The first book of its kind, this discography covers the history of steel band and pan music on recordings from their beginnings. In more than 775 entries, it comprises all known recordings on phonograph records, cassettes, and compact disks in which one or more steel pans is featured or used in an accompanying role. This includes steel bands of any size and configuration, pan soloists, and small ensembles in a variety of settings. For each entry, information is provided on the location of the recording session/studio, release date, record company catalog number, and complete contents. Indexes facilitate access to artists, arrangers/conductors/musical directors, record titles, years of release, and compositions; and appendices provide additional information on record manufacturers and distributors, calypsonians, and sources. A reference bibliography completes the work. The creation, teaching, and performance of most of othe pan music of the past belongs to an oral tradition. There is therefore little written preservation of this work and audio recordings often provide the only documentation of the art of many gifted composers, arrangers, performers, and tuners. These recordings constitute a primary source of information regarding past performance practices, evolving playing styles and techniques, and pan tuning innovations. While serving as a guide for locating these recordings, this discography also will function as a research tool to aid researchers into many other aspects of the steel pan movement. As such, it will be a valuable resource for scholars, performing artists, educators, instrument builders, composers, arrangers, and enthusiasts.

This is the first book-length consideration of music in British films to appear in sixty years. During the 1930s, British-made musicals were the most popular films seen by British audiences while British film music produced some outstanding pieces that became concert hall classics. This book addresses music in British films, both as musical scores (in the first half of the book) and as British film musicals (the second half). Each section will start with a detailed chronological review history.

Bruce Springsteen's career has been covered many times over, yet many of the complexities and apparent contradictions of his music remain unresolved. Rob Kirkpatrick provides a comprehensive and coherent look at the work of this thoroughly complex and persistently captivating artist. After a brief biographical treatment, Kirkpatrick considers all of Springsteen's significant albums in chronological order. These include Born to Run, which was voted the most popular album of all time in a recently published Zagat survey; Born in the U.S.A., which sold more than 20 million copies; and The Rising, regarded by many as the most poignant artistic reaction to 9/11. In addition to a probing musical analysis, the book offers a guide to Springsteen's lyrical themes and motifs, allowing readers insight into the complicated nature of the artist's underlying concerns, influences, and ideas. Rounding out the volume is a consideration of The Boss's legacy as a songwriter and musician, as well as appendices including a bibliography and a complete discography. The Words and Music of Bruce Springsteen provides a comprehensive and coherent look at the work of a thoroughly complex and persistently captivating artist. Springsteen enjoys a popularity that has transcended generations. His 1975 album Born to Run was voted the most popular album of all time in a recently published Zagat survey; his 1984 album Born in the U.S.A. spawned seven Top Ten singles while selling more than 20 million copies; and his 2002 album The Rising was regarded by many critics as the most poignant artistic reaction to 9/11. Springsteen, now in his 50s, has evolved from an over-hyped version of the next Bob Dylan, to the future of rock and roll in the mid-1970s, to a pop culture icon in Reagan America, to a 21st-century populist voice. His career has been covered many times over, yet many of the complexities and apparent contradictions of his music remain unresolved. These include his hard-rock influenced musical background; his movement from themes of rebellion and isolation in his early work to those of a more populist complexion later on; and his contribution in the 1980s to a conservative patriotism—despite his albums' close association with the music and ideas of Woody Guthrie. After a brief biographical treatment, Kirkpatrick considers all of Springsteen's significant albums in chronological order. In addition to this probing musical analysis, he offers a guide to Springsteen's lyrical themes and motifs, allowing readers a coherent insight into the complicated nature of the artist's underlying concerns, influences, and ideas. Rounding out the volume is a consideration of The Boss's legacy as a songwriter and musician, as well as appendices including a bibliography and a complete discography. In sum, The Words and Music of Bruce Springsteen provides a comprehensive and coherent look, previously unavailable in a single volume, at the work of a thoroughly complex and persistently captivating artist.

Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

This early work by C. Whitaker-Wilson is both expensive and hard to find in its first edition. It details the qualities and varieties of classical music and contains chapters on concertos, the symphony, the overture and much more. This fascinating work is thoroughly recommended for inclusion on the bookshelf of all with an interest in composers and the history of classical music. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book offers an evocative cross-cultural exploration into the everyday lives and music practices of young people from their own broad social, cultural and ethnic perspectives. Youth from seven urban locales in Australia, the UK, the US and Europe document and reflect on their own learning processes and music activities.

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Though the term Irish music typically evokes images of fiddles, flutes, and "Riverdance," Ireland and its culture have also given rise to a wealth of orchestral music, including compositions ranging from string quartets to operas. In this important new work, author Axel Klein provides much more than a mere discography: he documents and promotes a largely unknown aspect of Irish culture in a unique combination of discographical and biographical information.

Featuring ninety-three recorded Irish composers and forty-three international composers influenced by Irish music, the volume offers the means for scholars and general readers alike to familiarize themselves with a subject to which most of the world, until now, has not been exposed. As most of the music described is currently available on compact disc, Klein's compilation serves as an invaluable resource guide for both academics and amateur enthusiasts.

How did Catholicism sound in the early modern period? What kinds of sonic cultures developed within the diverse and dynamic matrix of early modern Catholicism? And what do we learn about early modern Catholicism by attending to its sonic manifestations? Editors Daniele V. Filippi and Michael Noone have brought together a variety of studies - ranging from processional culture in Bavaria to Roman confraternities, and catechetical praxis in popular missions - that share an emphasis on the many and varied modalities and meanings of sonic experience in early modern Catholic life. Audio samples illustrating selected chapters are available at the following address: https://doi.org/10.6084/m9.figshare.5311099. Contributors are: Egberto Bermudez, Jane A. Bernstein, Xavier Bisaro, Andrew Cichy, Daniele V. Filippi, Alexander J. Fisher, Marco Gozzi, Robert L. Kendrick, Tess Knighton, Ignazio Macchiarella, Margaret Murata, John W. O'Malley, S.J., Noel O'Regan, Anne Piejus, and Colleen Reardon.

With a political agenda foregrounding collaborative practice to promote ethical relations, these individually and joint written essays and interviews discuss dances often with visual art, theatre, film and music, drawing on continental philosophy to explore notions of space, time, identity, sensation, memory and ethics.

In a career full of ‘blond ambition’, with controversy never far away, the music of Madonna has often been overshadowed, if not sorely overlooked. Across 14 albums, soundtracks and numerous greatest hits collections, the undisputed Queen of Pop has released over 80 singles spanning five decades. In this book every released track from her extensive back catalogue is examined in detail, with new insights, revelations and video information. Her role as ‘Queen of Clubs’ is also duly acknowledged, making careful note of the important remixes that have helped her rule the dance floor after her first release 40 years ago in 1982, ‘Everybody’, got her firmly into the groove. From 1984’s shiny and new ‘Like A Virgin’, to the critical acclaim of 1989’s expressive ‘Like A Prayer’ and 1998’s enlightening ‘Ray of Light’, from soundtrack work for ‘Dick Tracy’ and ‘Evita’, to collaborations with superstars Justin Timberlake, Britney Spears, and Dua Lipa, this truly strikes a pose for any fan of the ‘Material Girl’ aka ‘Madame X’. ‘Madonna: Song By Song’ reclaims her stature as not just one of the greatest pop artists ever, but also as songwriter/producer of some of the biggest selling and most memorable songs of all time.

For anyone who listens reverentially in the half-light to Robert Johnson, Nick Drake, or Morrisey, who wait anxiously for new albums from The Cure, Leonard Cohen, or The Blue Nile, who buy up catalogs of Nina Simone, Johnny Cash, or Scott Walker, who search the Web for rarities by Radiohead, Elliot Smith, and Miles Davis, this is the book they've been waiting for. "This Will End in Tears" is both a compendium of the greatest sad songs and artists of the modern era and a collection of essays that attempts to explain what exactly draws us to sad music, and how sad music actually makes us happy. Adam also makes an argument, based partly on the structure of operating systems and popular sites like Pandora, for the existence of a miserablist genre, one that's becoming increasingly more important than traditional genres such as blues, rock, country, etc., one that's organized around the rather more amorphous principle of cosmic grief. Specifically, "This Will End in Tears" will include an A-Z list of entries of the masters of melancholy (from Samuel Barber to Patsy Cline, George Jone to Joy Division, Nico to Hank Williams), a top-100 list of the saddest songs of all time, essays explaining the power of particular songs and artists, and essays explaining particular types of sad music and their effects on the listener. There will also be recommended playlists throughout.

This book offers a comprehensive assessment of the music of George Harrison, revealing him as one of the most gifted and authentic singer-songwriters of his generation. The Words and Music of George Harrison is an in-depth appreciation of this often underappreciated musician, following Harrison's development as a singer-songwriter from his earliest songs with The Beatles through his final album, Brainwashed, released after his 2001 death from brain cancer. The Words and Music of George Harrison sheds new light on Harrison's 40-year career, examining his music output in the context of the enormous personal and professional changes he underwent, from the early days in Liverpool and the global explosion of Beatlemania through a solo career marked by spiritual concerns, political activism, and high-profile collaborations. As the book shows, at every stage, George Harrison's songs posed questions, provided commentaries, and looked for solutions, with results that add up to a remarkable music legacy.

Throughout his life and perhaps even more since his death in 1981 at the age of 36, Bob Marley's music has demonstrated a unique ability to combine with almost any cultural setting, no matter how different the elements might at first appear. Through his adaptable, yet enduring musical messages, he represents an especially articulate type of singer-songwriter. Marley released a large quantity of introspective, autobiographical material at the height of his success and it is thus only in a work such as this—in which the artist is investigated through his recorded output—that one can understand who this great man truly was and what he hoped to achieve through his life and music. Time magazine made Bob Marley's impact strikingly clear when it named Exodus the most important album of the 20th century. Throughout his life and perhaps even more since his death in 1981 at the age of 36, Marley's music has demonstrated a unique ability to combine with almost any cultural setting, no matter how different the elements might at first appear. Through his adaptable, yet enduring musical messages, he represents an especially articulate type of singer-songwriter. Marley released a large quantity of introspective, autobiographical material at the height of his success and it is thus only in a work such as this—in which the artist is investigated through his recorded output—that one can understand who this great man truly was and what he hoped to achieve through his life and music. The Words and Music of Bob Marley investigates Marley's creative output chronologically and provides complementary biographical information where it is relevant and helpful. Themes discussed throughout the book include protest, revolution, love, hate, biblical concepts, and Rastafari culture.

From advertising to zydeco, this volume provides a guide to scholarly literature on the popular music of the world. It covers non-biographical aspects of the field, including genres, the industry, social and cultural contexts, musical practices, geographical locations and theory and method.

100 years after the Dada soirees rocked the art world, the author investigates the role that music played in the movement. Dada is generally thought of as noisy and unmusical, but The Music of Dada shows that music was at the core of Dada theory and practice. Music (by Schoenberg, Satie and many others) performed on the piano played a central role in the soirees, from the beginnings in Zurich, in 1916, to the end in Paris and Holland, seven years later. The Music of Dada provides a historical analysis of music at Dada events, and asks why accounts of Dada have so consistently ignored music's vital presence. The answer to that question turns out to explain how music has related to the other arts ever since the days of Dada. The music of Dada is the key to understanding intermediality in our time.

Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.

Demarco was still rambling when Jeremy put one hand up in his face in the gesture of 'talk to the hand' and said sharply, "Look I am so tired of this whole scene right now. Are you going to tell her who I really am or do I need to tell her myself?" Demarco instantly fell silent, his eyes big as saucers as he looked pleadingly at Jeremy. Hearing Jeremy's nasally voice and seeing his suddenly magnified feminine gestures really woke me up with a jolt. Whatever denial I had been experiencing the last few minutes was now gone. I was immediately very aware of the situation that was before me. I looked at Jeremy, then Demarco. I felt my chest start to tighten and my breathing became short and sporadic. I started to back away from them both saying, "Nooooo, noooo this can't be, this is not happening " As I repeatedly shook my head no, I could feel the tears falling down my face. I screamed at Demarco, "You lied You lied to me I asked you if you were gay. You swore to me that you weren't, I can't believe this is happening " Like most little girls I always fantasized about my knight in shining armor riding in on his white horse and carrying me off into the sunset. Instead of my dream man I got a down-low gay man, a cocaine-addicted famous rapper and a psycho maniac stalker. Yes, you read right. I know that there are other women out there who can relate because they may have experienced at least one of these situations. It is very rare and next to impossible to find a woman who has gone through all three situations, but I did. This is the true story of my life with these three men. As you read my autobiographical memoir you will see that due to bad judgment, bad decisions and loving the wrong man time and time again my life has had many mind-blowing and incredulous episodes. I hope that through reading my story I save the next woman from inevitable heartbreak and devastation disguised as true love.

The folk song performer and impresario presents a rollicking account of the historical development and present-day status of an ancient art, including discussions of the contributions of various groups to the American songbag, the principle sources of the American repertory and style, and accounts of the major figures in the American folksong saga.