It's hard to imagine cows walking up Third Street or sheep on Innes Avenue, yet a large portion of the area known today as Bayview Hunters Point was once extremely rural. Called Butchertown by locals, the neighborhood was a source of much of San Francisco's food. Over the years, it evolved into an interesting combination of residences, businesses, and industries. The area was home to slaughterhouses, tanneries, tallow works, a saddle shop, the Bethlehem Steel Corporation, numerous boat yards including the legendary Allemand Brothers Boat Repair, and the U.S. Naval operations at Hunters Point Shipyard. Alongside these entities lived thousands of residents with unique stories and lifestyles.

Columbia started life in 1850 when Dr. Thaddeus Hildreth and his brother set up the camp known as Hildreth's Diggins in the lovely Sierra foothills. More than 150 tumultuous years later, Columbia is an amazing example of a true gold rush community frozen in time. But this is no ghost town either -- the downtown area, with its plank sidewalks, ornate hotels, and saloons, is preserved as a California State Historic Park. The town today is a living, breathing, modern community at peace with both its past and its present. It's easy to imagine characters from the Old West swaggering through these streets, which served as the backdrop to Gary Cooper's Marshall Will Kane in High Noon. Of course, given Columbia's frequent historical reenactments, one doesn't have to think too hard to conjure such imagery.

Eleanor Roosevelt's character was shaped by the history and culture of the Hudson Valley. More than that, Eleanor Roosevelt loved the Hudson Valley. A woman who knew and cared for the whole world chose this place, Val-Kill, as her home in a cottage by a stream. Eleanor Roosevelt: A Hudson Valley Remembrance reflects her unaffected simplicity and caring interest in her neighbors' concerns. Remembered by friends, colleagues, neighbors, and young people, these qualities inspired a community-based group to lead efforts to save her home in 1977 as the country's first national historic site dedicated to a First Lady. The Eleanor Roosevelt Center at Val-Kill continues her work on issues that affect life today.

This book examines the importance of the Glorious Revolution and the passing of the Toleration Act to the development of religious and intellectual freedom in England. Most historians have considered these events to be of little significance in this connection. From Persecution to Toleration focuses on the importance of the Toleration Act for contemporaries, and also explores its wider historical context and impact. Taking its point of departure from the intolerance of the sixteenth century, the book goes on to emphasize what is here seen to be the very substantial contribution of the Toleration Act for the development of religious freedom in England. It demonstrates that his freedom was initially limited to Protestant Nonconformists, immigrant as well as English, and that it quickly came in practice to include Catholics, Jews, and anti-Trinitarians. Contributors: John Bossy, Patrick Collinson, John Dunn, Graham Gibbs, Mark Goldie, Ole Peter Grell, Robin Gwynn, Jonathan I. Israel, David S. Katz, Andrew Pettegree, Richard H. Popkin, Hugh Trevor-Roper, Nicholas Tyacke, and B. R. White.

Morgan Hill lies at the foot of stately El Toro Mountain in southern Santa Clara Valley. Martin Murphy Sr. settled here in 1845, and only a generation later the Murphy family had managed to acquire 70,000 acres. Martin's son Daniel owned over a million acres in the western United States when his only daughter, the beautiful Diana, secretly married Hiram Morgan Hill in 1882. Hiram and Diana inherited part of the original ranch, where they built their lovely Villa Mira Monte. Although the Southern Pacific Railroad tried to name the nearby depot "Huntington," passengers always asked to stop at Morgan Hill's ranch, a popular christening of a community surrounded by thriving orchards and vineyards. After World War II, Morgan Hill became a desirable suburb and has remained so through the birth of Silicon Valley.

This book: covers the essential content in the new specifications in a rigorous and engaging way, using detailed narrative, sources, timelines, key words, helpful activities and extension material helps develop conceptual understanding of areas such as evidence, interpretations, causation and change, through targeted activities provides assessment support for A level with sample answers, sources, practice questions and guidance to help you tackle the new-style exam questions. It also comes with three years' access to ActiveBook, an online, digital version of your textbook to help you personalise your learning as you go through the course - perfect for revision.

Again and again people turn to music in order to assist them make sense of traumatic life events. Music can help process emotions, interpret memories, and create a sense of collective identity. While the last decade has seen a surge in academic studies on trauma and loss in both the humanities and social sciences, how music engages suffering has not often been explored. Performing Pain uncovers music's relationships to trauma and grief by focusing upon the late 20th century in Eastern Europe. The 1970s and 1980s witnessed a cultural preoccupation with the meanings of historical suffering, particularly surrounding the Second World War and the Stalinist era. Journalists, historians, writers, artists, and filmmakers repeatedly negotiated themes related to pain and memory, truth and history, morality and spirituality both during glasnost and the years prior. In the copious amount of scholarship devoted to cultural politics during this era, the activities of avant-garde composers stands largely silent. Performing Pain considers how works by Alfred Schnittke, Galina Ustvolskaya, Arvo Part, and Henryk Gorecki musically address contemporary concerns regarding history and suffering through composition, performance, and reception. Drawing upon theories from psychology, sociology, literary and cultural studies, this book offers a set of hermeneutic essays that demonstrate the ways in which people employ music in order to make sense of historical traumas and losses. Seemingly postmodern compositional choices-such as quotation, fragmentation, and stasis-provide musical analogies to psychological and emotional responses to trauma and grief. The physical realities of embodied performance focus attention on the ethics of pain and representation while these works' inclusion as film music interprets contemporary debates regarding memory and trauma. Performing Pain promises to garner wide attention from academic professionals in music studies as well as an interdisciplinary audience interested in Eastern Europe and aesthetic articulations of suffering.

Tombstone sits less than 100 miles from the Mexico border in the middle of the picturesque Arizona desert and also squarely at the heart of America's Old West. Silver was discovered nearby in 1878, and with that strike, Tombstone was created. It soon grew to be a town of over 10,000 of the most infamous outlaws, cowboys, lawmen, prostitutes, and varmints the Wild West has ever seen. The gunfight at the O.K. Corral made Wyatt Earp and John Henry "Doc" Holliday legendary and secured Tombstone's reputation as "The Town Too Tough to Die." In this volume, more than 200 striking images and informative captions tell the stories of the heroes and villains of Tombstone, the saloons and brothels they visited, the movies they inspired, and Boot Hill, the well-known cemetery where many were buried.

In the early 20th century, there was no better example of a classic American downtown than Los Angeles. Since World War II, Los Angeles's Historic Core has been "passively preserved," with most of its historic buildings left intact. Recent renovations of the area for residential use and the construction of Disney Hall and the Staples Center are shining a new spotlight on its many pre-1930s Beaux Arts, Art Deco, and Spanish Baroque buildings.

Established as the Pine Ridge Agency in southwestern South Dakota between Nebraska and the Black Hills in 1878, Pine Ridge became a reservation in 1889. The second-largest reservation in the country, comprised of almost 2 million acres, it is home to 38,000 residents, almost 18,000 of whom are enrolled members of the Oglala Sioux Tribe. The history of the Pine Ridge Reservation is laden with both an awe-inspiring cultural heritage and the tragic effects of forced settlement on the reservation.

"Waging a counterinsurgency war and justified by claims of 'an agreement between Guatemala and God, ' Guatemala's Evangelical Protestant military dictator General Rios Montt incited a Mayan holocaust: over just 17 months, some 86,000 mostly Mayan civilians were murdered. Virginia Garrard-Burnett dives into the horrifying, bewildering murk of this episode, the Western hemisphere's worst twentieth-century human rights atrocity. She has delivered the most lucid historical account and analysis we yet possess of what happened and how, of the cultural complexities, personalities, and local and international politics that made this tragedy. Garrard-Burnett asks the hard questions and never flinches from the least comforting answers. Beautifully, movingly, and clearly written and argued, this is a necessary and indispensable book."
-- Francisco Goldman, author of The Art of Political Murder: Who Killed the Bishop?
"Virginia Garrard-Burnett's Terror in the Land of the Holy Spirit is impressively researched and argued, providing the first full examination of the religious dimensions of la violencia - a period of extreme political repression that overwhelmed Guatemala in the 1980s. Garrard-Burnett excavates the myriad ways Christian evangelical imagery and ideals saturated political and ethical discourse that scholars usually treat as secular. This book is one of the finest contributions to our understanding of the violence of the late Cold War period, not just in Guatemala but throughout Latin America."
--Greg Grandin, Professor of History, New York University
Drawing on newly-available primary sources including guerrilla documents, evangelical pamphlets, speech transcripts, and declassified US government records, Virginia Garrard-Burnett provides aa fine-grained picture of what happened during the rule of Guatelaman president-by-coup Efrain Rios Montt. She suggests that three decades of war engendered an ideology of violence that cut not only vertically, but also horizontally, across class, cultures, communities, religions, and even families. The book examines the causality and effects of the ideology of violence, but it also explores the long duree of Guatemalan history between 1954 and the late 1970s that made such an ideology possible. More significantly, she contends that self-interest, willful ignorance, and distraction permitted the human rights tragedies within Guatemala to take place without challenge from the outside world."

For fans of Radium Girls and history and WWII buffs, The Girls Who Stepped Out of Line takes you inside the lives and experiences of 15 unknown women heroes from the Greatest Generation, the women who served, fought, struggled, and made things happen during WWII-in and out of uniform, for theirs is a legacy destined to embolden generations of women to come. The Girls Who Stepped Out of Line are the heroes of the Greatest Generation that you hardly ever hear about. These women who did extraordinary things didn't expect thanks and shied away from medals and recognition. Despite their amazing accomplishments, they've gone mostly unheralded and unrewarded. No longer. These are the women of World War II who served, fought, struggled, and made things happen-in and out of uniform. Young Hilda Eisen was captured twice by the Nazis and twice escaped, going on to fight with the Resistance in Poland. Determined to survive, she and her husband later emigrated to the U.S. where they became entrepreneurs and successful business leaders. Ola Mildred Rexroat was the only Native American woman pilot to serve with the Women's Airforce Service Pilots (WASP) in World War II. She persisted against all odds-to earn her silver wings and fly, helping train other pilots and gunners. Ida and Louise Cook were British sisters and opera buffs who smuggled Jews out of Germany, often wearing their jewelry and furs, to help with their finances. They served as sponsors for refugees, and established temporary housing for immigrant families in London. Alice Marble was a grand-slam winning tennis star who found her own path to serve during the war-she was an editor with Wonder Woman comics, played tennis exhibitions for the troops, and undertook a dangerous undercover mission to expose Nazi theft. After the war she was instrumental in desegregating women's professional tennis. Others also stepped out of line-as cartographers, spies, combat nurses, and troop commanders. Retired U.S. Army Major General Mari K. Eder wrote this book because she knew their stories needed to be told-and the sooner the better. For theirs is a legacy destined to embolden generations of women to come.

Walking through the French Quarter can overwhelm the senses--and the imagination. The experience is much more meaningful with knowledge of the area's colorful history. For instance, the infamous 1890 "separate but equal" legal doctrine justifying racial segregation was upheld by the Louisiana Supreme Court at the Cabildo on Jackson Square. In the mid-twentieth century, a young Lee Harvey Oswald called Exchange Alley home. One of New Orleans' favorite drinks--the sazerac--would not exist if Antoine Peychaud had not served his legendary bitters with cognac from his famous apothecary at 437 Royal. Local author Andy Peter Antippas presents a walking history of the Vieux Carre, one alley, corner and street at a time.

One Unitarian preacher prefaces his opposition to the invasion of Iraq by insisting that meaningful religion is a process of "ongoing revelation." He pits this essential "liberal" tenet against the closed-canon biblicism of "the Fundamentalists who find in their Holy Book the blueprints for war, who discover in the prejudices of ancient peoples the legitimization of oppression today," and concludes by invoking Ralph Waldo Emerson as his authority on the necessity of continuing revelation. Elsewhere, a conservative evangelical Christian observes the Episcopalian convention that nearly dissolved over the ordination of a homosexual bishop and is disgusted by the "ease with which ... clergy and laity speak of an open canon." We must be, he sarcastically suggests, "all Latter-day Saints now." Why did these two men revert to religious innovations of the antebellum era - Transcendentalism in one case, Mormonism in the other - to frame their understanding of contemporary religious struggles? David Holland argues that the generation from which Emerson and Mormonism emerged might be considered the United States' revelatory moment. From Shakers to Hicksite Quakers, from the obscure African American prophetess Rebecca Jackson to the celebrated theologian Horace Bushnell, people throughout antebellum Americans advocated the idea of an open canon. Holland tells their stories and considers their place within the main currents of American thought. He shows that in the antebellum era, the notion of an open canon appeared to many to be a timely idea, and that this period marked the beginning of a distinctive and persistent engagement with the possibility of continuing revelation. This idea would attain deep significance in the intellectual history of the United States. Sacred Borders deftly analyzes the positions of the most prominent advocates of continuing revelation, and engages the essential issues to which the concept of an open canon was inextricably bound. Holland offers a new perspective of the matter of cultural authority in a democratized society, the tension between subjective truths and communal standards, a rising historical consciousness, the expansion of print capitalism, and the principle of religious freedom.

Shortly after Ponce de Leon discovered La Florida in 1513, early Spanish settlers found a large and sheltered bay on the Gulf of Mexico. The bay became known as Pensacola after the Penzacola Indians who lived along the shore. In 1698, the first permanent colony was established by pioneers who recognized the strategic importance of a fine harbor with protective barrier islands and a high bluff, or barranca, on the mainland across from a defensible mouth. For centuries the bay was fortified and refortified. Battles raged in four wars, and five nations raised their flags along the harbor. Pensacola Bay: A Military History traces the rich military history of the bay from Spanish times to the present-day Naval Air Station Pensacola, home of the Navy's Blue Angels. The book presents over 200 black-and-white images that highlight the acquisition of Florida by the United States in 1821, the construction of fortifications and naval installations, the Civil War, both World Wars, the Old Navy Yard, the Naval Air Station, and present-day military activity.

The impact of the Great Depression on politics in the 1930s was both transformative and shocking. The role of government in America was forever transformed, and across Europe socialist, communist, and fascist parties saw their support skyrocket. Most famously, the National Socialists seized power in Germany in 1933, setting off a chain of events that led to the greatest conflagration in world history. The recent Great Recession has not been as severe as the Great Recession, but it has been severe enough, producing a half decade of negative and/or slow growth across the advanced industrial world. Yet the response by voters has been extraordinarily muted considering the circumstances. Why is this? In Mass Politics in Tough Times, the eminent political scientists Larry Bartels and Nancy Bermeo have gathered a group of leading scholars to analyze the political responses to the Great Recession in the US, Western Europe, and East-Central Europe. In contrast to works that focus on policy responses to the Recession, they examine how ordinary voters have responded. In almost every country, most voters have not shifted their allegiance to either far left or far right parties. Instead, they've continued to act as they have in more normal times: vote based on their own personal circumstances and punish the incumbents who were on watch when the bad turn occurred regardless of whether they were center-left or center-right. In some countries, electoral trends that existed before the Recession have continued. The US, for instance, saw no real increase in popular support for an expanded welfare state. In fact, the anti-regulatory right, which gained strength before the Recession occurred, experienced a series of victories in Wisconsin after 2008. Interestingly, states that had strong welfare systems have seen the least political realignment. As the contributors show, ordinary voters tend to vote based on their own experiences, and those in expansive welfare states have been buffered from the harshest effects of the Recession. That said, states with weaker welfare systems-e.g., Greece-have seen significant political turmoil. Moreover, there have been a small number of cases of popular radicalization, and the contributors have been able to isolate the cause: when voters can establish a clear and direct connection between the actions of political elites and economic hardship, they will throw their support to protest parties on the right and left. Ultimately, though, the picture is one of relatively stoic acceptance of the downturn by the majority of publics. Featuring an impressive range of cases, this will stand as the most comprehensive scholarly account of the Great Recession's impact on political behavior in advanced economies.

Ride the trolley up the ridge of Beacon Hill and discover one of South Seattle's most interesting districts. Unique among Seattle neighborhoods, Beacon Hill is a community where immigrants from all over the globe have settled side by side for over 100 years. This new book tells the story of the people and businesses of Beacon Hill in vintage photographs, the majority of which date before World War II. Readers will learn about the immigrants who worked on farms, opened shops, and labored in shipyards, the building of Jefferson Park, as well as the activism and political struggles that shaped the Beacon Hill neighborhood.

The United States is considered the world's foremost refuge for foreigners, and no place in the nation symbolizes this better than Ellis Island. Through Ellis Island's halls and corridors more than twelve million immigrants-of nearly every nationality and race-entered the country on their way to new experiences in North America. With an astonishing array of nineteenth- and twentieth-century photographs, Ellis Island leads the reader through the fascinating history of this small island in New York harbor from its pre-immigration days as one of the harbor's oyster islands to its spectacular years as the flagship station of the U.S. Bureau of Immigration to its current incarnation as the National Park Service's largest museum.

The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries. Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time. A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.

Featuring extensive revisions to the text as well as a new introduction and epilogue--bringing the book completely up to date on the tumultuous politics of the previous decade and the long-term implications of the Soviet collapse--this compact, original, and engaging book offers the definitive account of one of the great historical events of the last fifty years.
Combining historical and geopolitical analysis with an absorbing narrative, Kotkin draws upon extensive research, including memoirs by dozens of insiders and senior figures, to illuminate the factors that led to the demise of Communism and the USSR. The new edition puts the collapse in the context of the global economic and political changes from the 1970s to the present day. Kotkin creates a compelling profile of post Soviet Russia and he reminds us, with chilling immediacy, of what could not have been predicted--that the world's largest police state, with several million troops, a doomsday arsenal, and an appalling record of violence, would liquidate itself with barely a whimper. Throughout the book, Kotkin also paints vivid portraits of key personalities. Using recently released archive materials, for example, he offers a fascinating picture of Gorbachev, describing this virtuoso tactician and resolutely committed reformer as "flabbergasted by the fact that his socialist renewal was leading to the system's liquidation"--and more or less going along with it.
At once authoritative and provocative, Armageddon Averted illuminates the collapse of the Soviet Union, revealing how "principled restraint and scheming self-interest brought a deadly system to meek dissolution."
Acclaim for the First Edition:
"The clearest picture we have to date of the post-Soviet landscape."
--The New Yorker
"A triumph of the art of contemporary history. In fewer than 200 pagesKotkin elucidates the implosion of the Soviet empire--the most important and startling series of international events of the past fifty years--and clearly spells out why, thanks almost entirely to the 'principal restraint' of the Soviet leadership, that collapse didn't result in a cataclysmic war, as all experts had long forecasted."
-The Atlantic Monthly
"Concise and persuasive The mystery, for Kotkin, is not so much why the Soviet Union collapsed as why it did so with so little collateral damage."
--The New York Review of Books

In Bewitching Russian Opera: The Tsarina from State to Stage, Inna Naroditskaya investigates the musical lives of four female monarchs who ruled Russia for most of the eighteenth century - Catherine I, Anna, Elizabeth, and Catherine the Great. Engaging with ethnomusicological, historical, and philological approaches, her study traces the tsarinas' deeply invested interest in musical drama, as each built theaters, established drama schools, commissioned operas and ballets, and themselves wrote and produced musical plays. Naroditskaya examines the creative output of the tsarinas across the contexts in which they worked and lived, revealing significant connections between their personal creative aspirations and contemporary musical-theatrical practices, and the political and state affairs conducted during their reigns. Bewitching Russian Opera ultimately demonstrates that the theater served as an experimental space for these imperial women, in which they rehearsed, probed, and formulated gender and class roles, and enacted on the musical stage political ambitions and international conquests which they would later carry out on the world stage itself.
Beginning with the eighteenth-century imperial court, Naroditskaya illustrates the increased theatricality of the court and the popularity of musical theater among nobles, which occurred alongside an appropriation of folk and court ceremonies into the theater. Through contemporary performance theory, she demonstrates how the opportunity for role-playing and costume-changing in performative spaces allowed individuals to cross otherwise rigid boundaries of class and gender. A close look at a series of operas and musical theater productions - from Catherine the Great's fairy tale operas to Tchaikovsky's Pique Dame - illuminates the transition of these royal women from powerful political and cultural figures during their own reigns, to a marginalized and unreal Other under the patriarchal dominance of the subsequent period. These tsarinas successfully fostered the concept of a modern nation and collective national identity, only to then have their power and influence undone in Russian cultural consciousness through the fairy-tales operas of the 19th century that positioned tsarinas as "magical" and dangerous figures rightfully displaced and conquered--by triumphant heroes on the stage, and by the new patriarchal rulers in the state.

Ndangwa Noyoo was Head of the Department of Social Development at UCT from 2018-2020.

This book exposes corruption and malpractices at UCT, which the author witnessed during his tenure as HoD there, before he was ousted by a group of lecturers in his department. The former had been aided and abetted by senior administrators at the faculty level.

It is a personal account that is evidence-based, as the claims the author makes in the book are documented in various reports, communications and eye-witness accounts that span a period of five and a half years.