A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

A wonderful, substantial sampling of art song in the English language, featuring composers from both sides of the Atlantic. Includes many first-time transpositions, as the song list is the same for the High Voice and Low Voice editions.

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface * Construction of the Simplest One-Voice Melodic Patterns * Beginning of Two-Voice Setting * Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) * Elaborated Melody (Continuation) * Principles of Melodic Construction * Elaborated Melody (Conclusion) * Tonal Higher-Units * Tonality of the Melodies * Elaboration of the Melody Model * Free Two-Voice Setting I and II

A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story " With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

(Guitar Solo). The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar. Songs: Ave Maria * Bouree in E Minor * Can Can * Canon in D * Eine Kleine Nachtmusik * Emperor Waltz * Fur Elise * Habanera * Humoresque * In the Hall of the Mountain King * Minuet in G Major (Bach & Beethoven) * New World Symphony * Pomp and Circumstance * Symphony No. 5 in C Minor, First Movement Excerpt.

A tale of passion and obsession from a philosophy professor who teaches himself to play Bach on the piano. Dan Moller grew up listening to heavy metal in the Boston suburbs. But something changed when he dug out his mother's record of The Art of the Fugue, inexplicably wedged between 16 ABBA Hits and Kenny Rogers. Moller became fixated on Bach and his music, but only learned to play it for himself as an adult. In The Way of Bach, Moller draws us into the strange and surprisingly funny world of the composer and his scene. Did you know The Goldberg Variations contain a song about having to eat too much cabbage? Or that Handel nearly died in a duel he fought while conducting an opera? Along the way, Moller takes up such questions as, just what is so special about Bach's music? What can Americans-steeped in pop culture-learn from European craftsmanship? And why do some people see a connection between Bach's music and God? By turns witty and thought-provoking, Moller infuses The Way of Bach with insights into music, culture, and philosophy alike.

On March 10, 1948, world-renowned composer and pianist Ernst von Dohnanyi (1877 1960) embarked for the United States, leaving Europe for good. Only a few years earlier, the seventy-year-old Hungarian had been a triumphant, internationally admired musician and leading figure in Hungarian musical life. Fleeing a political smear campaign that sought to implicate him in intellectual collaboration with fascism, he reached American shores without a job or a home. A Wayfaring Stranger presents the final period in Dohnanyi's exceptional career and uses a range of previously unavailable material to reexamine commonly held beliefs about the musician and his unique oeuvre. Offering insights into his life as a teacher, pianist, and composer, the book also considers the difficulties of emigre life, the political charges made against him, and the compositional and aesthetic dilemmas faced by a conservative artist. To this rich biographical account, Veronika Kusz adds an in-depth examination of Dohnanyi's late works-in most cases the first analyses to appear in musicological literature. This corrective history provides never-before-seen photographs of the musician's life in the United States and skillfully illustrates Dohnanyi's impact on European and American music and the culture of the time.

Richard Taruskin's sweeping collection of essays distills a half century of professional experience, demonstrating an unparalleled insider awareness of relevant debates in all areas of music studies, including historiography and criticism, representation and aesthetics, musical and professional politics, and the sociology of taste. Cursed Questions, invoking a famous catchphrase from Russian intellectual history, grapples with questions that are never finally answered but never go away. The writings gathered here form an intellectual biography that showcases the characteristic wit, provocation, and erudition that readers have come to expect from Taruskin, making it an essential volume for anyone interested in music, politics, and the arts.

(BH Piano). Convenient, value-priced complete package includes Authentic Editions of all four piano concertos as well as the famous Rhapsody on a Theme of Paganini.

The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy - involving teachers, patrons, colleagues, and relatives - whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers - from Cavalli and Pergolesi to Handel, Mozart, and Rossini - were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.

(Piano Collection). Contents: Kuhlau: Sonatinas Op. 20 (No. 1 in C, No. 2 in G, No. 3 in F), Sonatinas Op. 55 (No. 1 in C, No. 2 in G, No. 3 in C) * Clementi: Sonatinas Op. 36 (No. 1 in C, No. 2 in G, No. 3 in C, No. 4 in F, No. 5 in G, No. 6 in D) * Haydn: Sonatina in C * Mozart: Rondo in D, Sonata I in C * Beethoven: Rondo, Op. 51, No. 1 in C, Andante from Symphony No. 1, Sonatinas Op. 49 (No. 1 in G minor, No. 2 in G) * Dussek: Sonatina Op. 20, No. 1 in G * J.S. Bach: Prelude No. 1 in C * Haydn: Adagio in E, Andante grazioso in Bo, Allegro in F, Andante in C * Schubert: from Impromptu Op. 142, No. 3; Scherzo in Bo, Op. posth.; from Sonata in A, Op. 120 * Weber: Variation on "Vien qua Dorina bella" Op. 7 * Mendelssohn: Fantasia in A minor, Op. 16, No. 1.

Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.

for SSATB unaccompanied While perhaps Tallis and Byrd's Lamentations are better known, Robert White's Lamentations reflects a uniquely bleak and austere vision and is surely one of the composer's finest works. David Wulstan writes: 'This grief-stricken music is spellbinding.' Set for five voices, the melancholy sound moves between expressive contrapuntal writing and block chords, offering some remarkably bold harmonic shifts and revealing an exceptional depth of emotion. In keeping with the high standards of the previous Musica Dei Donum editions, this edition has a running translation atop each system to facilitate performance. White's Lamentations is well suited for any good church choir or amateur or college chorus in a concert setting.

The Bolsheviks' 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klara Moricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourie in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants' and the Bolsheviks' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Moricz offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term.

(Vocal Collection). This all-in-one package includes the original Arias for Soprano book from the G. Schirmer Opera Anthology along with two accompaniment CDs AND the corresponding Diction Coach book/two CD set. Diction Coach includes recorded diction lessons, IPA, and word for word translations. In addition to piano accompaniments playable on both your CD player and computer, the enhanced accompaniment CDs also include tempo adjustment software for CD-ROM computer use.