Fearlessness has got nothing to do with being unafraid. It's about doing things anyway, getting on with it, living, whether you're afraid or not. Fuzzy-haired, free-spirited, cello-playing Catrina is devastated when her lover, Jack, leaves her to go surfing on the other side of the world. Trapped in a dead-end job and torn by his departure, she dreams of running away. But how do you run away when you're flat broke? Luckily, her friend Andrew comes up with a plan: they'll get an old van, turn it into a camper and busk their way from Norway to Portugal, via Nordkapp, the land of the Midnight Sun. When a tragic accident occurs, the journey suddenly takes on new meaning. As she navigates personal loss and the daily challenges of life on the road, Catrina begins to learn the true meaning of love and courage and, above all else, the importance of following her dreams. This is an unforgettable story of a journey like no other - a deeply emotional and inspirational debut by a unique writer.

Bach representa el genio cumbre de la armon a musical, el hombre de bien que sufre las ingratitudes de su tiempo, el creyente de un Ser Supremo y el forjador de un himno de paz para toda la humanidad y la historia. Vivir es triunfar. Y triunfar es resolver dos fuerzas antag nicas. En todo instante estamos viviendo y muriendo. En todo momento somos y no somos. Ser y no ser frase mas profunda que la de la tragedia shakesperiana. Todo es y deja de ser. Todo cambia y es. Inmanente a la vida est el perpetuo fl uir de lo existente. Bach es el nico artista que ha llegado a esas insondables profundidades del oc ano, en donde se funden y se identifi can la luz y la obscuridad. Adalberto Garc a de Mendoza

Through personal journeys both interior and across the globe, Alden Jones investigates what motivates us to travel abroad in search of the unfamiliar. By way of explorations to Costa Rica, Bolivia, Nicaragua, Cuba, Burma, Cambodia, Egypt, and around the world on a ship, Jones chronicles her experience as a young American traveler while pondering her role as an outsider in the cultures she temporarily inhabits. Her wanderlust fuels a strong, high-adventure story and, much in the vein of classic travel literature, Jones's picaresque tale of personal evolution informs her own transitions, rites of passage, and understandings of her place as a citizen of the world. With sharp insight and stylish prose, Jones asks: Is there a right or wrong way to travel? The Blind Masseuse concludes that there is, but that it's not always black and white.

THE #1 MOST COMPREHENSIVE AND HONEST BOOK FOR ANYONE WHO'S EVER WANTED TO SING ON MAJOR TV COMMERCIALS You have a great voice, but record deals are getting harder and harder to come by. Paid gigs don't pay enough and solo albums aren't selling even with promotion. There is an answer for you VOLUME 4 OF THE 30-30 CAREER: MAKING 30 GRAND IN 30 SECONDS SINGING ON MAJOR TV COMMERCIALS walks you through the lucrative world of commercial jingles. What once was stereotyped as a career for campy, cliche vocalists and songwriters has now become a pathway to generating a hit song and promoting bands and brands at the same time. JINGLES today are sounding more and more like SINGLES. Hundreds of thousands of dollars have been made by singers on commercials over the years and the competition is growing tougher and tougher all the time. Whether you are a new comer or veteran in the game, VOLUME 4 of THE 30-30 shows you how to break deeper into this money-making industry right now and have your voice heard locally, nationally and internationally. We break down the SKILL, the NETWORK, and the PSYCHOLOGY of singing on commercials. With the record industry changing day to day, every singer and songwriter should be making extra money in the advertising industry. It's true. You're either NETworking or NOTworking Ever wonder why the politics are never on your side? This book unveils the politics and secrets to working your way onto vocal contracts that get you paid. Start networking today and make "NEW" money by SINGING ON MAJOR TV COMMERCIALS.

Texto completo de las conferencias semanales transmitidas por el comentarista musicologo Dr. Adalberto Garcia de Mendoza por la Radio difusora Metropolitana XELA en su programa "Horizontes Musicales." "No cabe duda que al hablar de Chopin llega uno a la region de los pensamientos mas intimos, de las sugerencias espirituales mas profundas en que se encuentran todos los colores y matices emocionales, las ansias de liberacion de una patria tristemente sufrida y lejanamente martirizada. En cada nota, en cada frase de la obra de Chopin brota un quejido y tambien una rebeldia. Es la Historia de Polonia. Su musica posee el misterio del dolor y la fuerza espiritual que pocos hombres han sabido idealizar y que solo los supremos intelectos descubren como diamantes ocultos en lo mas intimo de la conciencia humana." Dr. Adalberto Garcia de Mendoza

Building on ideas from cognitive metaphor theory, Making Sense of Recordings offers a new perspective on record production, music perception, and the aesthetics of recorded sound. It shows how the language about sound is intimately connected to sense-making - both as a reflection of our internal cognitive capacities and as a component of our extended cognitive system. In doing so, the book provides the foundation for a broader understanding of the history of listening, discourses of sound quality, and artistic practices in the age of recorded music. The book will be of interest to anyone who asks how recorded music sounds and why it sounds as it does, and it will be a valuable resource for musicology students and researchers interested in the analysis of sound and the history of listening and record production. Additionally, sound engineers and laptop musicians will benefit from the book's exploration of the connection between embodied experiences and our cognitively processed experiences of recorded sound. The tools provided will be useful to these and other musicians who wish to intuitively interact with recorded or synthesized sound in a manner that more closely resembles the way they think and that makes sense of what they do.

In the literature of information science, a number of studies have been carried out attempting to model cognitive, affective, behavioral, and contextual factors associated with human information seeking and retrieval. On the other hand, only a few studies have addressed the exploration of creative thinking in music, focusing on understanding and describing individuals' information seeking behavior during the creative process. Trends in Music Information Seeking, Behavior, and Retrieval for Creativity connects theoretical concepts in information seeking and behavior to the music creative process. This publication presents new research, case studies, surveys, and theories related to various aspects of information retrieval and the information seeking behavior of diverse scholarly and professional music communities. Music professionals, theorists, researchers, and students will find this publication an essential resource for their professional and research needs.

This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright's thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters' (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it.

Dancehall: It's simultaneously a source of raucous energy in the streets of Kingston, Jamaica; a way of life for a group of professional artists and music professionals; and a force of stability and tension within the community. Electronically influenced, relevant to urban Jamaicans, and highly danceable, dancehall music and culture forms a core of popular entertainment in the nation. As Anne Galvin reveals in "Sounds of the Citizens," the rhythms of dancehall music reverberate in complicated ways throughout the lives of countless Jamaicans.

Galvin highlights the unique alliance between the dancehall industry and community development efforts. As the central role of the state in supporting communities has diminished, the rise of private efforts such as dancehall becomes all the more crucial. The tension, however, between those involved in the industry and those within the neighborhoods is palpable and often dangerous. Amidst all this, individual Jamaicans interact with the dancehall industry and its culture to find their own paths of employment, social identity, and sexual mores.

As "Sounds of the Citizens" illustrates, the world of entertainment in Jamaica is serious business and uniquely positioned as a powerful force within the community.

THE 30-30 Career is the #1 MOST COMPREHENSIVE BOOK SERIES ON MUSIC AND ADVERTISING YOU MAY NOT SELL A MILLION RECORDS, but you can MAKE A MILLION DOLLARS in the world of music and advertising. VOLUME 3 of THE 30-30 CAREER: BECOMING A PLATINUM COMPOSER Making Music For Commercials" shows you how to break big into a music industry full of competition using the decisions and actions of Award-Winning Commercial Composer Wendell Hanes as a blueprint to scoring over 700 commercials, themes, and promos. A 24/7 grind is the blueprint to your success. EARN your spot, HOLD your spot and NEVER stop The next time the record industry closes you out, tap the advertising industry.Become a Platinum Composer Don't chase the dream. Build the Career. The 30-30 CAREER

This book is written based on a true love story, and even though it has other poems in it, love is the main factor.

Songwriters often use lyrics to describe the current events and social attitudes of a particular period or people. An examination of America's popular songs--and the stories behind their creation--can help us better understand our history and culture. This chronologically organized volume provides the stories of 150 songs in 20th-century American history. Each chapter begins with an historical overview of how songs from the period reflected the political, social, and economic culture of the decade. A discussion of 15 influential songs from each decade provides the songs' histories, what inspired the writers to create them, and why they have resonated over time. Included are patriotic songs, such as "The Yankee Doodle Boy" and "God Bless America," protest songs of the civil rights and women's rights movements, such as "We Shall Overcome" and "I Am Woman," songs that defined musical genres, such as "Heartbreak Hotel" and "Stayin' Alive," and contemporary, often controversial music like Eminem's "Stan." Each song's entry includes the song title, songwriter(s), publication information, and current availability. A selected bibliography includes Web sites and books helpful for researching songs, songwriters, and events of the 20th century. Indexes are arranged alphabetically, by song title, by songwriter name, and by subject, making this an excellent research tool for students and general readers alike.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

This book examines the interface between Polish popular music and screen media against the background of Polish history, cinema, and popular culture and situates that interface in a local as well as global context. It looks at Polish musicals, biographical films about musicians, documentary films and, finally, music videos. The author draws attention to the immense popularity of musical comedies in Polish interwar cinema, the enduring appeal of musical genres during the period of state socialism, despite their low status in film criticism, and the re-birth of musicals in the 2010s. Mazierska also discusses the most important stars, directors and authors of songs presented in Polish films, and points to the effect of technological changes on inception and transformation of music-centred genres of screen media, including the effect of YouTube on their growth and preservation. The book is informed by the question of how parochial and universal is Polish popular music and its screen representation.

Chips Moman's genius began in the studio, where he instituted technical innovations that forever changed the recording industry, but it expanded from there with an uncanny ability to recognize hit songs when he heard them as rough demos, and then blossomed with an unsurpassed string of hit records. He rescued Elvis Presley's career with his recordings of "Suspicious Minds" and "In the Ghetto," and he provided Willie Nelson with one of his most memorable signature songs, "Always on My Mind." Not bad for a Georgia country boy who dropped out of school in the eighth grade and hitchhiked to Memphis in search of the American Dream. "I think the Chips Moman story has provided me with the best book I have written since Colonel Tom Parker, which was purchased by Warner Bros. for its Elvis film starring Tom Hanks," says author James L. Dickerson. "I anticipate great interest in a movie based on Moman's story. Small wonder. He has been called the "Steve McQueen of the music business.'" By any measure-sales, multi-genre capability, number of hit records, technical innovation, artistry, etc.-Lincoln "Chips" Moman was the most important record producer in American history. With several hundred hits to his credit in pop, country, rhythm & blues, and rock, both from record production and songwriting, Chips Moman is legendary within the music industry. This biography is the story of his life. Early on, Chips Moman was a co-founder of Memphis's Stax Records, along with Jim Stewart and Estelle Axton. Moman found the location for the studio, organized the recording system, recruited the early talent and produced the legendary soul music record label's first two hits-"Gee Whiz" by Carla Thomas and "Last Night," an instrumental by the Mar-Keys. As a record producer, he rescued Elvis Presley's career with hits such as "Suspicious Minds, "In the Ghetto," and "Kentucky Rain." He produced music icons such as Petula Clark and Dionne Warwick. In rock and pop he is associated with the Gentrys ("Keep on Dancing"), the Box Tops ("The Letter"), Neil Diamond's "Sweet Caroline," Sandy Posey ("Born a Woman" and "Single Girl" ), Paul Revere & The Raiders ("Goin' to Memphis"), Dusty Springfield ("Son of a Preacher Man"), Ringo Starr (an unreleased album which the author listened to and considers among Ringo's best; the album ended up in a celebrated court case); B.J. Thomas ("Hooked on a Feeling," "The Eyes of a New York Woman," and "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song." In country music, he produced Willie Nelson's "Always on My Mind" and numerous other albums; he originated the super group the Highwaymen (Johnny Cash, Waylon Jennings, Willie Nelson, and Kristofferson) and produced two of their three albums; Willie Nelson and Merle Haggard (Pancho & Lefty), plus albums with Tammy Wynette, Gary Stewart, Brenda Lee and others. Moman also recorded a country album, as of now unreleased, with actor Robert Duvall, who got permission from Moman to use him as a model for the character he played in Tender Mercies, a role for which he was awarded an Oscar.