The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination.For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.

The video revolution in the 1980s affected all areas of the American entertainment industry; its impact was most dramatic--ultimately devastating--to the non-theatrical film field. "Non-theatrical film" is the term used to describe motion pictures which are not shown in movie theaters, but are produced and/or distributed to markets that include the educational community, home, and business and industry. The author covers the early Hollywood-produced features and short subjects in a format other than 35mm for homes, hospitals and correctional institutions, as well as industrial films. This is also the history of two major non-theatrical libraries, Bell and Howell and Kodascope, both of which were founded to service the needs of purchasers of the then-newly introduced 16mm projectors. The book documents how the advent of the 16mm projector made possible the introduction of audio-visual aids in classrooms and offices. A number of production companies were established, primarily in Chicago, to produce films for this new outlet. In addition, Hollywood saw a new market and began licensing distribution of the films. Complete with appendices providing distributors from the 1920s-1940s and current names and addresses of non-theatrical film sources, this book-length study of the history of this film genre is both important and much needed.

In a radical new interpretation of the works of Alfred Hitchcock, Christopher Morris argues that suspense--the fundamental component of Hitchcock's cinema--is best understood through deconstruction of the very meaning of the word, which relates to dependence or hanging. He analyzes its portrayal first in painting and sculpture and then in Hitchcock's body of work. In this iconographic tradition, hanging figures challenge the significance of human identity and rationality, and further imply that closure, or an end to suspense, is all but illusory.

This work represents the first deconstructive approach to suspense, and the first-ever survey of the iconography of the hanging figure. Hitchcock's films provide ample opportunity for such discussion, with their constant use of the tool of suspense, and Morris argues that, essentially, all of human existence is in this very state, a state embodied particularly well by the films he discusses. Drawing on the work of Jacques Derrida, Paul de Man, and J. Hillis Miller, this cross-disciplinary study of an important cinematic oeuvre establishes the advantage of a deconstructive and figurative approach to an often-studied directorial style, one that nearly embodies a genre unto itself.

From time immemorial, culture, education, and training have been assigned an essential role in preserving and developing common values that tie the international community together. Distinguished documents of international conferences and in various treaty texts and protocols show how cultural policy is the pre-eminent driving force for improvement of the intangible quality of individual and social life. Culture and education make an immeasurable contribution to the integration of a person in society and to the European society as such. Also from time immemorial, the principles of freedom and equality find their application in cultural and educational policy. Both support the rights to social multiformity and to protection of minorities; both also remind us that certain human values transgress every "local" culture. This volume considers in detail not only the recent trends in the organization and structure of art education, but also the interplay between the two within standard education, the application of the principle of freedom of movement and mobility of teachers and students, the equivalence of diplomas, and so forth.

Costa-Gavras: Encounters with History explores the life and work of the director intertwined with historical and socio-political events, from the early stages of his career: emigrating to France from Greece in 1955 and first studying at the Sorbonne, then focusing on filmmaking at IDHEC, now La Fémis. He became an internationally respected director, first with his Oscar-award winning film Z (1969) and continued with a vast array of films, including his most recent work, Adults in the Room (2019). His films portray the complexities of human nature, relationships challenged by historical and contemporary socio-political issues. In this overview of the director’s films, the authors shed light on his encounters with history from his youth in war-torn Greece to his later films on immigration, unemployment, global capitalistic greed, and the abuse of political and economic power in Europe. Costa-Gavras' films have spanned several decades and several continents, to combat unethical laws and injustice, oppression, legal/illegal violence, and torture. Throughout his evolution in the world of cinema for over half a century as director, writer, and producer, Costa-Gavras has told human-interest stories that entertain and inspire, and that help us better understand ourselves and a fragile, fragmented world.

Dramatic performance involves an intricate process of rehearsal based upon imagery inherent in the dramatic text. A playwright first invents a drama out of mental imagery. The dramatic text presents the drama as a range of verbal imagery. During rehearsal, the actors cultivate this verbal imagery within themselves. The performance triggers this cultivated mental imagery, thereby enabling the actors to reinvent the drama in the presence of an audience. This interplay of dramatic imagery constitutes the heart of the process of iconicity. The premise of iconicity is that in dramatic performance actors use the same neural architecture that people use in their daily lives to execute events. The core of this neural architecture is the brain's capacity for internally generating, reduplicating, storing, and triggering imagery. The process of iconicity draws on the actor's use of this mental capacity. This book explores the principles of iconicity and develops them as a process for acting and staging dramatic performances.

This book draws together critical and literary theories and neuropsychology to provide a new artistic process for dramatic performance called iconicity. The first part of the book provides a theoretical perspective on the principles of iconicity. Included are discussions of the nature of dramatic performance, the ideology and process of acting, and the importance of emotions to drama. This initial exploraton of iconicity sometimes refers to practice; however, the ideas presented in the first part of the book largely provide a foundation for the second part, which is more practically oriented. The second part gives close attention to the various components of the iconicity process. It explains dramatic structure and identifies and defines the four strands of iconicity: events, dialogue, interactions, and performance. Throughout the volume, numerous plays are used to provide examples of how the iconicity process works.

Leaders in business and art can gain a lot by listening to each other. In this book thirteen research-based cases demonstrate how software programmers, art curators, financial analysts, orchestra conductors, construction engineers and chefs, share aesthetic leadership talents that hold the key to transforming the ordinary into the extraordinary.

More than forty years after his death, Humphrey Bogart remains a symbol of the Golden Age of Hollywood and a popular culture icon. His legacy has impacted American popular culture beyond the scope of American film history. His image graces buttons, greeting cards, and postal cards and he has been the subject of plays, films, novels, and poems. This work presents a precise biography of Bogart and examines his place in American popular culture. Scholarly and substantive articles written about Bogart's life, films, and career are analyzed and summarized. Essays and new and previously published interviews present insightful ideas by and about Bogart. Film and popular culture scholars and Humphrey Bogart enthusiasts alike will appreciate the extensive and thorough listing of articles and books about Bogart and his career. As a guide to further research, the author has provided a filmography, discography, and videography and has documented theater listings, radio and television appearances, and a directory of Bogart websites. This extensive review of Bogart and his career helps to define his success within an American cultural context.

Cary Grant, one of the most enduring stars in the history of Hollywood history, is the subject of this unique bio-bibliography that places equal emphasis on the actor's professional and private lives. Each chapter examines a different aspect of Grant's life and career, beginning with a biography and a chronology of important events. Comprehensive listings of Grant's films, stage appearances, radio and television credits, and recordings thoroughly trace his professional life, while an annotated bibliography provides important material for further research. This entry in the series is particularly well written, and includes considerable and valuable documentation. Recommended. Classic Images One of the biggest stars that Hollywood ever produced, Cary Grant was a unique performer with an instantly recognizable persona and an appeal that lasted well beyond his retirement from the screen. Adept at playing both comic and dramatic roles, and as comfortable in a romantic scene as he was with a pratfall, Grant eventually became something of an icon, a romantic idol whom women wanted to love and men wanted to emulate. This bio-bibliography provides an overview of the life and career of this superstar, and, unlike other biographies, it gives as much weight to Grant the star as it does to Grant the private person. The book contains several sections that highlight individual aspects of Grant's life and career. The biographical sections review the personal facts of the actor's life, from his lower-class birth in England to his screen stardom in America, while a chronology presents an overview of the important professional and personal events in his life. Four separate chapters detail Grant's career, providing comprehensive listings of his films, stage appearances, radio and television credits, and recordings. The book concludes with an annotated bibliography of articles published in books and periodicals, as well as a subject index. This work will be a welcome resource for film fans and scholars, and an important reference for courses in film history. It will also be a valuable addition to both public and academic libraries.

Christmas just isn't Christmas without Christmas on TV. Whether it's the made-for-television specials of "Rudolph the Red-Nosed Reindeer" and "Frosty the Snowman," a "M*A*S*H*" Christmas in Korea, Kramer playing Santa on "Seinfeld," or the annual holiday disaster on "The Simpsons" or "South Park," television's many representations of this beloved holiday have become as essential a part of our holiday season as lights, gifts, or mistletoe. In this entertaining chronicle of television and the Christmas season, former Television Critics Association President Diane Werts weaves discussion of the many programs that have appeared during holiday seasons throughout the years with interviews with writers, producers, and stars. Not only are readers given a chance to re-live their favorite holiday moments on TV, but also to gain illuminating cultural insights into the increasingly strong bond that unites these two American traditions. Diane Werts's book is the first to cover the entire history of the depiction of Christmas on television, and includes a discussion of programs that celebrate Hanukkah, Kwanzaa, and the winter solstice. An introductory overview helps readers to understand the basis on which television's success with the holidays is based, and chronological chapters go on to consider the many different ways in which the season has been celebrated in variety shows, sitcoms, specials, and dramas of the past six decades.

A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.

Jacob of Sarug is one of the most celebrated poets of Eastern Christianity and the Syriac tradition. The Gorgias Press edition, edited by Sebastian P. Brock, contains over 100,000 lines of poetry based on Bedjan’s 1905 edition.

Since January 28, 1975, Eduard "Billy" Meier has been at the center of an intense international controversy both within the UFO community of supporters and between believers and skeptics. Meier contends that he is in direct personal contact with aliens from the star cluster Pleiades. He even claims to have flown aboard the Pleiadian spacecraft with his alien contact, "Semjase", visiting other worlds. To support these amazing claims, he has produced thousands of pages of "contact notes" along with photographs, film footage, and Pleiadian rock and metal samples. The aliens allegedly contact Meier at a commune in Switzerland called the Semjase Silver Star Center, which in many ways resembles a religious cult with Meier as its leader. To help substantiate Meier's claims, his American supporters have subjected his photographs and samples to laboratory testing, touting the results as positive proof of Meier's honesty. Intrigued by this tantalizing story, renowned UFO researcher Kal K. Korff conducted his own in-depth investigation. Korff traveled to Switzerland, where he went undercover inside the Meier camp. The result is Spaceships of the Pleiades, a fascinating account of the most documented UFO case of all time, a work that includes many previously unpublished Meier photographs and evidence long suppressed by Meier and his supporters.

Offering fresh studies of Samuel Beckett in pre-production, in rehearsal, as an innovator of the script form, and as a speculative director and designer, Beckett’s Laboratory reconsiders Beckett’s stringent approach to stage direction through the lens of the laboratory and reveals his experimentalism with stage representation and composition. Wakeling argues that acknowledging Beckett’s experimental processes, from their composition to their reception, is crucial to understanding the innovative representations of humanity that emerged at different stages in Beckett’s practice. Repositioning Beckett’s performance oeuvre in relation to philosophy, Wakeling draws upon post-dramatic, symbolist, materialist and post-structural understandings of theatre performance to reappraise Beckett’s plays as a composition for performance. The philosophical underpinnings of Beckett’s practices are explored through an eclectic mix of familiar and unexplored contemporary theatre productions and films of Beckett’s works, including Not I, Nacht und Träume, Happy Days, Footfalls and Catastrophe. Beckett’s Laboratory is a provocative examination of Beckett’s experimentalism with the human spectacle and his playful reliance upon the interpretative powers of the actors and audience.

Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film. Appeals for democracy and social reform were especially suspect to the authorities, so in Russia cookbooks which refered to 'free air' in ovens were censored as subversive, while in England in 1829 the censor struck from a play the remark that 'honest men at court don't take up much room'. While nineteenth-century European political censorship blocked the open circulation of much opposition writing and art, it never succeeded entirely in its aim since writers, artists and 'consumers' often evaded the censors by clandestine circulation of forbidden material and by the widely practised skill of 'reading between the lines'.

This directory includes over 500 African American performers and theater people who have made a significant contribution to the American stage from the early 19th century to the beginning of the civil rights movement of the 1960s. Entries provide succinct biographical and theatrical information gathered from a variety of sources including library theater and drama collections, dissertations and theses, newspaper and magazine reviews and criticism, theater programs, theatrical memoirs, and earlier performing arts directories. Among the professional artists included in this volume are performers, librettists, lyricists, directors, producers, choreographers, stage managers, and musicians. The individuals profiled represent almost every major category and genre of the professional, semiprofessional, regional, and academic stage including minstrelsy, vaudeville, musical theater, and drama. Persons of historical significance are included as well as those stars and theatrical personalities that were well known during their time but who are relatively forgotten today.

This comprehensive volume will appeal to theater and musical theater, Black studies, and American studies scholars. Cross-referenced throughout, this reference also includes an extensive bibliography and appendices of other theater personalities excluded from the main text. Separate indexes list the personalities, teams and partnerships, and performing groups, organizations, and companies.

This detailed reference provides a complete record of Academy Award winners and nominees through 1991. All nominees in all categories are listed, and the volume includes recipients of special awards as well. Each award category begins with a short headnote that traces the development of the award and discusses significant facts about it. The award categories are divided into sections for each year. Within the listing for a particular year are the nominees for the award, related credits, and the winner of the award.

Shale begins with a short historical overview of the Academy of Motion Picture Arts and Sciences. Part I lists Academy Award winners and nominees by award categories, with sections devoted to annual awards, other awards, and discontinued categories. Part II is a chronological index of Academy Awards. Thus full information for an award can be located through either the type of award or the year. Shale concludes with appendices of academy founders, presidents, and directors of best pictures; a selected, annotated bibliography; and an index. The result is the most comprehensive record of the Academy Awards available.

Because Timothee Chalamet's eyes gleam with the light of a thousand suns. Because you'd let Zoe Kravitz get away with putting gum in your hair. And because there really should be a national monument dedicated to Gene Kelly's ass. From the tongue-in-cheek to the righteously enraged, She Found it at the Movies explores women's secret desires, teen crushes, and one-sided movie star love affairs, flipping the switch on a century of cinema's male-gaze domination. With misogyny and sexism still taking centre stage in the real world -- what can women's relationships with movies tell us about the wider landscape of sexuality, politics and culture? Featuring writers you know and love from Buzzfeed, The Guardian, and Vulture, these essays pose thoughtful questions about sex and fantasy at the cinema. Like a guilt-free chat with your smartest girlfriends, this book is a positive celebration of female sexuality at its thirstiest.