TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier’s monthly columns published in the French journal Libération. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Libération, as well as longer pieces, to demonstrate ‘TV-Philosophy in action’: Laugier’s response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes—relating to politics, identity, and the stories we tell ourselves about our world—the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.

This volume reframes the critical conversation about Shakespeare’s histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory. Theorizing a link between adaptation and intersectionality, it demonstrates how over the past thirty years race has become a central and constitutive part of British and American screen adaptations of the English histories. Available to expanding audiences via digital media platforms, these adaptations interrogate the dialectic between Shakespeare’s cultural capital and racial reckonings on both sides of the Atlantic and across time. By engaging contemporary representations of race, ethnicity, gender, sexuality, disability and class, adaptation not only creates artefacts that differ from their source texts, but also facilitates the conditions in which race and its intersections in the plays become visible. At the centre of this analysis stand two landmark 21st-century history adaptations that use non-traditional casting: the British TV miniseries The Hollow Crown (2012, 2016) and the American independent film H4 (2012), an all-Black Henry IV conflation. In addition to demonstrating how the 21st-century screen history illuminates both past and present constructions of embodied difference, these works provide a lens for reassessing two history adaptations from Shakespeare’s 1990s box office renaissance, when actors of colour were first cast in cinematic versions of the plays. As exemplified by these formal adaptations’ reappropriations of race in history, non-traditional Shakespearean casting practices are also currently shaping digital culture’s conversations about race in non-Shakespearean period dramas such as Bridgerton.

Exploring medical writing in England in the 100+ years after the advent of the “Great Mortality�, this book examines the storytelling practices of poets, patients, and physicians in the midst of a medieval public health crisis and demonstrates how literary narratives enable us to see a kinship between poetry and the healing arts. Looking at how we can learn to diagnose a text as if we were diagnosing a body, Salisbury provides new insights into how we can recuperate the voices of those afflicted by illness in medieval texts when we have no direct testimony. She considers how we interpret stories told by patients in narratives mediated by others, ways that women factor into the shaping of a medical canon, how medical writing intersects with religious belief and memorial practices governed by the Church, and ways that regimens of health benefit a population in the throes of an epidemic.

The story behind the creation of one of the most celebrated, revolutionary animated series of all time   X-Men: The Art and Making of the Animated Series takes fans behind the scenes of the landmark cartoon that laid the groundwork for the dozens of Marvel Comics adaptations that followed. Interviews with series writers, producers, executives, and artists reveal the razor’s edge that Marvel and Fox navigated in order to bring the X-Men to television, and detail the tough decisions, compromises, and brilliant solutions that resulted in a series that has been lauded by critics and fans for nearly three decades. Along the way, readers will encounter such comics and entertainment luminaries as Stan Lee, Avi Arad, and Haim Saban.   This book gives a �rsthand account of what it’s like to develop, pitch, design, write, draw, direct, and produce an animated series, accompanied by rare original art, animated cels and still frames, and production and merchandising ephemera.

The first anthology of youth plays from Gaza and the wider Palestinian region, this timely collection ties together nineteen plays produced by Theatre Day Productions, one of the foremost community theatres in the Middle East. Written by playwright Jackie Lubeck, this collection responds to the siege on Gaza and the Israeli military operations from 2009 to 2014, reflecting how Gazan youth deal with trauma, loss and urban destruction. In the nineteen plays within this anthology, the reader and theatrical producer witnesses experiences of a forgotten youth, besieged by a silent international community and a brutal wall. The plays are arranged into five different thematic series, which include family entanglements, loss and the fundamental goodness and resourcefulness of human beings.

Appreciating Dance is a thorough and accurate history of various forms of dance, analyzing everything from social dance, and ballet to modern dance, tap, jazz, theatrical dance and contemporary dance. In it readers will find: a brief biography of notable dancers and choreographers; information needed to expand the enjoyment of performance; the intersection of dance and religion; the history of dance through the beginning of the 21st century; and budding dance trends. Every chapter in this fifth edition has been updated and revised with new information, including suggestions for YouTube viewing at the end of each chapter.

PUBLISHED TO ACCOMPANY THE ONCE-IN-A-LIFETIME EXHIBITION AT THE RIJKSMUSEUM, AMSTERDAM, THIS IS THE FIRST MAJOR STUDY ON VERMEER'S LIFE AND WORK FOR MANY YEARS. ---------- 'Proust was once so excited to see a Vermeer show that he collapsed … I got chest pains merely leafing through the catalogue' Jonathan Jones, Guardian 'Invest in the fat catalogue, stuffed with scholarly discoveries and photographic closeups, and you will learn about everything from Vermeer’s optical mastery to his moral symbolism' Rachel Campbell-Johnston, The Times 'Excellent' Artists & Illustrators ---------- Vermeer's intensely quiet and enigmatic paintings invite the viewer into a private world, often prompting more questions than answers. Who is being portrayed? Are his subjects real or imagined? And how did he create such an unrivalled sense of intimacy? Bringing together diverse strands of the Dutch master's professional and private worlds, this is the first major authoritative study of Vermeer's life and work for many years, throwing light on all thirty-seven of his paintings. The book was designed by Irma Boom, the ‘Queen of Books’, and printed on an uncoated ‘Munken Print White’ paper, specially commissioned to ensure the veracity of colours. Irma Boom says: ‘the matte paper brings you closer to Vermeer; there is no gloss or glare in between, just like with the real works.’ With a wide selection of contextual illustrations, commentaries and up-to-date research by distinguished international Vermeer scholars, this is the definitive volume on the most admired of all seventeenth-century Dutch masters. With contributions by Bart Cornelis, National Gallery, London Bente Frissen, Rijksmuseum, Amsterdam Sabine Pénot, Kunsthistorisches Museum, Vienna Pieter Roelofs, Rijksmuseum, Amsterdam Friederike Schuett, Staedel Museum, Frankfurt am Main Christian Tico Seifert, National Galleries of Scotland, Edinburgh Ariane van Suchtelen, Mauritshuis, The Hague Gregor J.M. Weber, Rijksmuseum, Amsterdam Marjorie E. Wieseman, National Gallery of Art, Washington

Latifa Echakhch studied at the art academies of Grenoble, Paris-Cergy, and Lyon. Now based in Switzerland, Eckakhch is concerned with the concept of culture as well as personal and collective memory in between the poles of social and political debate. Her work often features installations that make use of a wide variety of materials, such as brick and raw earth, which she mixes with ink. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.

A moving biography – told in vivid pictures. In five chapters, Philipp Deines traces stages in the life of the now world-famous Swedish painter Hilma af Klint. The personal and artistic development of this pioneer of abstraction is illuminated here. In this book, readers discover how the artist worked, lived, and loved, and what influenced her: from the great scientific upheavals to family history, anthroposophy, and spiritualist séances. In the depiction of her spiritual experiences, Deines’ visual language is influenced by Klint’s fantastic pictorial worlds. Julia Voss, author of the first comprehensive biography of the artist in 2020, was closely involved in the creation of this graphic novel. Biography, art history, and contemporary narrative style merge and complement each other in these magnificent visual worlds.

Tracing the "American Guerrilla" narrative through more than one hundred years of film and television, this book shows how the conventions and politics of this narrative influence Americans to see themselves as warriors, both on screen and in history. American guerrillas fight small-scale battles that, despite their implications for large-scale American victories, often go untold. This book evaluates those stories to illumine the ways in which film and television have created, reinforced, and circulated an "American Guerrilla" fantasy—a mythic narrative in which Americans, despite having the most powerful military in history, are presented as underdog resistance fighters against an overwhelming and superior occupying evil. Unconventional Warriors: The Fantasy of the American Resistance Fighter in Television and Film explains that this fantasy has occupied the center of numerous war films and in turn shaped the way in which Americans see those wars and themselves. Informed by the author's expertise on war in contemporary literature and popular culture, this book begins with an introduction that outlines the basics of the "American Guerrilla" narrative and identifies it as a recurring theme in American war films. Subsequent chapters cover one hundred years of American "guerrillas" in film and television. The book concludes with a chapter on science fiction narratives, illustrating how the conventions and politics of these stories shape even the representation of wholly fictional, imagined wars on screen.

Classical Rhetoric, the art of persuasion, formed the sum and substance of Shakespeare’s education and was the basis of his understanding of the power of language and how it worked to move, delight and teach. Rhetoric, which seeks to explain the way that language works to influence others, provides a powerful, transformative tool for approaching text in performance. This book helps you understand the key concepts of rhetoric. It gives clear explanations, stripped of jargon, and examples of rhetorical technique in the plays. It also provides engaging, practical exercises to unlock character and to identify themes in the plays through the lens of rhetoric. Academically rigorous, based on more than a decade of practical experience in the use of rhetoric in drama at the highest level, it is an ideal companion for anyone engaging with Shakespeare in performance.

The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies.

In Performative Memoir: Moving between Worlds, Theresa Carilli and Adrienne Viramontes construct a new genre of writing, performative memoir. Drawing on scholarship in performance studies and autoethnography, the authors outline a methodology for studying autoethnography, performance, and memoir in a new creative process. Carilli and Viramontes then demonstrate the process by creating their own performative memoirs, titled "Loving Crazy" and "Mexican Love," and perform a close reading of each memoir to show how these theories can be applied to our own personal experiences and trauma. Scholars of performance studies, communication, media studies, cultural studies, and trauma studies will find this book particularly useful.

From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre--from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers.
With the insight and good humor his fans appreciated in "On ?Writing," "Danse Macabre" is an enjoyably entertaining tour through Stephen King's beloved world of horror.

Black women’s work in television has been, since the beginning, a negotiation. Black Women and the Changing Television Landscape explores the steps black women, as actors, directors, and producers, have taken to improve representations of black people on the small screen. Beginning with The Beulah Show, Anderson articulates the interrelationship between US culture and the televisual, demonstrating the conditions under which black women particularly, and black people generally, exist in popular culture.

Go beyond the big screen and explore the real places that inspired some of the greatest films of all time – brought to life through comprehensively researched text and stunning hand-drawn artwork. Travel journalist Sarah Baxter reveals 25 essential cinematic destinations around the globe, spanning different decades, directors and movie genres. Full-page colour illustrations instantly transport you to each location. You’ll find that these places are not just backdrops to the tales told, but characters in their own right. Travel to the sweeping deserts of Lawrence of Arabia in Jordan, escape to the tumbling hills of San Francisco as seen in Hitchcock’s Vertigo or lose yourself in the cobbled lanes of In Bruges. Featured locations: London, England, Paddington Wells, England, Hot Fuzz Dumfries & Galloway, Scotland, The Wicker Man Belchite & the Sierra de Guadarrama, Spain, Pan’s Labyrinth Montmartre, Paris, France, Amélie Bruges, Belgium, In Bruges Görlitz, Germany, The Grand Budapest Hotel Fårö, Sweden, Persona Salzburg, Austria, The Sound of Music Rome, Italy, La Dolce Vita Matmata & Tozeur, Tunisia, Star Wars: A New Hope  Wadi Rum, Jordan, Lawrence of Arabia Mumbai, India, The Lunchbox Hong Kong, China, Enter the Dragon Seoul, South Korea, Parasite Tokyo, Japan, Lost in Translation Outback, Australia, The Adventures of Priscilla, Queen of the Desert Karekare Beach, New Zealand, The Piano Alberta, Canada, The Revenant Philadelphia, USA, Rocky San Francisco, USA, Vertigo Brooklyn, New York, USA, Do the Right Thing Dead Horse Point State Park, Utah, USA, Thelma & Louise Jamaica, Dr No Cusco & Machu Picchu, Peru, The Motorcycle Diaries Delve into this book to discover some of the world’s most fascinating cinematic places and the films that celebrate them. Each book in the Inspired Traveller's Guides series offers readers a fascinating, informative and charmingly illustrated guide to must-visit destinations round the globe. Also from this series, explore intriguing: Artistic Places, Spiritual Places, Literary Places, Hidden Places, Mystical Places and Wild Places.

The richly illustrated volume features 33 short essays, each taking a single object as a starting point to unravel complex, interconnected histories. Written by curators, scientists, conservators and other museum staff, this multifaceted work explores issues of the circulation of materials, objects and technology which have long predated the contemporary period. This approach encourages readers to appreciate well known masterpieces as well as lesser known and unpublished works from a new perspective and focus on networks of artistic, cultural and historical connections that shaped their meaning and significance. This publication is a thought-provoking, engaging and accessible volume that will appeal to those with an interest in the arts of Asia, from Turkey to Japan and in all media, as well as those readers with an appreciation for late nineteenth-century American art.