Mondo: The Art of Soundtracks highlights the all original art created exclusively for Mondo's vinyl releases by world-renowned artists for film, television, and video game soundtracks. Featuring stunning new takes on classic and modern material, this collection reinvigorates the bygone era of unique and collectible vinyl record artwork. From vintage re-creations to new interpretations, from digital and painterly to photographic and abstract, the record art compiled in this volume captures the spirit of the record label that reinvigorated the soundtrack industry, in a beautiful mash-up fit for a book -- or record -- shelf.

The official companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series The French Dispatch—the tenth feature film from writer-director Wes Anderson—weaves together stories of an eccentric band of expat journalists working at the titular American newspaper in 20th-century Ennui-sur-Blasé, France. Broken out into a series of vignettes, this love letter to the New Journalism era is filled with a cast of Anderson’s frequent collaborators, including Jason Schwartzman, Bob Balaban, and Willem Dafoe, as well as new players Timothée Chalamet, Jeffrey Wright, Elisabeth Moss, and Benicio del Toro. In this latest one-volume entry in the Wes Anderson Collection series—the only book to take readers behind the scenes of The French Dispatch—everything that goes into bringing Anderson’s trademark style, intricate compositions, and meticulous staging to the screen is revealed in detail. The Wes Anderson Collection: The French Dispatch presents the complete story behind the film’s conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and conceptual artwork.

Art meets science in this guide to creating color with earth’s extraordinary pigments and understanding their uses throughout historyPart anthropological study, part art book, and part how-to, Book of Earth immerses you in the world of ochre, a naturally occurring mineral used to make pigment. Each chapter explores Gustafson’s rare pigment archive and provides a thorough exploration of color. The book also includes practical advice and techniques for creating your own pigments, alongside projects to apply your new skill set. Called the “ochre whisperer� by American Craft, and noted as the “woman archiving the world’s ochre,� in the New York Times, Heidi Gustafson collaborated with Jason Logan on Abrams’ bestselling book Make Ink. She is featured in Logan’s upcoming documentary, The Colour of Ink, as the ochre-ista. Her personal archive of more than 400 pigments from around the globe is a unique treasure, and her passion and field experience will captivate you from the first page to the last.

"A very compelling and enjoyable history of our trilogy. For me, reading it was like going back in time. And - Great Scott - there were even a few anecdotes that I'd never heard!" Bob Gale, co-creator, co-producer, and co-writer of theBack to the Futuretrilogy A behind-the-scenes look at the making of the iconic Back to the Future trilogy Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis, and his friend and writing partner Bob Gale, worked tirelessly to break into the industry with a hit. During their journey to realize their dream, they encountered unprecedented challenges and regularly took the difficult way out. For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it.We Don t Need Roadsdraws from over 500 hours of interviews, including original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over fifty others who contributed to one of the most popular and profitable film trilogies of all time. The book includes a 16-page color photo insert with behind-the-scenes pictures, concept art, and more. With a focus not only on the movies, but also the lasting impact of the franchise and its fandom, We Don t Need Roadsis the ultimate read for anyone who has ever wanted to ride a Hoverboard, hang from the top of a clock tower, travel through the space-time continuum, or find out what really happened to Eric Stoltz after the first six weeks of filming. So, why don t you make like a tree and get outta here and start reading!We Don t Need Roads is your density. "What fun! Deeply researched and engagingly written the bookBack to the Futurefans have been craving for decades. Geekily enthusiastic and chock full of never-before-heard tales of what went on both on and off the screen, We Don't Need Roadsis a book worthy of the beloved trilogy itself." Brian Jay Jones, author of the national bestseller Jim Henson: The Biography"

Chart the history of Star Wars in this stunning guide, from the time before the High Republic to the end of the First Order. An indispensable companion for all Star Wars fans, this premium quality book displays visual timelines that chronologically map key events, characters, and developments, and mark their significance. Track crucial conflicts across the years that affect the galaxy in profound ways. Follow the Skywalker lightsaber as it passes through the generations and witness the evolution of the iconic TIE fighter across different eras. Trace the movement of the Death Star plans over the years and uncover multiple branching timelines that break down important battles. See essential events at a glance arranged by era and drill down into details to discover major and minor events, key dates, and fascinating insights all chronologically arranged. Pore over intricate timelines on nearly every page. Soar into Star Wars Timelines to explore: • Chronological approach divides Star Wars history into seven eras: Early History, The High Republic, The Fall of the Jedi, The Reign of the Empire, The Age of Rebellion, The New Republic, and The Rise of the First Order A must-have addition to the library of all fans of Star Wars, Star Wars Timelines is sure to thrill.

This conference proceeding (Sessions on "Otherness in Space and Architecture", International Medieval Conference, Leeds, 2017 and 2018) is a compilation of articles written by both young and senior scholars, who are working on the question of the 'self' and the 'other' in Christian, Jewish and Islamic cultures. The articles examine how material, 'oriental' objects and knowledge originating in non-Western communities helped building and strengthening the identity of Iberia's, southern France and northern Italian nobility and its lineages. It is shown how, in the perception of Christians, the public image of Jews and Moslems became constructed as that of adversaries, while their cultural knowledge, at the same time, would be integrated into Christian culture in a paradox manner, in which the 'self' necessarily depends on the 'other' and how visual tensions in art and space have been used as symbols of power.

Working from the premise that the stage performer's primary functions derive from celebrative rituals, this book describes the figure of the actor as anti-character in premodern popular theatre. Particularly in plays belonging to the popular, performative tradition, the actor simultaneously impersonated and subverted the character of the playtext. By doing so, he affirmed the ritual-celebrative authority of the performer and audience over the ideological authority of the written text. Included are close analyses of three major playtexts in performance: Aristophanes' "Frogs, " the medieval mystery plays, and Shakespeare's "As You Like It.

The introduction briefly lays out the basic theatrical theory underlying the phenomenon of actor as anti-character. The book then explores three paradigmatic figures: the god Dionysus, archetypal model of the comic actor; the Devil, as both farcical individual and wild demonic chorus, who brought carnival disruption to medieval religious drama; and the Elizabethan boy player of Rosalind in Shakespeare's "As You Like It" who, using the marketplace techniques of traditional popular performance, colluded with his rowdy audience to subvert a sophisticated character from a literary romance.

The second Sherman Contemporary Art Foundation Forum explores the current and future role of private foundations in sustaining contemporary art in the Asia-Pacific region during a time of rapid development, transition, and change. The participants address the nature and economics of giving while taking into account the regional and international context in which art is produced and circulates.

Nicholas Jose is chair of Australian studies at Harvard University. Other contributors include Elaine W. Ng, Carrillo Gantner, Britta Erickson, and Gene Sherman.

Discover the complete history of Godzilla in this definitive, official guide to the King of the Monsters. Godzilla: The Official Guide to the King of the Monsters celebrates more than 60 years of movie mayhem in an exceptional, fully illustrated book. An official publication in partnership with Toho Co., this must-read guide brings together every incarnation of the world's most famous creature for the first time – including all the Japanese and Western movies, as well as Godzilla's most celebrated appearances in TV, comics and video games. Inside you'll find detailed reviews, spectacular stills and behind-the-scenes images from every Godzilla movie, from 1954's Gojira to 2021's Godzilla vs. Kong, along with countless insights into the making of one of cinema's most enduring, innovative and successful franchises. Packed with essential info, incredible trivia and stunning artwork, this is the ultimate illustrated reference to all things Godzilla.

During the Second World War, the popularity and importance of the cinema in Britain was at its peak. In this groundbreaking book, Richard Farmer provides a social and cultural history of cinemas and cinemagoing in Britain between 1939 and 1945, and explores the impact that the war had on the places in which British people watched films. Although promising the possibility of escape from the hardships and terrors of wartime life, the cinema was so intimately woven into the fabric of British society that it could not itself escape the war. Drawing on a wealth of contemporary sources, and on the memories of wartime cinemagoers, Cinemagoing in wartime Britain, 1939-45 is the first book to offer an in-depth exploration of the impact that phenomena such as the black out, the blitz, food rationing, evacuation and conscription had on both the exhibition industry and the experiences of the picturegoers themselves. -- .

Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC’s most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba’s international profile. In Congo’s Dancers, Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself.

One of the greatest films ever to be made in Scotland, The Wicker Man immediately garnered a cult following on its release for its intense atmosphere and shocking denouement. This book explores the roots of this powerful, enduring film. With contributors including The Wicker Man director Robin Hardy, it is a thorough and informative read for all fans of this indispensable horror masterpiece.

This book offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies. Each chapter stages a conversation between two masterpieces of classical Hollywood cinema and one critical concept that can enrich our understanding of them: Vertigo (Alfred Hitchcock, 1958) and Mr. Deeds Goes to Town (Frank Capra, 1936) are interpreted in relation to point of view; Anatomy of a Murder (Otto Preminger, 1959) and The Man Who Shot Liberty Valance (John Ford, 1962) are considered with reference to the concept of distance; and Letter from an Unknown Woman (Max Ophuls, 1948) and Only Angels Have Wings (Howard Hawks, 1939) are explored through the lens of communication. Each encounter reveals new, exciting and mutually illuminating ways of appreciating not only these case studies, but also the critical concepts at stake. -- .

*THE INSTANT SUNDAY TIMES & NEW YORK TIMES BESTSELLER* 'A real gem of a book for comedy fans... honest, irreverent and fascinating' Matt Lucas 'This book is a love letter to all his comedy heroes, full of warmth, heart and wit' Georgia Pritchett In this hilarious, heartfelt memoir, the star of Mr. Show and Breaking Bad spin off Better Call Saul opens up about the highs and lows of showbiz, his cult status as a comedy writer, and what it's like to reinvent himself at age fifty as an action-film ass-kicker. Featuring humorous tangents, never-before-seen photos, wild characters, and Bob's trademark unflinching drive and humour, Comedy Comedy Comedy Drama is a classic showbiz tale told by a determined idiot. 'I can't think of another entertainer who has improbably morphed so many times and all through real genius and determination' Conan O'Brien

This fully illustrated monograph provides the first in-depth look at the practice of Sahand Hesamiyan, one of the most prominent sculptors living and working in Iran today. Supported by an introduction and two essays, it surveys two decades of studio and archival material, sculpture, drawing and ambitious installation plans. This fully illustrated monograph provides the first in-depth look at the practice of Sahand Hesamiyan, one of the most prominent sculptors living and working in Iran today.  The versatile oeuvre of Tehran-based artist Sahand Hesamiyan (b. 1977) explores the ties between geometry, mythology and philosophy in Islamic and Persian architecture, extracting traditional elements from the ancient sciences and adapting them for the present and future. The process, informed by complex construction and design techniques, manifests in larger-than-life metal sculptures and small elaborate works of paper, taking inspiration from years of craftsmanship and historical concepts. In all his works, Hesamiyan boldly strips away layers of recognisable ornamentation to reveal a minimal core at the heart of all forms. This monograph surveys two decades of studio and archival material, sculpture, drawing and ambitious installation plans, supported by an introduction and two essays, not only providing a rich overview of Hesamiyan’s practice, but also a better understanding of contemporary art from Iran.

A major task confronting today's scholars is the reclamation from near oblivion of a multitude of works of art, literature, music, scholarship, and other creative enterprises by eighteenth-century women. This fascinating collection provides a multifaceted approach to understanding the roles played by women as both creators of and subjects within works of art in the eighteenth century. A series of initial essays examines the biographical and historical conditions in which women of the times lived and worked. Some essays explore the attitudes of women themselves and how they perceived their roles, as well as their expectations expressed by male authors. Other essays focus on women's contributions to particular arts, notably poetry, the novel, music, and painting. A final section attends to research itself, reporting first on collaborative efforts to identify individual eighteenth-century women authors and discover trends in their writing. In addition, an alternative to the traditional scholarly methods course is provided in an example of the original research directed toward the rediscovery and understanding of the texts of Elizabeth Griffeth. This entertaining collection will foster new appreciation for the presence of women in the arts of the eighteenth century. An important contribution to women's studies, this volume is sure to be of special interest to students and scholars alike.

A studious view of Richard Serra’s recently premiered forged steel sculpture and new drawings using his trademark paintstick technique. ---------- “Enigmatic, arresting, audacious: Richard Serra now and forever� — The Brooklyn Rail ---------- Richard Serra’s hugely successful body of work consistently explores the possibilities of form and matter. Serra’s steel sculptures are held in major collections internationally, and his drawings assert themselves as abstract victories. Through the use of black paintstick—a combination of oil paint, wax, and pigment, which he has used since 1971—Serra’s drawings convey a strong sense of optical weight, acutely similar to the physical presence of his sculptures. 2022, the artist’s largest single forged round to date, investigates properties of weight and scale. While the exhibition allowed viewers to encounter Serra’s immense forged round and inky drawings in relation to their own space and bodies, the catalogue is an opportunity for intimate engagement with Serra’s works through stunning reproductions.