Robert Mitchum's bad boy reputation that colors his public profile has been both earned and undeserved. Jerry Roberts discusses the actor's career, his cult status, his under-appreciated talent, his forgotten films, and his nonchalance.This book catalogues previously published information on Mitchum, taking a full measure of the actor and describing the events that occasionally brought him more notoriety than his movies. The book's biographical essay and annotated filmography scrutinize his performing style. Many yarns about Mitchum have been repeated and modified into legend. But much of the Mitchum myth has been just that: myth. The final word here on various rumors and stories comes from the confirmations, clarifications and corrections made by Robert Mitchum during an interview with the author and in correspondence with several members of the Mitchum family. As with the other Bio-Bibliographies in the Performing Arts, this biographical essay is followed by a chronology, annotated filmography, television, stage, recording and writing credits, list of awards, annotated bibliography listing 1,300 entries and a comprehensive index.

Das Theater benötigt immer wieder Impulse seiner wichtigsten Apologeten. Stanislawski gehört zu ihnen, und das weltweit. Sich mit seinem Theater und seiner Theatertheorie auseinanderzusetzen, dafür gibt es auch aktuelle Gründe: Da ist eine veränderte politische Landschaft, da sind Archive, die zugänglich wurden und vor allem: da sind Menschen, Theater- und Filmleute, die öfter zusammenkommen denn je. Auf das Wirken des 'Theatermeisters' zurückblickend, die Irrungen und Wirrungen um sein Werk sichtend, wird seine universelle Lehre, sein System, betrachtet. Theater erscheint als Tempel der Künste, als Abbild des Zeitgeistes der beginnenden Moderne sowie als Ort der Widersprüche im Zusammentreffen von Menschen und Meinungen.

This lively volume contains 19 interviews with women art critics and gallery dealers which cover their impact on contemporary art. The subjects include those women who have been among the most influential in the art world from the end of World War II to the present, such as Paula Cooper, the first to open a SoHo gallery; Emily Grenauer, the only person to have received a Pulitzer Prize in art criticism; and Ileana Sonnabend, who, together with her husband at at the time, Leo Castelli, discovered Robert Rauschenberg and Andy Warhol and the entire Pop movement.

The films of Pedro Almodovar have demonstrated great crossover appeal in their ability to attract both mainstream and marginal audiences and to command critical as well as commercial success. The contributors to this anthology of critical essays seek, through close readings of the director's 10 feature films, to analyze the multiple contexts of Almodovar's phenomenal international success. This volume offers a corrective to the glib approaches that have dominated previous discussions of Almodovar's films, which have treated them, on the one hand, as simply the latest contribution to the travel poster image of passionate, romantic Spain, or, on the other, as historical joyrides through the global pop culture scene. As the first comprehensive study of Almodovar's cinema to be published in North America, the book is also noteworthy for the range of critical and theoretical methodologies that the contributors bring to the study of his works. Drawing upon disciplines that run from psychoanalysis, feminism, queer theory, film and media studies, and cultural theory to the empirical study of audience response, the authors nevertheless share a concern to illuminate the specifically Spanish context of the director's films. While this volume serves the important function of introducing American audiences to post-Franco Spanish culture, it also pursues the complementary goal of projecting contemporary Spain into the critical debate on the forms and functioning of postmodern culture and society.

Assist readers in their book selections with this guide, which covers titles spanning the entire spectrum of the Western genre—from such classics as those written by Zane Grey, Louis L'Amour, and Max Brand to traditional novels by Elmer Kelton and contemporary novels of the West by Annie Proulx, Louise Erdrich, and Larry McMurtry. Mort describes and maps approximately 2000 titles, grouping them by subgenre and theme, and describing their features and plots. Also included are chapters on the history of the genre, six great authors of the genre, a Western timeline, information on resources and awards, and detailed indexes. Often overlooked or written off as a dying genre, the Western, in fact, holds great appeal for many readers today. While traditional Westerns have managed to retain a loyal cadre of fans, new followers have been drawn in by recent iterations of and new directions in the genre written by such authors as Larry McMurtry, Annie Proulx, Louise Erdrich, and Tabor Evans; as well as contemporary authors writing in the traditional vein, such as Elmer Kelton. Westerns are also thriving within the flourishing Christian fiction genre. This guide, intended to help you assist readers in their book (and film) selections, covers the entire spectrum of the Western, describing and mapping the genre—from classics that are still enjoyed by dedicated readers to more contemporary and literary novels of the West that feature the alluring themes of freedom, individualism, and moral regeneration set against the magnificent backdrop of the Western landscape. By grouping titles by subgenre and theme, and describing their features and plots, the book guides users to similar titles and read-alikes. Young adult and adult. Grades 10 and up. Mort takes a broad historical perspective, covering the Western from its origins in the 19th century to today. Selections represent the best and most popular titles as well as those commonly available in libraries. Chapters focus on past giants of the genre (Zane Grey, Louis L'Amour, Max Brand) as well as on current subgenres and themes such as Christian Westerns, Sagas, Western Romance, Western Mysteries, Young Adult Westerns, Native Americans, and Mountain Men. Western films, so integral to the evolution of the genre, are annotated in a separate chapter. Approximately 2,000 titles are covered, about 250 of them films. Coverage of books is broad and thorough; coverage of films is selective. In addition, there are a brief history of the genre, a Western timeline, information on resources and awards, and author/title, subject and geographic indexes. This is the definitive resource on the Western genre, and an essential readers' advisory and reference tool.

Written by an international team of artists, art historians and curators, this absorbing and beautiful book gives readers unparalleled insights into the world's most iconic artworks. Art: The Whole Story traces the development of art period by period, with the illustrated text covering every genre, from painting and sculpture to conceptual art and performance art. Cultural timelines are there too, to help to the reader with historical context. Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces - Mughal miniatures; Japanese prints in the 19th century; the colour theories behind Seurat's remarkable La Grande Jatte; and why Picasso's Les Demoiselles d'Avignon was so shocking in its day.

People today remember Jayne Mansfield as a famous Hollywood movie star. However, she starred in only three American movies before moving to low-budget European films. She was a master of publicity who appeared in newspapers across the nation almost daily. The media focused on her figure and her stormy love life. Through her constant exposure in the press, she gave the public the false impression that she was a major movie star. This book charts the captivating life and career of Jayne Mansfield. A biography overviews her rise to fame, her three marriages and five children, and her death in a grisly automobile accident at an early age. The chapters that follow are each devoted to her performances in a particular genre, such as film, stage, and television. Each chapter contains annotated entries for her work in that media, providing cast and credit listings, plot summaries, review excerpts, and commentary. Appendices list her appearances on magazine and record covers, and an annotated bibliography discusses additional sources of information.

Cooking with the Movies enables readers to recreate the fabulous meals depicted in 14 all-time favorite "food" films. Food has always been a key ingredient on the big screen, yet no book has ever been devoted to recreating the meals served in famous films. Now, for film buffs—and anyone else whose mouth has watered over on-screen culinary delights—there is the delicious Cooking with the Movies: Meals on Reels. Cooking with the Movies recreates featured meals from 14 noted films—including Babette's Feast, Big Night, Chocolat, Goodfellas, Tampopo, Titanic, and Tortilla Soup—that span a wide range of cuisines and cultures, from French to Mexican to Japanese. Each chapter provides the menu and full recipes for preparing and cooking the dishes depicted on screen, with photos of how each can be served. Along with precise directions, the authors analyze the importance of the foods served and the context of the meals in the storyline of the film. Illuminated with plot summaries, dialogue from the movies, and, when possible, interviews with actors or directors, Cooking with the Movies provides fascinating behind-the-scenes insights for "foodies" and film buffs alike. More information is available at www.cookingwiththemovies.com.

Take a seat at the Christmas table of Downton Abbey, the historic British estate at the heart of the popular ITV series. Downton fans will appreciate this enticing collection of classic British holiday recipes from the Edwardian era, evocative narratives about Christmas traditions, and seasonal anecdotes from the award-winning series. Colorful photographs of finished dishes, fan-favorite moments from the Christmas episodes, and excerpts of character quotes bring the spirit of the holidays to life.

The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination.For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.

The video revolution in the 1980s affected all areas of the American entertainment industry; its impact was most dramatic--ultimately devastating--to the non-theatrical film field. "Non-theatrical film" is the term used to describe motion pictures which are not shown in movie theaters, but are produced and/or distributed to markets that include the educational community, home, and business and industry. The author covers the early Hollywood-produced features and short subjects in a format other than 35mm for homes, hospitals and correctional institutions, as well as industrial films. This is also the history of two major non-theatrical libraries, Bell and Howell and Kodascope, both of which were founded to service the needs of purchasers of the then-newly introduced 16mm projectors. The book documents how the advent of the 16mm projector made possible the introduction of audio-visual aids in classrooms and offices. A number of production companies were established, primarily in Chicago, to produce films for this new outlet. In addition, Hollywood saw a new market and began licensing distribution of the films. Complete with appendices providing distributors from the 1920s-1940s and current names and addresses of non-theatrical film sources, this book-length study of the history of this film genre is both important and much needed.

Costa-Gavras: Encounters with History explores the life and work of the director intertwined with historical and socio-political events, from the early stages of his career: emigrating to France from Greece in 1955 and first studying at the Sorbonne, then focusing on filmmaking at IDHEC, now La Fémis. He became an internationally respected director, first with his Oscar-award winning film Z (1969) and continued with a vast array of films, including his most recent work, Adults in the Room (2019). His films portray the complexities of human nature, relationships challenged by historical and contemporary socio-political issues. In this overview of the director’s films, the authors shed light on his encounters with history from his youth in war-torn Greece to his later films on immigration, unemployment, global capitalistic greed, and the abuse of political and economic power in Europe. Costa-Gavras' films have spanned several decades and several continents, to combat unethical laws and injustice, oppression, legal/illegal violence, and torture. Throughout his evolution in the world of cinema for over half a century as director, writer, and producer, Costa-Gavras has told human-interest stories that entertain and inspire, and that help us better understand ourselves and a fragile, fragmented world.

In a radical new interpretation of the works of Alfred Hitchcock, Christopher Morris argues that suspense--the fundamental component of Hitchcock's cinema--is best understood through deconstruction of the very meaning of the word, which relates to dependence or hanging. He analyzes its portrayal first in painting and sculpture and then in Hitchcock's body of work. In this iconographic tradition, hanging figures challenge the significance of human identity and rationality, and further imply that closure, or an end to suspense, is all but illusory.

This work represents the first deconstructive approach to suspense, and the first-ever survey of the iconography of the hanging figure. Hitchcock's films provide ample opportunity for such discussion, with their constant use of the tool of suspense, and Morris argues that, essentially, all of human existence is in this very state, a state embodied particularly well by the films he discusses. Drawing on the work of Jacques Derrida, Paul de Man, and J. Hillis Miller, this cross-disciplinary study of an important cinematic oeuvre establishes the advantage of a deconstructive and figurative approach to an often-studied directorial style, one that nearly embodies a genre unto itself.

Dramatic performance involves an intricate process of rehearsal based upon imagery inherent in the dramatic text. A playwright first invents a drama out of mental imagery. The dramatic text presents the drama as a range of verbal imagery. During rehearsal, the actors cultivate this verbal imagery within themselves. The performance triggers this cultivated mental imagery, thereby enabling the actors to reinvent the drama in the presence of an audience. This interplay of dramatic imagery constitutes the heart of the process of iconicity. The premise of iconicity is that in dramatic performance actors use the same neural architecture that people use in their daily lives to execute events. The core of this neural architecture is the brain's capacity for internally generating, reduplicating, storing, and triggering imagery. The process of iconicity draws on the actor's use of this mental capacity. This book explores the principles of iconicity and develops them as a process for acting and staging dramatic performances.

This book draws together critical and literary theories and neuropsychology to provide a new artistic process for dramatic performance called iconicity. The first part of the book provides a theoretical perspective on the principles of iconicity. Included are discussions of the nature of dramatic performance, the ideology and process of acting, and the importance of emotions to drama. This initial exploraton of iconicity sometimes refers to practice; however, the ideas presented in the first part of the book largely provide a foundation for the second part, which is more practically oriented. The second part gives close attention to the various components of the iconicity process. It explains dramatic structure and identifies and defines the four strands of iconicity: events, dialogue, interactions, and performance. Throughout the volume, numerous plays are used to provide examples of how the iconicity process works.

Leaders in business and art can gain a lot by listening to each other. In this book thirteen research-based cases demonstrate how software programmers, art curators, financial analysts, orchestra conductors, construction engineers and chefs, share aesthetic leadership talents that hold the key to transforming the ordinary into the extraordinary.

More than forty years after his death, Humphrey Bogart remains a symbol of the Golden Age of Hollywood and a popular culture icon. His legacy has impacted American popular culture beyond the scope of American film history. His image graces buttons, greeting cards, and postal cards and he has been the subject of plays, films, novels, and poems. This work presents a precise biography of Bogart and examines his place in American popular culture. Scholarly and substantive articles written about Bogart's life, films, and career are analyzed and summarized. Essays and new and previously published interviews present insightful ideas by and about Bogart. Film and popular culture scholars and Humphrey Bogart enthusiasts alike will appreciate the extensive and thorough listing of articles and books about Bogart and his career. As a guide to further research, the author has provided a filmography, discography, and videography and has documented theater listings, radio and television appearances, and a directory of Bogart websites. This extensive review of Bogart and his career helps to define his success within an American cultural context.

The seventeenth century was a period of immense turmoil. This book explores the methods by which a distinctive iconography was created for each Stuart king, describes the cultural life of the Civil War period and the Cromwellian Protectorate, and analyses the impact of the antiquarian movement which constructed a new sense of national identity. Through this detailed and fascinating discussion of seventeenth-century society, Graham Parry provides a clear insight into the many forces operating on the literature of the period.

Cary Grant, one of the most enduring stars in the history of Hollywood history, is the subject of this unique bio-bibliography that places equal emphasis on the actor's professional and private lives. Each chapter examines a different aspect of Grant's life and career, beginning with a biography and a chronology of important events. Comprehensive listings of Grant's films, stage appearances, radio and television credits, and recordings thoroughly trace his professional life, while an annotated bibliography provides important material for further research. This entry in the series is particularly well written, and includes considerable and valuable documentation. Recommended. Classic Images One of the biggest stars that Hollywood ever produced, Cary Grant was a unique performer with an instantly recognizable persona and an appeal that lasted well beyond his retirement from the screen. Adept at playing both comic and dramatic roles, and as comfortable in a romantic scene as he was with a pratfall, Grant eventually became something of an icon, a romantic idol whom women wanted to love and men wanted to emulate. This bio-bibliography provides an overview of the life and career of this superstar, and, unlike other biographies, it gives as much weight to Grant the star as it does to Grant the private person. The book contains several sections that highlight individual aspects of Grant's life and career. The biographical sections review the personal facts of the actor's life, from his lower-class birth in England to his screen stardom in America, while a chronology presents an overview of the important professional and personal events in his life. Four separate chapters detail Grant's career, providing comprehensive listings of his films, stage appearances, radio and television credits, and recordings. The book concludes with an annotated bibliography of articles published in books and periodicals, as well as a subject index. This work will be a welcome resource for film fans and scholars, and an important reference for courses in film history. It will also be a valuable addition to both public and academic libraries.

Christmas just isn't Christmas without Christmas on TV. Whether it's the made-for-television specials of "Rudolph the Red-Nosed Reindeer" and "Frosty the Snowman," a "M*A*S*H*" Christmas in Korea, Kramer playing Santa on "Seinfeld," or the annual holiday disaster on "The Simpsons" or "South Park," television's many representations of this beloved holiday have become as essential a part of our holiday season as lights, gifts, or mistletoe. In this entertaining chronicle of television and the Christmas season, former Television Critics Association President Diane Werts weaves discussion of the many programs that have appeared during holiday seasons throughout the years with interviews with writers, producers, and stars. Not only are readers given a chance to re-live their favorite holiday moments on TV, but also to gain illuminating cultural insights into the increasingly strong bond that unites these two American traditions. Diane Werts's book is the first to cover the entire history of the depiction of Christmas on television, and includes a discussion of programs that celebrate Hanukkah, Kwanzaa, and the winter solstice. An introductory overview helps readers to understand the basis on which television's success with the holidays is based, and chronological chapters go on to consider the many different ways in which the season has been celebrated in variety shows, sitcoms, specials, and dramas of the past six decades.

A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.