New information about the silent film star and Master of Make-up who once prompted the remark, "Don't step on that spider -- it might be Lon Chaney "

This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, "Chinese Film Theory" provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.

The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.

Fredric March was one of the foremost actors America produced during the 20th century, holding the distinction of winning Best Actor Awards in two films and two Broadway plays. He consciously chose not to shape his career by projecting his own personality, but created a new characterization for each role by becoming the individual he was portraying. Because of this, March is not as well remembered as many of his contemporaries. March was honored 12 years after his death at a tribute in 1987, but by then, many did not even know who he was. In this fascinating biography, Peterson details who March was, and why he was a craftsman first, star second.

Yet, Fredric March is not as well remembered as his contemporaries, such as Bogart and Tracy, screen heroes who shaped their careers by projecting their own personalities. Instead March, endeavored to create a new characterization for each role by concealing his own temperament, becoming the individual he was portraying. From 1939 to 1961 he successfully flourished on the Broadway stage as well as on the Hollywood film lot. After 1961 he gracefully grew old in motion pictures, starring at the age of 75 in the 1973 movie version of O'Neill's "The Iceman Cometh," two years prior to his death. March was honored posthumously at a joint tribute to the actor from the Academy of Motion Picture Arts and Sciences and the American Cinematheque in 1987, 12 years after his death. But, by then, many did not even know who the actor was. In this fascinating biography, Peterson reveals who March was, and why he was a craftsman first, star second. Essential for all researchers interested in film studies and drama.

Want to be the next Andy Serkis as Gollum in Lord of the Rings? Or Zoe Saldana in Avatar? How about Seth MacFarlane in Ted? Or do you want to star in video games such as Fortnite, Call of Duty or Halo? If so, this book will tell you everything you need to know about acting for motion capture. This is the first book to provide an invaluable resource for the education of the next generation of performers in this exciting medium. Over the last 10 years, a revolution has occurred in digital production - video games have overtaken the film and TV industries in terms of production and revenues. Many video games derive their digital animation from human performance by means of motion and performance capture. Actors such as Andy Serkis and Troy Baker have won critical acclaim for their digital performance in games and film. The book includes contributions from practitioners working across the globe, including: actor Kezia Burrows; software developer Stéphane Dalbera; director Kate Saxon; a group of Japanese games directors; Jeremy Meunier, Head of Motion Capture at Moov studios, Montreal; Marc Morisseau, motion editor for Avatar; and a Chinese Motion Capture suit manufacturer.

Examining the role of transnational radio broadcasting in the 20th century, this study compares and contrasts the goals and objectives of six broadcast networks: the BBC, Radio Free Europe, Voice of America, Radio Marti, Radio Free Asia, and Vatican Radio. The work traces the evolution--technical and programmatic--at each institution through world events such as World War II, the Cold War, the Solidarity Movement, the democratization of the Eastern bloc, and Tiananmen Square. Utilizing a series of case studies provided by selected authorities, the study demonstrates the effect of radio upon differing societies. Also, it explores options for alternative programming for each network, emphasizing their relationships to the evolving international political and media community in the late 20th century. The work will be of interest to scholars and students of mass media and international relations.

The way the body is considered and explored in the performing arts has assumed a growing importance, introducing new questions and cross-cutting perspectives on our understanding of the political, sociological and philosophical relevance of the body today. This book is a meeting point for these questions, bringing together a set of contributors experienced in examining the body's presence in live performances. It interweaves several disciplinary outlooks, addressing current theoretical debates on the body relating to the theory of affects, ethics, gender, age, discourse and representation. Looking at recent practice in Portugal, the volume examines several cases where the body and issues of corporeality raise questions of memory, identity, experience and existence. It opens a rare window onto the distinctive Portuguese post-colonial legacy, which has given rise to an intensified search for new forms of bodily affirmation in the world. In so doing, the book conjures up the transformative power of performing arts today: from body into Being.

Every time you open your mouth on stage you are trying to persuade somebody of something. Sometimes referred to as 'the art of persuasion', rhetoric means using language to communicate your ideas and intentions to other people – and to make sure you are heard, understood and believed. This clear and concise guide explains how it works in plays, and how actors can use it to bring their performances to life on stage. Drawing on her decades of experience working with actors on major productions, including as Head of Voice at the National Theatre, Jeannette Nelson introduces all the major rhetorical techniques and devices that playwrights use. She offers fascinating breakdowns of dialogue and speeches from across the theatrical canon – from Shakespeare and Ibsen, to Tennessee Williams, Lorraine Hansberry and Arthur Miller, right up to contemporary playwrights such as Helen Edmundson and Tanika Gupta. Each chapter also includes a series of practical exercises which combine spoken word with physical action to help you explore and understand these techniques, and harness their power in performance. Whether you're an actor, a director or a drama teacher, Keeping It Active will empower you with a greater understanding of the ways that language underpins all dramatic works, and will give you the tools you need to unlock the text, understand characters, connect with the audience, and perform with greater confidence, focus and authenticity. 'As this excellent book outlines, rhetoric is everywhere. It's not simply in the parliament, the press conference and the court; it's in the workplace, the home and the family. There's no argument, classical or modern, in a play that isn't informed and helped by Jeannette's work' Josie Rourke, from her Foreword 'A great resource for actors and directors' Ralph Fiennes 'Jeannette Nelson's revelatory relationship to language is, quite simply, life-changing' Simon Godwin 'Jeannette taught me so much... I felt like I could persuade anybody to do anything' Sophie Okonedo

From the 2nd century CE to the 19th century, the people of the fertile estuary of the great Mekong River created treasures of sacred art, architecture and accomplished feats of water engineering that are coming to light in Vietnam’s vigorous new archaeological research programmes. The large stilted wooden houses of Oc Eo, the early Venice of the maritime routes of the East in the earliest centuries of the first millennium, drew in ships with precious cargoes from Rome, India and China to trade while waiting for the change of the monsoon wind to continue their voyages. Chinese annals record that the early polity they called 'Funan' ruled 1,000 km of coastline along the shipping route. Among the earliest Mekong Delta Buddhist icons are a breathtakingly elegant 2.7m tall Buddha carved in hardwood that has survived more than 1000 years in the delta mud and a 29cm bronze Buddha that arrived on a trading ship from the 6th century Chinese Northern Qi dynasty. Very early Vishnu statues wear high, floral mitres and clasp war conch-trumpets on their left hip, and Shiva's face stares out from stone lingas. The Ho Chi Minh Museum collection conserves diverse masterpieces of the art from Vietnam, from the prehistoric Dong Son drums of the Red River Delta in the north to the vibrant Hindu and Buddhist statuary of the former kingdoms of Champa in Central Vietnam. In addition, there is an immense array of art and imperial furnishings of the last Vietnamese dynasty, the Nguyen, which was founded in the Mekong Delta at the beginning of the 19th century. There are refined inlaid wooden cabinets, sets of the finest blue and white ceramics and embroidered silken court costumes worn by the royal family, as well as huge wooden and ceramic Buddha statues which played crucial social and political roles in establishing the dynasty and quelling its foes.

Film and television have been accepted as having a pervasive influence on how people understand the world. An important aspect of this is the relationship of history and film. The different views of the past created by film, television, and video are only now attracting closer attention from historians, cultural critics, and filmmakers. This volume seeks to advance the critical exploration scholars have recently begun. Barta begins by addressing the various ways the past is "screened" for our understanding and relates the art of film to other media. The essays that follow deal primarily with the changing perspectives of political and social developments--and changing concepts of ideology, gender, or culture--in films and television programs made for historically shaped reasons. Chapters by filmmakers explore issues of context and intent in their own projects. Scholars and general readers interested in film and cultural studies will find this an important volume.

Featuring charming illustrations, quality paper, and perforated pages, this adult coloring book has thirty-eight full-page images of Pasadena. Users can add their own artistic details to everything from the iconic city hall and the famous Rose Parade and Rose Bowl to such beloved local landmarks as Vroman's Bookstore, the Del Mar jacarandas, Huntington Library, Old Town, Arlington Garden, the Norton Simon, a bungalow court, Caltech, and the city's best food. As appealing to residents as it is to Rose Parade visitors (the perfect activity while camped out for the parade!), Color Pasadena will inspire Pasadena lovers of all ages.

The book focuses on radio and sound docufiction and docudrama through comparative analysis of the British and the Italian output from post war years to the 2010s, from both a historical and formal point of view. It sheds light on a rather neglected area of study providing a systematic survey of the development of the form and of its current status and perspectives, and at the same time constructing viable analytical tools that can be used to investigate individual productions. Considering the different docudramatic output in formats and quantity in the two countries, the book explores case studies from BBC Radio, which continue to air a high number of programmes with a great variety of formats and subgenres, and Italian case studies from both independent bodies and the Radio RAI, whose docudramatic production has declined since the late 1980s. Specifically, the study seeks to explain how radio language in its purely acoustic dimension allows access to unpredictable layers of truth often complementary, when not overtly alternative, to the documental truth of declaredly journalistic or scientific programmes. A well-researched resource for university students, scholars, researchers and educators in media, sociology of media and history. In-depth analysis of an original topic.

Pensacola is a city of firsts, from the first documented European settlement in North America to the first Naval Aviation training station. From its earliest incarnation as a town of unpaved streets, through the devastating fire of 1880 to the modern city it would become, this Florida city thrives on challenges. Historic Photos of Pensacola captures the history of Pensacola from the Civil War through the 1960s in nearly 200 black-and-white archival photographs. Author Jacquelyn Tracy Wilson, a fifth-generation Pensacola native, captures the spirit of Pensacola—from the commonplace to the quintessential—in a century-long journey through this beautiful town. 

Can you dissolve a coin, defy gravity or read someone's mind? Learn how to perform the greatest magic tricks around and astound your friends and family. This comprehensive book features over 350 magic tricks, including card magic, stage and optical illusions, stunts, puzzles, party and dinner table pranks. Each trick is fully illustrated and expertly described, enabling both the novice and experienced magician alike to perform feats such as bending a knife, predicting the future and cutting a person in two. Close-up secret views show how each trick is performed, with expert tips on preparation and the patter needed to allow the reader to achieve a polished performance.

Discover the creativity that lies hidden within you—and express it! "Painting—because it is such a flexible and adaptable form of art—gives us unparalleled freedom to express what we are feeling. Through colors, forms, lines, even fabrics, we can tap into our deepest emotions and thoughts; we can access our very source. Given this opportunity, we unburden our spirits and are freed to express ourselves." —from the Introduction What can you learn about yourself through painting? How can a piece of artwork reflect your own personality, beliefs and values? How can touching brush to canvas help you portray something about yourself that is otherwise inexpressible? Delve into these questions and more in this imaginative, creative resource. Professional artist and beloved teacher Linda Novick leads you on an exploration of the divine connection you can experience through art. Each chapter includes a simple yoga-inspired breathing and stretching exercise to focus your mind and refresh your body, along with an original art project that helps you explore a theme essential to both your creativity and your spirituality. Whether you're a painting novice or an accomplished artist, no matter your faith and background, this engaging book has a place for you. Experience the joy of unbridled creativity!

Robin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach. -- .

For nearly thirty years, Mort Künstler has focused his considerable artistic talent on interpreting the Civil War. In crafting his work to reflect poignant moments or critical instances of the conflict, he has turned to leading historians and scholars?such as Henry Steele Commager, James McPherson, William C. Davis, and James I. Robertson Jr.?for informative details that he has then translated on canvas to create an indelible image of this defining ordeal in America's history. More than 160 of these images?supplemented by preliminary sketches, early studies, and photographs of works in progress?are the basis for the four volumes in this series.

The first inside story of one of TV's most popular and beloved dramas, Grey's Anatomy. 'I'm a Black woman casting my own show. I wanted their world to look like the world that I live in. I don't think about it in those terms [diversity], and I militantly think I don't have to.' Shonda Rhimes 'Multiple generations have discovered Derek through Netflix. They are passionate around the world. It's humbling.' Patrick Dempsey More than 15 years after its premiere, Grey's Anatomy remains one of the most beloved dramas on television in the US and the UK. It continues to win its time slot and has ranked in the Top 20 most watched shows in primetime for most of its 17-season run. It currently averages more than 9 million viewers each week. Now it's time to hear from the people who made the show happen. A cultural touchstone, it introduced the unique voice and vision of Shonda Rhimes, it made Ellen Pompeo, Sandra Oh and T.R. Knight household names, and injected words and phrases into the cultural lexicon like 'McDreamy,' and 'you're my person.' And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the high-profile firing of Isaiah Washington to Katherine Heigl's fall from grace and Patrick Dempsey's shocking death episode. The show continued to haemorrhage key players, but the beloved hospital series never skipped a beat. Lynette Rice's How to Save A Life takes a deep dive into the show's humble start, while offering exclusive intel on the behind-the-scenes culture, the most heartbreaking departures and the more polarizing plotlines. It's the perfect gift for all Grey's Anatomy stans out there. 'It's incredible how this show just keeps resonating with the young generation. It's really touching.' Ellen Pompeo 'As much of my life as I feel like I [gave that] character, she has saved me and helped me grow into the artist that I am. . . . If [Shonda] didn't ask me to come back for the series finale, I would hurt her.' Sandra Oh

Scenes of New York City celebrates the promised gift of 130 works from the Elie and Sarah Hirschfeld Collection to the New-York Historical Society. The Hirschfeld promised gift is at once a collection of individual works by talented artists from the 19th and 20th centuries, a series of vivid "snapshots" of the iconic city, and a tapestry weaving a narrative of Gotham's vibrant history. These fascinating celebrations of New York City-paintings, watercolours, drawings, prints, and sculpture whose strength lies in the 20th century-include 113 works by 82 American and European artists not currently represented in the collection. They expand the Museum's holdings in the modern era and help to diversify them, adding numerous works by pivotal artists including Isabel Bishop, Marc Chagall, Fernand Leger, George Grosz, Keith Haring, Franz Kline, WIllem de Kooning, Jacob Lawrence, Louise Nevelson, Mark Rothko and Andy Warhol among many others. The catalogue features an introductory essay covering the sweeping history of New York City, an interview with the collector Elie Hirschfeld, 110 scholarly entries about the 130 works, and comparative material that illuminates the history of the City and the artistic contributions in the works of art

'The future of theatre will belong to the maverick minds who possess the skills to mix things up and who have enough tools in their box to trick the game.' This is a practical, grassroots, self-empowerment book for theatremakers. It's for anybody who wants to make live theatre, whether you're an actor, a director, a producer, a designer or a writer. Whether you're all of these, or none of them. Categories don't matter. What matters is making your show, and putting it in front of an audience. This book is not a method, nor a practice. It's an accessible toolbox of reflections and provocations designed to help you – an independent-minded, career-driven, professional theatremaker – along the path towards achieving your dreams. Inside, Russell Lucas shares his decades of experience in independent theatremaking, covering aspects including: Generating and developing ideas Working with other creatives Promoting your show and selling tickets Understanding the power of the audience Making ends meet and sustaining your career He tackles abstract problems, dissects the practical ones, and debunks plenty of myths along the way. Inspiring and unconventional, but always grounded in sound, real-world sense, 300 Thoughts for Theatremakers is a book for anyone who's passionate about a life in theatre, and wants to make that a reality. 'Thank God for this book. It will surely be a comfort and support to all those who follow in Russell Lucas's independent and determined footsteps' Alan Lane, Artistic Director of Slung Low, from his Foreword