This book offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies. Each chapter stages a conversation between two masterpieces of classical Hollywood cinema and one critical concept that can enrich our understanding of them: Vertigo (Alfred Hitchcock, 1958) and Mr. Deeds Goes to Town (Frank Capra, 1936) are interpreted in relation to point of view; Anatomy of a Murder (Otto Preminger, 1959) and The Man Who Shot Liberty Valance (John Ford, 1962) are considered with reference to the concept of distance; and Letter from an Unknown Woman (Max Ophuls, 1948) and Only Angels Have Wings (Howard Hawks, 1939) are explored through the lens of communication. Each encounter reveals new, exciting and mutually illuminating ways of appreciating not only these case studies, but also the critical concepts at stake. -- .

The second Sherman Contemporary Art Foundation Forum explores the current and future role of private foundations in sustaining contemporary art in the Asia-Pacific region during a time of rapid development, transition, and change. The participants address the nature and economics of giving while taking into account the regional and international context in which art is produced and circulates.

Nicholas Jose is chair of Australian studies at Harvard University. Other contributors include Elaine W. Ng, Carrillo Gantner, Britta Erickson, and Gene Sherman.

Initially created to counteract broadcasts from Nazi Germany, the BBC’s Eastern Service became a cauldron of global modernism and an unlikely nexus of artistic exchange. Directed at an educated Indian audience, its programming provided remarkable moments: Listeners in India heard James Joyce reading from Finnegans Wake on the eve of independence, as well as the literary criticism of E. M. Forster and the works of Indian writers living in London. In Radio Empire, Daniel Ryan Morse demonstrates the significance of the Eastern Service for global Anglophone literature and literary broadcasting. He traces how modernist writers used radio to experiment with form and introduce postcolonial literature to global audiences. While innovative authors consciously sought to incorporate radio’s formal features into the novel, literature also exerted a reciprocal and profound influence on twentieth-century broadcasting. Reading Joyce and Forster alongside Attia Hosain, Mulk Raj Anand, and Venu Chitale, Morse demonstrates how the need to appeal to listeners at the edges of the empire pushed the boundaries of literary work in London, inspired high-cultural broadcasting in England, and formed an invisible but influential global network. Adding a transnational perspective to scholarship on radio modernism, Radio Empire demonstrates how the history of broadcasting outside of Western Europe offers a new understanding of the relationship between colonial center and periphery.

In a single volume, Dance in Cuba is the one and only complete reference. It explores all the currents and genres of Cuban dance, from their beginnings to today: from the Ballet Nacional de Cuba to Danza Contempóranea de Cuba; from the many dance companies – such as the extraordinary Acosta Danza – to entertainment dancing. All the facets of the fascinating universe of rhythms and “born to dance� artists of the Big Island.

Can you dissolve a coin, defy gravity or read someone's mind? Learn how to perform the greatest magic tricks around and astound your friends and family. This comprehensive book features over 350 magic tricks, including card magic, stage and optical illusions, stunts, puzzles, party and dinner table pranks. Each trick is fully illustrated and expertly described, enabling both the novice and experienced magician alike to perform feats such as bending a knife, predicting the future and cutting a person in two. Close-up secret views show how each trick is performed, with expert tips on preparation and the patter needed to allow the reader to achieve a polished performance.

Discover the fascinating and secretive process of audience testing of Hollywood movies through these firsthand stories from famous filmmakers, studio heads, and stars. Audience-ology takes you to one of the most unknown places in Hollywood—a place where famous directors are reduced to tears and multi-millionaire actors to fits of rage. A place where dreams are made and fortunes are lost. From “the best in the business� (Sacha Baron Cohen), this book is the chronicle of how real people have written and rewritten America’s cinematic masterpieces by showing up, watching a rough cut of a new film, and giving their unfettered opinions so that directors and studios can salvage their blunders, or better yet, turn their movies into all-time classics. Each chapter informs an aspect or two of the test-screening process and then, through behind-the-scenes stories, illustrates how that particular aspect was carried out. Nicknamed “the doctor of audience-ology,� Kevin Goetz shares how he helped filmmakers and movie execs confront the misses and how he recommended ways to fix the blockbusters, as well as first-hand accounts from Ron Howard, Cameron Crowe, Ed Zwick, Renny Harlin, Jason Blum, and other Hollywood luminaries who brought you such films as La La Land, Chicago, Titanic, Wedding Crashers, Jaws, and Forrest Gump. Audience-ology explores one of the most important (and most underrated) steps in the filmmaking process with enough humor, drama, and surprise to entertain those with only a spectator’s interest in film, offering us a new look at movie history.

A major task confronting today's scholars is the reclamation from near oblivion of a multitude of works of art, literature, music, scholarship, and other creative enterprises by eighteenth-century women. This fascinating collection provides a multifaceted approach to understanding the roles played by women as both creators of and subjects within works of art in the eighteenth century. A series of initial essays examines the biographical and historical conditions in which women of the times lived and worked. Some essays explore the attitudes of women themselves and how they perceived their roles, as well as their expectations expressed by male authors. Other essays focus on women's contributions to particular arts, notably poetry, the novel, music, and painting. A final section attends to research itself, reporting first on collaborative efforts to identify individual eighteenth-century women authors and discover trends in their writing. In addition, an alternative to the traditional scholarly methods course is provided in an example of the original research directed toward the rediscovery and understanding of the texts of Elizabeth Griffeth. This entertaining collection will foster new appreciation for the presence of women in the arts of the eighteenth century. An important contribution to women's studies, this volume is sure to be of special interest to students and scholars alike.

A studious view of Richard Serra’s recently premiered forged steel sculpture and new drawings using his trademark paintstick technique. ---------- “Enigmatic, arresting, audacious: Richard Serra now and forever� — The Brooklyn Rail ---------- Richard Serra’s hugely successful body of work consistently explores the possibilities of form and matter. Serra’s steel sculptures are held in major collections internationally, and his drawings assert themselves as abstract victories. Through the use of black paintstick—a combination of oil paint, wax, and pigment, which he has used since 1971—Serra’s drawings convey a strong sense of optical weight, acutely similar to the physical presence of his sculptures. 2022, the artist’s largest single forged round to date, investigates properties of weight and scale. While the exhibition allowed viewers to encounter Serra’s immense forged round and inky drawings in relation to their own space and bodies, the catalogue is an opportunity for intimate engagement with Serra’s works through stunning reproductions.

The complete, authorised scripts, including deleted scenes, of the multiple award-winning Succession. 'The best TV show in the world.' The Times 'Just about the best thing I've ever seen on television.' New Statesman 'The best television around.' Guardian ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** With an exclusive introduction from Frank Rich. I wonder if the sad I'd be from being without you might be less than the sad I get from being with you? Kendall Roy is dealing with fallout from his hostile takeover attempt of Waystar Royco and the heavy guilt from a fatal accident. Shiv stands poised to make her way into the upper-echelons of the company, which is causing complications for Tom, which is causing complications for Greg. Meanwhile, Roman is reacquainting himself with the business by starting at the bottom, as Connor prepares to launch an unlikely bid for president. Collected here for the first time, the complete scripts of Succession: Season Two feature unseen extra material, including deleted scenes, alternative dialogue and character directions. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece.

The 1st of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. This fully illustrated tome treats fans to a comprehensive, unique and privileged behind-the-scenes look at the creative process behind the state-of-the-art technology used in the blockbuster motion picture. Follow the film’s complete artistic evolution, from initial concept through armor design and on to the final rendering seen on screen. Here is everything you need to know about the making of the movie from all the key players – including director Jon Favreau; the special-effects gurus at Stan Winston Studios; and the award-winning concept illustrators, visual-effects designers and storyboard artists who worked on the set and behind the scenes to create the art of Iron Man.

Have you ever wondered if that game you love was made into a movie? Flip this book open and find out! Explore the fascinating journey of your favourite video games as they make their way to the silver screen! This comprehensive guide contains information on over forty big-screen adaptations of popular video games, including the histories of the series that inspired them. Covering four decades of movies, readers can learn about some of the most infamous movies in video game history, with genres such as horror, martial arts, comedy and children's animation ensuring there's plenty of trivia and analysis to keep gamers hooked. With nearly two-hundred full colour stills, posters and screenshots, the book is a go-to guide to discovering facts about some of the biggest box office hits and the most disappointing critical bombs in history. From bizarre science fiction like Super Mario Bros. to the latest big budget releases like Monster Hunter, and dozens in between, A Guide to Video Game Movies should please film buffs and die-hard game fans alike. Whether you're looking for rousing blockbuster action, family-friendly entertainment or a late-night B-movie to laugh at with your friends, you're bound to find a movie to fit your taste. Put down your controller and grab your popcorn!

Over the past two decades, national and supranational institutions and the mass media have played a central role in presenting the migrant struggle in a sensational way, spreading an unjustified moral panic and relegating migrants themselves to spaces of invisibility. Building on recent theoretical debates in migration studies around the so-called "autonomy of migration" - which sees people on the move as individuals with self-determination and agency - this book reframes migration in the Mediterranean, and specifically around the island of Lampedusa. In particular, the book explores how activist and art forms have become a platform for subverting the dominant narrative of migration and generating a vital form of political dissent, by revealing the contradictions and paradoxes of the securitarian regime that regulates immigration into Europe. The analysis focuses on works by, among others, Broomberg & Chanarin, Centre for Political Beauty, Forensic Architecture, Nikolaj Bendix Skyum Larsen, Isaac Julien, Tamara Kametani, Bouchra Khalili, Kalliopi Lemos, Zakaria Mohamed Ali, Maya Ramsay, Giacomo Sferlazzo, Aida Silvestri, Ai Weiwei, Lucy Woodand Dagmawi Yimer.

An illustrated biography of the remarkable and pioneering artist Leonora Carrington, told through the houses and locations that had meaning for her and are fundamental to an understanding of her work. An evocative visual chronicle on the life of Leonora Carrington as seen through interiors, international locations and vintage photographs, this book leads the reader on a personal journey through the many spaces she inhabited and which infused and haunted her art and the people she knew. Long underrated, Carrington is now considered as one of the vanguard, not only in histories of women artists but also Surrealism; her interests – feminism, ecology and life-enhancing art – are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society and England to embrace new experiences and mix with artists in Europe and America, and to forge her own unique artistic style. From Lancashire to London, Cornwall to France and Spain, then to Mexico, New York and finally back to Mexico, each place and interior became etched in her memory – whether her grandmother’s kitchen with its giant stove, Parisian cafés, a rural French hideaway, the sanatorium in Santander or her Mexican sanctuary – only to be echoed, sometimes decades later, in her paintings and writings. ‘Houses are really bodies,’ she wrote in her novella The Hearing Trumpet (1974), ‘We connect ourselves with walls, roofs, and objects just as we hang on to our livers, skeletons, flesh and blood streams.’

Over the past decade, attribution scholars have come to a consensus that Shakespeare wrote some of the additions printed in the 1602 quarto of Kyd's Spanish Tragedy. This new development in textual studies has far-reaching consequences for established theatre-historical narratives. Accounting for Shakespeare's involvement in The Spanish Tragedy requires us to rethink the history of two major theatre companies, the Admiral's and the Chamberlain's Men, and to reread much of the documentary record of late Elizabethan theatre. Modelling what a theatre-historical response to new attributionist arguments might look like, the author offers an in-depth reinterpretation of Philip Henslowe's records of new plays, develops a novel account of how theatre companies copied and adapted plays in one another's repertories (including a reconsideration of the 'Ur-Hamlet' and the two Shrew plays), and reconstructs an early modern cluster of Hieronimo plays that also allows us to reimagine Ben Jonson's career as an actor.

'What Ned hasn’t seen on a sports TV channel isn’t worth knowing about.' Gabby Logan 'From falling out with Mourinho to flying with Gerrard, this is a wonderful journey through football.' Henry Winter Square Peg, Round Ball is a candid, insightful reminiscence on a life in football. Although best known as ITV's commentator on the Tour de France, Ned Boulting has spent most of his professional life covering football. Follow Ned's journey from football supporter to reporter – from criss-crossing the country in a banger of a car hoping for a word or two from the latest big signing, to the glamour of the Champions League. Ned really has been there, done that, and got the Sky Sports jacket to prove it. Witnessing the shenanigans, the machinations and the idiocy of football at close quarters Ned shares his best stories with affection. Whether it's treading mud into Steven Gerrard's pristine white carpets, or nearly being pushed into oncoming traffic by a menacing Vinnie Jones, or being chased away from Roman Abramovich's house by some scary looking men on quadbikes – Ned has made a fool of himself to bring us the best tales from his experiences in 90s and 2000s football.

Staging Britain's Past is the first study of the early modern performance of Britain's pre-Roman history. The mythic history of the founding of Britain by the Trojan exile Brute and the subsequent reign of his descendants was performed through texts such as Norton and Sackville’s Gorboduc, Shakespeare’s King Lear and Cymbeline, as well as civic pageants, court masques and royal entries such as Elizabeth I’s 1578 entry to Norwich. Gilchrist argues for the power of performed history to shape early modern conceptions of the past, ancestry, and national destiny, and demonstrates how the erosion of the Brutan histories marks a transformation in English self-understanding and identity. When published in 1608, Shakespeare’s King Lear claimed to be a “True Chronicle History�. Lear was said to have ruled Britain centuries before the Romans, a descendant of the mighty Trojan Brute who had conquered Britain and slaughtered its barbaric giants. But this was fake history. Shakespeare’s contemporaries were discovering that Brute and his descendants, once widely believed as proof of glorious ancient origins, were a mischievous medieval invention. Offering a comprehensive account of the extraordinary theatrical tradition that emerged from these Brutan histories and the reasons for that tradition’s disappearance, this study gathers all known evidence of the plays, pageants and masques portraying Britain’s ancient rulers. Staging Britain's Past reveals how the loss of England’s Trojan origins is reflected in plays and performances from Gorboduc’s powerful invocation of history to Cymbeline’s elegiac erosion of all notions of historical truth.

Although Michelangelo Antonioni became one of the icons of “modernist� cinema in the 1960s, his position in the pantheon of great directors has never been quite secure. Unlike his famous contemporaries, such asIngmar Bergman and Luchino Visconti, whose essential contribution to the art of cinema is hardly ever questioned, Antonioni’s work has been repeatedly denigrated from many angles for both aesthetic and political reasons. Though the historical importance of some of Antonioni’s films as an incarnation of certain attitudes and problems characteristic of the 1960s and 70s is not denied, they are often considered passé, artificial and boring. Contesting prevalent readings, which focus on existential and psychological motifs involving anxiety and the malady of sentiments, this book offers a re-evaluation of Antonioni’s most important films interpreted as political cinema engaged with issues which are still crucial in the 21st century. Far from being politically neutral, Antonioni’s oblique and “abstract� approach makes possible the prising open and devaluation of the morally and politically constrictive “organic� narrative structures. HIs approach overthrows the primacy of character and plot, on the one hand, by showing them to be emanations of the spectral materiality of capital, and, on the other hand, by allowing for an opening into the utopian dimension, implying engagement in the rethinking of our attachments to the world.

Star Trek: Picard stars Patrick Stewart, reprising his role as Jean-Luc Picard from Star Trek: The Next Generation. The book explores each of the three separate season-long narratives, which tell the story of Picard in later years, as he is brought out of retirement on his family chateau to face old enemies such as the Borg, take command of a new starship, and ultimately reconcile with his past. New characters such as Doctor Jurati (Alison Pill), Cristóbal Rios (Santiago Cabrera), Soji (Isa Briones) and Elnor (Evan Evagora) feature alongside appearances by old enemies and friends, such as Will Riker (Jonathan Frakes), Deanna Troi (Marina Sirtis), the Borg Queen (Annie Wersching), Guinan (Whoopi Goldberg), Data (Brent Spiner), and Q (John de Lancie). Season 3 sees a full-scale Next Generation reunion, featuring Worf (Michael Dorn), Dr. Beverley Crusher (Gates McFadden), and Geordi La Forge (LeVar Burton). Alongside interviews with showrunners, writers, cast, and crew, discussing concepts and character arcs, “Spotlight� features explore makeup, costumes, art, and visual effects. A final section features reflections on the much-beloved character from its original incarnation in Star Trek: Next Generation through to its final satisfying conclusion. This beautifully illustrated hardback, featuring behind-the-scenes and on-set photography, and a range of production art, is an in-depth exploration of a hugely popular and seminal Star Trek character.

Lynda La Plante is Britain’s most successful and well known screenwriter and the first woman to win the prestigious Dennis Potter writer’s award. Attracting millions of viewers, the popular and critical success of La Plante’s work is central to understanding changes that shook the UK television industry in the late twentieth century. This critical introduction, the first account of her work, focuses on three innovative serials: Widows (ITV, 1983), Prime Suspect (ITV 1991) and Trial and Retribution (ITV 1997). In each chapter questions of gender and genre, acting and stardom and authorship and value are mapped against the changing relationship between women and the television industry. The final chapter traces La Plante’s metamorphosis from ‘just a writer for hire’ to the astute businesswoman she has become through a focus on the trans-national appeal of dramas such as Killer Net (C4 1997) and Bella Mafia (CBS 1997). -- .