'The Wrong Outfit' by Al Gregg, is a powerful novel about a boy called Adam Nedman, who grows up through the 1970's and 80's and is greatly affected by both Football and Punk. 'At times, a journey into Punk Rock's own "Heart of Darkness," Al realistically captures the moment Punk Rock finally implodes. If you want to know what it was like to be a young Punk Rocker, on the ground, at the time - you won't find a better/sharper book than this.' Dave Parsons (Sham 69) 'A brilliantly talented new writer.' Honey Bane 'Replete with childlike wonderment and an aficionado's knowledge, Al Gregg might just as well do for Chelsea (and Punk Rock), as what Nick Hornby did for Arsenal (and Bruce Springsteen). A must for all purveyors of the Punk movement. An absolute must for all football fans.' David Marx (Forward writer for Alex Ogg's - 'No More Heroes')

"No cabe duda de que las obras orquestales, si bien es cierto no tienen la profundidad e intimidad de los cuartetos clasicos de cuerda, en cambio poseen un basto horizonte de sonoridades que nos llevan en arrebatos emocionales de esa placidez de que solo supo Bach o a ese delirio que entrega en el campo del dolor Tchaikowsky al final de su Sinfonia Patetica. Las familias de instrumentos hacen alarde de sus virtudes y, en paleta colorista, nos presentan los mas bellos timbres de las maderas, metales y cuerdas percusivas." -Dr. Adalberto Garcia de Mendoza

The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.

ORGAN - STOPS AND THEIR ARTISTIC REGISTRATION. NAMES, FORMS, CONSTRUCTION, TONALITIES, AND OFFICES IN SCIENTIFIC COMBINATION by GEORGE ASHDOWN UDSLEY. Originally published in 1921. FOREWORD: An attempt has been made in the present work to furnish the organist, and especially the organ student, with a work of ready ref erence respecting the numerous Stops which have been and now are introduced in the Organ giving, so far as is practicable in a necessarily brief and condensed form, their various names in dif ferent languages, peculiarities of formation, tonal characteristics, and value and office in scientific and artistic combination and artistic registration. It is hoped that the work will be accepted as a text-book in Organ Schools and Conservatories of Music, leading toward, and lending help to, a branch of study of the greatest value and impor tance to the organ student but one which, in too many quarters, has been seriously neglected. That a thorough knowledge of the tonal forces of the Organ and their varied powers in scientific and artistic combination and registration, for the production of special and expressive qualities of both compound, unimitative organ, and imitative orchestral tones, is essential to the accomplished organist, admits of no question. Accordingly, it is highly desirable that the student should leave the organ school with, at least, a foundation laid for that thorough knowledge. It is with the earnest desire to contribute effectively to the laying of that foundation that the present work is placed at the command of both teachers and pupils. In another direction, and one of great importance at the present time, this work, if properly understood, will prove ofconsiderable value namely, in giving reliable advice and assistance in the prepa ration of stop appointments and apportionments for new Organs. It will lead away, if read aright, from the present systemless, in sufficient, and largely retrograde prevailing method of stop appoint ment, toward a logical, scientific, and definite artistic system, in FOREWORD which compound tone production in all its desirable Conns can be carried out in accordance with the natural laws of sound. Care has been taken to render correctly all stop-names in the different languages in which they originated and are employed to-day reference to which will prevent the use of the incorrect names, either wrongly spelt or improperly compounded of words in different languages, which are so commonly found on English and American organ-builders draw-stop knobs or tablets. With such a Glossary as is provided in the present work, there need be no mis takes made or incorrect renderings of stop-names perpetrated in new organ consoles, Certain stop-names introduced by organ-builders have been omitted from the Glossary on account of their absurd or meaning less character. These are names which have no relation to anything connected with either the formation or tonality of the pipes forming the stops. All such meaningless names should be condemned by every organist and lover of the Monarch of all Instruments. GEORGE ASHDOWN UDSLEY, BLOOMFIKLD, NEW JERSEY, JANUARY, 1921.

1911. The plots of eighty-eight operas, grand, romantic, and light, actively in the repertoire of the producing managers within the last few years, are retold here in clear, concise form. Data relative to the history, composer, first production, and cast of characters of each opera are included. The work is designed both for opera-goers and for those living outside of the large cities who wish to have a knowledge of the standard productions.

The Beach Boys are one of the most long-lived and popular rock groups of the modern era. Their distinctive sound and outlook, which began as smooth Southern California surfing music in the early 1960s, evolved to the point where they became a phenomenon in themselves, the epitome of a rock style that combined the melodious poetry of Robinson Jeffers with the lilting rhythms of Mike Love and Al Jardine. Exuberance was always their trademark. You knew they liked what they were singing about, whether it was surf, cars, or girls. No wonder, then, that the Boys were a major factor in putting Southern California on the landscape of modern rock music. Their many albums span over three decades of tension, turmoil, and upheaval, but their music has somehow survived the years with undiminished spirit and vigor. The Beach Boys remain definitive representatives of the open, generous spirit of the California lifestyle. Golden and Seldis explore the group and their music as a golden example of the pastoral theme. Includes a detailed Discography, Notes, Bibliography, and comprehensive Index.

What was it like to play music in a teenage rock and roll band in the era of 45-RPM records, dances in the school cafeteria, and the Beatles on AM radio?

"Band Boys" reveals the inner workings of the lives of the Blue Beats - six teenage boys mastering music in a thriving town that embraced them and the music they loved. Sporting Silvertone amplifiers, a pack of electric guitars, a used set of drums, a screaming Farfisa organ, and unbridled enthusiasm, the Blue Beats plunge headlong into the teenage band craze of the 1960s.

Find the band boys dancing as Order of the Arrow braves, working in fast food restaurants, inspired by school music teachers, encouraged by an optimistic Boy Scout leader, and supported by wise council from families.

Uncovering the secret behind forming a band and keeping it alive, "Band Boys" tells more than a story of boys, bands, and music but portrays a legacy created from human relationships and built on events that bind lives together.

To round out "Band Boys," concise biographies of popular musicians and musical instrument developers, plus a unique glossary are provided.

This reference work is certainly a valuable addition to the study of Russia and its music. . . . The dictionary is, of course, a must for academic and large public libraries or any library where research is done. "Reference Quarterly"

This important new biographical dictionary is the most comprehensive single-volume work on Russian and Soviet composers published outside of the Soviet Union to date. Incorporating contributions by a distinguished group of performers, musicologists, and other scholars, including many specialists in Russian music, it provides detailed, up-to-date information on over 2,000 composers, the majority of whom are not represented in other English-language references.

Entries vary from brief profiles of lesser-known figures to lengthy articles on major Russian and Soviet composers. Each of the longer essays summarizes current scholarship on the composer, offers new insights, and complements or corrects coverage available in standard music references. Commentary on musical style is presented in most entries, and musical influences are clarified through careful documentation of teacher-student relationships. The biographical section is followed by a selective list of compositions arranged according to media and genre. The accompanying bibliography lists works consulted as well as sources of additional information on the individual composer, and an international discography documents the breadth of the repertory committed to phonodisc, tape, and compact disc. Thorough cross-referencing facilitates the location of materials. Reflecting meticulous research and including first-hand information supplied by living Soviet composers, this work makes a significant contribution to music scholarship. This book is recommended for library reference shelves and courses in Russian music.

This discography is successful in its attempt to `present a complete picture of women instrumentalists' recording activity from 1913 to 1968.' Jan Leder also shows the significant contributions made by women in jazz and their involvement playing jazz since its beginnings. The book contains two parts: Discography of Women in Jazz and Collective Section. The first section arranges names alphabetically by name of player with works arranged chronologically for each player. The second section is a chronological listing of recordings with two or more players. It gives date, place, name of orchestra, director, performers, recording titles, and company. Index of performers. An excellent resource on the subject. Reference Book Review This discography presents as complete a picture as possible of the recording activity of women jazz instrumentalists between 1913 and 1968. It is divided into two sections. The first section is alphabetical by the last name of the player and chronological within each player's section; the second is a chronologically arranged collective section containing information on recordings with two or more women players. An index of all women players with references to the pages where information on their recordings may be found completes the volume.

"This wondrous encyclopedia is an invaluable boon to all movie and opera buffs. I shall be referring to it frequently to slake my curiosity and to settle bets."--Tom Lehrer
This bountiful book is a comprehensive guide to the thousands of films, DVDs, and videocassettes featuring operas and opera singers from 1896 to the present. From ABC Television to Franco Zeffirelli, the encyclopedia is a storehouse of fascinating information for film and opera aficionados and casual browsers alike. Find answers to such questions as:
* What were the first operas filmed?
* Why did they make silent films of operas?
* Why was a pseudo-opera written for "Citizen Kane?
* What was the title of Maria Callas's only film?
Organized alphabetically with more than 1,900 fully cross-referenced entries, the book casts a wide net that covers not only expected topics--operas, operettas, zarzuelas, composers, singers, conductors, writers, and film directors--but also the unexpected and offbeat--animated opera, first operas on film, puppet opera films, silent films about opera, and many other lesser-known topics. Encyclopedia of Opera on Screen illuminates the many intersections between opera and film as never before.

This volume examines pluralism in light of recent music education research history and pluralistic approaches in practice. Pluralistic research holds the potential to blend frameworks, foundations, methods, and analysis protocols, and leads to a sophisticated understanding of music teaching and learning. This blending could take place in a range of contexts that may span an individual study to a lifelong research agenda. Additionally, pluralistic ideals would guide the addressing of questions as a community. The volume also illuminates the work of innovative music education researchers who are constructing pluralistic research studies and agendas, and advocate for the music education profession to embrace such an approach in order to advance shared research goals. The ramifications of this transformation in music education research are a subject of discussion, including the implications for researcher education and the challenges inherent in conducting and disseminating such research.

This early works is a fascinating composition by G.F.Handel from the year 1746. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The Renaissance was not a spontaneous cultural explosion, but rather an evolution and cross-fertilization of artistic, philosophical, and scientific principles. This reference presents and examines the rich and varied world of music in Renaissance Europe. Giulio Ongaro offers an advanced technical knowledge of music, presented accessibly in a multidisciplinary approach. After an introductory essay on the cultural backdrop of the Renaissance, narrative chapters provide an overview of Renaissance music, recreate the lives of Renaissance musicians, describe the different genres of music, and explain the relationships between Renaissance music and dance. Coverage also includes musical instruments from the period and the business of music publishing during this period. These chapters synthesize music theory, history, and culture into a comprehensive narrative on music throughout Continental Europe and the British Isles. Illustrations, chapter bibliographies, a timeline, and a subject index complete the volume. In many ways, this is a companion volume to Music from the Age of Shakespeare in its accessible, interdisciplinary examination of music history. Ongaro's volume on Renaissance Music synthesizes music theory, history, and culture into a comprehensive narrative on music throughout Continental Europe and the British Isles

Over ten years since his death, Biggie Smalls, also known as The Notorious B.I.G., is considered one of the most influential rappers of all time, a credit continually given by numerous hip-hop artists. Raised in Brooklyn during the crack-cocaine boom of the late 1970s and early 1980s, Smalls (born Christopher Wallace) worked as a drug dealer before ultimately deciding to become a rapper. With Sean "Puffy" Combs and Bad Boy Entertainment, Biggie rocketed to fame as one of hip hop's most popular artists. But with the success came controversy: the friendship-turned-feud between Biggie and Tupac fueled the rivalry between East Coast and West Coast hip hop, a gangsta-rap battle that many believe led to the murder of both rappers. While still unsolved, the murder of Biggie in 1997 sparked numerous investigations, litigation, and the dismantling of a Los Angeles Police Department task force in what is considered the largest scandal in LAPD history. Ten years later, Biggie is celebrated as the King of East Coast hip hop. In this biography author Holly Lang recounts the life, music, and legacy of Biggie and investigates the events surrounding his murder.