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Books > Music > Theory of music & musicology > General
In 1946, Harry Choates, a Cajun fiddle virtuoso, changed the course
of American musical history when his recording of the so-called
Cajun national anthem "Jole Blon" reached number four on the
national Billboard charts. Cajun music became part of the American
consciousness for the first time thanks to the unprecedented
success of this issue, as the French tune crossed cultural, ethnic,
racial, and socio-economic boundaries. Country music stars Moon
Mullican, Roy Acuff, Bob Wills, and Hank Snow rushed into the
studio to record their own interpretations of the waltz-followed
years later by Waylon Jennings and Bruce Springsteen. The
cross-cultural musical legacy of this plaintive waltz also paved
the way for Hank Williams Sr.'s Cajun-influenced hit "Jamabalaya."
Choates' "Jole Blon" represents the culmination of a centuries-old
dialogue between the Cajun community and the rest of America.
Joining into this dialogue is the most thoroughly researched and
broadly conceived history of Cajun music yet published, Cajun
Breakdown. Furthermore, the book examines the social and cultural
roots of Cajun music's development through 1950 by raising broad
questions about the ethnic experience in America and nature of
indigenous American music. Since its inception, the Cajun community
constantly refashioned influences from the American musical
landscape despite the pressures of marginalization, denigration,
and poverty. European and North American French songs, minstrel
tunes, blues, jazz, hillbilly, Tin Pan Alley melodies, and western
swing all became part of the Cajun musical equation. The idiom's
synthetic nature suggests an extensive and intensive dialogue with
popular culture, extinguishing the myth that Cajuns were an
isolated folk group astray in the American South. Ryan Andre
Brasseaux's work constitutes a bold and innovative exploration of a
forgotten chapter in America's musical odyssey."
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Now you can have over 100 of the most useful chords right at your
fingertips. This chart gives you all the basic chords in every key.
Each chord is shown in standard music notation and as an
easy-to-read piano keyboard diagram. Fingerings are given for each
chord. Also included is a clear description of inverting chords.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
What link might connect two far worlds like quantum theory and
music? There is something universal in the mathematical formalism
of quantum theory that goes beyond the limits of its traditional
physical applications. We are now beginning to understand how some
mysterious quantum concepts, like superposition and entanglement,
can be used as a semantic resource.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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