Roanoke, Virginia, is one of America's great historic railroad centers. The Norfolk & Western Railway Company, now the Norfolk Southern Corporation, has been in Roanoke for over a century. Since the company has employed many of the city's African Americans, the two histories are intertwined. The lives of Roanoke's black railroad workers span the generations from Jim Crow segregation to the civil rights era to today's diverse corporate workforce. Older generations toiled through labor-intensive jobs such as janitors and track laborers, paving the way for younger African Americans to become engineers, conductors and executives. Join author Sheree Scarborough as she interviews Roanoke's African American railroad workers and chronicles stories that are a powerful testament of personal adversity, struggle and triumph on the rail.

Discover the stories behind Vermont's most haunted inns, hotels, and B&Bs.

Explore the haunted history of the RMS "Queen Mary."

Explore the haunted history of Helena, Montana.

An exploration of the murder that occurred at Rocky Point Park in Warwick, Rhode Island in 1893.

Discover the remarkable history of Dupont Circle in Washington, D.C.

The Buddhist monk Tanxu surmounted extraordinary obstacles--poverty, wars, famine, and foreign occupation--to become one of the most prominent monks in China, founding numerous temples and schools, and attracting crowds of students and disciples wherever he went. Now, in Heart of Buddha, Heart of China, James Carter draws on untapped archival materials to provide a book that is part travelogue, part history, and part biography of this remarkable man.
This revealing biography shows a Chinese man, neither an intellectual nor a peasant, trying to reconcile his desire for a bold and activist Chinese nationalism with his own belief in China's cultural and social traditions, especially Buddhism. As it follows Tanxu's extraordinary life, the book also illuminates the pivotal events in China's modern history, showing how one individual experienced the fall of China's last empire, its descent into occupation and civil war, and its eventual birth as modern nation. Indeed, Tanxu lived in a time of almost constant warfare--from the Sino-Japanese War of 1895, to the Boxer Uprising, the Russo-Japanese War, the Japanese occupation, and World War II. He and his followers were robbed by river pirates, and waylaid by bandits on the road. Caught in the struggle between nationalist and communist forces, Tanxu finally sought refuge in the British colony of Hong Kong. At the time of his death, at the age of 89, he was revered as "Master Tanxu," one of Hong Kong's leading religious figures.
Capturing all this in a magnificent portrait, Carter gives first-person immediacy to one of the most turbulent periods in Chinese history.

Dit is 1713. VOC-admiraal Johannes van Steelant bring sy ryklik belaaide retoervloot via die Kaapse diensstasie terug na Nederland uit Batavia. Saam op die vlagskip, sy vyf jong kinders. Op die oop see raak hulle een-een siek. Hete koors, maagpyn, swere – die gevreesde pokke.

Op 12 Februarie gaan die gesin, nou almal gesond, aan land in Tafelbaai. Hul skeepsklere word gewas in die VOC se slawelosie. Enkele maande later is byna die helfte van die Kaapse bevolking dood aan pokke.

In Retoervloot bring VOC-kenner Dan Sleigh dié gegewe, en die verbysterende werkinge van die VOC-retoervlootstelsel, lewend voor die oog. Aan die hand van Van Steelant se nuut-ontdekte skeepsjoernaal, met die agtergrondinkleding wat ’n meesterlike geskiedkundige soos Sleigh kan bied, staan die leser op die dek van vlagskip Sandenburg – ’n magtige skip van ’n roemryke organisasie, dog uitgelewer aan die woedende oseaan. Verder is Retoervloot ’n gedenksteen vir Kaapstad se grootste ramp tot op hede

W. E. B. Du Bois is an improbable candidate for a project in religion. His skepticism of and, even, hostility toward religion is readily established and canonically accepted. Indeed, he spent his career rejecting normative religious commitments to institutions and supernatural beliefs. In this book, Jonathon Kahn offers a fresh and controversial reading of Du Bois that seeks to overturn this view. Kahn contends that the standard treatment of Du Bois turns a deaf ear to his writings. For if we're open to their religious timbre, those writings-from his epoch-making The Souls of Black Folk to his unstudied series of parables that depict the lynching of an African American Christ-reveal a virtual obsession with religion. Du Bois's moral, literary, and political imagination is inhabited by religious rhetoric, concepts and stories. Divine Discontent recovers and introduces readers to the remarkably complex and varied religious world in Du Bois's writings. It's a world of sermons, of religious virtues such as sacrifice and piety, of jeremiads that fight for a black American nation within the larger nation. Unlike other African American religious voices at the time, however, Du Bois's religious orientation is distinctly heterodox--it exists outside the bounds of institutional Christianity. Kahn shows how Du Bois self-consciously marshals religious rhetoric, concepts, typologies, narratives, virtues, and moods in order to challenge traditional Christian worldview in which events function to confirm a divine order. Du Bois's antimetaphysical religious voice, he argues, places him firmly in the American tradition of pragmatic religious naturalism typified by William James. This innovative reading of Du Bois should appeal to scholars of American religion, intellectual history, African American Studies, and philosophy of religion.

A thoughtful and informative look at moonshine whiskey and the characters who produced it in the Southern Appalachian region.

From its humble beginnings as a place to swim and row a boat, Ideal Beach eventually became Indiana Beach, a small amusement park where families could have good old-fashioned fun. Founded by Earl Spackman in 1926, its popularity was bolstered by the addition of a dance hall that drew the top bands of the nation during the Depression and war years of the 1940s. When Earl passed away, his son Tom continued his legacy, setting Indiana Beach on a course that would make it one of the most popular vacation resorts and amusement parks in the entire Midwest, delighting nearly one million visitors every year.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.
The volume challenges presumed associations of women and magic by probing the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.
By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates gendered stereotypes that are as relevant now as for understanding antiquity or the early modern witch hunts.

Though you may not know the man, you probably know his music. Arkansas-born Louis Jordan's songs like "Baby, It's Cold Outside," "Caldonia" and "Ain't Nobody Here But Us Chickens" can still be heard today, decades since Jordan ruled the charts. In his five-decade career, Jordan influenced American popular music, film and more and inspired the likes of James Brown, B.B. King, Chuck Berry and Ray Charles. Known as the "King of the Jukeboxes," he and his combo played a hybrid of jazz, swing, blues and comedy music during the big band era that became the start of R&B.

In a stunning narrative portrait of Louis Jordan, author Stephen Koch contextualizes the great, forgotten musician among his musical peers, those he influenced and the musical present.

Gambling, prostitution and bootlegging have been going on in Steubenville for well over one hundred years. Its Water Street red-light district drew men from hundreds of miles away, as well as underage runaways. The white slave trade was rampant, and along with all the vice crimes, murders became a weekly occurrence. Law enforcement seemed to turn a blind eye, and cries of political corruption were heard in the state capital. This scenario replayed itself over and over again during the past century as mobsters and madams ruled and murders plagued the city and county at an alarming rate. Newspapers nationwide would come to nickname this mecca of murder "Little Chicago."

The Metamorphosis of Leadership in a Democratic Mexico is a broad analysis of Mexico's changing leadership over the past eight decades, stretching from its pre-democratic era (1935-1988), to its democratic transition (1988-2000) to its democratic period (2000-the present). In it, Roderic Camp, one of the most distinguished scholars of Mexican politics, seeks to answer two questions: 1) how has Mexican political leadership evolved since the 1930s and in what ways, beyond ideology, has the shift from a semi-authoritarian, one-party system to a democratic, electoral system altered the country's leadership? and 2) which aspects of Mexican leadership have been most affected by this shift in political models and when and why did the changes in leadership occur? Rather than viewing Mexico's current government as a true democracy, Camp sees it as undergoing a process of consolidation, under which the competitive electoral process has resulted in a system of governing institutions supported by the majority of citizens and significant strides toward plurality. Accordingly, he looks at the relationship between the decentralization of political power and the changing characteristics, experiences and paths to power of national leaders.
The book, which represents four decades of Camp's work, is based upon a detailed study of 3000 politicians from the 1930s through the present, incorporating regional media accounts and Camp's own interviews with Mexican presidents, cabinet members, assistant secretaries, senators, governors, and party presidents.

The City by the Sea boasts an ambitious baseball history dating back to the early days of America's favorite pastime. In 1897, the Newport Colts became the first professional baseball team to ever tie in a playoff series. By the 1900s, baseball was being played daily on open fields and diamonds throughout Newport. The city has sported six major ball fields, including Cardines Field, host to the oldest continuously running amateur baseball team in the country. Discover the humble beginnings of players like Newport native Frank Corridon, who allegedly invented the now outlawed spitball, and the legacy of the great Trojans baseball club. Team up with baseball historian Rick Harris and walk through the history of Newport baseball from amateur games to the major leagues and all the strikes, homers and grand slams in between.

New England stagemen followed thousands of bedazzled gold rushers out west in 1849, carving out the first public overland transportation routes in California. Daring drivers like Hank Monk navigated treacherous terrain, while entrepreneurs such as James Birch, Jared Crandall and Louis McLane founded stagecoach companies traveling from Stockton to the Oregon border and over the formidable Sierra Nevada. Stagecoaches hauling gold from isolated mines to big-city safes were easy targets for highwaymen like Black Bart. Road accidents could end in disaster--coaches even tumbled down mountainsides. Journey back with author Cheryl Anne Stapp to an era before the railroad and automobile arrived and discover the wild history of stagecoach travel in California.

Katja Maria Vogt's Belief and Truth: A Skeptic Reading of Plato explores a Socratic intuition about the difference between belief and knowledge. Beliefs - doxai - are deficient cognitive attitudes. In believing something, one accepts some content as true without knowing that it is true; one holds something to be true that could turn out to be false. Since our actions reflect what we hold to be true, holding beliefs is potentially harmful for oneself and others. Accordingly, beliefs are ethically worrisome and even, in the words of Plato's Socrates, "shameful." As Vogt argues, this is a serious philosophical proposal and it speaks to intuitions we are likely to share. But it involves a notion of belief that is rather different from contemporary notions. Today, it is a widespread assumption that true beliefs are better than false beliefs, and that some true beliefs (perhaps those that come with justifications) qualify as knowledge. Socratic epistemology offers a genuinely different picture. In aiming for knowledge, one must aim to get rid of beliefs. Knowledge does not entail belief - belief and knowledge differ in such important ways that they cannot both count as kinds of belief. As long as one does not have knowledge, one should reserve judgment and investigate by thinking through possible ways of seeing things. According to Vogt, the ancient skeptics and Stoics draw many of these ideas from Plato's dialogues, revising Socratic-Platonic arguments as they see fit. Belief and Truth retraces their steps through interpretations of the Apology, Ion, Republic, Theaetetus, and Philebus, reconstructs Pyrrhonian investigation and thought, and illuminates the connections between ancient skepticism and relativism, as well as the Stoic view that beliefs do not even merit the evaluations "true" and "false."

In late July 1910, a shocking number of African Americans in Texas were slaughtered by white mobs in the Slocum area of Anderson County and the Percilla-Augusta region of neighboring Houston County. The number of dead surpassed the casualties of the Rosewood Massacre in Florida and rivaled those of the Tulsa Riots in Oklahoma, but the incident--one of the largest mass murders of blacks in American history--is now largely forgotten. Investigate the facts behind this harrowing act of genocide in E.R. Bills's compelling inquiry into the Slocum Massacre.

From the US Capitol to the Lincoln Memorial and the 9/11 Memorial Museum, classical forms and ideas have been central to an American nationalist aesthetic. Beginning with an understanding of this centrality of the classical tradition to the construction of American national identity and the projection of American power, Empire of Ruin describes a mode of black classicism that has been integral to the larger critique of American politics, aesthetics, and historiography that African American cultural production has more generally advanced. While the classical tradition has provided a repository of ideas and images that have allowed white American elites to conceive of the nation as an ideal Republic and the vanguard of the idea of civilization, African American writers, artists, and activists have characterized this dominant mode of classical appropriation as emblematic of a national commitment to an economy of enslavement and a geopolitical project of empire. If the dominant forms of American classicism and monumental culture have asserted the ascendancy of what Thomas Jefferson called an "empire for liberty," for African American writers and artists it has suggested that the nation is nothing exceptional, but rather another iteration of what the radical abolitionist Henry Highland Garnet identified as an "empire of slavery," inexorably devolving into an "empire of ruin."

On March 21, 1960, a line of 150 white policemen fired 1344 rounds into a crowd of several thousand people assembled outside a police station, protesting against the Apartheid regime's racist "pass" laws. The gunfire left in its wake sixty-seven dead and one hundred and eighty six wounded. Most of the people who were killed were shot in the back, hit while running away.
The Sharpeville Massacre, as the event has become known, marked the start of armed resistance in South Africa, and prompted worldwide condemnation of South Africa's Apartheid policies. In Sharpeville, Tom Lodge explains how and why the Massacre occurred, looking at the social and political background to the events of March 1960 as well as the long-term consequences of the shootings. Lodge offers a gripping account of the Massacre itself as well as the wider events that accompanied the tragedy, particularly the simultaneous protest in Cape Town which helped prolong the political crisis that developed in the wake of the shootings. Just as important, he sheds light on the long term consequences of these events. He explores how the Sharpeville events affected the perceptions of black and white political leadership in South Africa as well as South Africa's relationship with the rest of the world, and he describes the development of an international "Anti-Apartheid" movement in the wake of the shootings.
In South Africa today, March 21 is a public holiday, Human Rights Day, and for many people, it remains a day of mourning and memorial. This book illuminates this pivotal event in South African history.

The Garden State has made innumerable contributions to our nation's military history, on both battlefield and homefront, but many of those stories remain hidden within the larger national narrative. Perhaps the most crucial one-day battle of the Revolution was fought in Monmouth County, and New Jersey officers engineered the conquest of California in the Mexican War. During the Civil War, a New Jersey unit was instrumental in saving Washington, D.C., from Confederate capture. In World War II, New Jersey women flocked to war production factories and served in the armed forces, and a West Orange girl helped ferry Spitfire fighters in England. War came home to the coast in 1942 with the sinking of the SS "Resor" by a German submarine, but the state's citizens reacted by contributing everything they could to the war effort. Uncover these and other stories from New Jersey's hidden wartime history.

Step across the threshold of a haunted hotel in California's renowned Gold Country and encounter phantom figures of yesteryear. Wispy apparitions of gentleman guests in Victorian coats and ladies in fashionable flapper gowns glide through the walls, while unexplained sobs and choking gasps disturb the night. There's Stan, the Cary House's eternal desk clerk, and bachelor ghost Lyle, who tidies the Groveland Hotel. Flo tosses pots and pans in the National's kitchen, while the once-scorned spirit of Isabella ties the Sierra Nevada House's curtains in knots. From suicidal gamblers to murdered miners, the Mother Lode's one-time boomtowns are crowded with characters of centuries past. Book your stay with author Nancy Williams as she explores the history and haunts of the Gold Country's iconic hotels.

While all but gone today, Jamestown's furniture industry was once the second-largest producer of furniture in the United States. Manufacturing boomed from 1816, when William Breed and Royal Keyes opened their shops, to the 1920s, when Jamestown was still one of the top wood furniture producers in the country. In the nineteenth century, the thriving railroad industry allowed Jamestown's quality creations to be distributed nationwide. After the Civil War, an influx of Swedish immigrants brought their craftsmanship and skills to Jamestown, forming Morgan Manufacturing, Empire Furniture Company and many others. Then, their pieces were valued for quality and durability; today, they're coveted by collectors as beautiful antiques. Local expert Clarence Carlson uncovers the fascinating story of Jamestown furniture.

A strike gripped Winnipeg from May 15 to June 26, 1919. Some twenty-five thousand workers walked out, demanding better wages and union recognition. Red-fearing opponents insisted labour radicals were attempting to usurp constitutional authority and replace it with Bolshevism. Newspapers like the "Manitoba Free Press" claimed themselves political victims and warned of Soviet infiltration. Supporters of the general sympathetic strike like the "Toronto Daily Star" maintained that strikers were not Reds; they were workers fighting for their fair rights. What was really happening in Winnipeg? In an information age dominated by newspapers and magazines, the public turned to reporters and editors for answers.