Early Keyboard Instruments discusses a variety of issues involved in the performance of keyboard music from the seventeenth to the nineteenth centuries. It brings together a range of topics that have come to the fore in recent decades and forms a useful introduction to historical performance issues for the student performer or amateur, whether playing on period instruments or on the modern piano.

This volume offers an up-to-date overview of historical performance, surveying the various current issues (such as the influence of recording) and suggesting possible future developments. Its core comprises discussion of the period performer's myriad primary source materials and their interpretation, the various aspects of style and general technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices, focusing on the period c. 1700-c. 1900. Many of the principles outlined are illustrated in case studies of works by Bach, Mozart, Berlioz and Brahms.

(BH Piano). Convenient, value-priced complete package includes Authentic Editions of all four piano concertos as well as the famous Rhapsody on a Theme of Paganini.

The famous Hungarian composer fills his pieces with skillful, fascinating rhythms that shifts accents and speeds. The breathtaking disorder and turbulence of the keys in "Desordre" shows us Ligeti's enthusiasm for central African music, which would become his signature.

Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music-across time and cultures "Nicholas Kenyon is an amiable and enthusiastic guide to a thousand years of classical music."-Neil Fisher, The Times "A wonderfully engaging survey. . . . It is what every music lover needs close by. . . . We are left in no doubt about music's extraordinary power."-Ian Thomson, Financial Times Immersed in music for much of his life as writer, broadcaster, and concert presenter, former director of the BBC Proms Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those that are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess's performance in London during the Blitz, to John Adams's composition of a piece for mourners after New York's 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made-and shows us why it is more relevant than ever.

Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BAERBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RUEDIGER THOMSEN-FUERST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN

Theory for Today's Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today's music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers. This broadly comprehensive text merges traditional topics such as part writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. The accompanying companion website provides interactive exercises that allow students to practice foundational theory skills. Written by experienced authors, both active classroom teachers for many years, Theory for Today's Musician is the complete and ideal theory text to enable today's student to accomplish their musical goals tomorrow. Updated and corrected throughout, the Third Edition includes: Expanded coverage of atonality and serialism, now separated into two chapters. Broadened treatment of cadences, including examples from popular music. Substantially rewritten chapter on songwriting. Interactive features of the text simplified to two types, "Concept Checks" and "Review and Reinforcement," for greater ease of use. New and updated musical examples added throughout. Charts, illustrations, and musical examples revised for increased clarity. Audio of musical examples now provided through the companion website. The accompanying Workbook offers exercises and assignments to accompany each chapter in the book. A companion website houses online tutorials with drills of basic concepts, as well as audio. The hardback TEXTBOOK is also paired with the corresponding paperback WORKBOOK in a discounted PACKAGE (9780815371731).

This full-score anthology for Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Period Music supports the textbook of the same name, the first book to present a comprehensive course text on advanced analysis of rhythm and meter. From the Baroque to the Romantic era, Hearing Rhythm and Meter emphasizes listening, enabling students to recognize meters and metrical dissonances by type both with and without the score. Found here are masterworks carefully chosen as the ideal context for the presentation of foundational concepts. PURCHASING OPTIONS Textbook (Print Paperback): 978-0-8153-8448-9 Textbook (Print Hardback): 978-0-8153-8447-2 Textbook (eBook): 978-1-351-20431-6 Anthology (Print Paperback): 978-0-8153-9176-0 Anthology (Print Hardback): 978-0-367-34924-0 Anthology (eBook): 978-1-351-20083-7

The third book in the Sylvia Woods multi-level harp book series. It contains popular hymns and church music, wedding processionals and recessionals, and a special section of Jewish music for joyous occasions. There are about 50 pieces, each with 2 arrangements: an easy version, and one that is more difficult. Also, each tune includes chord indications that can be used by harpers or other instrumentalists. Spiral-bound.

for SATB and piano or orchestra This subtle setting of the popular carol is soft and gentle, never louder than mezzo-piano. The ethereal background starts in a high register with a repeated figure that evokes tranquility. A different setting for TTBB unaccompanied is also available. Orchestral material is available on rental.

Preface * I. Allegro vivace * II. Andante con moto * III. Con moto moderato * IV. Saltarello, Presto

**Finalist in the Outstanding Music Education Resource Category for the 2023 Music & Drama Education Awards** HerStory: The Piano Collection presents invaluable repertoire by remarkable female composers across the ages. This important collection is progressively graded, suitable for intermediate to advanced level players (approximately Grade 4 to Grade 8) and also features a piano duet and an ensemble piece for piano, clarinet, viola and cello. Written and compiled by award-winning author and piano pedagogue Karen Marshall, each piece is accompanied by a fascinating 'snapshot' of the 29 composers, providing invaluable insights into how they lived and composed, alongside quotes from them or about them. In addition there are suggestions of other pieces to try, personal observations from Karen Marshall and pedagogical activities and ideas. "This vibrant collection of wonderful music from literally every musical period promises to enrich the musical lives of everyone. Female composers have suffered shocking neglect over the centuries, but society is now beginning to make amends. Karen Marshall's extraordinary anthology brings neglected jewels out of obscurity and into the limelight, where they will be loved and cherished." Kathryn Page, pianist, adjudicator, teacher and co-founder of Chetham's International Piano Summer School 'Marshall's book is much more than a practical text - it is a library of forgotten treasures that we should bring back to life on pianos across the world. This is proof that the uniting force of music can transcend patriarchal barriers and has the power to inspire the next generation to start a new cycle of creativity.' Hattie Fisk, Music Teacher Online, 1st May 2022 HerStory is more than the sum of its parts, a singular and significant achievement, lifting the lid on a terrific range of superb music that is long-overdue its day in the sun. Not only so, but Karen Marshall has also done a huge service in further elevating the music with such a wealth of historical research, personal detail, and pedagogic insight, all delivered with her wonderfully personable expertise and infectious enthusiasm. As a fresh and varied collection of 30 intermediate to advanced pieces, the book offers rich pickings for concerts, piano clubs, festivals and examination syllabi alike, and will surely come to be regarded as a significant sourcebook of musical inspiration. These are winsome, highly likeable works which audiences will surely warm to, and which students and players of all ages will undoubtedly find deeply rewarding to play. Andrew Eales, pianodao.com, March 2022 Over the past few months, I've enjoyed exploring HerStory. It is a unique collection, and one which should be seen as an iconic milestone in music publishing. It is rare for me to say it, but I enjoyed every piece, and it's a collection I shall enjoy playing from as much as I enjoy teaching. David Barton, davidbartonmusic.co.uk, May 2022

(Guitar Solo). The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar. Songs: Ave Maria * Bouree in E Minor * Can Can * Canon in D * Eine Kleine Nachtmusik * Emperor Waltz * Fur Elise * Habanera * Humoresque * In the Hall of the Mountain King * Minuet in G Major (Bach & Beethoven) * New World Symphony * Pomp and Circumstance * Symphony No. 5 in C Minor, First Movement Excerpt.

A New York Times Notable Book

"This brilliant and magisterial book is a very good bet to...become the definitive study of Johannes Brahms."--The Plain Dealer

Judicious, compassionate, and full of insight into Brahms's human complexity as well as his music, Johannes Brahms is an indispensable biography.

Proclaimed the new messiah of Romanticism by Robert Schumann when he was only twenty, Johannes Brahms dedicated himself to a long and extraordinarily productive career.  In this book, Jan Swafford sets out to reveal the little-known Brahms, the boy who grew up in mercantile Hamburg and played piano in beer halls among prostitutes and drunken sailors, the fiercely self-protective man who thwarted future biographers by burning papers, scores and notebooks late in his life.  Making unprecedented use of the remaining archival material, Swafford offers richly expanded perspectives on Brahms's youth, on his difficult romantic life--particularly his longstanding relationship with Clara Schumann--and on his professional rivalry with Lizst and Wagner.  

"[Johannes Brahms] will no doubt stand as the definitive work on Brahms, one of the monumental biographies in the entire musical library."--London Weekly Standard

"It is a measure of the accomplishment of Jan Swafford's biography that Brahms's sadness becomes palpable.... [Swafford] manages to construct a full-bodied human being."--The New York Times Book Review

Now in its third edition, Latin American Classical Composers: A Biographical Dictionary provides a singular English-language resource for biographical information on hundreds of composers from Central and South America and the Hispanic Caribbean. Painstakingly gathered from a wide variety of sources, the information updates and expands previous editions and fills in the gaps left by the other major English-language music dictionaries and encyclopedias. Entries provide biographical data comprising full names, birth and death dates and locations, background, education, and training, as well as selective works lists more than 2,300 composers. An index of composers by country and women composers of Latin America complement the volume. An essential part of any music library, Latin American Classical Composers is an invaluable reference for librarians, musicologists, ethnomusicologists, researchers, and music students.

(Schott). The three volumes of The Art of Baroque Trumpet Playing are a summary by the renowned author and performer of his pioneering efforts and many years of experience as lecturer and teacher of this historical brass instrument at the Schola Cantorum Basiliensis. Though conceived mainly for players of Baroque or natural trumpets, they are also essential reading for players of modern valve instruments who aim for an enlightened approach to Baroque performance practice. The varied exercises and pieces, some taken from 19th-century methods, add up to a systematic course of tuition helping to solve all technical and musical problems, particularly those connected with ensemble playing. Text in German and English