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Books > Music > General
From early accounts of dance customs in medieval Ireland to the
present, Helen Brennan offers an authoritative look at the
evolution of Irish dance. Every type of dance from social to
traditional to clergy is included. Brennan takes care to explain
the different styles and traditions that evolved from different
parts of Ireland; which results in some lively discussions as
people reminisce over old favorites. She also discusses how dance
evolved to become such an important part of Ireland's culture and
history. An appendix is offered to help explain the various steps
involved in each style of dance including the Munster or Southern
style, Single Shuffle, Double Shuffle, Treble Shuffle, the Heel
Plant, the Cut, the Rock or Puzzle, the Drum, the Sean Nos Dance
Style of Connemara, and the Northern Style.
An intimate, coming-of-age memoir by legendary guitarist Kid Congo
Powers, detailing his experiences as a young, queer
Mexican-American in 1970s Los Angeles through his rise in the glam
rock and punk rock scenes. Kid Congo Powers has been described as a
"legendary guitarist and paragon of cool" with "the greatest resume
ever of anyone in rock music." That unique imprint on rock history
stems from being a member of not one but three beloved,
groundbreaking, and influential groups--Nick Cave and the Bad
Seeds, the Cramps, and last but not least, The Gun Club, the wildly
inventive punk-blues band he co-founded. Some New Kind of Kick
begins as an intimate coming of age tale, of a young, queer,
Chicano kid, growing up in a suburb east of East LA, in the
mid-'70s, exploring his sexual identity through glam rock. When a
devastating personal tragedy crushes his teenage dreams, he finds
solace and community through fandom, as founder ('The Prez') of the
Ramones West Coast fan club, and immerses himself in the delinquent
chaos of the early LA punk scene. A chance encounter with another
superfan, in the line outside the Whiskey-A-Go-Go to get into a
Pere Ubu concert, changes the course of his life entirely. Jeffrey
Lee Pierce, a misfit Chicano punk who runs the Blondie fan club,
proposes they form a band. The Gun Club is born. So begins an
unlikely transition from adoring fan to lauded performer. In
Pierce, he finds brotherhood, a creative voice, and a common cause,
but also a shared appetite for self-destruction that threatens to
overwhelm them both. Quirky, droll, and heartfelt, with a
pitch-perfect evocation of time and place, and a wealth of
richly-drawn supporting characters, Some New Kind of Kick is a
memoir of personal transformation, addiction and recovery,
friendship and belonging, set against the relentless creativity and
excess of the '70s and '80s underground music scenes.
This is the first book to comprehensively cover all of the
Australian piano music of the 20th century. It is lavishly
illustrated with over 300 music examples, giving a very clear
picture of the various composers and styles. The composers are
listed within various historical and stylistic blocks as well as
within consideration of their own pianistic prowess. The large
number of scores will help future researchers as well as recording
and concert pianists who are searching for new and exciting
repertoire. This is an invaluable book certain to appeal to music
lovers, the professional musician and amateur, and students. In
fact, anyone interested in the piano and its historical evolution
will appreciate this volume.
Illustrated throughout with stunning images, this glossy biography tells the story of Taylor Swift's life and music.
The definitive biography of a global music icon. Includes coverage of The Tortured Poets Department and The Eras Tour Taylor Swift’s rise to mega stardom is the story of the century. Charming fans straight out the gate as a teen country music sensation, Swift has gone on to dominate the music industry as a pop titan. She is the first woman to have four albums in the Billboard chart’s Top Ten at the same time, is the recipient of fourteen Grammys and forty American Music Awards, and her recent Eras tour broke records to become the highest-grossing tour in history. A treasured celebrity who has triumphed in the face of haters and intrusive tabloid coverage, Taylor Swift uses her personal life as inspiration for her songwriting, delivering hit after hit, and selling out stadiums the world over. Her music continues to engage, evolve and encapsulate the hearts of fans all over the world. Taylor’s story is one of love and poetry.
Bob Marley was the first, and possibly the only, superstar to
emerge from the Third World. Although he lived a short life, only
36 years, Bob penned an enormous quantity of songs, pioneering a
new reggae rhythm and sound that was distinctly Jamaican. An expert
lyricist who could more than hold his own with any contemporary
hip-hop word slinger, Bob crafted emotionally powerful chains of
words that packed a serious punch. Twenty-five years after his
death, the music of Bob Marley and the Wailers is as popular and
relevant as it was the day it was released. Author David Moskowitz
gives readers an inside look at the man behind the legend. Fans
from all corners of the globe are a testament to the fact that his
music transcends race, color, economic class, even language. From
Marley's poverty stricken early childhood in rural Jamaica to break
out his faith in Rastafarianism, this biography recounts the life
and music of one of the most famous popular artists of the last
century, an incredible story for long-time fans as well for a new
and ever-increasing audience who were too young to witness Marley's
history-making music career firsthand. A timeline, photos, and a
rich bibliography of print and electronic sources make this
biography ideal for both research purposes and casual reading.
The book is user-friendly and extremely handy as a reference tool.
In addition, it makes for enjoyable and highly informative reading.
The Words and Music of Frank Zappa is the first book to move beyond
the details of Zappa's biography toward a focused treatment of the
rock and pop songs of this great American composer. Frank Zappa
worked in a musical realm that is unfamiliar to many radio
listeners, but today his music can be appreciated as a whole,
allowing it to emerge as a coherent, thoughtful, innovative--if
somewhat daunting--body of work. Author Kelly Lowe has left no
aspect of that work unexamined, from Zappa's role as a satirist of
the highest order, to his place in the genre of "progressive rock,"
and his importance as one of the foremost critics of American
culture and society. Like those of many satirists, Frank Zappa's
messages--musical and lyrical--may not always be clear, but they
are well worth considering. Kelly Lowe has provided an excellent
guide to aid readers in that endeavor. The volume begins with a
discussion of Zappa's role as a satirist and a discussion of his
musical style, and then proceeds to a prolonged examination of his
albums. Through this extended engagement with Zappa's music, a
surprisingly clear perspective on his personal views is also
provided, shedding light on his treatment of such topics as the
falsified notion of love in popular culture, the compromising
influence of money on popular music, and the concept of freedom in
a systematized society, among other things. The book also features
an official discography and a bibliographic essay that discusses
the current state of Zappa scholarship.
Bach representa el genio cumbre de la armon a musical, el hombre de
bien que sufre las ingratitudes de su tiempo, el creyente de un Ser
Supremo y el forjador de un himno de paz para toda la humanidad y
la historia. Vivir es triunfar. Y triunfar es resolver dos fuerzas
antag nicas. En todo instante estamos viviendo y muriendo. En todo
momento somos y no somos. Ser y no ser frase mas profunda que la de
la tragedia shakesperiana. Todo es y deja de ser. Todo cambia y es.
Inmanente a la vida est el perpetuo fl uir de lo existente. Bach es
el nico artista que ha llegado a esas insondables profundidades del
oc ano, en donde se funden y se identifi can la luz y la
obscuridad. Adalberto Garc a de Mendoza
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Fantasy has had a modern resurgence in cinema due largely to the
success of superhero narratives and the two major fantasy series,
the Lord of the Rings and Harry Potter. Often regarded as mere
escapism, this genre has been neglected as the subject of serious
academic work. This volume explores the way in which music and
sound articulate the fantastic in cinema and contribute to the
creation of fantasy narratives. Fantasy invokes the magical within
its narratives as the means by which to achieve what would be
impossible in our own reality, as compared to sci-fi's as-yet
unknown technologies and horror's dark and deadly supernatural
forces. Fantasy remains problematic, however, because it defies
many of the conventional mechanisms by which genre is defined such
as setting, mood and audience. In a way quite unlike its co-genres,
fantasy moves with infinite flexibility between locations - the
world (almost) as we know it, historical, futuristic or mythic
locations; between moods - heroic, epic, magical; and between
audiences - children, teens, adults. In English-language cinema, it
encompasses the grand mythic narratives of Lord of the Rings,
Legend and The Seventh Voyage of Sinbad, the heroic narratives of
Superman, Flash Gordon and Indiana Jones and the magical narratives
of Labyrinth, Edward Scissorhands and the Harry Potter series, to
name just some of films that typify the variety that the genre
offers. What these films all have in common is a requirement that
the audience accepts the a fundamental break with reality within
the diegesis of the filmic narrative, and embraces magic in its
many and various forms, sometimes benign, sometimes not. This
volume examines music in fantasy cinema across a broad historical
perspective, from Bernard Herrmann's scores for Ray Harryhausen,
through the popular music scores of the 1980s to contemporary
scores for films such as The Mummy and the Harry Potter series,
allowing the reader to see not only the way that the musical
strategies of fantasy scoring have changed over time but also to
appreciate the inventiveness of composers such as Bernard Herrmann,
John Williams, Jerry Goldsmith, Danny Elfman and Elliot Goldenthal,
and popular musicians such as Queen and David Bowie in evoking the
mythic, the magical and the monstrous in their music for fantasy
film.
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