"Compressed Utterances brings focused attention to collage in a Germanic context, whose contours and impact are still so little appreciated. As this stunning volume shows, collage serves as a key medium not only for understanding art historical developments but social and political transformations as well, often embodying the dynamic forces of avant-garde criticality." (Thomas O. Haakenson, Associate Professor, History of Art and Visual Culture, California College of the Arts) "A deep dive into the paradigmatic medium of the twentieth century, Compressed Utterances is the foundational text of the growing field of collage studies. The book's established and emerging authors investigate an astonishing range of previously unknown collage work to explore German artists' and writers' deployment of this medium as appropriative, intertextual, alienating, and temporally slippery." (Elizabeth Otto, Professor of Modern and Contemporary Art, The University at Buffalo, State University of New York) Composite pictures create narratives and images from many fragments. They turn often disparate and juxtaposing images and text into a singular image or message. Collage makes from the broken and, arguably, no other country has reflected the fractious nature of its history more than Germany. The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. Compressed Utterances: Collage in a Germanic Context after 1912 brings together essays by scholars, students and curators to examine the use of collage by German-speaking artists, making in their homeland and abroad, whose works are closely connected to the tumultuous histories of Germany and neighbouring German-speaking nations since 1912 to the late 2000s.

Glamorous young wife Alma Rattenbury takes her chauffeur as a lover and their scandalous relationship leads to a murder most foul. The 1935 murder of architect Francis Mawson Rattenbury, famous for his design of the iconic Parliament Buildings and Empress Hotel in Victoria, British Columbia, and the arrest and lurid trial of his 30-years-younger second wife, Alma, and the family chauffeur, George Percy Stoner, her lover, riveted people. Francis and Alma had moved to Bournemouth, England, after the City of Victoria had ostracized them for their scandalous, flagrant affair while Francis was married to his first wife. Their life in Bournemouth was tangled. Francis became an impotent lush. Deprived of sexual gratification, Alma seduced George, previously a virgin who was half her age. They conducted their affair in her upstairs bedroom with her and Francis’s six-year-old son in a nearby bed, “sleeping,� she said, and the near-deaf Francis in his armchair downstairs in a drunken stupor. The lovers were tried together for Francis’s murder at the Old Bailey Criminal Court in London, resulting in intense public interest and massive, frenzied media coverage. The trial became one of the 20th century’s most sensational cases, sparking widespread debate over sexual mores and social strata distinctions.

"Vince uses written and artifactual evidence of theatre history to explain the nature of its current state. His study of theatre's early forms discloses a wealth of significant facts, and some conjectures, that stimulate understanding and appreciation of the art." Backstage

"Walking between these figures feels like an interruption; being a spectator is itself a performance. They seem to know more than we do, about the status of being an artwork and the place of the viewer. The joke, if there is one, is on us." - The Guardian Munoz's revolutionary oeuvre creates emotional and evocative narratives through sculpture, installation, drawing, writing, and sound. Situating viewers between his work and amongst each other, he creates an intimacy between works of art and viewers. Munoz thought deeply about art history and in particular the tradition of Spanish painting. Before his untimely death at the age of forty-eight, he produced an extensive, powerfully evocative body of work that uniquely explores the narrative and philosophical possibilities of art. Published on the occasion of the two-floor exhibition at David Zwirner in New York in 2022, this catalogue provides an expansive overview of Munoz's career from the 1980s onwards. In an accompanying text, art historian and curator Guillaume Kientz contextualizes Munoz's influences within the art-historical canon. Acclaimed writer Siri Hustvedt writes a thoughtful response to the artist's iconic Conversation Piece. In an imagined interview between Munoz and himself, Maurizio Cattelan further propels the artist's artistic momentum and potential in the time before his death. Also featured is a never-before-published interview between Munoz and the art historian Michael Brenson that took place in 2000, less than one year prior to his untimely death.

The crime melodramas of the 1940s known now as film noir shared many formal and thematic elements, from unusual camera angles and lighting to moral ambiguity and femmes fatales. In this book Robert Pippin argues that many of these films also raise distinctly philosophical questions. Where most Hollywood films of that era featured reflective individuals living with purpose, taking action and effecting desired consequences, the typical noir protagonist deliberates and plans, only to be confronted by the irrelevance of such deliberation and by results that contrast sharply, often tragically, with his or her intentions or true commitments. Pippin shows how this terrible disconnect sheds light on one of the central issues in modern philosophy--the nature of human agency. How do we distinguish what people do from what merely happens to them? Looking at several film noirs--including close readings of three classics of the genre, Fritz Lang's "Scarlet Street, " Orson Welles's "The Lady from Shanghai, " and Jacques Tourneur's Out of the Past--Pippin reveals the ways in which these works explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.

More than twenty years after the peace agreement signed in Belfast on 10 April 1998, an assessment is overdue, particularly given the current political context in Northern Ireland. A serious political crisis led to the suspension of the regional institutions from January 2017 to January 2020, and the Brexit negotiations did not facilitate the search for a solution, especially as the confidence-and-supply agreement between the British Conservative Party and the DUP prevented London from acting as an honest broker between Sinn Fein and the DUP. At the same time, the issue of the Irish border created tensions between Dublin and London. This situation was compounded by the resurgence of rioting, mostly in Loyalist areas of Belfast and Derry/Londonderry, in April 2021, against the backdrop of Brexit's Northern Ireland Protocol and communal resentment. Emanating from a conference jointly organised at the University of Caen Normandy and La Rochelle University, this collection of essays - bringing together academic and independent scholars from various disciplines and nationalities - takes a critical look at the implementation of the Good Friday Agreement, from the collaboration between Dublin and London to the new political configurations in Northern Ireland, as well as interfaith, cultural, social and economic developments. Divided into three main parts, it furnishes an opportunity to better understand the reasons for the apparent deterioration in inter-community understanding since 1998, but also to study the numerous initiatives that have sought to promote reconciliation, be it in the economy, the working environment, in the literary and artistic spheres, in schools or in the urban landscape.

A Dance Book Club main selection, this guide offers a general explanation of anatomy, kinesiology, and technique for ballet dancers, students, and teachers.

This revealing look at the life and career of Howard Stern examines his role as a champion of free speech and his amazing success at bringing his own unique brand of "reality" radio to the airwaves. First Amendment rights, particularly freedom of speech, play an integral part in all modern means of communication. Howard Stern has tested the limits and pushed the boundaries of freedom of speech to the delight of some and the disgust of others. Howard Stern: A Biography explores this long-debated topic and sheds light on how one media star has made a significant difference. Offering an engaging and insightful look at the life and career of radio's leading Shock Jock, the book explores Stern's youth, his first forays into radio, and his desire to move up in a competitive medium. Of course, it also covers his battles with the Federal Communications Commission, how he was finally able to sidestep the censors, and the significant changes the battle brought about in what is deemed acceptable on radio.

A collection of the Pulitzer-Prize winning oral historian's remarkable conversations with some of the greatest luminaries of theatre and film. Among the many highlights are Buster Keaton explaining the wonder of unscripted silent comedy and interviews with Arthur Miller, Edward Albee, and Tennessee Williams. Because Studs knows his subjects' work intimately, he asks precisely the right questions to elicit the most revealing responses.

Examining work by novelists, filmmakers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Evelyn Waugh, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's ‘Rock & Roll’ said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning, Vietnam exploded from the cinema screen with a raw energy all of its own. Queen thought that all the audience heard was ‘ga ga’, even as The Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented ‘The Last DJ’. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, filmmakers, and musicians.

Donna Reed has been called "everyone's favorite mother" and her recognition as such has stood the test of time. But before she became known as the "ultimate mom" for her role on "The Donna Reed Show," Miss Reed was already a veteran film actress with almost forty films to her credit. Among these are her performances in "It's a Wonderful Life" and "From Here to Eternity." Her role in the latter garnered her a Best Supporting Actress Oscar. This book is a comprehensive reference to the life and work of Donna Reed for use by researchers as well as fans. Performing arts researcher Brenda Scott Royce has compiled a self-contained reference work to Donna Reed's career and life. A brief biography begins the book, followed by detailed examinations of Miss Reed's work in motion pictures, television, and radio. Also listed are media reviews of her work, a listing of awards and nominations, and a chronology of major events in her life. An annotated bibliography follows these sections, and it lists all articles and other items about Donna Reed that appeared in major magazines, fan magazines, books, and newspapers. The entries in each section are cross-referenced for easy referral by the reader. This bio-bibliography will be an important addition to libraries with a performing arts collection, students of media arts, and Donna Reed fans.

The 1st of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. This fully illustrated tome treats fans to a comprehensive, unique and privileged behind-the-scenes look at the creative process behind the state-of-the-art technology used in the blockbuster motion picture. Follow the film’s complete artistic evolution, from initial concept through armor design and on to the final rendering seen on screen. Here is everything you need to know about the making of the movie from all the key players – including director Jon Favreau; the special-effects gurus at Stan Winston Studios; and the award-winning concept illustrators, visual-effects designers and storyboard artists who worked on the set and behind the scenes to create the art of Iron Man.

After an unconventional childhood that ended in the tragic death of her mother and the murder of her Alaskan mobster father, Kim Rich was left on her own at the young age of fifteen to fend for herself. Ever since then, she began a nearly lifelong pursuit in chasing what most others had—a normal life. Rich tugs at your heartstrings as you follow her journey toward normalcy, from her teen years, freshly orphaned, through her high school years spent couch-surfing at local families’ homes, then through her college years, a failed first marriage, and a rising career as a journalist. Through frank and down-to-earth storytelling, Rich also tells of her grandfather’s kidnapping, a frightening health crisis, and a six-year attempt to have children. Picking up right where her first memoir, Johnny’s Girl, left off, A Normal Life recounts the author’s vivid story of being an ordinary girl faced with extraordinary circumstances—at seemingly every turn in life—with grace, humility, and wit.

After an unconventional childhood that ended in the tragic death of her mother and the murder of her Alaskan mobster father, Kim Rich was left on her own at the young age of fifteen to fend for herself. Ever since then, she began a nearly lifelong pursuit in chasing what most others had—a normal life. Rich tugs at your heartstrings as you follow her journey toward normalcy, from her teen years, freshly orphaned, through her high school years spent couch-surfing at local families’ homes, then through her college years, a failed first marriage, and a rising career as a journalist. Through frank and down-to-earth storytelling, Rich also tells of her grandfather’s kidnapping, a frightening health crisis, and a six-year attempt to have children. Picking up right where her first memoir, Johnny’s Girl, left off, A Normal Life recounts the author’s vivid story of being an ordinary girl faced with extraordinary circumstances—at seemingly every turn in life—with grace, humility, and wit.

The must-have guide to traditional, emerging and creative TV funding models that are being developed and exploited by social media-savvy documentary filmmakers. Each chapter covers a different form of funding and combines advice from industry insiders - producers, buyers, specialist media agencies and corporate funding bodies - and entertaining case studies that illustrate the benefits and pitfalls of each method. With practical tips, case studies and advice it reveals what grantors, brands and NGOs are looking for in a pitch (they all have different needs and expectations), and the cultural differences that can trip up the unwary producer. Funding examples range from blue-chip TV documentaries, such as Planet Earth, which was co-funded by the BBC, Discovery NHK and CBC to The TV Book Club (More 4), which is funded by Specsavers opticians; to Lemonade Movie, which harnessed the power of Twitter to source free equipment and post-production resources. Readers will discover: the difference between co-productions, pre-sales and acquisitions; how to develop and pitch advertiser funded programming; the new rules on product placement; where to hunt for foundation and grant funding and how to fill in those fiendish application forms; the power of crowd-funding and how to harness the internet; how to sniff out grants and funds held in non-film focused organisations such as the Wellcome Trust; why corporations are keen to fund your documentary and how to get them to part with their money without giving up your editorial control.

Lying at the heart of the modern Action Cinema Canon is the concept of transformation. As the action genre evolves and shifts into the new millennia, innovative additions blend with nostalgic returns – the move away from a male-dominated space to feature even more prominent female roles co-exists alongside a revival of Arnold Schwarzenegger and Linda Hamilton, and series such as Rocky and Rambo return to the screens. Gender and Action Films 2000 and Beyond: Transformations captures and explores the nuanced and complex nature of change within Action Cinema. Dealing with the notion of aging, the chapter authors consider how action heroes confront and cope with getting older. Expanding the foundation of research on geriaction stars, the advantages of mature masculinity contrasts with themes of masculine fragility. Viewing the action genre through a feminist lens, this edited collection traces the evolution of the representation of women, suggesting how such roles may develop in the future. Finally, a consideration of the post-millennial boom of movie backdrops in turmoil analyses how such pieces question and contribute to debates on global political and social issues. Gender and Action Films 2000 and Beyond: Transformations looks at Action Cinema from the old to the new, offering an exciting interrogation of the portrayal of gender in the new millennia. A necessity for academics, students and lovers of film and media and those interested in gender studies.

A celebration of a timeless classic, this companion volume, timed to coincide with the 50th anniversary of the release of the iconic film, is the perfect book for any fan of Audrey Hepburn or the cinema. This gorgeously illustrated tribute to Breakfast at Tiffany's is the only official companion to be published in association with Paramount Pictures and the Audrey Hepburn estate. It celebrates the film's ongoing popularity:complete with candid behind-the-scenes photos, facsimiles of the shooting script, full-color reproductions of the poster art, a special section on the costumes, the score for Moon River, and much more. Many of the illustrations included have never been published before. Breakfast at Tiffany's features a top-notch cast, including George Peppard, Mickey Rooney, and Patricia Neal, yet Holly Golightly was the role that transformed Audrey Hepburn into a movie icon. Dressed by Hubert de Givenchy, directed by the infamous Blake Edwards, and brandishing the trademark cigarette holder, hers was the most memorable role.  Rich in detail and in illustration, this keepsake tribute volume is the perfect celebration of a beloved classic.

The first anthology of youth plays from Gaza and the wider Palestinian region, this timely collection ties together nineteen plays produced by Theatre Day Productions, one of the foremost community theatres in the Middle East. Written by playwright Jackie Lubeck, this collection responds to the siege on Gaza and the Israeli military operations from 2009 to 2014, reflecting how Gazan youth deal with trauma, loss and urban destruction. In the nineteen plays within this anthology, the reader and theatrical producer witnesses experiences of a forgotten youth, besieged by a silent international community and a brutal wall. The plays are arranged into five different thematic series, which include family entanglements, loss and the fundamental goodness and resourcefulness of human beings.