Somatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis. Voice work and theoretical ideas emerge from dance, acting and performance training while they also move beyond commonly recognized somatics and performance processes. From philosophies and pedagogies to ethnic-racial and queer studies, this collection advances embodied aspects of voices, the multidisciplinary potentialities of somatic studies, vocal diversity and inclusion, somatic modes of sounding, listening and writing voice. Methodologies that can be found in this collection draw on: eastern traditions body psychotherapy-somatic psychology Alexander Technique, Feldenkrais Method Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy Fitzmaurice Voicework, Linklater Technique, Roy Hart Method post-Stanislavski and post-Grotowski actor-training traditions somaesthetics The volume also includes contributions by the founders of: Shin Somatics, Body and Earth, Voice Movement Integration SOMart, Somatic Acting Process This book is a polyphonic and multimodal compilation of experiential invitations to each reader's own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19-20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.

Examining and illustrating the art scene surrounding the birth of modernism and its simultaneous rise among the burgeoning working class Mod scene of the Sixties, Paul Anderson's Mod Art is the definitive work on the visual culture of Mod. With interviews from key artists, scene members and a rich understanding of the how the collision of high art and mass culture formed, Mod Art will appeal to fans of history, music, fashion and art. Gorgeously illustrated with a treasure trove of hundreds of colour photographs of famous, rediscovered and rare images from the era Mod, Art will be read and re-read for years to come. Paul Anderson's previous book, Mods: The New Religion, has sold over nine thousand copies since publication.

Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. For Bill Duckworth, the journey began in 1996 when he developed the idea for an interactive webcast, named Cathedral, which was developed over a period of 5 years. On its completion, Cathedral won numerous awards, including the ASCAP/Deems Taylor Award for composition, and has already inspired further experimentation. But this is more than the story of one composer or one piece of music. The book traces the development of interactive music through the 20th century from Erik Satie through John Cage, Brian Eno, Moby, and Scanner. The technology itself is described as it has inspired experimentation by artists, including composers who have developed new ways to involve the audience in their music, plus possibilities for the non-musically trained to play the Web. Challenges facing the web composer-from copyright issues to commercialization-are analyzed with new solutions suggested. creators, performers, and anyone interested in how technology is transforming the arts.

"Speak It Louder: Asian Americans Making Music" documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. "Speak It Louder: Asian Americans" "Making Music" encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.

Provides biographical details on some of the most talented, influential and up-and-coming artists and individuals from the world of popular music.
Now in its fully updated and revised seventh edition, this title includes over 5,000 biographies charting the achievements and careers of pop, rock, folk, jazz, dance, world and country artists throughout the world.
Features include:
*Over 5,000 alphabetically-arranged entries containing full biographical information: major career details, concerts, recordings and compositions, honours and contact address
*Full contact details for companies and organizations throughout the popular music industry - including record companies, management agencies, agents and promoters
*Lists of key festivals and musical events worldwide, with relevant contact details.

Fully updated and revised, the "International Who's Who in Popular Music 2004" offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world, and country artists.
Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music.

"Speak It Louder: Asian Americans Making Music" documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. "Speak It Louder: Asian Americans" "Making Music" encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.

Popular music studies is a rapidly expanding field with changing emphases and agendas. The music industry has changed in recent years, as has governmental involvement in popular music schemes as part of the culture industry. The distinction between the major record labels and the outsider independents has become blurred over time. Popular music, as part of this umbrella of the culture industry, has been progressively globalized and globalizing. The tensions within popular music are now no longer between national cultural identity and popular music, but between the local and the global.

This four volume collection examines the changing status of popular music against this background. Simon Frith examines the heritage of popular music, and how technology has changed not only the production but the reception of this brand of sound. The collection examines how the traditional genres of rock, pop and soul have broken down and what has replaced them, as well as showing how this proliferation of musical styles has also splintered the audience of popular music.

Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries. Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music.

One of Britain's best-loved and most successful fanzines, Jamming! documented the musical landscape as it evolved between 1977 and 1986. Fully illustrated throughout, The Best of Jamming! includes numerous stand-out pieces from the zine's impressive 36 issue-run, from early features on The Jam, The Smiths, Run-D.M.C, Cocteau Twins and The Beat, to surprise exclusive interviews with Paul McCartney, U2 and Pete Townshend. Personal letters from Mark E. Smith, Paul Weller and others appear alongside arts, sports and politics features, poetry and a Foreword by Billy Bragg. Having guided Jamming! from a 6-page school publication to a nationally distributed monthly, editor Tony Fletcher provides behind-the-scenes insights, while musicians and former contributors reflect on their interviews and Jamming!'s long-lasting influence. An immensely evocative read, The Best of Jamming! perfectly encapsulates the excitement and unprecedented potential of the DIY era.

Encompassing both the art song and Lieder traditions, this book includes comprehensive lists of the compositions of 125 major Western composers, the identities of the poets who wrote the lyrics, titles used by respective composers with cross-references from variant titles used by other composers, cross-references from the first lines, the publishers of the individual songs, the location of individual songs within the collected works of individual composers and the date of composition.
With this resource, a reader can find the songs written by a composer, who published a specific song, and which composers might have set a particular poem to music. Bradley's guide offers a user-friendly, contemporary index of information for which scholars previously had to search extensively.

1) Based on feedback from students and instructors to accommodate the virtual classroom 2) Proven success of this methodology by several students using their paper culminating in this course to acquire admission and scholarship recognition to support of advanced study. 3) Unique group of contributors representing various sub-disciplines, and adding field experts in unique fields of study such as Neurophenomenology,Music History Research and Non-Western Repertoires

Mediterranean Mosaic examines the diverse musical styles of the region including Turkey, the Middle East, North Africa, Italy, Greece, and Spain and discusses how the cultures within these countries are interconnected. Looking at traditional musics within the region as well as outside influences on these tradition, topics covered include Klapa singing and Cha Wave from Croatia, the pop group Alibina, Pop-Rai from Algeria, and jazz in the Mediterranean.

Mediterranean Mosaic examines the diverse musical styles of the region including Turkey, the Middle East, North Africa, Italy, Greece, and Spain and discusses how the cultures within these countries are interconnected. Looking at traditional musics within the region as well as outside influences on these tradition, topics covered include Klapa singing and Cha Wave from Croatia, the pop group Alibina, Pop-Rai from Algeria, and jazz in the Mediterranean.

When a musician dies, it is rarely the end of their story. While death can propel megastars to even further success, artists overlooked in their lifetime might also find a new type of fame. But a badly timed move or the wrong deal can see the artist die all over again. Colonel Tom Parker, the former carnival huckster, understood this high-wire act implicitly and the posthumous career of Elvis Presley has provided a template for everyone else. Estates have two jobs: keeping the artist's name alive and ensuring they continue to make money. These can sometimes be compatible goals, but often they spark a tension that is unique in the music business. Drawing on interviews with those running music estates as well as music lawyers, record company executives and archivists, Leaving the Building reveals how the music industry is constantly striving to perfect the business of death.

Comprehensive biographical information covering the leading names in all aspects of popular music This fully updated and revised biographical reference source provides the latest information on the lives and achievements of the leading people within the popular music industry. Offering invaluable information on many up-and-coming artists difficult to obtain elsewhere, this accurate and reliable reference book is invaluable for anyone interested in the popular music industry. Features include: * Over 5,000 entries * Profiles pop, rock, folk, jazz, dance, world and country artists * Provides full biographical information: major career details, concerts, recordings and compositions, honours and contact address * Includes full contact details for companies and organizations throughout the popular music industry - including record companies, management companies, agents and promoters, publishers, festivals and events

120 million records sold. The world’s biggest selling album of the twenty-first century. Countless awards and accolades. Adele has captured the hearts of millions and this intimate biography tells the astonishing journey of the Queen of Pop. The trademark authenticity of Adele’s songs has been hard earned: she was raised by a single mother and has been tested by bereavements and a string of break-ups. Just when she seemed to have left the pain behind, a harrowing divorce and a career-threatening throat injury brought new darkness and doubt to her doorstep. This book takes you behind the scenes of her highs, her lows and everything in between. Separating the myths from the truth, it examines the real Adele: a shrewd and ambitious star who approaches her career with an iconic blend of tradition and innovation. The superstar is back in the spotlight with a new album and a fresh look. But will Adele ever find happiness, or will she always be followed by what she calls her ‘very dark side’?

Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Working with Sound is an exploration of the ever-changing working practices of audio development in the era of hybrid collaboration in the games industry. Through learnings from the pre-pandemic remote and isolated worlds of audio work, sound designers, composers and dialogue designers find themselves equipped uniquely to thrive in the hybrid, remote, and studio-based realms of today's fast-evolving working landscapes. With unique insights into navigating the worlds of isolation and collaboration, this book explores ways of thinking and working in this world, equipping the reader with inspiration to sustainably tackle the many stages of the development process. Working with Sound is an essential guide for professionals working in dynamic audio teams of all sizes, as well as the designers, producers, artists, animators and programmers who collaborate closely with their colleagues working on game audio and sound.

Production Management in Live Music: Managing the Technical Side of Touring in Today's Music Industry is a handbook for the aspiring production manager looking to forge a career in the live music industry. This book outlines the role that a production manager performs and their key responsibilities, and takes the reader step by step through the entire process of preparing a show for a tour. From dealing with artists and management to hiring crew, from booking vendors and scheduling the day-to-day of a busy tour, this text covers everything that is needed to take the show into rehearsals and finally on the road. Every aspect of the job is covered, including the very important challenges that face today's industry in the realms of sustainability, inclusion, diversity and mental health. Whether the show be on a festival, in a small theatre or club, or in a modern arena, this book clearly lays out the tasks and challenges and offers practical solutions to ensure the smooth running of a live performance. Production Management in Live Music is written for students in stage and production management courses and emerging professionals working in live music touring.

Come join the band! College Fight Songs II is a supplement to the original College Fight Songs, providing 97 additional song texts and interesting historical information. Together they are a unique anthology of college fight songs from across the country.College Fight Songs II: A Supplementary Anthology is a second-round knockout that finishes the job started by the first edition. This rollicking continuation of the original collection will give you even more to shout about, again bringing together complete lyrics, historical annotations, and musical scores of the songs of over 50 more colleges and universities!Full of spirited music and lyrics that will put a spring in the step of incoming freshmen and music historians alike, College Fight Songs II is for you! You'll uncover plenty of behind-the-scenes info about the songs and the people who inspired them, and of course you'll find: complete musical scores full lyrics basic historical background concerning the songs and their institutions information regarding the songwriters and college nicknamesSo let's "Hail West Virginia," stay "Ever True to Brown," "Fight for LSU," and shout out "The Buckeye Battle Cry!" College Fight Songs II will keep you in the game!

The Artist and Academia explores the relationship between artistic and academic ways of knowing. Historically, these have often been presented as opposites; the former characterized as passionate and intuitive and the latter portrayed as systematic and rigorous. Recent scholarship presents a more complex picture. Artistic knowledge demands high levels of skill and rigor, while academic research requires creativity and innovative thinking. This edited collection brings together leading artists and scholars (as well as artist-scholars) to offer a variety of philosophical, educational, experiential, reflexive and imaginative perspectives on the artist and academia. The contributions include in-depth, scholarly discussions on the nature of knowledge and creativity, as well as personal artistic statements from musicians, dancers, actors and writers. Additionally, it explores both the mediational and subversive spaces created by the meeting of artistic and academic traditions. While the book addresses global themes by global writers, its core case study is an educational experiment called the Irish World Academy of Music and Dance at the University of Limerick in Ireland. Established in 1994, it set out to reconfigure the place of the artist in the context of contemporary higher education. The material is clustered into three parts. Part One and Part Two explore the artist as mediator, educator and subversive in academia. Grounded in close-to-practice research, Part Three concludes the volume with a set of case studies from the Irish World Academy. Artistic and academic knowledge come together in this unique set of pieces to explore the development of more inclusive and imaginative pedagogical values.