Featuring charming illustrations, quality paper, and perforated pages, this adult coloring book has thirty-eight full-page images of Pasadena. Users can add their own artistic details to everything from the iconic city hall and the famous Rose Parade and Rose Bowl to such beloved local landmarks as Vroman's Bookstore, the Del Mar jacarandas, Huntington Library, Old Town, Arlington Garden, the Norton Simon, a bungalow court, Caltech, and the city's best food. As appealing to residents as it is to Rose Parade visitors (the perfect activity while camped out for the parade!), Color Pasadena will inspire Pasadena lovers of all ages.

The first inside story of one of TV's most popular and beloved dramas, Grey's Anatomy. 'I'm a Black woman casting my own show. I wanted their world to look like the world that I live in. I don't think about it in those terms [diversity], and I militantly think I don't have to.' Shonda Rhimes 'Multiple generations have discovered Derek through Netflix. They are passionate around the world. It's humbling.' Patrick Dempsey More than 15 years after its premiere, Grey's Anatomy remains one of the most beloved dramas on television in the US and the UK. It continues to win its time slot and has ranked in the Top 20 most watched shows in primetime for most of its 17-season run. It currently averages more than 9 million viewers each week. Now it's time to hear from the people who made the show happen. A cultural touchstone, it introduced the unique voice and vision of Shonda Rhimes, it made Ellen Pompeo, Sandra Oh and T.R. Knight household names, and injected words and phrases into the cultural lexicon like 'McDreamy,' and 'you're my person.' And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the high-profile firing of Isaiah Washington to Katherine Heigl's fall from grace and Patrick Dempsey's shocking death episode. The show continued to haemorrhage key players, but the beloved hospital series never skipped a beat. Lynette Rice's How to Save A Life takes a deep dive into the show's humble start, while offering exclusive intel on the behind-the-scenes culture, the most heartbreaking departures and the more polarizing plotlines. It's the perfect gift for all Grey's Anatomy stans out there. 'It's incredible how this show just keeps resonating with the young generation. It's really touching.' Ellen Pompeo 'As much of my life as I feel like I [gave that] character, she has saved me and helped me grow into the artist that I am. . . . If [Shonda] didn't ask me to come back for the series finale, I would hurt her.' Sandra Oh

Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55. As this anthology reveals, however, his production was remarkably multifaceted. The essays included here - some newly commissioned, some reprinted, and others in translation - look at De Sica's varied career from many perspecives.

Structured chronologically, the volume begins by introducing readers to De Sica's early popularity as an actor and singer during the years of Italian Fascism, and to his initial directorial efforts before the end of World War II. It was not until the postwar era, however, that De Sica made his mark in film history. Special attention is given to this critical phase of his career, which encompasses the neorealist films that made him famous: "Shoeshine," "Bicycle Thieves," "Miracle in Milan," and "Umberto D."

When the neorealist movement waned after 1955, De Sica returned to his roots in Neapolitan comedy for a series of commercially successful films starring Sophia Loren and Marcello Mastroianni. Memorable works from this period include "Two Women" and "Marriage Italian Style" as well as "Yesterday, Today, and Tomorrow," which won De Sica an Academy Award in 1965. In one of his final films, "The Garden of the Finzi Continis," he returned to the subject of World War II and to the human tragedy characteristic of his best neorealist productions.

This fine anthology offers a comprehensive critical survey that covers the entire scope of De Sica's career, and is an excellent resource for students, critics and film enthusiasts.

Can you dissolve a coin, defy gravity or read someone's mind? Learn how to perform the greatest magic tricks around and astound your friends and family. This comprehensive book features over 350 magic tricks, including card magic, stage and optical illusions, stunts, puzzles, party and dinner table pranks. Each trick is fully illustrated and expertly described, enabling both the novice and experienced magician alike to perform feats such as bending a knife, predicting the future and cutting a person in two. Close-up secret views show how each trick is performed, with expert tips on preparation and the patter needed to allow the reader to achieve a polished performance.

The book focuses on radio and sound docufiction and docudrama through comparative analysis of the British and the Italian output from post war years to the 2010s, from both a historical and formal point of view. It sheds light on a rather neglected area of study providing a systematic survey of the development of the form and of its current status and perspectives, and at the same time constructing viable analytical tools that can be used to investigate individual productions. Considering the different docudramatic output in formats and quantity in the two countries, the book explores case studies from BBC Radio, which continue to air a high number of programmes with a great variety of formats and subgenres, and Italian case studies from both independent bodies and the Radio RAI, whose docudramatic production has declined since the late 1980s. Specifically, the study seeks to explain how radio language in its purely acoustic dimension allows access to unpredictable layers of truth often complementary, when not overtly alternative, to the documental truth of declaredly journalistic or scientific programmes. A well-researched resource for university students, scholars, researchers and educators in media, sociology of media and history. In-depth analysis of an original topic.

Pensacola is a city of firsts, from the first documented European settlement in North America to the first Naval Aviation training station. From its earliest incarnation as a town of unpaved streets, through the devastating fire of 1880 to the modern city it would become, this Florida city thrives on challenges. Historic Photos of Pensacola captures the history of Pensacola from the Civil War through the 1960s in nearly 200 black-and-white archival photographs. Author Jacquelyn Tracy Wilson, a fifth-generation Pensacola native, captures the spirit of Pensacola—from the commonplace to the quintessential—in a century-long journey through this beautiful town. 

Hours of relaxation await readers who want to take a break from their everyday lives and unwind with this exciting coloring book.

The inspiring Scripture verses and specially chosen designs will bring you closer to God as you enjoy these special features:

• More than 60 diverse designs and patterns to satisfy any palette.
• Cards at the back to cut out, color in and share with someone special.
• Blank pages for hours of doodling fun.
• Perforated pages that are easy to tear out and share with others.

Discover the creativity that lies hidden within you—and express it! "Painting—because it is such a flexible and adaptable form of art—gives us unparalleled freedom to express what we are feeling. Through colors, forms, lines, even fabrics, we can tap into our deepest emotions and thoughts; we can access our very source. Given this opportunity, we unburden our spirits and are freed to express ourselves." —from the Introduction What can you learn about yourself through painting? How can a piece of artwork reflect your own personality, beliefs and values? How can touching brush to canvas help you portray something about yourself that is otherwise inexpressible? Delve into these questions and more in this imaginative, creative resource. Professional artist and beloved teacher Linda Novick leads you on an exploration of the divine connection you can experience through art. Each chapter includes a simple yoga-inspired breathing and stretching exercise to focus your mind and refresh your body, along with an original art project that helps you explore a theme essential to both your creativity and your spirituality. Whether you're a painting novice or an accomplished artist, no matter your faith and background, this engaging book has a place for you. Experience the joy of unbridled creativity!

Robin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach. -- .

'The future of theatre will belong to the maverick minds who possess the skills to mix things up and who have enough tools in their box to trick the game.' This is a practical, grassroots, self-empowerment book for theatremakers. It's for anybody who wants to make live theatre, whether you're an actor, a director, a producer, a designer or a writer. Whether you're all of these, or none of them. Categories don't matter. What matters is making your show, and putting it in front of an audience. This book is not a method, nor a practice. It's an accessible toolbox of reflections and provocations designed to help you – an independent-minded, career-driven, professional theatremaker – along the path towards achieving your dreams. Inside, Russell Lucas shares his decades of experience in independent theatremaking, covering aspects including: Generating and developing ideas Working with other creatives Promoting your show and selling tickets Understanding the power of the audience Making ends meet and sustaining your career He tackles abstract problems, dissects the practical ones, and debunks plenty of myths along the way. Inspiring and unconventional, but always grounded in sound, real-world sense, 300 Thoughts for Theatremakers is a book for anyone who's passionate about a life in theatre, and wants to make that a reality. 'Thank God for this book. It will surely be a comfort and support to all those who follow in Russell Lucas's independent and determined footsteps' Alan Lane, Artistic Director of Slung Low, from his Foreword

Named a Best Book of 2022 by The New Yorker, Publishers Weekly, and NPR In this genre-defying “new kind of history� (The New Yorker), the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keaton’s unique creative genius in the context of his time. Born the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, including Sherlock Jr., The General, and The Cameraman. Even through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keaton’s life had a way of reflecting the changes going on in the world around him. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Over the course of his action-packed seventy years on earth, his life trajectory intersected with those of such influential figures as the escape artist Harry Houdini, the pioneering Black stage comedian Bert Williams, the television legend Lucille Ball, and literary innovators like F. Scott Fitzgerald and Samuel Beckett. In Camera Man, film critic Dana Stevens pulls the lens out from Keaton’s life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton’s breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs. Far more than a biography or a work of film history, Camera Man is a wide-ranging meditation on modernity that paints a complex portrait of a one-of-a-kind artist.

Deluxe and comprehensive, this revelatory volume examines the brilliance of Mark Rothko (1903 1970), a pioneer artist of the New York School and major figure in the Abstract Expressionist movement. Illustrated with more than 275 images that explore his paintings, prints, and works on paper, this book highlights the best known and also lesser known works by Rothko from his early figurative and Surrealist works to his mesmerizing colour-field paintings of immense scale, to the more restricted palette of his luminous later works and his final series of black and gray paintings. Among Rothko s artistic philosophies, he held that painting was a deeply psychological and spiritual experience through which basic human emotions could be communicated. Kate Rothko Prizel and Christopher Rothko draw on intimate knowledge of the artworks and the artist s life to give a fuller picture of their father and place him within the context of art history. Alexander Nemerov and Hiroshi Sugimoto provide reflections about the artist s work.

The definitive monograph on the work of sculptor, installation artist, and Arte Povera pioneer Luciano Fabro Luciano Fabro was a founding member, and later leading critic, of Arte Povera, the materials- and experience-based art movement that began in Italy in the late 1960s. He went on to be exhibited internationally, becoming the first artist from the group to receive a major US retrospective, at the San Francisco Museum of Modern Art in 1992. Fabro was a controversial artist, yet still a critical favorite: in 2018 the leading art publication The Brooklyn Rail dedicated an entire issue to Fabro; and New York Times critic Roberta Smith wrote that Fabro treated ‘artmaking less as a profession and more as a continuing experiment intended to keep himself entertained and the viewer slightly off-balance’. This comprehensive, heavily illustrated monograph is the first complete overview of Fabro’s life and career, written by esteemed critic and curator Margit Rowell, who interacted with Fabro repeatedly in his later years, and is published with the full support and participation of the artist’s estate and international galleries, Paula Cooper (New York), Christian Stein (Milan) and Simon Lee (London and Hong Kong).

This Tiny Folio presents, in modern taxonomic order, all 277 of the hand-coloured plates from François-André Michaux’s classic North American Sylva, as well as the supplemental volumes by Thomas Nuttall. These masterworks of 19th-century botanical illustration - by such artists as Pierre-Joseph Redouté and Pancrace Bessa - represent the leaves, fruit, and flowers of American trees with wonderful grace and clarity. Published in cooperation with the New York Botanical Garden, The Trees of North America includes a preface and introduction describing how Michaux and Nuttall’s pioneering work came to be.

Scenes of New York City celebrates the promised gift of 130 works from the Elie and Sarah Hirschfeld Collection to the New-York Historical Society. The Hirschfeld promised gift is at once a collection of individual works by talented artists from the 19th and 20th centuries, a series of vivid "snapshots" of the iconic city, and a tapestry weaving a narrative of Gotham's vibrant history. These fascinating celebrations of New York City-paintings, watercolours, drawings, prints, and sculpture whose strength lies in the 20th century-include 113 works by 82 American and European artists not currently represented in the collection. They expand the Museum's holdings in the modern era and help to diversify them, adding numerous works by pivotal artists including Isabel Bishop, Marc Chagall, Fernand Leger, George Grosz, Keith Haring, Franz Kline, WIllem de Kooning, Jacob Lawrence, Louise Nevelson, Mark Rothko and Andy Warhol among many others. The catalogue features an introductory essay covering the sweeping history of New York City, an interview with the collector Elie Hirschfeld, 110 scholarly entries about the 130 works, and comparative material that illuminates the history of the City and the artistic contributions in the works of art

This collection of interviews features American, British and Australian writers, directors and actors recounting their notable work in the action genre and the fun of blowing things up. Action movies and television series from 1950s to the mid-1980s are covered, with the main focus on the 1960s and 1970s--the era of Bullitt, Mannix and The Professionals. Twenty-five interviewees discuss their career highlights, including writers Richard Harris (The Saint) and Leigh Chapman (The Octagon), directors Stewart Raffill (High Risk), Michael Preese (T.J. Hooker) and Robert M. Lewis (Kung-Fu), and actors Tony Russel (Peter Gunn) and Peter Mark Richman (Combat!).

Zombies, vampires and ghosts feature prominently in nearly all forms of entertainment in the 21st century, including popular fiction, film, comics, television and computer games. But these creatures have been vital to the entertainment industry since the best-seller books of a century and half ago. Monsters don't just invade popular culture, they help sell popular culture. This collection of new essays covers 150 years of enduringly popular Gothic monsters who have shocked and horrified audiences in literature, film and comics. The contributors unearth forgotten monsters and reconsider familiar ones, examining the audience taboos and fears they embody.

Jewish humor, with its rational skepticism and cutting social criticism, permeates American popular culture. Scholars of humor-from Sigmund Freud to Woody Allen-have studied the essence of the Jewish joke, at once a defense mechanism against a hostile world and a means of cultural affirmation. Where did this wit originate? Why do Jewish humorists work at the margins of so many diverse cultures? What accounts for the longevity of the Jewish joke? Do oppressed people, as African American author Ralph Ellison suggested, slip their yoke when they change the joke? Citing examples from prominent humorists and stand-up comics, this book examines the phenomenon of Jewish humor from its biblical origins to its prevalence in the modern diaspora, revealing a mother lode of wit in language, literature, folklore, music and history.

Following the Japanese invasion of northeast China in 1931, the occupying authorities established the Manchuria Film Association to promote film production efficiency and serve Japan’s propaganda needs. Manchuria Film Association had two tasks: to make “national policy films� as part of a cultural mission of educating Chinese in Manchukuo (the puppet state created in 1932) on the special relationship between Japan and the region, and to block the exhibition of Chinese films from Shanghai that contained anti-Japanese messages. The corporation relied on Japanese capital, technology, and film expertise, but it also employed many Chinese filmmakers. After the withdrawal of Japanese forces in 1945, many of these individuals were portrayed as either exploited victims or traitorous collaborators. Yuxin Ma seeks to move the conversation beyond such simplistic and inaccurate depictions. By focusing on the daily challenges and experiences of the Chinese workers at the corporation, Ma examines how life was actually lived by people navigating between practical and ideological concerns. She illustrates how the inhabitants of Manchukuo navigated social opportunities, economic depression, educational reforms, fascist rule, commercial interests, practical daily needs, and more—and reveals ways in which these conflicting preoccupations sometimes manifested as tension and ambiguity on screen. In the battle between repression and expression, these Chinese actors, directors, writers, and technicians adopted defensive and opportunistic tactics. They did so in colonial spaces, often rejecting modernist representations of Manchukuo in favor of venerating traditional Chinese culture and values. The expertise, skills, and professional networks they developed extended well beyond the occupation into the postwar period, and may individuals reestablished themselves as cinema professionals in the socialist era.

Why did it seem strange when Battlestar Galactica ended its narrative on a religious note instead of providing a scientific explanation? And what does this have to do with gender? This book explores the connection between the triumph of religion and the dominance of femininity in Battlestar Galactica and its prequel series Caprica. Both series breached science fiction's convention of representing the ""irrationality"" of femininity and religion. Analyzing the connections (and disconnections) between women and men, and theology and technology, the author argues that the ""Battlestarverse"" depicts women as zones of contact between the seemingly contradictory spheres of science and religion by simultaneously employing and breaking gender stereotypes.

In January 1966, Alan Napier became a household name on ABC's hit series Batman (1966-1968) as Alfred Pennyworth, loyal butler to the show's title character. This ""overnight success"" came after 16 years of stage work (and the occasional film) in his native England. He followed his signature role with another 26 years of film and television work (and the occasional play) in the United States. In the early 1970s, Napier wrote an autobiography, detailing his childhood as a ""poor relation"" of Birmingham's famous political family the Chamberlains (Prime Minister Neville Chamberlain was a cousin), and his collaborations over the years with the likes of John Gielgud, Laurence Olivier, George Bernard Shaw, Noel Coward, Fritz Lang, Otto Preminger and Alfred Hitchcock. Almost 30 years after Napier's death, James Bigwood, who first met the actor in 1975 when interviewing him for a ""Films in Review"" profile, discovered the unpublished manuscript. This is Napier's story in his own words, annotated and updated, with dozens of rare photographs.

A heavily illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director   Paul Thomas Anderson has been described as a true auteur and among the foremost �lmmaking talents of his generation. His �lms have received 25 Academy Award nominations, and he has worked closely with the �nest actors of our time, including Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire oeuvre—from Boogie Nights (1997), There Will Be Blood (2007), and The Master (2012) to his music videos for Radiohead to his early short �lms—is examined in illustrated detail for the �rst time.   Anderson’s influences, his style, and the recurring themes of reinvention, alienation, destiny, and ambition that course through his movies are analyzed and supplemented by �rsthand interviews with Anderson’s closest collaborators and illuminated by �lm stills, archival photos, original illustrations, and a vibrant, engaging design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.

...PANTS ON FIRE amply illustrates not only that many of Al Franken's claims are false but that Franken employs the very tactics he accuses the right of using.

The twentieth century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those hundred years. This volume examines national policies developed for the culture industry and practice of Chinese theatre from 1949 to the period of "the Great Leap Forward". The author highlights the tension between the new nation’s principle of "letting one hundred flowers bloom" and the theatrical industry as a tool for ideological propaganda. He argues that the transition from war-time conditions to the new social structure of peace time was far from thorough and stable. Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.