For better or worse, television has been the dominant medium of communication for 50 years. Almost all American households have a television set; many have more than one. Transmitting images and sounds electronically is a relatively recent invention, one that required passionate inventors, determined businessmen, government regulators, and willing consumers. This volume in the Greenwood Technographies series covers the history of television from 19th-century European conceptions of transmitting moving images electrically to the death of TV as a discrete system in a digital age. Magoun also discusses the changing face of television in the displays that people watch around the globe. Television: The Life Story of a Technology discusses significant developments in the technological and social lives of people during the history of the television. It appeals to students and lay readers alike by highlighting key events and people: BLthe American engineers and entrepreneurs such as Vladimir Zworykin and David Sarnoff who ignited the television industry; BLthe bloom of programming choices in tandem with the Baby Boom generation; BLthe developmetn of cable and satellite TV; BLthe Asians who innovated American inventions in videorecording and flat-panel displays; BLthe use of TV in wartime; BLand the new worlds of digital and high-definition television. Based on the latest research, this crisply written, sometimes provocative survey includes a glossary, timeline, and bibliography for further information. Vladimir Zworykin -- whose work ignited the entire television industry BLHow the television industry and commercial programming bloomed in tandem with the Baby Boom generation The late-twentiethcentury expansion of cable television and the decline of the broadcast networks, and the new world of high-definition television. The volume includes a glossary of terms, a timeline of important events, and a selected bibliography of resources for further information.

Product information not available.

The complete, authorised scripts, including deleted scenes, of the multiple award-winning Succession. 'The best TV show in the world.' The Times 'Just about the best thing I've ever seen on television.' New Statesman 'The best television around.' Guardian ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** With an exclusive introduction from Frank Rich. I wonder if the sad I'd be from being without you might be less than the sad I get from being with you? Kendall Roy is dealing with fallout from his hostile takeover attempt of Waystar Royco and the heavy guilt from a fatal accident. Shiv stands poised to make her way into the upper-echelons of the company, which is causing complications for Tom, which is causing complications for Greg. Meanwhile, Roman is reacquainting himself with the business by starting at the bottom, as Connor prepares to launch an unlikely bid for president. Collected here for the first time, the complete scripts of Succession: Season Two feature unseen extra material, including deleted scenes, alternative dialogue and character directions. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece.

This dip-in, flick-through, quick-fire resource book, part of the bestselling Drama Games series, offers 80 games and exercises to explore the fundamental concepts of clowning and physical comedy, encourage playfulness, curiosity and collaboration, and help develop performance material. These active and engaging games focus on a wide range of core skills, including: Building and strengthening connections through collaboration and ensemble work Developing physical and mental flexibility Using restrictions, problems and accidents to devise routines and scenes Using props to reveal thoughts and emotions and deepen relationships Throughout, the focus is on how to develop a playful mind and body, listen to and observe the world around you, and improve your ability to express yourself physically. This essential book is invaluable for actors, improvisers, comedians, directors and teachers looking to explore the principles of clowning to enrich performance skills, generate original material or bring a fresh approach to scripted work. 'The perfect companion for any director, this is the most imaginative and comprehensive book of theatre games I have seen' Cal McCrystal (comedy director for The Mighty Boosh, One Man, Two Guvnors and Paddington) Joe Dieffenbacher is a teacher, director, designer, author and actor known for his theatre, circus and cabaret performances under the name nakupelle. He has worked with companies and venues including Shakespeare's Globe, Disney and the Scottish National Opera, as well as co-creating sequences for the Closing Ceremonies of the London 2012 Olympics and Paralympics.

This new work contains the most comprehensive bibliography of Orson Welles' work and material written on Welles. It presents a concise history of Welles' life and career, paying special attention to the ways he was presented by the media. At different points in his career, he was portrayed as a young genius, a spoiled brat, a European playboy, a political rebel, and both a consistent failure as well as a consistent master of the arts. The book examines the material which led to such public impressions and determines how and why these materials presented him in such a way, while comparing it to the truth of Orson Welles: the man, the artist, and the showman. Following the biographical sketch on Welles in the opening section, the next section of the book presents a brief yet precise analysis of each of Welles' projects, with particular emphasis on the works he was unable to complete and those which have been diminished by outside editing or since lost. The third and final section is a comprehensive bibliography of Welles' writings, productions, and appearances. It also includes a complete listing of material devoted to Welles, with notes determining which are of greatest value in the study of Welles' life and career. This book is an indispensable tool in the study of Welles' career. It also serves as a valuable reference source for use in courses in broadcasting, theater, and especially film.

Though first performed some 400 years ago, the plays of William Shakespeare still continue to capture the popular imagination and are produced by numerous companies around the world. This reference describes over 140 Shakespeare companies and festivals worldwide. Each company or festival is profiled in a separate entry. Entries are grouped in chapters devoted to particular states or countries, and provide historical, organizational, demographic, and production information. Each profile describes the history of the festival or company; its organization, including staffing and budgeting; its physical facilities and performance site; the demographics of its audience and the community where it is located; and the company's or festival's approach to producing Shakespeare's plays. Each entry begins with a headnote providing essential information, such as the name, address, box office phone number, length of season, principal staff members, facilities, annual attendance, and budget. Each closes with a chronological listing of all Shakespeare's plays produced by the organization, and resources for further information.

One of the most enchanting figures of the silver screen, Ronald Colman appeared in such classic films as Beau Geste, The Prisoner of Zenda, Lost Horizon, and A Tale of Two Cities. He was nominated four times for the Academy Award, which he won for a spectacular performance in A Double Life. His voice was unrivaled, and he had a brilliant career as a radio star. A charismatically photogenic performer, he was voted the handsomest actor in Hollywood on several occasions. His superior skills, his dashing visage, and his resonant speech made him one of the most sought after and acclaimed stars of his day. In spite of his enormous talent and supreme achievements, Ronald Colman has strangely been overlooked. This immensely detailed reference book brings Colman's life and career into sharp focus, corrects misleading information about him, and comments on the critical response to his work. The heart of this expertly researched volume is a series of chapters with entries for Colman's many hundreds of performances in film, radio, and television. Entries provide full production information, plot synopses, excerpts from reviews, and valuable commentary. An extensive annotated bibliography summarizes and assesses material written about Colman, and the author scrupulously debunks the many myths that have been written about Colman in previous publications.

The sensational true story of murder, madness, glamour, and greed that shook the Gucci dynasty, now fully updated with a new afterword.

On March 27, 1995, Maurizio Gucci, heir to the fabulous fashion dynasty, was slain by an unknown gunman as he approached his Milan office. In 1998, his ex-wife Patrizia Reggiani Martinelli--nicknamed "The Black Widow" by the press--was sentenced to 29 years in prison, for arranging his murder.

Did Patrizia murder her ex-husband because his spending was wildly out of control? Did she do it because her glamorous ex was preparing to marry his mistress, Paola Franchi? Or is there a possibility she didn't do it at all?

The Gucci story is one of glitz, glamour, intrigue, the rise, near fall and subsequent resurgence of a fashion dynasty. Beautifully written, impeccably researched, and widely acclaimed, The House of Gucci will captivate readers with its page-turning account of high fashion, high finance, and heart-rending personal tragedy.

'Celebrates the capacity to master pain and betrayals with wit sister-sharing, reckless daring, and flight and forgetfulness if necessary' Toni Cade Bambara 'The force of Shange's writing seemed to say, "Fuck the old rule of not airing your female business in front of colored men, white people, let alone the rest of the world." You own the copyright on your life' Hilton Als 'Encompassing, it seems, every feeling and experience a woman has ever had' New Yorker 'Totally extraordinary' New York Times i will raise my voice / & scream & holler / & break things & race the engine / & tell all yr secrets bout yrself to yr face From its inception in California in 1974 to its highly acclaimed critical success at Joseph Papp's Public Theater and on Broadway, the Obie Award-winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country. Passionate and fearless, Shange's words reveal what it is to be of color and female in the twentieth century. First published in 1975 when it was praised by The New Yorker for encompassing...every feeling and experience a woman has ever had, for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Here is the complete text, with stage directions, of a groundbreaking dramatic prose poem written in vivid and powerful language that resonates with unusual beauty in its fierce message to the world. With an introduction by Bernardine Evaristo A W&N Essential

This study chronicles the life and career of Ellen Stewart and her experimental theater, Cafe La Mama. Once an accomplished Black fashion designer, Stewart--with no experience in theater--founded and developed one of the most influential experimental theaters in the world. The volume includes a short biography, a chronology of the most significant events related to Stewart and La Mama, a record of the more than 1400 plays produced at La Mama, and an annotated bibliography. Appendices list La Mama's Obie awards, awards won by Stewart, and shows directed by Stewart. The volume presents a fascinating account of the physical, emotional, and political conditions surrounding the history of Cafe La Mama, while focusing on a Black American artist who boldly forged a niche in an area previously inaccessible to Black women.

This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, José Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain’s transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly. -- .

Recent crime films such as Scarface, the Dirty Harry series, and The Godfather have captured the American imagination, but they owe a large debt to the early crime talkies such as The Public Enemy, Paul Muni's Scarface, and Little Caesar. More than 1,000 entries are featured in this volume, complete with the names of directors, screen writers, and major players offering a wealth of data supported by plot evaluations. For the serious student of crime films, this work provides a comprehensive treatment of the genre. It is the only one-volume work that includes all crime sub-genres (detective, mystery, cops and robbers, and courtroom dramas) in addition to gangster films. The period between the end of the silent film (1927) and the general acceptance of the sound film (1929) is often referred to as a transition period. The majority of theaters were not wired for sound, so many films were released in both silent and sound versions. Some added only sound effects or music to the sound track, while others offered only brief segments of sound. The early 1930s marked the end of this transition period and firmly established the sound era. This volume pays homage to these early, often crude melodramas. The authors aim to preserve the memories of these films for their own generation and to introduce these works to a new generation thirsty for entertainment and knowledge.