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Books > Music > General

'79 Time For Action Mod Revival (Paperback): Garry Bushell '79 Time For Action Mod Revival (Paperback)
Garry Bushell
R415 R379 Discovery Miles 3 790 Save R36 (9%) Ships in 9 - 15 working days

It's over forty years since The Jam inspired a new generation with their All Mod Cons album - released in the dying months of 1978. But the Mod revival was far more than just a one-band phenomenon inspired by the arrival of the film version of The Who's Quadrophenia. A succession of groups including The Purple Hearts, The Jolt, The Chords and Secret Affair amongst many others added to Weller's powerful songs with great tunes. It was a movement that had been growing organically for more than a year and was a fitting answer to the increasingly grim post-punk scene with hits such as: 'David Watts', 'The Modern World', 'Down in the Tube Station at Midnight', 'Eton Rifles', 'That's Entertainment', 'Going Underground'...

AI for Arts (Paperback): Niklas Hageback, Daniel Hedblom AI for Arts (Paperback)
Niklas Hageback, Daniel Hedblom
R744 Discovery Miles 7 440 Ships in 12 - 17 working days

a short and accessible introduction on AI and Art written by leading experts

Music, Branding and Consumer Culture in Church - Hillsong in Focus (Paperback): Tom Wagner Music, Branding and Consumer Culture in Church - Hillsong in Focus (Paperback)
Tom Wagner
R1,231 Discovery Miles 12 310 Ships in 12 - 17 working days

Starting as a single congregation in Australia, Hillsong Church now has campuses worldwide, releases worship music that sells millions of albums and its ministers regularly appear in mainstream media. So, how has a single church gained such international prominence? This book offers an ethnographic exploration of the ways in which music and marketing have been utilised in the pursuit and production of spiritual experience for members of Hillsong Church. An experience that has proven to be incredibly popular. The main theme of this book is that marketing, specifically branding, is not just a way to "sell" religion, but rather an integral part of spiritual experience in consumer society. Focussing on the London Hillsong church as a case study, the use of its own music in tandem with strong branding is shown to be a co- and re-productive method of organizing, patterning, and communicating information. The church provides the branded material and cultural context in which participants' sacred experience of self unfolds. However, this requires participants to "do the work" to properly understand, and ultimately embody, the values associated with the brand. This book raises important questions about the role of branding and music in forming modern scared identities. As such, it will be of great interest to scholars of Religious Studies, Ethnomusicology and Media Studies.

Music, Language and Identity in Greece - Defining a National Art Music in the Nineteenth and Twentieth Centuries (Paperback):... Music, Language and Identity in Greece - Defining a National Art Music in the Nineteenth and Twentieth Centuries (Paperback)
Polina Tambakaki, Panos Vlagopoulos, Katerina Levidou, Roderick Beaton
R1,294 Discovery Miles 12 940 Ships in 12 - 17 working days

The national element in music has been the subject of important studies, yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory and modern Greek studies), who investi- gate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the 'national' in different cultures, shedding new light on ideologies and mechanisms of cultural policies.

The Aesthetics of Self-Becoming - How Art Forms Empower (Paperback): Paul Crowther The Aesthetics of Self-Becoming - How Art Forms Empower (Paperback)
Paul Crowther
R1,229 Discovery Miles 12 290 Ships in 12 - 17 working days

This book shows that art involves an aesthetics of self-becoming, wherein we do not simply consume artistic meaning, but become empowered-by adapting ourselves to what creation in the different art forms makes possible. Paul Crowther argues that the great political task in aesthetics is no longer the creation of political art as such, but rather the winning back of art and aesthetics as central societal concerns. This involves the overcoming of neo-liberal treatments of art as mere commodity and misguided attitudes that dismiss it as the product of dead white European males. The book begins with a theory of self-consciousness which reveals the necessary role played by the aesthetic in personal identity. It then emphasises how art forms empower through processes of making and aesthetic effects that are unique to them individually. To show this, he considers the ontology of pictorial art, sculpture, installation and assemblage works, architecture, literature, cinema, and music. His arguments concerning these are supported, throughout, by in-depth discussions of specific artworks. The book's effect, overall is to reorientate aesthetics by showing how art empowers through its revelation of new possibilities of experience. The Aesthetics of Self-Becoming will appeal to philosophers of art and aesthetics, as well as scholars in art history, literary studies, film studies, and music theory who are interested in the book's central concerns.

Expanding Professionalism in Music and Higher Music Education - A Changing Game (Hardcover): Heidi Westerlund, Helena Gaunt Expanding Professionalism in Music and Higher Music Education - A Changing Game (Hardcover)
Heidi Westerlund, Helena Gaunt
R3,911 Discovery Miles 39 110 Ships in 12 - 17 working days

This book addresses the need to rethink the concept and enactment of professionalism in music, and how such concepts underpin professional higher music education. There is an urgent imperative to enable the potential of professional musicians in our contemporary societies to be more fully realised, recognising both intense challenges that are currently threatening some traditional music practices, and significant scope for new practices to be imagined in response to deep veins of societal need. Professionalism encompasses the conduct, aims, values, responsibilities and ongoing development of a practising professional in the field. Professional higher music education engages both with providing future professionals with relevant education in particular craft skills, and with nurturing their visions for their work as artists in future societies. The major focus of the book is on performance traditions that have dominated professional higher education, notably western classical music.

Educating Musicians for Sustainability (Hardcover): Anna Reid, Peter Petocz Educating Musicians for Sustainability (Hardcover)
Anna Reid, Peter Petocz
R1,555 Discovery Miles 15 550 Ships in 12 - 17 working days

Educating Musicians for Sustainability explores the intersections of sustainability and music, investigating how sustainability affects the development and professional preparation of musicians while asking the question, 'What does sustainability have to do with music?' The volume presents a series of case studies organised according to an expanded view of the 'four pillars of sustainability', addressing cultural, environmental, economic, and social concerns. These case studies reveal a multitude of intersections, highlighting the crucial role music can play in raising awareness and overcoming the crisis of sustainability. In examining pedagogical and practical implications, aspiring musicians are encouraged to develop a broader view of the musical profession as a human endeavour, one that is intimately related to the world in which they live. Educating Musicians for Sustainability addresses the most pressing and serious problem of contemporary times - and seeks to inspire changes in attitudes and behaviour, for the benefit of all of humanity.

The Changing Nature of Customary International Law - Methods of Interpreting the Concept of Custom in International Criminal... The Changing Nature of Customary International Law - Methods of Interpreting the Concept of Custom in International Criminal Tribunals (Paperback)
Noora Arajarvi
R1,586 Discovery Miles 15 860 Ships in 9 - 15 working days

This book examines the evolution of customary international law (CIL) as a source of international law. Using the International Criminal Tribunal for the former Yugoslavia (ICTY) as a key case study, the book explores the importance of CIL in the development of international criminal law and focuses on the ways in which international criminal tribunals can be said to change the ways in which CIL is formed and identified. In doing so, the book surveys the process and substance of CIL, as well as the problematic distinction between the elements of state practice and opinio juris. By applying an inclusive positivist approach, Noora Arajarvi analyses the methodologies of identification of CIL in selected cases of the ICTY, and their normative foundations. Through examination of the case-law and the reasoning of courts and tribunals, Arajarvi demonstrates to what extent the court's chosen method of identification of CIL affects the process of custom formation and the resulting system of norms in general. The book will be of great value to researchers and scholars of international law, international relations, and practitioners with interests in customary international law.

Musical Sincerity and Transcendence in Film - Reflexive Fictions (Hardcover): Timothy B. Cochran Musical Sincerity and Transcendence in Film - Reflexive Fictions (Hardcover)
Timothy B. Cochran
R4,062 Discovery Miles 40 620 Ships in 12 - 17 working days

Musical Sincerity and Transcendence in Film focuses on the ways filmmakers treat music reflexively-that is, draw attention to what it is and what it can do. Examining a wide range of movies from the last thirty-five years including examples from Indiewood, teen film, and blockbuster cinema. The book explores two recurring ideas about music implied by foregrounded musical activity on screen: that music can be a potent means of sincere expression and genuine human connection and that music can enable transcendence of disenchantment and the mundane. The book covers eclectic critical terrain to highlight various layers of musical sincerity and transcendence in film, including the nineteenth-century aesthetics of E.T.A. Hoffmann, David Foster Wallace's literary resistance to irony (sometimes called the New Sincerity), strategies of self-revelation in singer-songwriter repertoires, Lionel Trilling's distinction between sincerity and authenticity, theories of play, David Nye's notion of the American technological sublime, and Svetlana Boym's writings on nostalgia. These lenses reveal that film is a way of perpetuating, revising, and critiquing ideas about music and that music in film is a potent means of exploring broader social, emotional, and spiritual desires.

A Dictionary of Musical Terms - Cambridge Library Collection - Music (Book): John Stainer, William Barrett A Dictionary of Musical Terms - Cambridge Library Collection - Music (Book)
John Stainer, William Barrett
R1,603 Discovery Miles 16 030 Ships in 10 - 15 working days

This illustrated dictionary, written by the prolific Victorian composer Sir John Stainer (1840-1901) - best remembered today for his oratorio The Crucifixion - and W. A. Barrett, was first published by Novello in 1876. It provides definitions for 'the chief musical terms met with in scientific, theoretical, and practical treatises, and in the more common annotated programmes and newspaper criticisms', ranging from short explanations of the Italian words for tempi, through descriptions of ancient instruments to expansive articles on such topics as acoustics, copyright, hymn tunes, the larynx and temperament. That it subsequently ran to several further editions suggests that it provided welcome guidance for the concert-going public in the nineteenth century.

The History of the Royal Academy of Music - Compiled from Authentic Sources (Book): William Wahab Cazalet The History of the Royal Academy of Music - Compiled from Authentic Sources (Book)
William Wahab Cazalet
R1,394 Discovery Miles 13 940 Ships in 10 - 15 working days

The Royal Academy of Music in London was founded in 1822 by Lord Burghersh (later the 11th Earl of Westmorland), a soldier and keen amateur musician, to whom this book is dedicated. He was supported by the French harpist and composer Nicolas-Charles Bochsa, who had fled to London to avoid prosecution in France for fraud and forgery. In 1854, the Rev. William Wahab Cazalet (1808 75) wrote a history of the Royal Academy 'compiled from authentic sources' and beginning with an adulatory short biography of the Earl. Cazalet remarks in his preface that 'the history comprises only about eleven years of the life of the Institution; but it is this portion alone that has any interest, for when all the struggles and troubles attending its establishment are at an end, the records of a mere routine of business give no material for publication'.

A Short Historical Account - Of the Degrees in Music at Oxford and Cambridge (Book): C.F.Abdy Williams A Short Historical Account - Of the Degrees in Music at Oxford and Cambridge (Book)
C.F.Abdy Williams
R920 Discovery Miles 9 200 Ships in 10 - 15 working days

C. F. Abdy Williams (1855 1923), a noted music scholar, traced the history of the discipline at Oxford and Cambridge from the fifteenth century to the late Victorian period in this 1894 book. He discusses the earliest records of degrees in the subject, the establishment of professorships, the requirements for degrees and the ceremonies associated with their conferral. He provides biographical information for graduates from as early as 1463, noting that English music of this early period was in a very advanced stage compared to that of the rest of Europe. He also includes, in an appendix, the names of those persons who are mentioned as graduates but whose names do not appear in the university records. His book reveals the importance attached to the cultivation of music at the ancient British universities and the prestige attached to their scholars over several centuries.

The History of Music (Art and Science) - From the Earliest Records to the Fall of the Roman Empire (Book): William Chappell The History of Music (Art and Science) - From the Earliest Records to the Fall of the Roman Empire (Book)
William Chappell
R1,758 Discovery Miles 17 580 Ships in 10 - 15 working days

This 1874 account of the music of ancient Greece, Egypt and Rome was the only volume of the author's proposed history of music to be published. William Chappell, eldest son of the founder of Chappell's the music publishers, was noted for his interest in ancient and traditional music and was the founder of the Musical Antiquarian Society in 1840. Best remembered for his Popular Music of the Olden Time, Chappell justifies the need for his study of ancient music in a long introduction to the volume which criticises the approaches of Charles Burney and Sir John Hawkins and attacks the validity of Helmholtz's work on acoustics. The work explores theory, practice, science, philosophy and the instruments of the time through analysis of ancient sources such as Aristotle, Pythagoras, Boethius and Vetruvius and of iconographical materials. A comprehensive glossary-cum-index is included together with topic summaries for each chapter.

A Dictionary of Musicians - From the Earliest Ages to the Present Time (Book): John Sainsbury A Dictionary of Musicians - From the Earliest Ages to the Present Time (Book)
John Sainsbury
R1,733 Discovery Miles 17 330 Ships in 10 - 15 working days

The publisher John Sainsbury produced this two-volume biographical dictionary of musicians in 1824. The book, as he acknowledges on his title page, borrows from the previously published works of Choron and Fayolle (in French), Gerber (in German), Orloff (Russian, writing in French), and his two notable English predecessors, Dr Burney and Sir John Hawkings. It contains a 'summary of the history of music', as well as biographies and memoirs of musicians. The range of the information provided is immense, including the most obscure as well as the most famous: fourteen pages on Mozart are followed by paragraphs on his wife Constanza and on the now completely forgotten B. F. Mozin, a French piano teacher and composer, while Beethoven is described when still living and composing, albeit afflicted by deafness. This work is a mine of information on musical life and perceptions of music history in the early nineteenth century.

A Dictionary of Musicians - From the Earliest Ages to the Present Time (Book): John Sainsbury A Dictionary of Musicians - From the Earliest Ages to the Present Time (Book)
John Sainsbury
R1,756 Discovery Miles 17 560 Ships in 10 - 15 working days

The publisher John Sainsbury produced this two-volume biographical dictionary of musicians in 1824. The book, as he acknowledges on his title page, borrows from the previously published works of Choron and Fayolle (in French), Gerber (in German), Orloff (Russian, writing in French), and his two notable English predecessors, Dr Burney and Sir John Hawkings. It contains a 'summary of the history of music', as well as biographies and memoirs of musicians. The range of the information provided is immense, including the most obscure as well as the most famous: fourteen pages on Mozart are followed by paragraphs on his wife Constanza and on the now completely forgotten B. F. Mozin, a French piano teacher and composer, while Beethoven is described when still living and composing, albeit afflicted by deafness. This work is a mine of information on musical life and perceptions of music history in the early nineteenth century.

History of English Music - Cambridge Library Collection - Music (Book): Henry Davey History of English Music - Cambridge Library Collection - Music (Book)
Henry Davey
R1,669 Discovery Miles 16 690 Ships in 10 - 15 working days

The British musicologist Henry Davey (1853 1929) was a noted scholar of the manuscript sources of Tudor music. He published the first edition of History of English Music in 1895 with the aim of providing his fellow-musicians with the first clear scholarly account of the full range of English musical achievements. His main focus is the fifteenth, sixteenth and seventeenth centuries, which he considered the heyday of English music, and he claims that the earliest known free instrumental compositions, as well as the polyphonic style, originated in England during the fifteenth century. In Davey's view, these controversial findings were his most important contribution to general musical knowledge. His work was widely discussed in his own time, attracting both praise and aggressive criticism, and continues to be read with great critical interest today, not least because of its parallels with the socialist utopianism of Ruskin and Morris.

The Sound of the Unconscious - Psychoanalysis as Music (Paperback): Ludovica Grassi The Sound of the Unconscious - Psychoanalysis as Music (Paperback)
Ludovica Grassi
R1,034 Discovery Miles 10 340 Ships in 12 - 17 working days

In this book, Ludovica Grassi explores the importance of music in psychoanalysis, arguing that music is a basic working tool for psyche, as words are composed of sound, rhythm and intonation more than lexical meaning. Starting from ethnomusicological, evolutionary, neurodevelopmental, psychological and psychoanalytical perspectives, the book explores music's symbolic status, structure and way of operating compared to unconscious psychic functioning. Extraordinary similarities are revealed, especially in mechanisms such as repetition, imitation, variation (transformation), intimacy and the work of mourning, of the negative and of nostalgia. Moreover, silence and absence are essential components of music as well as of psychic and symbolic functioning. Time and temporality are specifically investigated in the book as key elements both in music and in symbolization and subjectivation processes. The role of the word's phonic kernel and of the voice as fundamental links to emotions, the body, the sexual and the infantile has promising implications for psychoanalytic work. All these elements find an articulation in the natural as well as complex activity of listening, which conveys a tri-dimensional and polyphonic dimension of the world, so important both in music and in psychoanalysis. Illuminating the link between music and analysis in new and contemporary ways, The Sound of the Unconscious explores the resulting advances in theory and clinical practice and will be of great interest to practicing and training psychoanalysts and psychotherapists.

Gert-Jan Prins: Cavity - LP: Freek Lomme, Daniela Cascella, Willem Van Weelden Gert-Jan Prins: Cavity - LP
Freek Lomme, Daniela Cascella, Willem Van Weelden
R600 Discovery Miles 6 000 Ships in 12 - 17 working days
Dance Lexicon in Shakespeare and His Contemporaries - A Corpus Based Approach (Hardcover): Fabio Ciambella Dance Lexicon in Shakespeare and His Contemporaries - A Corpus Based Approach (Hardcover)
Fabio Ciambella
R1,528 Discovery Miles 15 280 Ships in 12 - 17 working days

This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon but also the Bard's contemporaries (e.g., dramatists as John Marston and Ben Jonson among the most refined Renaissance dance aficionados), the originality of this volume is highlighted in both its methodology and structure. As far as methods of analysis are concerned, corpora such as the VEP Early Modern Drama collection and EEBO, and corpus analysis tools such as #LancsBox are used in order to offer the widest range of examples possible from early modern plays and provide co-textual references for each dance. Examples from Renaissance playwrights are fundamental for the analysis of connotative meanings of the dances listed and their performative, poetic and metaphoric role in sixteenth- and seventeenth-century drama. This study will be of great interest to Renaissance researchers, lexicographers and dance historians.

The Sound of the Unconscious - Psychoanalysis as Music (Hardcover): Ludovica Grassi The Sound of the Unconscious - Psychoanalysis as Music (Hardcover)
Ludovica Grassi
R3,907 Discovery Miles 39 070 Ships in 12 - 17 working days

In this book, Ludovica Grassi explores the importance of music in psychoanalysis, arguing that music is a basic working tool for psyche, as words are composed of sound, rhythm and intonation more than lexical meaning. Starting from ethnomusicological, evolutionary, neurodevelopmental, psychological and psychoanalytical perspectives, the book explores music's symbolic status, structure and way of operating compared to unconscious psychic functioning. Extraordinary similarities are revealed, especially in mechanisms such as repetition, imitation, variation (transformation), intimacy and the work of mourning, of the negative and of nostalgia. Moreover, silence and absence are essential components of music as well as of psychic and symbolic functioning. Time and temporality are specifically investigated in the book as key elements both in music and in symbolization and subjectivation processes. The role of the word's phonic kernel and of the voice as fundamental links to emotions, the body, the sexual and the infantile has promising implications for psychoanalytic work. All these elements find an articulation in the natural as well as complex activity of listening, which conveys a tri-dimensional and polyphonic dimension of the world, so important both in music and in psychoanalysis. Illuminating the link between music and analysis in new and contemporary ways, The Sound of the Unconscious explores the resulting advances in theory and clinical practice and will be of great interest to practicing and training psychoanalysts and psychotherapists.

Certificate for Music Educators Guidebook - Teaching Children and Young People (Hardcover): Lilian Simones Certificate for Music Educators Guidebook - Teaching Children and Young People (Hardcover)
Lilian Simones
R4,076 Discovery Miles 40 760 Ships in 12 - 17 working days

Certificate for Music Educators Guidebook is focused on the learning outcomes of the Certificate for Music Educators in the UK, accredited by the Office of Qualifications and Examinations Regulation (Ofqual), and validated by Trinity College London (TCL) and the Associated Board of the Royal Schools of Music (ABRSM). Through reflective questions, readers become acquainted with research findings relevant to teaching children and explore ways for enacting best teaching practice in day-to-day teaching. It offers strong foundations in teaching music in contemporary diverse settings, in both instrumental and vocal teaching; early years, primary and secondary schools and community-based contexts. This book is directly aligned with the CME Level 4 course modules, units and areas of study and its desired learning outcomes. It is a key companion for students enrolled in a validated centre, as well as the teachers and mentors involved in the design and delivery of the CME.

The Music of Malaysia - The Classical, Folk and Syncretic Traditions (Paperback, 2nd edition): Patricia Matusky, Tan Sooi Beng The Music of Malaysia - The Classical, Folk and Syncretic Traditions (Paperback, 2nd edition)
Patricia Matusky, Tan Sooi Beng
R1,488 Discovery Miles 14 880 Ships in 12 - 17 working days

The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music in its many and varied forms available in English. The book categorizes the types of music genres found in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with many examples transcribed from original field recordings. Genres discussed include theatrical and dance forms, percussion ensembles, vocal and instrumental music and classical music. It is an excellent introduction to and exploration of the country's vibrant musical culture. This new, fully revised and updated edition includes time lines, listening guides and downloadable resources of field recordings that are analysed and discussed in the text.

A Field Guide to Student Teaching in Music - Second Edition (Hardcover, 2nd edition): Ann C Clements, Sarah H Watts, Douglas C.... A Field Guide to Student Teaching in Music - Second Edition (Hardcover, 2nd edition)
Ann C Clements, Sarah H Watts, Douglas C. Mccall
R3,762 Discovery Miles 37 620 Ships in 12 - 17 working days

A Field Guide to Student Teaching in Music, Second Edition, serves as a practical guide for the music education student, one that recognizes the importance of effective coursework while addressing the unique field-based aspects of the music classroom. Student teaching in music is a singular experience, presenting challenges beyond those encountered in general education classroom settings: educators must plan for singing and movement, performances and rehearsals, intensive parent involvement, uniforms, community outreach, and much more. This guide explores such topics common to all music placements as well as those specific to general, choral, and instrumental music classrooms, building on theoretical materials often covered in music methods courses and yet not beholden to any one pedagogy, thus allowing for a dynamic and flexible approach for various classroom settings. New to the second edition: Companion website featuring downloadable worksheets, resume support, a cooperating teacher guide, and more: www.musicstudentteaching.com A new chapter on the transition from student to student teacher Expanded discussions on the interview process, including mock interviews, interviewing techniques, and online interview prep Updated content throughout to reflect current practices in the field. Leading readers through the transition from student to teacher, A Field Guide to Student Teaching in Music, Second Edition, represents a necessary update to the first edition text published a decade ago, an indispensable resource that provides the insights and skillsets students need to launch successful careers as music educators.

Gustav and Alma Mahler - A Research and Information Guide (Paperback): Susan M. Filler Gustav and Alma Mahler - A Research and Information Guide (Paperback)
Susan M. Filler
R1,446 Discovery Miles 14 460 Ships in 9 - 15 working days

This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler's research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.

Young Punks (Hardcover): Sheila Rock Young Punks (Hardcover)
Sheila Rock
R844 R706 Discovery Miles 7 060 Save R138 (16%) Ships in 9 - 15 working days

As the 1970s drew to a close and changes in music, fashion and attitudes collided to form Punk, Sheila Rock was right at the heart of the electrifying youth movement.

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