This book reviews the current practices of traditional musics in various cultures of all continents, and examines the impact and significance of traditional musics in the modern world. A diverse group of experts of musicology and music education collaborate to expose the current practices and challenges of transmission and evolution of traditional musics in order to seek sustainable development, so that traditional musics can take the place they deserve in the modern world and continue to contribute to human civilization. This volume contains three main sections that include transmission of traditional musics, authenticity and evolution, as well as challenges in future. Based on the chapters, the editor proposes four major trends of transmission of traditional musics, namely, formalization, politicization, Westernization and modernization in transforming contexts.

One of the major frustrations of my professional musical life has been the continual reminder of how few talented young string players, even those with exceptional instrumental skill, seem to truly understand the importance of reflecting their very own personal emotional experiences within the fabric of their musical interpretations and performances. Consequently I have devoted a great deal of my teaching efforts to helping these potential artists better understand the critical importance of this element and to develop the skills necessary to facilitate the natural merging of their inner-most emotions with their instrumental facility. My original purpose for authoring this book was to create a lasting way in which to share my resulting theories and methodologies with regards to this ever so critical ingredient to the process of successful musical communication. Interestingly, after a reasonable amount of academic research, it quickly became apparent to me that in spite of the existence of numerous available publications dealing with the need for musicians to play their instruments in an expressive manner... and a myriad of additional books and articles attempting to describe and analyze the elements of "sensuality" ...no one had previously made any detailed connection or addressed, in writing, the impact of "sensuality" on music performance from either a technical or musical perspective. Now that this project is complete I must agree with the opinion of a number of my trusted colleagues and friends: "many theories, concepts and methods described in this book could indeed provide benefits to a far broader audience than those exclusively focused on string playing."I am hopeful that performers from all of the arts as well as any interested and receptive individuals from all walks of life may find the thoughts I have expressed in this publication helpful in achieving the lives of their dreams.

'This is the most glorious of books. I am besotted by the life I never knew he had.' -Elton John 'Orgasmic. Every page of Scattershot is a delight, a joy, a name-dropper fan's delight. Divine. I couldn't put it down.' -Pete Townshend 'In Bernie Taupin's miraculous memoir Scattershot you'll meet legends, cowboys, geniuses, unforgettable faces in the night, shady purveyors of outrageous fortune, warriors of the heart, and most of all, Taupin himself. Hilarious and so emotionally true, Scattershot is like a letter from a cherished friend. You'll want to keep it close, so you can read it again and again.' -Cameron Crowe 'Touching. Charming. Humble. Witty. And exquisitely written. Taupin's words need no musical accompaniment. They sing with a poets voice.' -Gary Oldman 'Eloquent and inspiring, Scattershot is a freewheeling memoir that is as warm and evocative as Bernie Taupin's most memorable lyrics. A born storyteller, Taupin gives us the life of an artist whose outlook was shaped by a rare but fascinating blend of lifelong innocence and endless intellectual curiosity.' -Robert Hilburn, author of Johnny Cash: The Life "I loved writing, I loved chronicling life and every moment I was cogent, sober, or blitzed, I was forever feeding off my surroundings, making copious notes as ammunition for future compositions. . . . The thing is good, bad or indifferent I never stopped writing, it was as addictive as any drug." This is the memoir music fans have been waiting for. Half of one of the greatest creative partnerships in popular music, Bernie Taupin is the man who wrote the lyrics for Elton John, who conceived the ideas that spawned countless hits, and sold millions and millions of records. Together, they were a duo, a unit, an immovable object. Their extraordinary, half-century-and-counting creative relationship has been chronicled in biopics (like 2019's Rocketman) and even John's own autobiography, Me. But Taupin, a famously private person, has kept his own account of their adventures close to his chest, until now. Written with honesty and candour, Scatterhot allows the reader to witness events unfolding from Taupin's singular perspective, sometimes front and center, sometimes from the edge, yet always described vibrantly, with an infectious energy that only a vivid songwriter's prose could offer. From his childhood in the East Midlands of England whose imagination was sparked and forever informed by the distinctly American mythopoetics of country music and cowboys, to the glittering, star-studded fishbowl of '70s and '80s Beverly Hills, Scattershot is simultaneously a Tom Jones­-like picaresque journey across a landscape of unforgettable characters, as well as a striking, first-hand account of a creative era like no other and one man's experience at the core of it. An exciting, multi-decade whirlwind, Scattershot whizzes around the world as we ride shotgun with Bernie on his extraordinary life. We visit New York with him and Elton on the cusp of global fame. We spend time with him in Australia almost in residency at an infamous rock 'n' roll hotel in an endless blizzard of drugs. And we spend late, late night hours with John Lennon, with Bob Marley, and hanging with Frank Sinatra. And beyond the world of popular music, we witness memorable encounters with writers like Graham Greene, painters like Andy Warhol and Salvador Dali, and scores of notable misfits, miscreants, eccentrics, and geniuses, known and unknown. Even if they're not famous in their own right, they are stars on the page, and we discover how they inspired the indelible lyrics to songs such as "Tiny Dancer," "Candle in the Wind," "Bennie and The Jets," and so many more. Unique and utterly compelling, Scattershot will transport the reader across the decades and around the globe, along the way meeting some of the greatest creative minds of the 20th century, and into the vivid imaginings of one of music's most legendary lyricists.

Alan Rawsthorne was a British composer, film scorer, music editor, author, and radio talk show presenter. At the heart of his musical contribution was a unique blend of European and English 20th-century techniques which concentrated on instrumental rather than vocal music. While most of this volume is dedicated to Rawsthorne's original musical works, the reader's attention is also drawn to his articles, radio talks, and arrangements of works of other composers. His disposition placed his career in the background of others who were more public; his preference was to write music for its own sake rather than for notoriety and monetary gain. Through the guiding direction of other composers and radio leadership personnel, Rawsthorne created music for the next age as much as for his current time.

This bibliography is comprised of a listing of all known works (completed and uncompleted), premieres and selected other performances (highlighting venues, dates, and performers' names), a discography of both commercially available discs and archival tapes and discs, a 1500-item annotated set of citations of reviews, sections of books, articles and the like regarding the works, Rawsthorne's life and recordings, five appendices (song cycle and multi-section works components, alphabetical works list, Manchester manuscript collection details, chronological works list, works of other composers dedicated to Rawsthorne) and a 25-page index to the book.

Facing the Music investigates the practices and ideas that have grown from some five decades of cultural diversity in music education, developments in ethnomusicology, and the rise of 'world music'. Speaking from rich, hands-on experience of more than thirty years at various levels of music education (music in schools, community organizations and professional training courses), Huib Schippers makes a powerful case for the crucial role of learning music in shaping rich and diverse musical environments for the 21st century, both in practical terms and at a conceptual level: "what we hear is the product of what we believe about music."
Advocating a contemporary, positive and realistic approach to cultural diversity in music education and transmission, Schippers advocates taking into account and celebrating the natural dynamics of music. He argues that "most music travels remarkably well," and regards every musical act as an expression of the 'here and now', as do many of the musicians and scholars he quotes. In this way, he challenges stifling directives to recreate 'authentic contexts', which in fact constantly change (and have always changed) in the cultures of origin as well. This liberates music educators to seek with integrity appropriate ways of presenting music at all levels of education: in schools, community settings, and professional training.
In seven succinct chapters that each approach the issues from a different angle, Schippers gradually unfolds the complexities of learning and teaching music 'out of context' in an accessible manner, and presents a coherent model to approach these, as well as lucid suggestions for translating the resulting ideas in practice. While mapping the various factors that determine all acts of music transmission, he also comes to surprising insights into the nature and preconceptions underlying much formal music education settings across the world, including those focusing on western classical music.
Facing the Music provides a rich resource for reflection and practice for all those involved in teaching and learning music, from policy maker to classroom teacher.

" THE MIGHTY KUCHKA " Teen prodigy NIKOLAI RIMSKY-KORSAKOV is brought by his piano teacher to the home of composer and music instructor MILI BALAKRIEV (antagonist) who recognizes the talent of the young man immediately. Mili's quest is to intentionally deprive his pupils of the musical knowledge of Mozart, Beethoven, Bach and Europeans in order that his circle of composers would write pure Russian Music without outside influence. After a tour with the Russian Navy to New York City, Rio de Janerio a few Mediterranean ports, Nikolai returns to St. Petersburg as a mature Naval Officer and rejoins Mili's circle of five composers which include MODEST MOUSSORGSKY, ALEXANDER BORODIN and CAESAR CUI. After awhile, Modest, Alexander and Nikolai realize they have been categorized as pupils by Mili and feel a certain coolness as they grow more independent. Nicolai has written his first two symphonies. Nikolai falls in love with NADEZHDA a talented pianist, they get married and travel to many romantic spots in Europe on their honeymoon. Nadezhda is a wonderful influence on Nikolai's music. PETER TCHAIKOVSKI becomes their friend and visits the couple occasionally when in St. Petersburg. One day Nadezhda sees Nikolai in tears claiming "Everything I have composed is wrong " "I have wasted my life with Mili Balakriev." Nikolai realizes that he has been deprived of the knowledge of the European Masters. Nikolai feeling betrayed suffers a complete nervous breakdown. . .. Peter Tchaikovski credits Nadzhda with nursing Nikolai back to health. Now stronger than ever he completes more than 20 Operas. The Suites, Sheherazade, Easter Overture, Capriccio Espagnol are on repertoires around the world. Nikolai teaches his own group of pupils which include the younger ALEXANDER GLAZANOV and IGOR STRAVINSKY. See Other Books By This Author and when finished, Click here to return to www.JPRoach.org

This book gathers a set of works highlighting significant advances in the areas of music and sound. They report on innovative music technologies, acoustics, findings in musicology, new perspectives and techniques for composition, sound design and sound synthesis, and methods for music education and therapy. Further, they cover interesting topics at the intersection between music and computing, design and social sciences. Chapters are based on extended and revised versions of the best papers presented during the 6th and 7th editions of EIMAD-Meeting of Research in Music, Arts and Design, held in 2020 and 2021, respectively, at the School of Applied Arts in Castelo Branco, Portugal. All in all, this book provides music researchers, educators and professionals with authoritative information about new trends and techniques, and a source of inspiration for future research, practical developments, and for establishing collaboration between experts from different fields.

Set in the turbulent South in the 1950s, Memphis is the story of Huey Calhoun, a white radio DJ whose love of good music transcends race lines and airwaves. Thanks in part to his passionate persistence, "race" music reaches the center of the radio dial, quickly exploding throughout mainstream America. But when Huey falls for a beautiful black singer he has set on the path to stardom, whether the world is really ready for this music, and their love, is put to the test.

Jazz and Death: Reception, Rituals, and Representations critically examines the myriad and complex interactions between jazz and death, from the New Orleans "jazz funeral" to jazz in heaven or hell, final recordings, jazz monuments, and the music’s own presumed death. It looks at how fans, critics, journalists, historians, writers, the media, and musicians have narrated, mythologized, and relayed those stories. What causes the fascination of the jazz world with its deaths? What does it say about how our culture views jazz and its practitioners? Is jazz somehow a fatal culture? The narratives surrounding jazz and death cast a light on how the music and its creators are perceived. Stories of jazz musicians typically bring up different tropes, ranging from the tragic, misunderstood genius to the notion that virtuosity somehow comes at a price. Many of these narratives tend to perpetuate the gendered and racialized stereotypes that have been part of jazz’s history. In the end, the ideas that encompass jazz and death help audiences find meaning in a complex musical practice and come to grips with the passing of their revered musical heroes -- and possibly with their own mortality.

Despite John Lennon's immense popularity, little attention has been paid to his work apart from the Beatles. Yet his solo artistry not only illuminates what he gave to the Beatles, but also constitutes a significant contribution to popular music in general. Lennon was able to fuse experiments in technology, instrumentation, lyrics, and musical form into recordings that were both artistically and commercially successful. Few singer-songwriters have been his equal. In this long overdue investigation, authors Ben Urish and Ken Bielen give Lennon's artistry the opportunity to speak for itself. After a brief biographical introduction, chronologically arranged chapters discuss his incredible body of work album-by-album and single-by-single. A discography and annotated bibliography conclude the book. Despite John Lennon's immense popularity, little attention has been paid to the overall efforts of his work apart from the Beatles. Yet his solo artistry not only illuminates what he gave to the Beatles (and what the Beatles experience gave to him), but also constitutes a significant contribution to popular music in general. Lennon was able to fuse experiments in technology, instrumentation, lyrics, and musical form into recordings that were both artistically and commercially successful. Whether expressing emotions, explaining philosophies, protesting social situations, or ruminating on the joys and pains of personal entanglements, few singer-songwriters have been his equal. In this long overdue investigation, authors Ben Urish and Ken Bielen give Lennon's artistry the opportunity to speak for itself. After a brief biographical introduction, chronologically arranged chapters discuss his incredible body of work album-by-album and single-by-single. A discography and annotated bibliography conclude the book. Although he is often lauded as a spokesperson for his generation, this praise, however intended, is far too limiting. Lennon was able to transform the intensely personal into the deeply universal (as well as the reverse), often with humor and pointed insight. At their core, his songs are simultaneously humanistic and transcendent. And as such, they-and he-continue to be relevant, and will certainly remain a valuable part of our cultural heritage for a long time to come.

This is the first book to comprehensively cover all of the Australian piano music of the 20th century. It is lavishly illustrated with over 300 music examples, giving a very clear picture of the various composers and styles. The composers are listed within various historical and stylistic blocks as well as within consideration of their own pianistic prowess. The large number of scores will help future researchers as well as recording and concert pianists who are searching for new and exciting repertoire. This is an invaluable book certain to appeal to music lovers, the professional musician and amateur, and students. In fact, anyone interested in the piano and its historical evolution will appreciate this volume.

Music Video Games takes a look (and listen) at the popular genre of music games - video games in which music is at the forefront of player interaction and gameplay. With chapters on a wide variety of music games, ranging from well-known console games such as Guitar Hero and Rock Band to new, emerging games for smartphones and tablets, scholars from diverse disciplines and backgrounds discuss the history, development, and cultural impact of music games. Each chapter investigates important themes surrounding the ways in which we play music and play with music in video games. Starting with the precursors to music games - including Simon, the hand-held electronic music game from the 1980s, Michael Austin's collection goes on to discuss issues in musicianship and performance, authenticity and "selling out," and composing, creating, and learning music with video games. Including a glossary and detailed indices, Austin and his team shine a much needed light on the often overlooked subject of music video games.

If you enjoy great music but want to know more about how it came to be the way it is - without investing time in a graduate degree - here are the background stories of over 200 great compositions. If you're only just coming to experiment with great music, here are guideposts to help you understand and enjoy what you encounter. The stories and sounds behind the scenes: welcome to Classical Music Insights.

The Asian continent is composed of multiple political systems, huge populations, and different religions and histories. Yet, the undercurrents of politics and political affairs and how societies function in this vast region are not well known, and in fact often misunderstood. The role of music and its impact on political affairs is just one of these unknown or misunderstood factors about this region. Unlike initial political communication studies, the present book is not about examining established political structures such as parliament or congress and the presidency; political processes such as elections, campaign advertising and voter education; or even political behavior and participation such as voting and the performance of other civic duties. Rather, it recognizes and explores the impact and intersection of music and politics in society, in this case, various societies in the Asian continent. The book is projected to be an invaluable research tool specifically in the hands of researchers and students of Asian politics in the aforementioned fields, and people who are interested in understanding and investigating the intersection of music and politics globally. Therefore, suggested potential targets for the envisaged edited book include such researchers and students across multiple disciplines in the arts and humanities, as well as libraries and research institutes across the globe.

This book is an interdisciplinary project that brings together ideas from aesthetics, philosophy, psychology, and music sociology as an expansion of German philosopher Hans-Georg Gadamer's theory on the aesthetics of play. This way of thinking focuses on an ontology of the process of musicking rather than an ontology of discovering fixed and static musical objects. In line with this idea, the author discusses the importance of participation and involvement in this process of musicking, whether as a listener or as a performer. Christensen then goes on to critique and update Gadamer's theory by presenting incompatibilities between it and recent theories of aesthetic emotions and embodiment. He proposes that emotions are 'constructed' rather than 'caused', that the mind uses a system of 'filters' to respond to sonic stimuli and thus constructs (via play) aesthetic feelings and experiences. In turn, this approach provides music with a route into the development of social capital and inter-subjective communication. This work builds on the hermeneutical steps already taken by Gadamer and those before him, continuing his line of thought beyond his work. It will be of great interest to scholars in music aesthetics as well as a variety of other music related fields, including music psychology, philosophy and science and technology studies.

Bob Marley was the first, and possibly the only, superstar to emerge from the Third World. Although he lived a short life, only 36 years, Bob penned an enormous quantity of songs, pioneering a new reggae rhythm and sound that was distinctly Jamaican. An expert lyricist who could more than hold his own with any contemporary hip-hop word slinger, Bob crafted emotionally powerful chains of words that packed a serious punch. Twenty-five years after his death, the music of Bob Marley and the Wailers is as popular and relevant as it was the day it was released. Author David Moskowitz gives readers an inside look at the man behind the legend. Fans from all corners of the globe are a testament to the fact that his music transcends race, color, economic class, even language. From Marley's poverty stricken early childhood in rural Jamaica to break out his faith in Rastafarianism, this biography recounts the life and music of one of the most famous popular artists of the last century, an incredible story for long-time fans as well for a new and ever-increasing audience who were too young to witness Marley's history-making music career firsthand. A timeline, photos, and a rich bibliography of print and electronic sources make this biography ideal for both research purposes and casual reading.

Back in the 1960s, the Burke Family Singers were America's answer to Austria's von Trapp Family. Throughout that tumultuous decade the fabric of the nation's life was of course torn by the war in Vietnam and the impassioned drive of the civil rights movement. It was against this churning backdrop that a large Rhode Island family - mother, father and 10 children - set out on the first of what would prove a long series of coast-to-coast tours, whose only purpose was to bring the glorious sound of their music to audiences everywhere. They performed in major cities and remote small towns, and during their travels they met the von Trapp Family and recorded an album of Christmas carols with them. Sarah Jo Burke, the youngest of the five daughters, has written a book that celebrates American values in the best sense and, if nothing else, proves that the family that sings together stays together.

Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection.

Also exploring the links among this diverse group of composers, the guide offers a cross-index of names that will help the researcher formulate a cohesive view of the 20th-century avant-garde. A bibliography and list of selected works round out the volume, which succeeds in demystifying an area that, until now, has been the exclusive province only of the specialist.

The influential rock musician Elvis Costello is recognized for the impressive breadth and scope of his music. His collaborations with such musicians as Tony Bennett and the Count Basie orchestra, however, attest to the many contradictions that define Elvis Costello, the punk rocker. This important guide to his music and career contains over 800 bibliographic citations and a complete discography of Costello's commercially released recordings. The discography, divided into two sections, separately details Costello's career as performer and composer. A brief biography traces his critically acclaimed career and highlights both the influences on his music and the myriad ways in which his music has influenced others.

The vast information compiled in this guide to further research is as interesting and diverse as Costello's career. Rock music scholars, musicologists, and Costello enthusiasts will appreciate the videography/filmography, bibliography of musical scores, and list of electronic resources that supplement the extensive discography and annotated bibliography. A works index and a general index make it easy to cross-reference and locate specific information.

The International Who's Who in Classical Music 2023 is a vast source of biographical and contact information for singers, instrumentalists, composers, conductors, managers and more. Each entrant has been given the opportunity to update his or her information for the new improved 2023 edition. Each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. International Who's Who in Classical Music includes individuals involved in all aspects of the world of classical music: composers, instrumentalists, singers, arrangers, writers, musicologists, conductors, directors and managers. Key Features: - about 8,000 detailed biographical entries - covers the classical and light classical fields - includes both up-and-coming musicians and well-established names. This book will prove valuable for anyone in need of reliable, up-to-date information on the individuals and organizations involved in classical music.