The most important document in the history of rock 'n' roll since the liner notes to Killroy Was Here.(This paperback includes a new P.S. section with author interviews, insights, features, suggested readings, and more.)

Never Mind the Pollacks, the first novel from acclaimed humorist Neal Pollack, is an epic history of rock-and-roll told through the eyes of two rival rock critics. The novel spans the decades from the 1940s to the present day, and includes such real-life characters as Elvis Presley, Bob Dylan, Joan Baez, Lou Reed, Iggy Pop, Bruce Springsteen, Joey Ramone, Patti Smith, Kurt Cobain, and many more. Pollack deploys his trademark roasting of literary pomposity, but his narrative transcends mere parody to become full-fledged social satire. He takes on the icons of popular music and their biographers, true-life rock books and historical fiction. There has never been a book quite like this one, particularly since it contains more than two-dozen original songs written by the author.

The life story of the book's main character, "Neal Pollack," is uniquely American. The only son of Jewish immigrant parents, he shows an aptitude early in life for rock criticism. Prodded by the legendary Sam Phillips and haunted by a ghostly, mysterious blues man, deeply disturbed by his mother's illegitimate marriage to Jerry Lee Lewis, he leaves his Memphis boyhood behind to become a folk troubadour in Greenwich Village. Six broken hearts, two liver transplants, and a lot of cocaine orgies later, he meets his ultimate destiny in a surprise ending that will shock anyone who wasn't paying attention to the early chapters. With Never Mind the Pollacks, Neal Pollack establishes himself as oneof the most important novelists of his generation who isn't named Jonathan.

This book is about the kind of ordinary dancing you and I might do in our kitchens when a favourite tune comes on. It's more than a social history: it's a set of interconnected histories of the overlooked places where dancing happens . . . Why do we dance together? What does dancing tells us about ourselves, individually and collectively? And what can it do for us? Whether it be at home, '80s club nights, Irish dancehalls or reggae dances, jungle raves or volunteer-run spaces and youth centres, Emma Warren has sought the answers to these questions her entire life. Dancing doesn't just refract the music and culture within which it evolves; it also generates new music and culture. When we speak only of the music, we lose part of the story - the part that finds us dancing as children on the toes of adults; the half that triggers communication across borders and languages; the part that finds us worried that we'll never be able to dance again, and the part that finds us wondering why we were ever nervous in the first place. At the intersection of memoir, social and cultural history, Dance Your Way Home is an intimate foray onto the dancefloor - wherever and whenever it may be - that speaks to the heart of what it is that makes us move.

Working with the Web Audio API is the definitive and instructive guide to understanding and using the Web Audio API. The Web Audio API provides a powerful and versatile system for controlling audio on the Web. It allows developers to generate sounds, select sources, add effects, create visualizations and render audio scenes in an immersive environment. This book covers all essential features, with easy to implement code examples for every aspect. All the theory behind it is explained, so that one can understand the design choices as well as the core audio processing concepts. Advanced concepts are also covered, so that the reader will gain the skills to build complex audio applications running in the browser. Aimed at a wide audience of potential students, researchers and coders, this is a comprehensive guide to the functionality of this industry-standard tool for creating audio applications for the web.

Everything You Ever Wanted To Know About The Music Your Parents Never Wanted You To Hear

Believe it or not, music censorship in America did not begin with Tipper Gore's horrified reaction to her daughter's Prince album. The vilification of popular music by government and individuals has been going on for decades. Now, for the first time, Parental Advisory offers a thorough and complete chronicle of the music that has been challenged or suppressed -- by the people or the government -- in the United States.

From Dean Martin's "Wham, Bam, Thank you Ma'am" to Marilyn Manson's Antichrist Superstar; from freedom fighters such as Frank Zappa and in-your-face rappers such a N.W.A. to crusaders such as Tipper Gore, this intelligent and entertaining book shows how censorship has crossed sexual, class, and ethnic lines, and how many see it as a de facto form of racism. With nearly one hundred fascinating photographs of musicians, record burning, and controversial cover art; illuminating sidebars; and a decade-by-decade timeline of important moments in censorship history, Parental Advisory is by turns frightening and hilarious -- but always revealing.

Mathematical Music offers a concise and easily accessible history of how mathematics was used to create music. The story presented in this short, engaging volume ranges from ratios in antiquity to random combinations in the 17th century, 20th-century statistics, and contemporary artificial intelligence. This book provides a fascinating panorama of the gradual mechanization of thought processes involved in the creation of music. How did Baroque authors envision a composition system based on combinatorics? What was it like to create musical algorithms at the beginning of the 20th century, before the computer became a reality? And how does this all explain today's use of artificial intelligence and machine learning in music? In addition to discussing the history and the present state of mathematical music, Braguinski also takes a look at what possibilities the near future of music AI might hold for listeners, musicians, and the society. Grounded in research findings from musicology and the history of technology, and written for the non-specialist general audience, this book helps both student and professional readers to make sense of today's music AI by situating it in a continuous historical context.

Includes new and expanded entries including UK Grime, Black Lives Matter, streaming, the music industries and sound studies. A unique A-Z student reference book, covering many topics students will encounter during the four years of their undergraduate degree. With cross referencing, further reading and listening included throughout, this is an essential reference text for all students studying the social and cultural dimensions of popular music.

A NEW YORK TIMES BESTSELLER This "beautiful tribute to a legendary artist" (Quincy Jones) is the first in-depth biography of Nipsey Hussle, the hip-hop mogul, artist, and activist whose transformative legacy inspired a generation with his motivational lyrics and visionary business savvy-before he was tragically shot down in the very neighborhood he was dedicated to building up. For Nipsey Hussle, "The Marathon" was more than a mixtape title or the name of a clothing store; it was a way of life, a metaphor for the relentless pursuit of excellence and the willpower required to overcome adversity day after day. Hussle was determined to win the race to success on his own terms, and he wanted to see his whole community in the winner's circle with him. A moving and powerful exploration of an extraordinary artist, The Marathon Don't Stop places Hussle in historical context and unpacks his complex legacy. Combining on-the-ground reporting and candid interviews, "Rob Kenner has given us the book the world-and hip-hop and pop culture-has been waiting for...one that should be celebrated alongside the best biographies ever about iconic figures we have loved-and lost" (Kevin Powell, author of When We Free the World).

Debates in Music Teaching encourages student and practising teachers to engage with contemporary issues and developments in music education. It aims to introduce a critical approach to the central concepts and practices that have influenced major interventions and initiatives in music teaching, and supports the development of new ways of looking at ideas around teaching and learning in music.

Accessible and comprehensive chapters will stimulate thinking and creativity in relation to theory and practice, and will facilitate readers in reaching their own informed judgements and rationalising their position with deep theoretical knowledge and understanding. Throughout the book, international experts in the field consider key issues including:

• the justification for music in the school curriculum
• partnerships in music education and the identity of the music teacher
• technology and conceptions of musicianship
• social justice and music education
• the place of diverse musical genres and traditions in the music curriculum
• critical thinking and music education
• autonomy and integrity for music in cross-curricular work
• the politics, sociology and philosophy of music education.

Debates in Music Teaching is for all student and practising teachers interested in furthering their understanding of the subject. Including carefully annotated further reading and reflective questions to help shape research and writing, this collection stimulates critical and creative thinking in relation to contemporary debates within music education.

Mathematical Music offers a concise and easily accessible history of how mathematics was used to create music. The story presented in this short, engaging volume ranges from ratios in antiquity to random combinations in the 17th century, 20th-century statistics, and contemporary artificial intelligence. This book provides a fascinating panorama of the gradual mechanization of thought processes involved in the creation of music. How did Baroque authors envision a composition system based on combinatorics? What was it like to create musical algorithms at the beginning of the 20th century, before the computer became a reality? And how does this all explain today's use of artificial intelligence and machine learning in music? In addition to discussing the history and the present state of mathematical music, Braguinski also takes a look at what possibilities the near future of music AI might hold for listeners, musicians, and the society. Grounded in research findings from musicology and the history of technology, and written for the non-specialist general audience, this book helps both student and professional readers to make sense of today's music AI by situating it in a continuous historical context.

French and Soviet Musical Diplomacies in Post-War Austria, 1945-1955 investigates how promoting 'national' music and musicians was used as an important asset by France and the USSR in post-Nazi Austria, covering music's role in international relations at various levels, within changing power frameworks. Bridging international relations, musical sociology, media studies, and Cold War history, four incisive chapters examine the crossroads of Soviet, French, and Austrian cultural politics and discourse-building, presented in two parts - institutions of musical diplomacy: Soviet and French cultural diplomats in comparison; sounds of music coming to Austria: Soviet and French musicians on tour. Using a communication- and media-oriented approach, this study casts new light, firstly, on the interpretative power of 'receiving' publics and, secondly, on the role of cultural transmitters at different levels. This is a valuable study for those specialising in Russian and East European music and music and politics. It will also appeal to cultural historians and all those interested in the intersections between music, international relations, and Cold War history.

Instrumental Jazz Arranging consists of a systematic presentation of the essential techniques and materials of jazz arranging. Authors Mike Tomaro and John Wilson draw upon 50+ years of combined teaching experience to bring you a book that addresses all of the basic needs for beginning arrangers. Topics include counterpoint/linear writing, jazz harmony, compositional techniques, and orchestration. All topics serve to address issues concerned with true arranging in great detail. The book may be used in both individual and classroom instructional situations. The accompanying CDs - 170 tracks in all! - include many of the examples in the book, plus templates for assignments formatted for Finale .

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

This collection considers music within the spheres of production and consumption and pulls together an interdisciplinary collection of music studies from around the world, ranging from an ethnomusicological analysis of the condition of Tibetan music and its role within the Chinese state, the changing reception of anti-apartheid music by white musicians in South Africa according to new configurations of society and its memory of recent history, a lyrical exploration of jazz as a signifier of crime and other nefarious activities within film history, an analysis of how music charts and maps the social network and gender roles in Jamaica and a landmark commentary on how music is framed by David Hemsondalgh. As opposed to other studies which explore music just in terms of its reception or its composition and distribution, this collection should make necessary reading for anybody interested in the wider nexus of music's existence and how it waxes and wanes with ideology, politics, gender, business and much more besides.

This book provides an overview of professional musicians working within the healthcare system and explores programs that bring music into the environment of the hospital. Far from being onstage, musicians in the hospital provide musical engagement for patients and healthcare providers focused on life-and-death issues. Music in healthcare offers a new and growing area for musical careers, distinct from the field of music therapy in which music is engaged to advance defined clinical goals. Rather, this volume considers what happens when musicians interact with the clinical environment as artists, and how musical careers and artistic practices can develop through work in a hospital setting. It outlines the specialized skills and training required to navigate safely and effectively within the healthcare context. The contributors draw on their experiences with collaborations between the performing arts and medicine at Boston University/Boston Medical Center, University of Florida/UF Health Shands Hospital, and the Peabody Institute/Johns Hopkins Medicine. These experiences, as well as the experiences of artists spotlighted throughout the volume, offer stories of thriving artistic practices and collaborations that outline a new field for tomorrow's musical artists.

Author of the Penderyn Prize-winning The Velvet Mafia Fifty years on from Britain's first Pride march, the long road to LGBT equality continues. Through protest songs and gay club nights, street theatre activism and fundraising concerts, the performing arts have played an influential role in each great stride made. With new interviews with musicians and DJs, performers and activists, including Andy Bell, Jayne County, John Grant, Horse McDonald and Peter Tachell, Pride, Pop and Politics hears from those whose art has been influenced by the campaign for LGBT rights - and helped push it forward. This informative, eye-opening book is the first to focus on the relationship between gay nightlife and political activism in Britain.

“Ferranti continues to amaze us with the most infamous OGs and their unfathomable street life.”—The Source “Seth Ferranti is one of the most prolific true-crime writers of our era. He knows the street game inside and out. From the streets to the penitentiary, nobody rates better.”—“White Boy Rick” Wershe From the penitentiary to the streets, it’s on and popping. Thug life is more than spitting rhymes or hustling on the corner. Thugs live and die on the streets or end up in the “belly of the beast.” Rappers name-drop guns by model number and call out drug dealers by name. Gangsta rap is crack-era nostalgia taken to the extreme. It’s a world where rappers emulate their favorite hood stars in videos, celebrate their names in verse, and make ghetto heroes out of gangsters. But what happens when hip-hop and organized crime collide? From the blocks in Queens where Supreme and Murder Inc. held court to the neighborhoods of Los Angeles where Harry-O and Death Row made their names to Rap-A-Lot Records and J Prince in Houston, whenever rap moguls rose the street legends weren’t far behind. From Bad Boy Records and Anthony “Wolf” Jones in New York to Gucci Mane and the Black Mafia Family in Atlanta to Too Short and Daryl Reed in the Bay Area, thug life wasn’t glamorous. The shit on the street was real. In the game there was a common struggle to get out of the gutter. Cats were trying to get their piece of the American Dream by any means necessary. Drug game equals rap game equals hip-hop hustler. In Thug Life, Seth Ferranti takes you on a journey to a world where gangsterism mixes with hip-hop, a journey of pimps, stick-up kids, numbers men, drug dealers, thugs, players, gangstas, hustlers, and of course the rappers who live dual lives in entertainment and crime. The common denominator? Money, power, and respect.

The Beatles Finally Let It Be includes the January 1969 rehearsals and recording sessions; the unreleased "Get Back" albums; "Let It Be" and "Let It Be...Naked;" along with American; British and Canadian perspectives. This volume also includes a detailed breakdown of every song released from those sessions as well as firsthand stories from lucky fans who were there for the Beatles final public performance on the roof of Apple Studios; January 30, 1969.

Music in Television is a collection of essays examining television's production of meaning through music in terms of historical contexts, institutional frameworks, broadcast practices, technologies, and aesthetics. It presents the reader with overviews of major genres and issues, as well as specific case studies of important television programs and events. With contributions from a wide range of scholars, the essays range from historical-analytical surveys of TV sound and genre designations to studies of the music in individual programs, including South Park and Dr. Who.

Scottish Dance Beyond 1805 presents a history of Scottish music and dance over the last 200 years, with a focus on sources originating in Aberdeenshire, when steps could be adapted in any way the dancer pleased. The book explains the major changes in the way that dance was taught and performed by chronicling the shift from individual dancing masters to professional, licensed members of regulatory societies. This ethnographical study assesses how dances such as the Highland Fling have been altered and how standardisation has affected contemporary Highland dance and music, by examining the experience of dancers and pipers. It considers reactions to regulation and standardisation through the introduction to Scotland of percussive step dance and caller-facilitated ceilidh dancing. Today's Highland dancing is a standardised and international form of dance. This book tells the story of what changed over the last 200 years and why. It unfolds through a series of colourful characters, through the dances they taught and the music they danced to and through the story of one dance in particular, the Highland Fling. It considers how Scottish dance reflected changes in Scottish society and culture. The book will be of interest to scholars and postgraduates in the fields of Dance History, Ethnomusicology, Ethnochoreology, Ethnology and Folklore, Cultural History, Scottish Studies and Scottish Traditional Music as well as to teachers, judges and practitioners of Highland dancing and to those interested in the history of Scottish dance, music and culture.

While many books, films and documentaries claim to have captured the phenomenon that was Swinging London, just one magazine was present in the capital during the 1960s to illustrate this extraordinary moment as it unravelled. London Life emerged in October 1965 and, over the next fifteen months, would document the capital's action at its absolute zenith. With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital's most exciting period.

Two decades after the fall of communism in Eastern Europe and one decade into the twenty-first century, European music remains one of the most powerful forces for shaping nationalism. Using intensive fieldwork throughout Europe -- from participation in alpine foot pilgrimages to studies of the grandest music spectacle anywhere in the world, the Eurovision Song Contest -- Philip V. Bohlman reveals the ways in which music and nationalism intersect in the shaping of the New Europe. Focus: Music, Nationalism, and the Making of the New Europe begins with the emergence of the European nation-state in the Middle Ages and extends across long periods during which Europe's nations used music to compete for land and language, and to expand the colonial reach of Europe to the entire world. Bohlman contrasts the "national" and the "nationalist" in music, examining the ways in which their impact on society can be positive and negative -- beneficial for European cultural policy and dangerous in times when many European borders are more fragile than ever. The New Europe of the twenty-first century is more varied, more complex, and more politically volatile than ever, and its music resonates fully with these transformations.

The Pearson Edexcel AS/A level Anthology of Music introduces the AS and A level set works to a new generation of musicians and will inspire them to develop their music knowledge, understanding and skills and will help them prepare for their assessment. Published in partnership with Edition Peters and Faber Music, and edited by Julia Winterson, the printed Anthology contains: * printed music scores of all 53 new set works in a single volume * a preface to each score, setting the piece in context, highlighting key themes * listening awareness points and suggestions for wider listening * glossary of key terms used in each set work.