order to focus as much as possible on exegetical matters Presents the role of Isaiah and the Bible in the creative arts Will be useful to multiple disciplines including theology and religion, English literature, art history and the history of music, not just Biblical Studies Comprehensive in scope, Isaiah Through the Centuries is a much-needed resource for all those interested in the influence of the Bible on Western culture, and presents unique perspectives for anyone interested in the Bible to discuss and debate for many years to come.

Scholarly consensus on the relationship of the Letter to the Hebrews to the Old Testament is far from universal or uniform. This book aims to address this area in Hebrews scholarship, which is lacking a critical account of the dependence of Hebrews on the Old Testament, especially Leviticus, in constructing a meaningful text. The book examines how the author of Hebrews uses the textual levitical tabernacle theme to construct the central motif of the heavenly tabernacle in Hebrews. In analysing the ways in which Hebrews relates to the Old Testament, the author makes use of literary theorist Gerard Genette's concepts of transtextuality and transformation. These concepts help set in relief the variegated textual relationships Hebrews has with the Old Testament in general, and Leviticus in particular, and the transformations that are central to constituting meaning in Hebrews.

Reissue of Kidner's Tyndale Old Testament Commentary

Legal Friction: Law, Narrative, and Identity Politics in Biblical Israel tracks the mystery of narratives in the Hebrew Bible and their allusions to Sinai laws by highlighting intertextual allusions created by verbal resonances. While the second and the third parts of the volume illustrate allusions to Sinai narratives made by some narratives occurring in the post-Sinaitic era, twenty-three Genesis narratives are analyzed to show that the protagonists were bound by Sinai Laws before God supposedly gave them to Moses, anticipating the Book of Jubilees. Legal Friction suggests that most of Genesis was composed during or after the Babylonian exile, after the codification of most Sinai laws, which Genesis protagonists consistently violate. The fact that they are not punished for these violations implies to the exiles that the Sinai Covenant was unconditional. In addition, the author proposes that Genesis contains a hidden polemic, encouraging the Judean exiles to follow the revisions of laws of the Covenant Code by the Holiness Code and Deuteronomy. Genesis narratives, like those describing post-Sinai events, often cannot be understood properly without recognition of their allusions to biblical laws.

This collection of essays is drawn from a series of previous collections to which the author has contributed that were designed to honour senior scholars in the discipline of Old Testament study. Each of these essays reflects a distinct intention depending on the nature of the original collection in which they appeared and the scholar who was being honoured. Taken together, however, this collection amounts to an articulation of Brueggemann's distinctive approach to theological interpretation of the Old Testament. Already in his major volume on Old Testament theology, Brueggemann proposed a dynamism of tension, dispute, and contradiction as the text of ancient Israel sought to give voice to the mystery of God as a sustaining and disruptive agent in the life of the world. Over a long period of time, this collection reflects the author's growing clarity about the task of Old Testament theology. It further reflects on the nature of the biblical text and the way in which the God who inhabits the text runs beyond all of our attempts to define and explain. These essays reflect not so much on methodological issues, but take up the substantive questions that regularly occupied these ancient text-makers.

The commentary of Yefet ben Eli the Karaite (second half of the tenth century) on The Song of Songs is example of an exegetical work obeying two imperatives: The explanation of the divine message of Salvation mixed with the assiduous Karaite effort to prove wrong their adversaries, the Rabbanites, with the help of the Bible. In so doing Yefet ben Eli wrote a thoughtful and original commentary on the very symbolic Song of Songs. Indeed, according to Yefet ben Eli nothing in the Book should be taken realistically. The ability of Yefet to replace symbols by historical events is one of the many marks that show Yefet's mastery and the originality of his commentary.

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction-covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography-a helpful resource containing the most important works that pertain to each particular pericope. Translation-the author's own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes-the author's notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting-a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment-verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation-brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography-occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.

Represents the first attempt to map aspects of the long history of the Bible and biblical studies in India for a global audience of scholars and students.

The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.

In many corners of the world these days the climate of hostility hangs over any overt Christian faith commitment. Any kind of Christian commitment is now assumed to imply intolerance and often prompts reactions that range from a low-grade hostility and exclusion in the West to the vicious and murderous assaults on Christian believers in Pakistan, Nigeria, Kenya, Egypt, Syria and Iraq and elsewhere. Such issues are not new. Christians have faced them ever since Nero's lions, and even before that. Jews also have faced the same questions all through their history, most tragically sometimes enduring horrendous persecution from states claiming to be Christian. So it is not surprising that the Bible gives a lot of attention to these questions. The book of Daniel tackles the problem head on, both in the stories of Daniel and his friends, and in the visions he received. A major theme of the book is how people who worship the one, true, living God-the God of Israel-can live and work and survive in the midst of a nation, a culture, and a government that are hostile and sometimes life-threatening. What does it mean to live as believers in the midst of a non-Christian state and culture? How can we live "in the world" and yet not let the world own us and squeeze us into the shape of its own fallen values and assumptions? The book was written to encourage believers to keep in mind that the future, no matter how terrifying it may eventually become, rests in the hands of the sovereign Lord God-and in that assurance to get on with the challenging task of living in God's world for the sake of God's mission.

Jeremiah in History and Tradition examines aspects of the Book of Jeremiah from a variety of perspectives including historical, textual, redaction, and feminist criticism, as well as the history of its reception. The book looks afresh at the Book of Jeremiah through the lens of intertextuality and reception history in the broadest sense, exploring Jeremiah in its historical context as well as the later history and interpretation of the text, and also reconsidering aspects of the Book of Jeremiah's traditions. This volume features essays from a unique assembly of scholars, both seasoned and new. It is divided into two parts: "Jeremiah in History", which explores a variety of readings of Jeremiah from the point of view of classical historical criticism; and "Jeremiah in Tradition", which discusses the portraits and use of both the book and the figure of Jeremiah in extra-biblical traditions. Offering challenging new theories, Jeremiah in History and Tradition is invaluable to scholars and students in the field of Biblical Studies. It is a useful resource for anyone working on the interpretation of the biblical text and the readings of the text of Jeremiah throughout history.

Historical-critical scholars have often thought that writing a coherent theology of Isaiah 56-66 is impossible because it contains such historically and ideologically diverse materials. A canonical approach to the chapters is, however, open to considering Third Isaiah as a complex but coherent theological unity. Leaning on this approach, Abraham Oh constructs a theology of Isaiah 56-66. Arguing that the theology of Third Isaiah has eschatology (both prophetic and apocalyptic) at its core, he identifies four major themes and explores their significance through four key texts (56:1-8; 59:15b-21; 60:1-22; 65:13-25). The covenant concept (56:1-8) forms a framework for the eschatology in these chapters. People are invited to walk in the covenant, which is worked out as eschatological salvation. The coming of YHWH as the Divine Warrior initiates the eschatological era (59:15b-21) and, bringing judgment, restores the covenant. As the Temple-city-paradise (60:1-22) into which the nations flow, the glorified Zion is the eschatological fulfilment of the covenant, Zion, and Servant traditions. The New Heavens and Earth (65:13-25) is a return to the primordial paradise, where the natural world is restored, as the problem of sin is resolved.