From the one-bit beeps of Pong to the 3D audio of PlayStation 5, this book examines historical trends in video game sound and music. A range of game systems sold in North America, Europe and Japan are evaluated by their audio capabilities and industry competition. Technical fine points are explored, including synthesized v. sampled sound, pre-recorded v. dynamic audio, backward compatibility, discrete and multifunctional soundchips, storage media, audio programming documentation, and analog v. digital outputs. A timeline chronicles significant developments in video game sound for PC, NES, Dreamcast, Xbox, Wii, Game Boy, PSP, iOS and Android devices and many others.

No less than a decade ago, the majority of mainstream music was funneled through a handful of media conglomerates. But now more individuals are listening to more music from a greater variety of sources than at any time in history. "Ripped "tells the story of how the laptop generation created a new music industry, with fans and bands rather than corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators. Since this digital revolution hit the music industry, its infiltration into every other form of media has been well documented, if often not well understood. "Ripped "brilliantly illustrates how, when, and where the changes happened first and leaves us with an understanding of how to move forward.

This book brings audiences the enchanting melodies passing down from generation to generation in the Zhuang community, which are on the brink of extinction. Specifically, it sheds light on the origin, evolution and artistic features of Zhuang folk song in the first place, and then it shifts to their English translation based on meta-functional equivalence, through which the multi-aesthetics of Zhuang folk song have been represented. At length, forty classic Zhuang folk songs have been selected, and each could be sung bilingually in line with the stave. This book benefits researchers and students who are interested in music translation as well as the Zhuang ethnic music, culture and literature. It also gives readers an insight into musicology, anthropology and intercultural study.

Silence, John Cage's first book and epic masterpiece, was published in October 1961. In these lectures, scores, and writings, Cage tries, as he says, to find a way of writing that comes from ideas, is not about them, but that produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching. Fifty years later comes a beautiful new edition with a foreword by eminent music critic Kyle Gann. A landmark book in American arts and culture, Silence has been translated into more than forty languages and has sold over half a million copies worldwide. Wesleyan University Press is proud to celebrate the fiftieth anniversary of the book's publication with this special hardcover edition.

This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of 'tonality' in the late seventeenth century until the Second World War.

Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album ‘The Jamaican Bible Remix’ (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.

This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research. 

Juby Mayet was a force of life. Her autobiography takes us from life as a youngster growing up in Fietas, Johannesburg, through marriage, life as a ‘girl reporter’ for first The Golden City Post, then Drum magazine, and on through apartheid and her resistance to it.

Written in her inimitable style, thumbing a nose always at convention or those in authority, it gives a unique insight into one of the only women writers at Drum – and one who could drink just as hard as Can Themba or Nat Nakasa.

Insulting Music explores insult in and around music and demonstrates that insult is a key dimension of Western musical experience and practice. There is insult in the music we hear, how we express our musical preferences, as well as our reactions to settings and sites of music and music making. More than that, when music and insult overlap, the effects can both promote social justice or undermine it, foster connection or break it apart. The coming together of music and insult shapes our sense of self and view of other people, underlining and constructing difference, often in terms of race and gender. In the last decade, music's power dynamics have become an increasingly important concern for music scholars, critics, and fans. Studying musicians such as Frank Zappa, Nickleback, Taylor Swift, and the Insane Clown Posse, and musical phenomena such as musician jokes, the use of music to torture people, and the playing of music in restaurants, this book shows the various and contradictory ways insults are used to negotiate those existing dynamics in and around music.

As the Material Girl, Eva Peron in Evita, and most recently, queen of the disco floor, Madonna's transformations and assumed identities keep her fans wanting more. She has inspired university professors and cultural critics to enshrine her as a postmodern icon. Known for her persona as much as for her music, Madonna has stirred controversy through her use of religious and sexual depictions in her songs, music videos, concerts, and in one notorious publication. This biography traces Madonna's ambitious journey from a Midwest upbringing as part of a large family to achieving fame on a global scale. It also brings readers up to date on her latest incarnation as a wife and mother, living on a country estate in England. Students researching cultural studies topics will accurate information on the musician's life and body of work, as well as critical commentary on her impact and lasting significance as one of the most influential female entertainers of our time. She has been the subject of countless magazines and newspaper stories around the world, whether for her sold-out concerts or as an advocate for Kabbalah, the spiritual movement rooted in Jewish mysticism. This book shares her story and provides a way to consider the influence Madonna has had through her ever-evolving career in shaping our popular culture. A timeline of significant events and a bibliography of print and electronic sources for additional research round out this volume.

For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.

for SATB and piano or small orchestra John Rutter's arrangement of this popular Christmas-themed African-American spiritual is lively and joyful, with a hillbilly flavour and a hint of bluegrass fiddle. Conductor's scores and instrumental parts are available on sale and on hire/rental.

Originally published in 1907, this handbook contains a comprehensive digest of the knowledge of making Violins and other stringed instruments with much of the information still being useful and practical today. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

JOS RAFAEL VILAR VIAJE A TRAV S DE LA HISTORIA DE LA DANZA Este peque o libro surgi de la falta de un texto, accesible y en castellano, para que mis alumnos de historia de la danza pudieran ampliar sus conocimientos, por lo que ste podr servir a muchos lectores, artistas en formaci n o profesionales o s lo ne fitos con inter?'s en este hermoso arte, para conocer y disfrutarlo mejor, porque cuando se conoce de d nde surge una obra o c mo era su entorno, se la disfruta mejor. La danza es un arte que est siempre presente en nuestras vidas, desde las cuevas en la comunidad primitiva, y ha estado indisolublemente ligada a cada etapa de la historia, ya sea como danzas religiosas, de sal n o de escena o, sencillamente l dricas. En este libro viajaremos por sus or genes en la prehistoria, cuando el gesto y la necesidad de comunicarnos se unieron; conocerernos la danza m gica y "Los Misterios"; recorreremos el Renacimiento y los bailes de sal n; pasearemos por el barroco hasta llegar al Ballet comique de la Reine; encontraremos a Noverre y Angiolini; llegaremos con La filie mal gard e al Romanticismo y seguiremos con Giselle, ou Les willis; iremos a Rusia con el Clacisismo y Petipa y Tschaikovsky, disfrutando de El lago de los cisnes y Don Quixote; despu s, asistiremos a la revoluci n de Diaghilev-Fokin-Nijinsky-Stravinsky y admiraremos Petrushka y La consagraci n de la primavera y conoceremos las distintas escuelas; y concluiremos nuestro viaje en las danzas moderna y contempor nea. Este libro es escrito para Ud., para que disfrute la danza. Es mi mejor deseo.

This book explores the influence of geographical isolation and peripherality on the functioning of music industries and scenes which operate within and from such locales. As is explored, these sites engage dynamic practices to offset challenges resulting from geographical isolation and peripherality.

**FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool� that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.

B. Lee Cooper offers a kaleidoscopic portrait of contemporary American society as it has been captured and transmitted in the lyrics of more than 3,000 popular recordings. By tracing the permutations of American popular music from the end of the Big Band/Swing Era through the Age of Rock, the author presents a thematically structured analysis of popular music lyrics from 1950 through 1985. Cooper divides his lucid commentaries and lists of songs into fifteen sections, each dealing with a particular social, political, or personal theme. In the brief essays that precede the lengthy discographic sections, the author explores the ways in which popular music has dealt with such issues as religion, death, education, youth culture, transportation, mass media, protest, military activity, women's liberation, and drug use and abuse. An illustrative discography of 45 r.p.m. records follows each section of commentary. An extensive bibliography of books, articles, and special reports appears at the end of the volume, along with a selected discography of album-length recordings which supplements the extensive 45 r.p.m. listings.

10 Degrees of Glory is a work comprised of many pieces that amalgamate the premise of self-realization and worldview. Heading into the year 2010, it is crucial one take a look at the last decade and learn from their past in order to brighten their future. Illuminating the positive aspects of personal growth in life, this book takes readers on a lyrical journey of discovery and serves as a wake-up call to what is going on in the world. Throughout the book it is discovered that one person can make a difference in their own realm of well-being and that it is a big thing to be human. For any one who has ever tried, failed, prayed, struggled, lost, laughed, cried, loved, endured, and succeeded, it is a must-read. Any one can pick up this book and take something positive away from it on a personal level. For all people scared of change and for those not fearful of anything, 10 Degrees of Glory will inspire greatness within and inject love in the hearts of readers.

A new edition of Johan Bakker's biography on musician Eva Cassidy. The Eva Cassidy phenomenon began too late for the woman herself to enjoy the fame, although whether she would have enjoyed it is another matter. This shy and sensitive singer preferred drawing and painting to performing in front of audiences and seemed disenchanted by the music business before she truly cracked it. What is beyond doubt, however, is the power of the recordings she left behind. In this thoughtful and probing biography, Johan Bakker explored her brief performing career and the recognition that came after her death at the age of 33. Before she became famous in the UK and Europe, Eva Cassidy had been a local performer in and around Washington DC. Including interviews with Eva's friends, colleagues and family, this book traces her life, idealism and eventual disillusionment. Combined, their stories confirm that while everyone who knew Eva loved her in some way, few truly understood her. Through it all her musical spirit still shines, making this biography both a searching analysis and a warm commemoration of a uniquely talented young woman.