The first comprehensive collection of Vodou sacred literature in bilingual form

Interviews with 30 converts from the 1930s and 1940s are a component of Barry Chevanne's book, a look into the origins and practices of Rastafarianism. From the direct accounts of these early members, he is able to reconstruct pivotal episodes in Rastafarian history to offer a look into a subgroup of Jamaican society whose beliefs took root in the social unrest of the 1930s. The little that most people know about Rastafarianism has come through the Jamaican music, Reggae, which resonates with the contemporary social and political struggle of the poverty-stricken cities of Trenchtown and Kingston. Bob Marley and the Wailers, for instance, with their politically charged lyrics about the ghetto, became emissaries for the Jamaican poor. Here Chevannes traces Rastafarianism back to 1930's prophet Marcus Garvey and his mass coalition against racial oppression and support of a free Africa. Before Garvey, few Jamaicans, the overwhelming majority of whom had been brought to the island from Africa and enslaved by Europeans, held positive attitudes about Africa. The rise of black nationalism, however, provided the movement with its impetus to organise a system of beliefs. Likewise, Chevannes explores the movement's roots in the Jamaican peasantry, which underwent distinct phases of development between 1834 and 1961 as freed slaves became peasants. The peasants established themselves in the recesses of the island and many eventually moved to cities, where the economic and social hardship already inherent in Jamaican society, was even more desolate. Between 1943 and 1960, detrimental social changes transformed Jamaica's rapidly expanding cities. Kingston's population grew by 86 percent, and crime and disease were rampant. It was under this severe social decay that Rastafari became a hospice for the uprooted and derelict masses. As a spiritual philosophy, Rastafarianism is linked to societies of runaway slaves or maroons and derives from both the African Myal religion and the Revivalist Zion churches. Like the revival movement, Rastafarianism embraces the 400-year-old doctrine of repatriation. Rastas believe that they and all Africans who have migrated are but exiles in ""Babylon"" and are destined to be delivered out of captivity by a return to Zion or Africa - the land of their ancestors and the seat of Jah Rastafari himself, Haile Selassie I, the former emperor of Ethiopia. ""Rastafari"" is a work with an historical and ethnographic approach that seeks to correct several misconceptions in existing literature - the true origin of dreadlocks, for instance. It should be of interest to religion scholars, historians, scholars of Black studies, and a general audience interested in the movement and how Rastafarians settled in other countries.

Japanese gods, too numerous to count, are known collectively as yaoyorozu-no-kamigami--the eight million. They are the cast of a vast, complex mythology that encompasses two religions, three cultures, and three millennia, one whose ancient deities are still hard at work today.
Handbook of Japanese Mythology makes it easy to travel this vast yet little-known mythological landscape. The book reveals the origins of Japan's myths in the very different realms of Buddhism, Shinto, and folklore, and explores related mythologies of the Ainu and Okinawan cultures and recent myths arising from Japan's encounters with modernization. It then offers vivid retellings of the central Shinto and Buddhist myths, plus descriptions of major historical figures, icons, rituals, and events.
For students or long-time enthusiasts, it is the ideal guide for investigating Japanese reverence for the sun, the imperial family, and the virtues of purity and loyalty. Readers will also learn why sumo wrestlers stomp before each match, how a fussy baby creates thunder, why Japan has a god for soccer, and much more.

In this book, J. C. Heesterman attempts to understand the origins and nature of Vedic sacrifice--the complex compound of ritual practices that stood at the center of ancient Indian religion.
Paying close attention to anomalous elements within both the Vedic ritual texts, the "brahmanas," and the ritual manuals, the "srautasutras," Heesterman reconstructs the ideal sacrifice as consisting of four moments: killing, destruction, feasting, and contest. He shows that Vedic sacrifice all but exclusively stressed the offering in the fire--the element of destruction--at the expense of the other elements. Notably, the contest was radically eliminated. At the same time sacrifice was withdrawn from society to become the sole concern of the individual sacrificer. The ritual turns in on the individual as "self-sacrificer" who realizes through the internalized knowledge of the ritual the immortal Self. At this point the sacrificial cult of the fire recedes behind doctrine of the "atman's" transcendence and unity with the cosmic principle, the "brahman,"
Based on his intensive analysis Heesterman argues that Vedic sacrifice was primarily concerned with the broken world of the warrior and sacrificer. This world, already broken in itself by the violence of the sacrificial contest, was definitively broken up and replaced with the ritrualism of the single, unopposed sacrificer. However, the basic problem of sacrifice--the riddle of life and death--keeps breaking too surface in the form of incongruities, contradictions, tensions, and oppositions that have perplexed both the ancient ritual theorists and the modern scholar.

The central character in Susan Naquin's extraordinary new book is the city of Peking during the Ming and Qing periods. Using the city's temples as her point of entry, Naquin carefully excavates Peking's varied public arenas, the city's transformation over five centuries, its human engagements, and its rich cultural imprint.
This study shows how modern Beijing's glittering image as China's great and ancient capital came into being and reveals the shifting identities of a much more complex past, one whose rich social and cultural history Naquin splendidly evokes. Temples, by providing a place where diverse groups could gather without the imprimatur of family or state, made possible a surprising assortment of community-building and identity-defining activities. By revealing how religious establishments of all kinds were used for fairs, markets, charity, tourism, politics, and leisured sociability, Naquin shows their decisive impact on Peking and, at the same time, illuminates their little-appreciated role in Chinese cities generally. Lacking most of the conventional sources for urban history, she has relied particularly on a trove of commemorative inscriptions that express ideas about the relationship between human beings and gods, about community service and public responsibility, about remembering and being remembered. The result is a book that will be essential reading in the field of Chinese studies for years to come.

'It tells of terrible journeys, of men masked against the sun (riding through ethereal regions with their feet frozen), of welcoming fog-girt monasteries lit by butter lamps at the journey's end' - "New Statesman". "The Way of the White Clouds" is the remarkable narrative of a pilgrimage, which could not be made today. Lama Anagarika Govinda was among the last to journey through Tibet before its invasion by the Chinese. His unique account is not only a spectacular and gloriously poetic story of exploration and discovery; but also invaluable for its sensitive and clearly presented interpretation of the Tibetan tradition. 'Why is it that the fate of Tibet has found such a deep echo in the world? There can only be one answer: Tibet has become the symbol of all that present-day humanity is longing for' - Lama Anagarika Govinda.

Introducing the reader to ancient scriptures, this work provides a systematic and accesible overview of Daoism (c. 2nd-6th centuries). Representative works from each of the principle Daoist traditions comprise the basic structure of the book, with each chapter accompanied by an introduction that places the material within an historical context. Included are translations from the earliest Daoist commentary to Laozi's "Daode jing" (Tao Te Ching); historical documents relating the history of the early Daoist church; a petitioning ritual used to free believers from complaints brought against them by the dead; and two complete scriptures, one on individual meditation practice and another designed to rescue humanity from the terrors of hell through recitation of its powerful charms. In addition, Bokenkamp elucidates the connections Daoism holds with other schools of thought, particularly Confucianism and Buddhism.

Written with a rare combination of analysis and speculation, this comprehensive study of Javanese religion is one of the few books on the religion of a non-Western people which emphasizes variation and conflict in belief as well as similarity and harmony. The reader becomes aware of the intricacy and depth of Javanese spiritual life and the problems of political and social integration reflected in the religion.
"The Religion of Java" will interest specialists in Southeast Asia, anthropologists and sociologists concerned with the social analysis of religious belief and ideology, students of comparative religion, and civil servants dealing with governmental policy toward Indonesia and Southeast Asia.

"The real history of man is the history of religion." The truth of the famous dictum of Max Muller, the father of the History of Religions, is nowhere so obvious as in Tibet. Western students have observed that religion and magic pervade not only the forms of Tibetan art, politics, and society, but also every detail of ordinary human existence. And what is the all-pervading religion of Tibet? The Buddhism of that country has been described to us, of course, but that does not mean the question has been answered. The unique importance of Stephan Beyeris work is that it presents the vital material ignored or slighted by others: the living ritual of Tibetan Buddhists. The reader is made a witness to cultic proceedings through which the author guides him carefully. He does not force one to accept easy explanations nor does he direct one's attention only to aspects that can be counted on to please. He leads one step by step, without omitting anything, through entire rituals, and interprets whenever necessary without being unduly obtrusive. Oftentimes, as in the case of the many hymns to the goddess Tara, the superb translations speak directly to the reader, and it is indeed as if the reader himself were present at the ritual.

On September 11, 1857, a small band of Mormons led by John D. Lee massacred an emigrant train of men, women, and children heading west at Mountain Meadows, Utah. News of the Mountain Meadows Massacre, as it became known, sent shockwaves through the western frontier of the United States, reaching the nation's capital and eventually crossing the Atlantic. In the years prior to the massacre, Americans dubbed the Church of Jesus Christ of Latter-day Saints the "Mormon problem" as it garnered national attention for its "unusual" theocracy and practice of polygamy. In the aftermath of the massacre, many Americans viewed Mormonism as a real religious and physical threat to white civilization. Putting the Mormon Church on trial for its crimes against American purity became more important than prosecuting those responsible for the slaughter. Religious historian Janiece Johnson analyzes how sensational media attention used the story of the Mountain Meadows Massacre to enflame public sentiment and provoke legal action against Latter-day Saints. Ministers, novelists, entertainers, cartoonists, and federal officials followed suit, spreading anti-Mormon sentiment to collectively convict the Mormon religion itself. This troubling episode in American religious history sheds important light on the role of media and popular culture in provoking religious intolerance that continues to resonate in the present.

On September 11, 1857, a small band of Mormons led by John D. Lee massacred an emigrant train of men, women, and children heading west at Mountain Meadows, Utah. News of the Mountain Meadows Massacre, as it became known, sent shockwaves through the western frontier of the United States, reaching the nation's capital and eventually crossing the Atlantic. In the years prior to the massacre, Americans dubbed the Church of Jesus Christ of Latter-day Saints the "Mormon problem" as it garnered national attention for its "unusual" theocracy and practice of polygamy. In the aftermath of the massacre, many Americans viewed Mormonism as a real religious and physical threat to white civilization. Putting the Mormon Church on trial for its crimes against American purity became more important than prosecuting those responsible for the slaughter. Religious historian Janiece Johnson analyzes how sensational media attention used the story of the Mountain Meadows Massacre to enflame public sentiment and provoke legal action against Latter-day Saints. Ministers, novelists, entertainers, cartoonists, and federal officials followed suit, spreading anti-Mormon sentiment to collectively convict the Mormon religion itself. This troubling episode in American religious history sheds important light on the role of media and popular culture in provoking religious intolerance that continues to resonate in the present.

In this theoretically rich work, Mason Kamana Allred unearths the ways Mormons have employed a wide range of technologies to translate events, beliefs, anxieties, and hopes into reproducible experiences that contribute to the growth of their religious systems of meaning. Drawing on methods from cultural history, media studies, and religious studies, Allred focuses specifically on technologies of vision that have shaped Mormonism as a culture of seeing. These technologies, he argues, were as essential to the making of Mormonism as the humans who received, interpreted, and practiced their faith. While Mormons' uses of television and the internet are recent examples of the tradition's use of visual technology, Allred excavates older practices and technologies for negotiating the spirit, such as panorama displays and magic lantern shows. Fusing media theory with feminist new materialism, he employs media archaeology to examine Mormons' ways of performing distinctions, beholding as a way to engender radical visions, and standardizing vision to effect assimilation. Allred's analysis reveals Mormonism as always materially mediated and argues that religious history is likewise inherently entangled with media.

In this theoretically rich work, Mason Kamana Allred unearths the ways Mormons have employed a wide range of technologies to translate events, beliefs, anxieties, and hopes into reproducible experiences that contribute to the growth of their religious systems of meaning. Drawing on methods from cultural history, media studies, and religious studies, Allred focuses specifically on technologies of vision that have shaped Mormonism as a culture of seeing. These technologies, he argues, were as essential to the making of Mormonism as the humans who received, interpreted, and practiced their faith. While Mormons' uses of television and the internet are recent examples of the tradition's use of visual technology, Allred excavates older practices and technologies for negotiating the spirit, such as panorama displays and magic lantern shows. Fusing media theory with feminist new materialism, he employs media archaeology to examine Mormons' ways of performing distinctions, beholding as a way to engender radical visions, and standardizing vision to effect assimilation. Allred's analysis reveals Mormonism as always materially mediated and argues that religious history is likewise inherently entangled with media.