The Oxford Handbook of John Donne presents scholars with the history of Donne studies and provides tools to orient scholarship in this field in the twenty-first century and beyond. Though profoundly historical in its orientation, the Handbook is not a summary of existing knowledge but a resource that reveals patterns of literary and historical attention and the new directions that these patterns enable or obstruct.
Part I -- Research resources in Donne Studies and why they they matter -- emphasizes the heuristic and practical orientation of the Handbook, examining prevailing assumptions and reviewing the specialized scholarly tools available. This section provides a brief evaluation and description of the scholarly strengths, shortcomings, and significance of each resource, focusing on a balanced evaluation of the opportunities and the hazards each offers.
Part II -- Donne's genres -- begins with an introduction that explores the significance and differentiation of the numerous genres in which Donne wrote, including discussion of the problems posed by his overlapping and bending of genres. Essays trace the conventions and histories of the genres concered and study the ways in which Donne's works confirm how and why his "fresh invention" illustrates his responses to the literary and non-literary contexts of their composition.
Part III -- Biographical and historical contexts -- creates perspective on what is known about Donne's life; shows how his life and writings epitomized and affected important controversial issues of his day; and brings to bear on Donne studies some of the most stimulating and creative ideas developed in recent decades by historians of early modern England.
Part IV -- Problems of literary interpretation that have been traditionally and generally important in Donne Studies -- introduces students and researchers to major critical debates affecting the reception of Donne from the 17th through to the 21st centuries.

Ride the trolley up the ridge of Beacon Hill and discover one of South Seattle's most interesting districts. Unique among Seattle neighborhoods, Beacon Hill is a community where immigrants from all over the globe have settled side by side for over 100 years. This new book tells the story of the people and businesses of Beacon Hill in vintage photographs, the majority of which date before World War II. Readers will learn about the immigrants who worked on farms, opened shops, and labored in shipyards, the building of Jefferson Park, as well as the activism and political struggles that shaped the Beacon Hill neighborhood.

The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries. Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time. A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.

Featuring extensive revisions to the text as well as a new introduction and epilogue--bringing the book completely up to date on the tumultuous politics of the previous decade and the long-term implications of the Soviet collapse--this compact, original, and engaging book offers the definitive account of one of the great historical events of the last fifty years.
Combining historical and geopolitical analysis with an absorbing narrative, Kotkin draws upon extensive research, including memoirs by dozens of insiders and senior figures, to illuminate the factors that led to the demise of Communism and the USSR. The new edition puts the collapse in the context of the global economic and political changes from the 1970s to the present day. Kotkin creates a compelling profile of post Soviet Russia and he reminds us, with chilling immediacy, of what could not have been predicted--that the world's largest police state, with several million troops, a doomsday arsenal, and an appalling record of violence, would liquidate itself with barely a whimper. Throughout the book, Kotkin also paints vivid portraits of key personalities. Using recently released archive materials, for example, he offers a fascinating picture of Gorbachev, describing this virtuoso tactician and resolutely committed reformer as "flabbergasted by the fact that his socialist renewal was leading to the system's liquidation"--and more or less going along with it.
At once authoritative and provocative, Armageddon Averted illuminates the collapse of the Soviet Union, revealing how "principled restraint and scheming self-interest brought a deadly system to meek dissolution."
Acclaim for the First Edition:
"The clearest picture we have to date of the post-Soviet landscape."
--The New Yorker
"A triumph of the art of contemporary history. In fewer than 200 pagesKotkin elucidates the implosion of the Soviet empire--the most important and startling series of international events of the past fifty years--and clearly spells out why, thanks almost entirely to the 'principal restraint' of the Soviet leadership, that collapse didn't result in a cataclysmic war, as all experts had long forecasted."
-The Atlantic Monthly
"Concise and persuasive The mystery, for Kotkin, is not so much why the Soviet Union collapsed as why it did so with so little collateral damage."
--The New York Review of Books

In Bewitching Russian Opera: The Tsarina from State to Stage, Inna Naroditskaya investigates the musical lives of four female monarchs who ruled Russia for most of the eighteenth century - Catherine I, Anna, Elizabeth, and Catherine the Great. Engaging with ethnomusicological, historical, and philological approaches, her study traces the tsarinas' deeply invested interest in musical drama, as each built theaters, established drama schools, commissioned operas and ballets, and themselves wrote and produced musical plays. Naroditskaya examines the creative output of the tsarinas across the contexts in which they worked and lived, revealing significant connections between their personal creative aspirations and contemporary musical-theatrical practices, and the political and state affairs conducted during their reigns. Bewitching Russian Opera ultimately demonstrates that the theater served as an experimental space for these imperial women, in which they rehearsed, probed, and formulated gender and class roles, and enacted on the musical stage political ambitions and international conquests which they would later carry out on the world stage itself.
Beginning with the eighteenth-century imperial court, Naroditskaya illustrates the increased theatricality of the court and the popularity of musical theater among nobles, which occurred alongside an appropriation of folk and court ceremonies into the theater. Through contemporary performance theory, she demonstrates how the opportunity for role-playing and costume-changing in performative spaces allowed individuals to cross otherwise rigid boundaries of class and gender. A close look at a series of operas and musical theater productions - from Catherine the Great's fairy tale operas to Tchaikovsky's Pique Dame - illuminates the transition of these royal women from powerful political and cultural figures during their own reigns, to a marginalized and unreal Other under the patriarchal dominance of the subsequent period. These tsarinas successfully fostered the concept of a modern nation and collective national identity, only to then have their power and influence undone in Russian cultural consciousness through the fairy-tales operas of the 19th century that positioned tsarinas as "magical" and dangerous figures rightfully displaced and conquered--by triumphant heroes on the stage, and by the new patriarchal rulers in the state.

This is the first of Newman's Anglican works to be presented in a fully annotated edition. Newman published the first two editions in 1836 and 1837 at the height of his career within the Oxford Movement. The third edition was published in 1877, when Newman had been a Roman Catholic for thiry-two years. It represents a dialogue between the Evangelical Anglican, Anglo-Catholic, and Roman Catholic Newman. As such it is a critical work in understanding Newman's development, as well as the impact of his thought on the larger Christian Church in his century and even in this one as it comes to a close. The text of this edition is based on the edition of 1889 (with obvious errors and misprints silently corrected), the edition to be seen through the press by Newman before his death in 1890; its pagination is preserved in the margin alongside the present text to facilitate reference to the uniform edition of the collected works. The text is supplemented by an introduction and textual appendix which lists all the variant readings between the editions of 1836, 1837, 1877 and the final edition.

The United States is considered the world's foremost refuge for foreigners, and no place in the nation symbolizes this better than Ellis Island. Through Ellis Island's halls and corridors more than twelve million immigrants-of nearly every nationality and race-entered the country on their way to new experiences in North America. With an astonishing array of nineteenth- and twentieth-century photographs, Ellis Island leads the reader through the fascinating history of this small island in New York harbor from its pre-immigration days as one of the harbor's oyster islands to its spectacular years as the flagship station of the U.S. Bureau of Immigration to its current incarnation as the National Park Service's largest museum.

With an excellent range of topics and an international line-up of contributors, this twenty-first volume is a welcome addition to the Oxford Studies in Ancient Philosophy. It includes detailed articles and critical notices of major books.

The Mahayana tradition in Buddhist philosophy is defined by its ethical orientation-the adoption of bodhicitta, the aspiration to attain awakening for the benefit of all sentient beings. And indeed, this tradition is known for its literature on ethics, particularly such texts as Nagarjuna's Jewel Garland of Advice (Ratnavali), Aryadeva's Four Hundred Verses (Catuhsataka), and especially Santideva's How to Lead an Awakened Life (Bodhicaryavatara) and its commentaries. All of these texts reflect the Madhyamaka tradition of philosophy, and all emphasize both the imperative to cultivate an attitude of universal care (karuna) grounded in the realization of emptiness, impermanence, independence and the absence of any self in persons or other phenomena. This position is morally very attractive, but raises an important problem: if all phenomena, including persons and actions, are only conventionally real, can moral injunctions or principles be binding, or does the conventional status of the reality we inhabit condemn us to an ethical relativism or nihilism? In Moonshadows, the international collective known as the Cowherds addresses an analogous problem in the domain of epistemology and argues that the Madhyamaka tradition has the resources to develop a robust account of truth and knowledge within the context of conventional reality. The essays explore a variety of ways in which to understand important Buddhist texts on ethics and Mahayana moral theory so as to make sense of the genuine force of morality. The volume combines careful textual analysis and doctrinal exposition with philosophical reconstruction and reflection, and considers a variety of ways to understand the structure of Mahayana Buddhist ethics.

The Vietnam War remains a topic of extraordinary interest, especially in light of the invasion of Iraq. In The Vietnam War, Mark Lawrence offers readers a superb short account of this key moment in U.S. as well as world history, based on the latest European and American research and on newly opened archives in China, Russia, and Vietnam. While focusing on the American involvement from 1965 to 1975, Lawrence offers an unprecedentedly complete picture of all sides of the war, drawing on now available communist records to capture the complicated brew of motivations that drove the other side. Moreover, the book reaches back well before American forces set foot in Vietnam, describing for instance how French colonialism sparked the 1945 Vietnamese revolution, and revealing how the Cold War concerns of the 1950s warped Washington's perception of Vietnam, leading the United States to back the French and eventually become involved on the ground itself. Of course, the heart of the book is the "American war," ranging from the overthrow of Ngo Dinh Diem to the impact of the Tet Offensive on the political situation in the US, Johnson's withdrawal from the 1968 presidential race, Nixon's expansion of the war into Cambodia and Laos, and the final peace agreement of 1973, which ended American military involvement. Finally, the book examines the aftermath of the war, from the momentous liberalization-"Doi Moi"-in Vietnam that began in 1986, to the enduring legacy of the war in American books, films, and political debate. A quick and reliable primer on an intensely relevant topic, this well researched and engaging volume offers an invaluable overview of the Vietnam War.

In Leaves from the Garden of Eden, Howard Schwartz, a three-time winner of the National Jewish Book Award, has gathered together one hundred of the most astonishing and luminous stories from Jewish folk tradition.
Just as Schwartz's award-winning book Tree of Souls: The Mythology of Judaism collected the essential myths of Jewish tradition, Leaves from the Garden of Eden collects one hundred essential Jewish tales. As imaginative as the Arabian Nights, these stories invoke enchanted worlds, demonic realms, and mystical experiences. The four most popular types of Jewish tales are gathered here--fairy tales, folktales, supernatural tales, and mystical tales--taking readers on heavenly journeys, lifelong quests, and descents to the underworld. King David is still alive in the City of Luz, which the Angel of Death cannot enter, and somewhere deep in the forest a mysterious cottage contains the candle of your soul. In these stories, a bride who is not careful may end up marrying a demon, while the charm sewn into a dress may drive a pious woman to lascivious behavior. There is a dybbuk lurking in a well, a book that comes to life, and a world where Lilith, the Queen of Demons, seduces the unsuspecting. Here too are Jewish versions of many of the best-known tales, including "Cinderella," "Snow White," and "Rapunzel." Schwartz's retelling of one of these stories, "The Finger," inspired Tim Burton's film Corpse Bride.
With its broad selection from written and oral sources, Leaves from the Garden of Eden is a landmark collection, representing the full range of Jewish folklore, from the Talmud to the present. It is a must-read for everyone who loves fiction and an ideal holiday gift.

The role of chance changed in the nineteenth century, and American literature changed with it. Long dismissed as a nominal concept, chance was increasingly treated as a natural force to be managed but never mastered. New theories of chance sparked religious and philosophical controversies while revolutionizing the sciences as probabilistic methods spread from mathematics, economics, and sociology to physics and evolutionary biology. Chance also became more visible in everyday life as Americans struggled to control its power through weather forecasting, insurance, game theory, statistics, military science, and financial strategy. Uncertain Chances shows how the rise of chance shaped the way nineteenth-century American writers faced questions of doubt and belief. Poe in his detective fiction critiques probabilistic methods. Melville in Moby-Dick and beyond struggles to vindicate moral action under conditions of chance. Douglass and other African American authors fight against statistical racism. Thoreau learns to appreciate the play between nature's randomness and order. Dickinson works faithfully to render poetically the affective experience of chance-surprise. These and other nineteenth-century writers dramatize the inescapable dangers and wonderful possibilities of chance. Their writings even help to navigate extremes that remain with us today-fundamentalism and relativism, determinism and chaos, terrorism and risk-management, the rational confidence of the Enlightenment and the debilitating doubts of modernity.

Combining vivid ethnographic storytelling and incisive theoretical analysis, New Monasticism and the Transformation of American Evangelicalism introduces readers to the fascinating and unexplored terrain of neo-monastic evangelicalism. Often located in disadvantaged urban neighborhoods, new monastic communities pursue religiously inspired visions of racial, social, and economic justice-alongside personal spiritual transformation-through diverse and creative expressions of radical community For most of the last century, popular and scholarly common-sense has equated American evangelicalism with across-the-board social, economic, and political conservatism. However, if a growing chorus of evangelical leaders, media pundits, and religious scholars is to be believed, the era of uncontested evangelical conservatism is on the brink of collapse-if it hasn't collapsed already. Wes Markofski has immersed himself in the paradoxical world of evangelical neo-monasticism, focusing on the Urban Monastery-an influential neo-monastic community located in a gritty, racially diverse neighborhood in a major Midwestern American city. The resulting account of the way in which the movement is transforming American evangelicalism challenges entrenched stereotypes and calls attention to the dynamic diversity of religious and political points of view which vie for supremacy in the American evangelical subculture. New Monasticism and the Transformation of American Evangelicalism is the first sociological analysis of new monastic evangelicalism and the first major work to theorize the growing theological and political diversity within twenty-first-century American evangelicalism.

By 1700 London was the largest city in the world, with over 500,000 inhabitants. Very weakly policed, its streets saw regular outbreaks of rioting by a mob easily stirred by economic grievances, politics or religion. If the mob vented its anger more often on property than people, eighteenth-century Londoners frequently came to blows over personal disputes in a society where men and women were quick to defend their honour. Slanging matches easily turned to fisticuffs and slights on honour were avenged in duels. In this world, where the detection and prosecution of crime was the part of the business of the citizen, punishment, whether by the pillory, whipping at a cart's tail or hanging at Tyburn, was public and endorsed by crowds. The Mob draws a fascinating portrait of the public life of the modern world's first great city.

Evangelicals are increasingly turning their attention toward issues such as the environment, international human rights, economic development, racial reconciliation, and urban renewal. This marks an expansion of the social agenda advanced by the Religious Right over the past few decades. For outsiders to evangelical culture, this trend complicates simplistic stereotypes. For insiders, it brings contention over what "true" evangelicalism means today. The New Evangelical Social Engagement brings together an impressive interdisciplinary team of scholars to map this new religious terrain and spell out its significance. The volume's introduction describes the broad outlines of this "new evangelicalism." The editors identify its key elements, trace its historical lineage, account for the recent changes taking place within evangelicalism, and highlight the implications of these changes for politics, civic engagement, and American religion. Part One of the book discusses important groups and trends: emerging evangelicals, the New Monastics, an emphasis on social justice, Catholic influences, gender dynamics and the desire to rehabilitate the evangelical identity, and evangelical attitudes toward the new social agenda. Part Two focuses on specific issues: the environment, racial reconciliation, abortion, international human rights, and global poverty. Part Three contains reflections on the new evangelical social engagement by three leading scholars in the fields of American religious history, sociology of religion, and Christian ethics.

The Greek Wars treats of the whole course of Persian relations with the Greeks from the coming of Cyrus in the 540s down to Alexander the Great's defeat of Darius III in 331 BC. Cawkwell discusses from a Persian perspective major questions such as why Xerxes' invasion of Greece failed, and how important a part the Great King played in Greek affairs in the fourth century. Cawkwell's views are at many points original: in particular, his explanation of how and why the Persian invasion of Greece failed challenges the prevailing orthodoxy, as does his view of the importance of Persia in Greek affairs for the two decades after the King's Peace. Persia, he concludes, was destroyed by Macedonian military might but moral decline had no part in it; the Macedonians who had subjected Greece were too good an army, but their victory was not easy.

Although puritans in 17th-century New England lived alongside both Native Americans and Africans, the white New Englanders imagined their neighbors as something culturally and intellectually distinct from themselves. Legally and practically, they saw people of color as simultaneously human and less than human, things to be owned. Yet all of these people remained New Englanders, regardless of the color of their skin, and this posed a problem for puritans. In order to fulfill John Winthrop's dream of a "city on a hill," New England's churches needed to contain all New Englanders. To deal with this problem, white New Englanders generally turned to familiar theological constructs to redeem not only themselves and their actions (including their participation in race-based slavery) but also to redeem the colonies' Africans and Native Americans. Richard A. Bailey draws on diaries, letters, sermons, court documents, newspapers, church records, and theological writings to tell the story of the religious and racial tensions in puritan New England.

This is the first book-length study of the role that friendship plays in diplomacy and international politics. Through an examination of a vast amount of sources ranging from diplomatic letters and bilateral treaties, to poems and philosophical treatises, it analyses how friendship has been talked about and practised in pre-modern political orders and modern systems of international relations. The study highlights how instrumental friendship was for describing and legitimising a range of political and legal engagements with foreign countries and nations. It emphasises contractual and political aspects in diplomatic friendship based on the idea of utility. It is these functions of the concept that help the world stick together when collective institutions are either embryonic or no more. -- .

Tombstone sits less than 100 miles from the Mexico border in the middle of the picturesque Arizona desert and also squarely at the heart of America's Old West. Silver was discovered nearby in 1878, and with that strike, Tombstone was created. It soon grew to be a town of over 10,000 of the most infamous outlaws, cowboys, lawmen, prostitutes, and varmints the Wild West has ever seen. The gunfight at the O.K. Corral made Wyatt Earp and John Henry "Doc" Holliday legendary and secured Tombstone's reputation as "The Town Too Tough to Die." In this volume, more than 200 striking images and informative captions tell the stories of the heroes and villains of Tombstone, the saloons and brothels they visited, the movies they inspired, and Boot Hill, the well-known cemetery where many were buried.

One of the most widely read and studied texts produced in Late Antiquity is the prison diary of a young woman who was martyred in the year 202 or 203 C.E. in Carthage, as part of a civic celebration. Her name was Perpetua, and, despite her honorable marriage and her baby son, she refused to recant her faith after she was arrested with a group of Christians. Imprisoned with her was a slave girl called Felicitas, who was in an advanced state of pregnancy. Felicitas gave birth just before she entered the arena, where the two women were mauled by wild animals and died with their fellow inmates. A description of their heroic deaths is appended to the diary by an editor, who tells us that, as they died, Perpetua and Felicitas arranged each other's clothes modestly and finally bid farewell in this life with the kiss of peace. This remarkable document survives in one Greek manuscript and nine Latin versions. Perpetua's story is read in numerous courses and, thanks to the Frontline (PBS) special "From Jesus to Christ," it has found a growing popular audience. Thomas Heffernan's new edition of this extraordinary work contains much that has never been done before, including a new English translation and the first detailed historical commentary in English on the entire narrative of the Passion. It also includes newly edited versions of the Latin manuscripts and - rarer still - a version of the Greek manuscript. He concludes the book with a description of all of the known manuscripts and thorough scholarly indices of the text itself.

Silent Music explores the importance of music and liturgy in an eighteenth-century vision of Spanish culture and national identity. From 1750 to 1755, the Jesuit Andres Marcos Burriel (1719-1762) and the calligrapher Francisco Xavier Santiago y Palomares (1728-1796) worked together in Toledo Cathedral for the Royal Commission on the Archives, which the government created to obtain evidence for the royal patronage of church benefices in Spain. With Burriel as director, the Commission transcribed not only archival documents, but also manuscripts of canon law, history, literature, and liturgy, in order to write a new ecclesiastical history of Spain. At the center of this ambitious project of cultural nationalism stood the medieval manuscripts of the Old Hispanic rite, the liturgy associated with Toledo's Mozarabs, or Christians who had continued to practice their religion under Muslim rule. Burriel was the first to realize that the medieval manuscripts differed significantly from the early-modern editions of the Mozarabic rite. Palomares, building on his work with Burriel, wrote a history of the Visigothic script in which he noted the indecipherability of the music notation in manuscripts of the Old Hispanic rite. Palomares not only studied manuscripts, but also copied them, producing numerous drawings and a full-size, full-color parchment facsimile of the liturgical manuscript Toledo, Biblioteca Capitular 35.7 (from the late eleventh or early twelfth century),which was presented to King Ferdinand VI of Spain. Another product of this antiquarian concern with song is Palomares's copy (dedicated to Barbara de Braganza) of the Toledo codex of the Cantigas de Santa Maria. For both men, this silent music was invaluable as a graphic legacy of Spain's past. While many historians in the Spanish Enlightenment articulated the idea of the modern nation through the study of the Middle Ages, Burriel and Palomares are exceptional for their treatment of musical notation as an object of historical study and their conception of music as an integral part of history.

A long-awaited history that promises to dramatically change our understanding of race in America, What Comes Naturally traces the origins, spread, and demise of miscegenation laws in the United States - laws that banned interracial marriage and sex, most often between whites and members of other races. Peggy Pascoe demonstrates how these laws were enacted and applied not just in the South but throughout most of the country, in the West, the North, and the Midwest. Beginning in the Reconstruction era, when the term miscegenation first was coined, she traces the creation of a racial hierarchy that bolstered white supremacy and banned the marriage of Whites to Chinese, Japanese, Filipinos, and American Indians as well as the marriage of Whites to Blacks. She ends not simply with the landmark 1967 case of Loving v. Virginia, in which the Supreme Court finally struck down miscegenation laws throughout the country, but looks at the implications of ideas of colorblindness that replaced them. What Comes Naturally is both accessible to the general reader and informative to the specialist, a rare feat for an original work of history based on archival research.

Why did Jesus speak in parables? Why does Plato's Socrates make bad arguments? Why do we root for criminal heroes? In mummy movies, why is the skeptic always the first to go? Why don't stage magicians even pretend to summon spirits any more? Why is Samuel Beckett so confusing? And why is it worth trying to answer questions like these? Witty and approachable, How to Do Things with Fictions challenges the widespread assumption that literary texts must be informative or morally improving to be of any real benefit. It reveals that authors are often best thought of not as entertainers or as educators but as personal trainers of the brain, putting their willing readers through exercises that fortify their mental capacities. This book is both deeply insightful and rigorously argued, and the journey delivers plenty of surprises along the way-that moral readings of literature can be positively dangerous; that the parables were deliberately designed to be misunderstood; that Plato knowingly sets his main character up for a fall; that we can sustain our beliefs even when we suspect them to be illusions; and more. Perhaps best of all, though, the book is written with uncommon verve and a light touch that will satisfy the generally educated public and the specialist reader alike. In How to Do things with Fictions, Joshua Landy convincingly shows how the imaginative writings sitting on our shelves may well be our best allies in the struggle for more rigorous thinking, deeper faith, greater peace of mind, and richer experience.