Still the most influential and popular songwriting team in the history of the American Musical Theatre, Richard Rodgers and Oscar Hammerstein represent Broadway musicals at their finest. The team revolutionized the musical play with Oklahoma! in 1943 and then went on to explore territory never put on the musical stage before in such beloved shows as Carousel, South Pacific, The King and I and The Sound of Music. The team also worked in film, as with State Fair, and in the new medium of television, with Cinderella. For the first time, the lives, careers, works, songs, and themes of Rodgers and Hammerstein have been gathered together in an encyclopedia that covers the many talents of these men. In addition to their plays and films together, every work that each man did with other collaborators is also discussed. Hundreds of their songs are described, and there are entries on the many actors, directors, and other creative artists who they worked with. A complete list of awards, recordings, and books about the team are included, as well as a chronology of everything either man wrote. But The Rodgers and Hammerstein Encyclopedia is not just about facts. It explains their work, explores themes in their musicals, and illustrates why they remain a driving force in the American Theatre. This is the first encyclpoedia to look specifically at the careers and works of Rodgers and Hammerstein, covering all their musicals together for stage, screen and televsion, but also everything they wrote with others. The purpose is to create a comprehensive guide to the American Musical Theatres foremost collaboration. The encyclopedia is (1) comprehensve, describing the works, the people involved in thoseworks, and many of their famous songs; ( 2) up-to-date, including the most recent revivals of their works and new recordings of their scores; and (3) easy to use, being alphabetically arranged with cross-reference listings, chronological lists, lists of awards and recordings, and bibliographic information for further reading.

During the past 15 years, artists have established a remarkable record of innovation and success in institutional settings. Their work with hospital patients, prisoners, the elderly, the disabled, the mentally ill, and others has shown that the arts can have a significant positive impact on the lives of these people. This book recounts the histories of 22 institutional and community arts programs across the country pioneering this approach through activities such as creative writing and the performing and visual arts. Consisting largely of first-hand accounts, the book demonstrates how the creative processes have been used to address and solve some of society's most pressing problems. Included are case studies, research, and descriptions of the wide variety of artistic, educational, and therapeutic approaches utilized by each of the 22 programs. Also described are many of the financial and political strategies used to build and sustain support for these unlikely endeavors. This work will provide valuable insights for artists, educators, social service providers, and community leaders.

This comprehensive survey examines Latin American music, focusing on popular-as opposed to folk or art-music and containing more than 200 entries on the concepts and terminology, ensembles, and instruments that the genre comprises. The rich and soulful character of Latin American culture is expressed most vividly in the sounds and expressions of its musical heritage. While other scholars have attempted to define and interpret this body of work, no other resource has provided such a detailed view of the topic, covering everything from the mambo and unique music instruments to the biographies of famous Latino musicians. Encyclopedia of Latin American Popular Music delivers scholarly, authoritative, and accessible information on the subject, and is the only single-volume reference in English that is devoted to an encyclopedic study of the popular music in this genre. This comprehensive text-organized alphabetically-contains roughly 200 entries and includes a chronology, discussion of themes in Latin American music, and 37 biographical sidebars of significant musicians and performers. The depth and scope of the book's coverage will benefit music courses, as well as studies in Latin American history, multicultural perspectives, and popular culture. Roughly 200 entries on concepts and terminology, ensembles, genres, and instruments 37 biographical sidebars of significant musicians and performers A chronology for Latin American popular music

In this exciting new work, David Boucher and Gary Browning explore Bob Dylan's radical and changing engagement with the "political." The contributions deal with various aspects and periods of Dylan's career, including the early protest ballads, the artistic high-point of his mid-sixties electric period in which his songs question the very notion of ordered collective politics, and present alternative disturbing images of a counter-reality. Finally the book explores the more personal and religious songs on issues of identity, alienation and ethical striving. Whereas in the early protest songs the diagnosis and prognosis did not always give rise to answers, the later religious analyses of the world gone wrong appeared to generate a very clear and simple remedy in Jesus.

This discography documents all recordings made by this pioneering and influential record label which was active in many areas - popular, jazz, blues, country, and ethnic music during a formative and dynamic period in America's cultural history just before and during the 1920s on into the early 1930s. All known 78rpm record releases in the United States, Britain, Canada, Australia, and Japan are detailed. Also included is an essay on the history of the various corporate entities that produced the OKeh label during its initial period of operation with special emphasis on the activities of the record company in making many field recordings in locations throughout the United States and Hawaii.

Laird and Rust's book is primarily comprised of an extensive bibliography and a comprehensive artist index. This publication is the definitive volume on a legendary and influential record company which played a vital part in recording many great artists including some who are still recognized as some of the finest exponents of their particular musical styles.

The first book of its kind, this discography covers the history of steel band and pan music on recordings from their beginnings. In more than 775 entries, it comprises all known recordings on phonograph records, cassettes, and compact disks in which one or more steel pans is featured or used in an accompanying role. This includes steel bands of any size and configuration, pan soloists, and small ensembles in a variety of settings. For each entry, information is provided on the location of the recording session/studio, release date, record company catalog number, and complete contents. Indexes facilitate access to artists, arrangers/conductors/musical directors, record titles, years of release, and compositions; and appendices provide additional information on record manufacturers and distributors, calypsonians, and sources. A reference bibliography completes the work. The creation, teaching, and performance of most of othe pan music of the past belongs to an oral tradition. There is therefore little written preservation of this work and audio recordings often provide the only documentation of the art of many gifted composers, arrangers, performers, and tuners. These recordings constitute a primary source of information regarding past performance practices, evolving playing styles and techniques, and pan tuning innovations. While serving as a guide for locating these recordings, this discography also will function as a research tool to aid researchers into many other aspects of the steel pan movement. As such, it will be a valuable resource for scholars, performing artists, educators, instrument builders, composers, arrangers, and enthusiasts.

With an unsettled childhood and unfinished education behind her, Cat Power headed to New York to pursue music. Her rapidly rising popularity was matched only by her appetite for drugs and alcohol. Now sober, Power--born Chan Marshall--is finding her place on the world stage. b&w photo insert.

This is the first book-length consideration of music in British films to appear in sixty years. During the 1930s, British-made musicals were the most popular films seen by British audiences while British film music produced some outstanding pieces that became concert hall classics. This book addresses music in British films, both as musical scores (in the first half of the book) and as British film musicals (the second half). Each section will start with a detailed chronological review history.

This early work by C. Whitaker-Wilson is both expensive and hard to find in its first edition. It details the qualities and varieties of classical music and contains chapters on concertos, the symphony, the overture and much more. This fascinating work is thoroughly recommended for inclusion on the bookshelf of all with an interest in composers and the history of classical music. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book offers an evocative cross-cultural exploration into the everyday lives and music practices of young people from their own broad social, cultural and ethnic perspectives. Youth from seven urban locales in Australia, the UK, the US and Europe document and reflect on their own learning processes and music activities.

Bruce Springsteen's career has been covered many times over, yet many of the complexities and apparent contradictions of his music remain unresolved. Rob Kirkpatrick provides a comprehensive and coherent look at the work of this thoroughly complex and persistently captivating artist. After a brief biographical treatment, Kirkpatrick considers all of Springsteen's significant albums in chronological order. These include Born to Run, which was voted the most popular album of all time in a recently published Zagat survey; Born in the U.S.A., which sold more than 20 million copies; and The Rising, regarded by many as the most poignant artistic reaction to 9/11. In addition to a probing musical analysis, the book offers a guide to Springsteen's lyrical themes and motifs, allowing readers insight into the complicated nature of the artist's underlying concerns, influences, and ideas. Rounding out the volume is a consideration of The Boss's legacy as a songwriter and musician, as well as appendices including a bibliography and a complete discography. The Words and Music of Bruce Springsteen provides a comprehensive and coherent look at the work of a thoroughly complex and persistently captivating artist. Springsteen enjoys a popularity that has transcended generations. His 1975 album Born to Run was voted the most popular album of all time in a recently published Zagat survey; his 1984 album Born in the U.S.A. spawned seven Top Ten singles while selling more than 20 million copies; and his 2002 album The Rising was regarded by many critics as the most poignant artistic reaction to 9/11. Springsteen, now in his 50s, has evolved from an over-hyped version of the next Bob Dylan, to the future of rock and roll in the mid-1970s, to a pop culture icon in Reagan America, to a 21st-century populist voice. His career has been covered many times over, yet many of the complexities and apparent contradictions of his music remain unresolved. These include his hard-rock influenced musical background; his movement from themes of rebellion and isolation in his early work to those of a more populist complexion later on; and his contribution in the 1980s to a conservative patriotism—despite his albums' close association with the music and ideas of Woody Guthrie. After a brief biographical treatment, Kirkpatrick considers all of Springsteen's significant albums in chronological order. In addition to this probing musical analysis, he offers a guide to Springsteen's lyrical themes and motifs, allowing readers a coherent insight into the complicated nature of the artist's underlying concerns, influences, and ideas. Rounding out the volume is a consideration of The Boss's legacy as a songwriter and musician, as well as appendices including a bibliography and a complete discography. In sum, The Words and Music of Bruce Springsteen provides a comprehensive and coherent look, previously unavailable in a single volume, at the work of a thoroughly complex and persistently captivating artist.

Through its Decca 5000 series of the 1930s and 1940s, the American Decca recording company became the most influential record label in the burgeoning hillbilly music category, the forerunner of today's country and western music. This unique discography provides for the first time in print a systematic numerical listing and cross-referencing of all released recordings in the 5000 and 17000 Cajun series as well as records released under Decca's Champion 45000 and Montgomery Ward series, also devoted to hillbilly music. A total of 1514 discs are covered ranging from records released by such major hillbilly music stars as Jimmie Davis, the Sons of the Pioneers, and Ernest Tubb to those by less well-known solo artists and groups, including the Corn Cob Crushers and the Happy Hollow Hoodlums. Based on painstaking research in the original session books, ledgers, and label copy books as well as interviews with musicians and singers who participated in Decca recording sessions, this discography of one of the most remarkable record series of the 20th century makes a major contribution to the study of contemporary American music. The volume begins with an introduction which traces the early history of the Decca Record Company and its impact on hillbilly music of the 1930s and 1940s. Cary Ginell demonstrates that the Decca 5000 and other hillbilly series had a major role not only in documenting the history of hillbilly music but also in affecting its course by influencing future recording artists in the genre. Following a brief section which describes how to use the discography and the indexes, the discography itself is divided into four separate numerical listings: Decca 5000, Decca 17000, Decca/Champion 45000, and Montgomery Ward recordings. Each listing includes information about recording dates, master numbers, unissued titles, song titles and legends, songwriter credits, and release dates. Five indexes--artist, matrix and location, release dates, composer credits, and title--provide enhanced access to the main listings. Scholars and researchers of American country and folk music, both once included under the hillbilly banner--will find this discography an indispensable resource.

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Though the term Irish music typically evokes images of fiddles, flutes, and "Riverdance," Ireland and its culture have also given rise to a wealth of orchestral music, including compositions ranging from string quartets to operas. In this important new work, author Axel Klein provides much more than a mere discography: he documents and promotes a largely unknown aspect of Irish culture in a unique combination of discographical and biographical information.

Featuring ninety-three recorded Irish composers and forty-three international composers influenced by Irish music, the volume offers the means for scholars and general readers alike to familiarize themselves with a subject to which most of the world, until now, has not been exposed. As most of the music described is currently available on compact disc, Klein's compilation serves as an invaluable resource guide for both academics and amateur enthusiasts.

With a political agenda foregrounding collaborative practice to promote ethical relations, these individually and joint written essays and interviews discuss dances often with visual art, theatre, film and music, drawing on continental philosophy to explore notions of space, time, identity, sensation, memory and ethics.

Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.