Cooking with the Movies enables readers to recreate the fabulous meals depicted in 14 all-time favorite "food" films. Food has always been a key ingredient on the big screen, yet no book has ever been devoted to recreating the meals served in famous films. Now, for film buffs—and anyone else whose mouth has watered over on-screen culinary delights—there is the delicious Cooking with the Movies: Meals on Reels. Cooking with the Movies recreates featured meals from 14 noted films—including Babette's Feast, Big Night, Chocolat, Goodfellas, Tampopo, Titanic, and Tortilla Soup—that span a wide range of cuisines and cultures, from French to Mexican to Japanese. Each chapter provides the menu and full recipes for preparing and cooking the dishes depicted on screen, with photos of how each can be served. Along with precise directions, the authors analyze the importance of the foods served and the context of the meals in the storyline of the film. Illuminated with plot summaries, dialogue from the movies, and, when possible, interviews with actors or directors, Cooking with the Movies provides fascinating behind-the-scenes insights for "foodies" and film buffs alike. More information is available at www.cookingwiththemovies.com.

The video revolution in the 1980s affected all areas of the American entertainment industry; its impact was most dramatic--ultimately devastating--to the non-theatrical film field. "Non-theatrical film" is the term used to describe motion pictures which are not shown in movie theaters, but are produced and/or distributed to markets that include the educational community, home, and business and industry. The author covers the early Hollywood-produced features and short subjects in a format other than 35mm for homes, hospitals and correctional institutions, as well as industrial films. This is also the history of two major non-theatrical libraries, Bell and Howell and Kodascope, both of which were founded to service the needs of purchasers of the then-newly introduced 16mm projectors. The book documents how the advent of the 16mm projector made possible the introduction of audio-visual aids in classrooms and offices. A number of production companies were established, primarily in Chicago, to produce films for this new outlet. In addition, Hollywood saw a new market and began licensing distribution of the films. Complete with appendices providing distributors from the 1920s-1940s and current names and addresses of non-theatrical film sources, this book-length study of the history of this film genre is both important and much needed.

Camp TV of the 1960s offers a comprehensive understanding of all of the many forms camp TV took during that critical decade. In reevaluating the history of camp on television, the authors reconsider the infantilized conceptualization of sixties television, which has generally been characterized as the creative and cultural ebb between the 1950s Golden Age of television and the networks' shift to "relevance" in the early 1970s. Encompassing contributions from a broad range of media and television scholars that (re)consider programs like Batman, The Monkees, The Addams Family, Bewitched, F Troop, The Beverly Hillbillies, and Rowan & Martin's Laugh-In, chapters closely examine beloved 1960s American prime-time programs that drew significantly on aspects of camp, many of which were widely syndicated and left continuing imprints on popular culture. Other chapters consider key TV precursors from the early sixties; British camp television programs such as The Avengers; the use of musical codes to convey camp humor (even on black-and-white sets); the role that the viewing strategies of queer communities played - and continued to play even decades later; and how camp's multivalence allowed for more conservative readings, especially among older audiences, which were critical for the move to "mass camp" throughout American culture by the early seventies. Camp TV of the 1960s is essential reading for students and scholars in television studies and others interested in the history and theory of camp, the 1960s, or popular culture, as well as fans of these well-known but generally understudied television programs.

In a radical new interpretation of the works of Alfred Hitchcock, Christopher Morris argues that suspense--the fundamental component of Hitchcock's cinema--is best understood through deconstruction of the very meaning of the word, which relates to dependence or hanging. He analyzes its portrayal first in painting and sculpture and then in Hitchcock's body of work. In this iconographic tradition, hanging figures challenge the significance of human identity and rationality, and further imply that closure, or an end to suspense, is all but illusory.

This work represents the first deconstructive approach to suspense, and the first-ever survey of the iconography of the hanging figure. Hitchcock's films provide ample opportunity for such discussion, with their constant use of the tool of suspense, and Morris argues that, essentially, all of human existence is in this very state, a state embodied particularly well by the films he discusses. Drawing on the work of Jacques Derrida, Paul de Man, and J. Hillis Miller, this cross-disciplinary study of an important cinematic oeuvre establishes the advantage of a deconstructive and figurative approach to an often-studied directorial style, one that nearly embodies a genre unto itself.

What happens when a girl tries to grow up in a world where everyone wants her to remain a child? Hayley Mills' teenage decade in Hollywood produced some of the era's greatest coming-of-age family movies: classics like Pollyanna, The Parent Trap and In Search of the Castaways, and in Britain the acclaimed Whistle Down the Wind. These films made Hayley a genuine teen idol and a household name. Now and for the first time, Hayley reveals the truth of her own coming-of-age story, in her own words - a story of incredible twists of fate and fortune, but also mismanagement, bankruptcy, family crisis and dislocation. Told with characteristic warmth, honesty and humour, Hayley takes us back in time to a bygone era, charting a journey from her carefree childhood innocence in post-war Britain, growing up in the shadow of her famous theatrical family, to being propelled into the Technicolor boomtown of 1960s Hollywood, where she is mentored to stardom by Walt Disney himself.

Dramatic performance involves an intricate process of rehearsal based upon imagery inherent in the dramatic text. A playwright first invents a drama out of mental imagery. The dramatic text presents the drama as a range of verbal imagery. During rehearsal, the actors cultivate this verbal imagery within themselves. The performance triggers this cultivated mental imagery, thereby enabling the actors to reinvent the drama in the presence of an audience. This interplay of dramatic imagery constitutes the heart of the process of iconicity. The premise of iconicity is that in dramatic performance actors use the same neural architecture that people use in their daily lives to execute events. The core of this neural architecture is the brain's capacity for internally generating, reduplicating, storing, and triggering imagery. The process of iconicity draws on the actor's use of this mental capacity. This book explores the principles of iconicity and develops them as a process for acting and staging dramatic performances.

This book draws together critical and literary theories and neuropsychology to provide a new artistic process for dramatic performance called iconicity. The first part of the book provides a theoretical perspective on the principles of iconicity. Included are discussions of the nature of dramatic performance, the ideology and process of acting, and the importance of emotions to drama. This initial exploraton of iconicity sometimes refers to practice; however, the ideas presented in the first part of the book largely provide a foundation for the second part, which is more practically oriented. The second part gives close attention to the various components of the iconicity process. It explains dramatic structure and identifies and defines the four strands of iconicity: events, dialogue, interactions, and performance. Throughout the volume, numerous plays are used to provide examples of how the iconicity process works.

The 1979 film Alien has left an indelible mark on popular culture. Directed by Ridley Scott, at the time known primarily for making advertisements, and starring then-unknown actor Sigourney Weaver in the lead role, it transcended its humble origins to shock and disturb audiences upon its initial release. Its success has led to three direct sequels, two prequels, one “mashup� franchise, a series of comic books, graphic novels, novelizations, games, and an enormous and devoted fanbase. For forty years, Alien and its progeny have animated debate and discussion among critics and academics from a wide variety of fields and methodological perspectives. This book brings together scholars from diverse disciplinary backgrounds to explore Alien through a contemporary lens. The chapters here demonstrate the extent to which its effects and reception are deeply multifaceted, with the Alien franchise straddling the lines between “high� and “low� culture, playing with generic categories, crossing media boundaries, and animating theoretical, critical, and political debates. Chapters touch on female agency and motherhood, the influence of H.R. Giger, the viscerality of Alien's body horror, the narrative tradition of the Female Gothic, the patriarchal gaze in the Alien video games, and the rise of in-universe online marketing campaigns. In so doing, the volume aims to debate Alien's legacy, consider its current position within visual culture, and establish what the series means—and why it still matters—forty years since its birth.

"Intertextuality" is the overarching idea that all texts and conversations are linked to other texts and conversations, and that people create and infer meanings in discourse through making and interpreting these links. Intertextuality is fundamentally connected to metadiscourse; when a person draws on or references one text or conversation in another (intertextuality), they necessarily communicate something about that text or conversation (metadiscourse). While scholars have long recognized the interrelatedness of these two theoretical concepts, existing studies have tended to focus on one or the other, leaving underexplored the specific ways in which these phenomena are intertwined at the micro-interactional level, especially online, and for what purposes. This interactional sociolinguistic study contributes to filling this gap by demonstrating how specific intertextual linking strategies, both linguistic (e.g., word repetition, deictic pronouns) and multimodal (e.g., emojis, symbols, and GIFs), are mobilized by posters participating in online weight loss discussion boards. These strategies serve as a resource to accomplish the metadiscursive activities, targeted at various levels of discourse, through which participants construct shared understandings, negotiate the group's interactional norms, and facilitate engagement in the group's primary shared activity: exchanging information about, and providing support for, weight loss, healthful eating, and related issues. By rigorously applying the perspective of metadiscourse in a study of intertextuality, Intertextuality 2.0 offers important new insights into why intertextuality occurs and what it accomplishes: it helps people manage the challenges of communication.

More than forty years after his death, Humphrey Bogart remains a symbol of the Golden Age of Hollywood and a popular culture icon. His legacy has impacted American popular culture beyond the scope of American film history. His image graces buttons, greeting cards, and postal cards and he has been the subject of plays, films, novels, and poems. This work presents a precise biography of Bogart and examines his place in American popular culture. Scholarly and substantive articles written about Bogart's life, films, and career are analyzed and summarized. Essays and new and previously published interviews present insightful ideas by and about Bogart. Film and popular culture scholars and Humphrey Bogart enthusiasts alike will appreciate the extensive and thorough listing of articles and books about Bogart and his career. As a guide to further research, the author has provided a filmography, discography, and videography and has documented theater listings, radio and television appearances, and a directory of Bogart websites. This extensive review of Bogart and his career helps to define his success within an American cultural context.

A DECK OF 52 WILD PLANT CARDS with remedies and recipes to soothe and treat the emotional and physical body BEAUTIFUL BOTANICAL ILLUSTRATIONS by Raxenne Maniquiz will help you to identify the plants, and enable you to channel their energies ALCHEMY MEETS ASTROLOGY - the ancient practices of alchemy, astrology and wildcrafting combined USE THE DECK FOR SELF-EXPLORATION with meditation ideas and oracle spreads to help you connect with nature and yourself DISCOVER MORE about the practice of alchemy and astrology in the accompanying booklet Wild Alchemy Lab is a beautiful gift for lovers of a spiritual way of living, in harmony with the natural world. Each of the 52 cards in the deck features a wild plant, beautifully illustrated, accompanied by its astrological correspondences. The back of the card features a brief description of the plant, some context from history and mythology, and a recipe for a medicinal or culinary use of the plant. The accompanying booklet gives the history of alchemical practices and offers information about when and where to forage, some tips for preparing the plants and some other ways you can use the cards.

Since the 1960s, documentary films have moved closer to the mainstream, thanks to the popularity of rockumentaries, association with the independent film movement, support from public and cable television, and the rise of streaming video services. Documentary films have become reliable earners at the U.S. box office and ubiquitous on streaming platforms, while historically they existed on the margins of mainstream media. How do we explain the growing commercialization of documentary films and the conditions that fueled their transformation? The growing commercialization of documentary film has not gone unnoticed, but it has not been sufficiently explained. Streaming and the growing interest in reality TV are usually offered as initial explanations whenever a documentary enters the cultural conversation or breaks a box-office record, but neither of those causes grapple with the overlapping causal mechanisms that commercialized documentary film. How Documentaries Went Mainstream provides a more comprehensive and meaningful periodization of the commercialization of documentary film. Although the commercial ascension of documentary films might seem meteoric, it is the culmination of decades-long efforts that have developed and fortified the audience for documentary features. Author Nora Stone refines rough explanations of these efforts through a robust synoptic history of the market for documentary films, using knowledge of film economics and the norms of industry discourse to tell a richer story. This periodization will allow scholars to compare the commercialization of documentary film with other genres. Drawing on archival documents, industry trade journals and popular press, and interviews with filmmakers and film distributors, Stone illuminates how documentary features have become more plentiful, popular, and profitable than ever before.

The complete, authorised scripts, including deleted scenes, of the multiple award-winning Succession. 'The smartest, cruellest, funniest show on television.' Irish Times 'The most thrilling and beautifully obscene TV there is.' Guardian 'Miraculously funny yet mind-blowingly intense.' Empire ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** With an exclusive introduction from Lucy Prebble. 'Love'. You're coming for me with love? In the wake of an ambush by his rebellious son, Kendall, Logan Roy is in a perilous position, scrambling to secure familial, political and financial alliances. A bitter corporate battle threatens to turn into a family civil war. Collected here for the first time, the complete scripts of Succession: Season Three feature unseen extra material, including deleted scenes, alternative dialogue and character directions. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece. 'The best TV show in the world.' The Times

Cary Grant, one of the most enduring stars in the history of Hollywood history, is the subject of this unique bio-bibliography that places equal emphasis on the actor's professional and private lives. Each chapter examines a different aspect of Grant's life and career, beginning with a biography and a chronology of important events. Comprehensive listings of Grant's films, stage appearances, radio and television credits, and recordings thoroughly trace his professional life, while an annotated bibliography provides important material for further research. This entry in the series is particularly well written, and includes considerable and valuable documentation. Recommended. Classic Images One of the biggest stars that Hollywood ever produced, Cary Grant was a unique performer with an instantly recognizable persona and an appeal that lasted well beyond his retirement from the screen. Adept at playing both comic and dramatic roles, and as comfortable in a romantic scene as he was with a pratfall, Grant eventually became something of an icon, a romantic idol whom women wanted to love and men wanted to emulate. This bio-bibliography provides an overview of the life and career of this superstar, and, unlike other biographies, it gives as much weight to Grant the star as it does to Grant the private person. The book contains several sections that highlight individual aspects of Grant's life and career. The biographical sections review the personal facts of the actor's life, from his lower-class birth in England to his screen stardom in America, while a chronology presents an overview of the important professional and personal events in his life. Four separate chapters detail Grant's career, providing comprehensive listings of his films, stage appearances, radio and television credits, and recordings. The book concludes with an annotated bibliography of articles published in books and periodicals, as well as a subject index. This work will be a welcome resource for film fans and scholars, and an important reference for courses in film history. It will also be a valuable addition to both public and academic libraries.

Christmas just isn't Christmas without Christmas on TV. Whether it's the made-for-television specials of "Rudolph the Red-Nosed Reindeer" and "Frosty the Snowman," a "M*A*S*H*" Christmas in Korea, Kramer playing Santa on "Seinfeld," or the annual holiday disaster on "The Simpsons" or "South Park," television's many representations of this beloved holiday have become as essential a part of our holiday season as lights, gifts, or mistletoe. In this entertaining chronicle of television and the Christmas season, former Television Critics Association President Diane Werts weaves discussion of the many programs that have appeared during holiday seasons throughout the years with interviews with writers, producers, and stars. Not only are readers given a chance to re-live their favorite holiday moments on TV, but also to gain illuminating cultural insights into the increasingly strong bond that unites these two American traditions. Diane Werts's book is the first to cover the entire history of the depiction of Christmas on television, and includes a discussion of programs that celebrate Hanukkah, Kwanzaa, and the winter solstice. An introductory overview helps readers to understand the basis on which television's success with the holidays is based, and chronological chapters go on to consider the many different ways in which the season has been celebrated in variety shows, sitcoms, specials, and dramas of the past six decades.

A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.

Jacob of Sarug is one of the most celebrated poets of Eastern Christianity and the Syriac tradition. The Gorgias Press edition, edited by Sebastian P. Brock, contains over 100,000 lines of poetry based on Bedjan’s 1905 edition.

Since January 28, 1975, Eduard "Billy" Meier has been at the center of an intense international controversy both within the UFO community of supporters and between believers and skeptics. Meier contends that he is in direct personal contact with aliens from the star cluster Pleiades. He even claims to have flown aboard the Pleiadian spacecraft with his alien contact, "Semjase", visiting other worlds. To support these amazing claims, he has produced thousands of pages of "contact notes" along with photographs, film footage, and Pleiadian rock and metal samples. The aliens allegedly contact Meier at a commune in Switzerland called the Semjase Silver Star Center, which in many ways resembles a religious cult with Meier as its leader. To help substantiate Meier's claims, his American supporters have subjected his photographs and samples to laboratory testing, touting the results as positive proof of Meier's honesty. Intrigued by this tantalizing story, renowned UFO researcher Kal K. Korff conducted his own in-depth investigation. Korff traveled to Switzerland, where he went undercover inside the Meier camp. The result is Spaceships of the Pleiades, a fascinating account of the most documented UFO case of all time, a work that includes many previously unpublished Meier photographs and evidence long suppressed by Meier and his supporters.

This directory includes over 500 African American performers and theater people who have made a significant contribution to the American stage from the early 19th century to the beginning of the civil rights movement of the 1960s. Entries provide succinct biographical and theatrical information gathered from a variety of sources including library theater and drama collections, dissertations and theses, newspaper and magazine reviews and criticism, theater programs, theatrical memoirs, and earlier performing arts directories. Among the professional artists included in this volume are performers, librettists, lyricists, directors, producers, choreographers, stage managers, and musicians. The individuals profiled represent almost every major category and genre of the professional, semiprofessional, regional, and academic stage including minstrelsy, vaudeville, musical theater, and drama. Persons of historical significance are included as well as those stars and theatrical personalities that were well known during their time but who are relatively forgotten today.

This comprehensive volume will appeal to theater and musical theater, Black studies, and American studies scholars. Cross-referenced throughout, this reference also includes an extensive bibliography and appendices of other theater personalities excluded from the main text. Separate indexes list the personalities, teams and partnerships, and performing groups, organizations, and companies.

Because Timothee Chalamet's eyes gleam with the light of a thousand suns. Because you'd let Zoe Kravitz get away with putting gum in your hair. And because there really should be a national monument dedicated to Gene Kelly's ass. From the tongue-in-cheek to the righteously enraged, She Found it at the Movies explores women's secret desires, teen crushes, and one-sided movie star love affairs, flipping the switch on a century of cinema's male-gaze domination. With misogyny and sexism still taking centre stage in the real world -- what can women's relationships with movies tell us about the wider landscape of sexuality, politics and culture? Featuring writers you know and love from Buzzfeed, The Guardian, and Vulture, these essays pose thoughtful questions about sex and fantasy at the cinema. Like a guilt-free chat with your smartest girlfriends, this book is a positive celebration of female sexuality at its thirstiest.

This lavishly illustrated book celebrates the life of Doris and Anna Zinkeisen, charting the rise of the sisters from a childhood in Scotland, to their emergence as amongst the most eminent artists of their day in London, to a quieter yet still highly productive life during their twilight years in rural Suffolk. During the golden age from the 1920s through to the 1950s, the Zinkeisen sisters enjoyed a huge success and won numerous accolades. Their paintings and design work, including posters, murals and luxury ocean liners, and costume designs for stage and film, are today emblematic of that period in British art.