Follow Me - A Seasonal Journey

A Personal Worship Resource for the Church Calendar Year

(Includes Journal with Audio Narration and Music)

Featuring the Paintings of Daniel Bonnell with Reflections from Contributing Writer, Roger Housden

Here you will find a rarified and evocative combination of the arts (music, art, and poetry)buttressing the clear meaning of the liturgical church's yearly calendar.

Dr. Jim Townsend, David C. Cook Publishing Theological Editor, Retired

Lana Lee Marler's "Follow Me - A Seasonal Journey" is a dynamic devotional resource, crossing the Christian Church year with our invitation from Jesus Christ to, "Follow Me."

She offers in these pages a wonderfully rich relating of scripture, art, music, poetry, reflections and provocative questions to the seasons of the Christian calendar while also providing generous space for journaling.

The Rev. Dr. William E. White, Senior Pastor, St. Peter's Lutheran Church, Lexington, SC The Psalmist admonished us: "O taste and see that the Lord is good."Most of us do not expose ourselves enough to resources other than the written word to cultivate our "taste" (awareness) of the Living Lord. This beautiful work by Lana Lee Marler will change that. As you live with it, you will find yourself "tasting" and "seeing" the Lord.

Dr. Maxie D. Dunnam, President Emeritus of Asbury Theological Seminary

Our lives are not real, not fully alive, until they are based on a certain consciousness of the Triune God moving in and all around us. A life of prayer can bring such an awareness. Lana Lee Marler has created a real gift and resource for us in this lovely prayer journal based on the ancient liturgical calendar of the Christian Church. She uses art and poetry and song to invite us to reflect and log the prayers we hear in our hearts and minds, which opens us to more fully participate in the eternal, holy conversation.

Dr. Andy Andrews, Dean of St. Mary's Episcopal Cathedral, Memphis, TN

Embodiment-defined as having, being in, or being associated with a body-is a feature of the existence of many entities, perhaps even of all entities. Why entities should find themselves in this condition is the central concern of the present volume. The problem includes, but also goes beyond, the philosophical problem of body: that is, what the essence of a body is, and how, if at all, it differs from matter. On some understandings there may exist bodies, such as stones or asteroids, that are not the bodies of any particular subjects. To speak of embodiment by contrast is always to speak of a subject that variously inhabits, or captains, or is coextensive with, or even is imprisoned within, a body. The subject may in the end be identical to, or an emergent product of, the body. That is, a materialist account of embodied subjects may be the correct one. But insofar as there is a philosophical problem of embodiment, the identity of the embodied subject with the body stands in need of an argument and cannot simply be assumed. The reasons, nature, and consequences of the embodiment of subjects as conceived in the long history of philosophy in Europe as well as in the broader Mediterranean region and in South and East Asia, with forays into religion, art, medicine, and other domains of culture, form the focus of these essays. More precisely, the contributors to this volume shine light on a number of questions that have driven reflection on embodiment throughout the history of philosophy. What is the historical and conceptual relationship between the idea of embodiment and the idea of subjecthood? Am I who I am principally in virtue of the fact that I have the body I have? Relatedly, what is the relationship of embodiment to being and to individuality? Is embodiment a necessary condition of being? Of being an individual? What are the theological dimensions of embodiment? To what extent has the concept of embodiment been deployed in the history of philosophy to contrast the created world with the state of existence enjoyed by God? What are the normative dimensions of theories of embodiment? To what extent is the problem of embodiment a distinctly western preoccupation? Is it the result of a particular local and contingent history, or does it impose itself as a universal problem, wherever and whenever human beings begin to reflect on the conditions of their existence? Ultimately, to what extent can natural science help us to resolve philosophical questions about embodiment, many of which are vastly older than the particular scientific research programs we now believe to hold the greatest promise for revealing to us the bodily basis, or the ultimate physical causes, of who we really are?

Plato's "Phaedo", Hegel's "Phenomenology of Spirit" and Heidegger's "Being and Time" are three of the most profound meditations on variations of the ideas that to practice philosophy is to practice how to die. This study traces how these variations are connected with each other and with the reflections of this idea to be found in the works of other ancient and modern philosophers - including Neitzsche, Husserl, Sartre, Merleau-Ponty and levinas. The book also shows how this philosophical thanatology motivates or is motivated by experiences documented in psychoanalysis and in the anthropology of Western and Oriental religions and myths.

"Waging a counterinsurgency war and justified by claims of 'an agreement between Guatemala and God, ' Guatemala's Evangelical Protestant military dictator General Rios Montt incited a Mayan holocaust: over just 17 months, some 86,000 mostly Mayan civilians were murdered. Virginia Garrard-Burnett dives into the horrifying, bewildering murk of this episode, the Western hemisphere's worst twentieth-century human rights atrocity. She has delivered the most lucid historical account and analysis we yet possess of what happened and how, of the cultural complexities, personalities, and local and international politics that made this tragedy. Garrard-Burnett asks the hard questions and never flinches from the least comforting answers. Beautifully, movingly, and clearly written and argued, this is a necessary and indispensable book."
-- Francisco Goldman, author of The Art of Political Murder: Who Killed the Bishop?
"Virginia Garrard-Burnett's Terror in the Land of the Holy Spirit is impressively researched and argued, providing the first full examination of the religious dimensions of la violencia - a period of extreme political repression that overwhelmed Guatemala in the 1980s. Garrard-Burnett excavates the myriad ways Christian evangelical imagery and ideals saturated political and ethical discourse that scholars usually treat as secular. This book is one of the finest contributions to our understanding of the violence of the late Cold War period, not just in Guatemala but throughout Latin America."
--Greg Grandin, Professor of History, New York University
Drawing on newly-available primary sources including guerrilla documents, evangelical pamphlets, speech transcripts, and declassified US government records, Virginia Garrard-Burnett provides aa fine-grained picture of what happened during the rule of Guatelaman president-by-coup Efrain Rios Montt. She suggests that three decades of war engendered an ideology of violence that cut not only vertically, but also horizontally, across class, cultures, communities, religions, and even families. The book examines the causality and effects of the ideology of violence, but it also explores the long duree of Guatemalan history between 1954 and the late 1970s that made such an ideology possible. More significantly, she contends that self-interest, willful ignorance, and distraction permitted the human rights tragedies within Guatemala to take place without challenge from the outside world."

This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.

Although the name of Rudolf Bultmann is so well-known, and a considerable number of his writings, and specialist discussions of them, are available in English, there has so far been no thorough basic introduction setting out Bultmann's theology in a comprehensive way. This gap has now been admirably filled by the present book, which derives from a series of lectures given by one of Bultmann's pupils at Marburg in celebration of Bultmann's eightieth birthday. Addressed to an audience of widely differing backgrounds, it presupposes no specialist knowledge, and expounds Bultmann's thought with particular vividness, making full use of quotations from his works.

One Unitarian preacher prefaces his opposition to the invasion of Iraq by insisting that meaningful religion is a process of "ongoing revelation." He pits this essential "liberal" tenet against the closed-canon biblicism of "the Fundamentalists who find in their Holy Book the blueprints for war, who discover in the prejudices of ancient peoples the legitimization of oppression today," and concludes by invoking Ralph Waldo Emerson as his authority on the necessity of continuing revelation. Elsewhere, a conservative evangelical Christian observes the Episcopalian convention that nearly dissolved over the ordination of a homosexual bishop and is disgusted by the "ease with which ... clergy and laity speak of an open canon." We must be, he sarcastically suggests, "all Latter-day Saints now." Why did these two men revert to religious innovations of the antebellum era - Transcendentalism in one case, Mormonism in the other - to frame their understanding of contemporary religious struggles? David Holland argues that the generation from which Emerson and Mormonism emerged might be considered the United States' revelatory moment. From Shakers to Hicksite Quakers, from the obscure African American prophetess Rebecca Jackson to the celebrated theologian Horace Bushnell, people throughout antebellum Americans advocated the idea of an open canon. Holland tells their stories and considers their place within the main currents of American thought. He shows that in the antebellum era, the notion of an open canon appeared to many to be a timely idea, and that this period marked the beginning of a distinctive and persistent engagement with the possibility of continuing revelation. This idea would attain deep significance in the intellectual history of the United States. Sacred Borders deftly analyzes the positions of the most prominent advocates of continuing revelation, and engages the essential issues to which the concept of an open canon was inextricably bound. Holland offers a new perspective of the matter of cultural authority in a democratized society, the tension between subjective truths and communal standards, a rising historical consciousness, the expansion of print capitalism, and the principle of religious freedom.

Saffron-robed monks and long-haired gurus have become familiar characters on the American popular culture scene. Jane Iwamura examines the contemporary fascination with Eastern spirituality and provides a cultural history of the representation of Asian religions in American mass media. Encounters with monks, gurus, bhikkhus, sages, sifus, healers, and masters from a wide variety of ethnic backgrounds and religious traditions provided initial engagements with Asian spiritual traditions. Virtual Orientalism shows the evolution of these interactions, from direct engagements with specific individuals to mediated relations with a conventionalized icon: the Oriental Monk. Visually and psychically compelling, the Oriental Monk becomes for Americans a ''figure of translation''--a convenient symbol for alternative spiritualities and modes of being. Through the figure of the solitary Monk, who generously and purposefully shares his wisdom with the West, Asian religiosity is made manageable-psychologically, socially, and politically--for popular culture consumption. Iwamura's insightful study shows that though popular engagement with Asian religions in the United States has increased, the fact that much of this has taken virtual form makes stereotypical constructions of "the spiritual East" obdurate and especially difficult to challenge.

Shortly after Ponce de Leon discovered La Florida in 1513, early Spanish settlers found a large and sheltered bay on the Gulf of Mexico. The bay became known as Pensacola after the Penzacola Indians who lived along the shore. In 1698, the first permanent colony was established by pioneers who recognized the strategic importance of a fine harbor with protective barrier islands and a high bluff, or barranca, on the mainland across from a defensible mouth. For centuries the bay was fortified and refortified. Battles raged in four wars, and five nations raised their flags along the harbor. Pensacola Bay: A Military History traces the rich military history of the bay from Spanish times to the present-day Naval Air Station Pensacola, home of the Navy's Blue Angels. The book presents over 200 black-and-white images that highlight the acquisition of Florida by the United States in 1821, the construction of fortifications and naval installations, the Civil War, both World Wars, the Old Navy Yard, the Naval Air Station, and present-day military activity.

The impact of the Great Depression on politics in the 1930s was both transformative and shocking. The role of government in America was forever transformed, and across Europe socialist, communist, and fascist parties saw their support skyrocket. Most famously, the National Socialists seized power in Germany in 1933, setting off a chain of events that led to the greatest conflagration in world history. The recent Great Recession has not been as severe as the Great Recession, but it has been severe enough, producing a half decade of negative and/or slow growth across the advanced industrial world. Yet the response by voters has been extraordinarily muted considering the circumstances. Why is this? In Mass Politics in Tough Times, the eminent political scientists Larry Bartels and Nancy Bermeo have gathered a group of leading scholars to analyze the political responses to the Great Recession in the US, Western Europe, and East-Central Europe. In contrast to works that focus on policy responses to the Recession, they examine how ordinary voters have responded. In almost every country, most voters have not shifted their allegiance to either far left or far right parties. Instead, they've continued to act as they have in more normal times: vote based on their own personal circumstances and punish the incumbents who were on watch when the bad turn occurred regardless of whether they were center-left or center-right. In some countries, electoral trends that existed before the Recession have continued. The US, for instance, saw no real increase in popular support for an expanded welfare state. In fact, the anti-regulatory right, which gained strength before the Recession occurred, experienced a series of victories in Wisconsin after 2008. Interestingly, states that had strong welfare systems have seen the least political realignment. As the contributors show, ordinary voters tend to vote based on their own experiences, and those in expansive welfare states have been buffered from the harshest effects of the Recession. That said, states with weaker welfare systems-e.g., Greece-have seen significant political turmoil. Moreover, there have been a small number of cases of popular radicalization, and the contributors have been able to isolate the cause: when voters can establish a clear and direct connection between the actions of political elites and economic hardship, they will throw their support to protest parties on the right and left. Ultimately, though, the picture is one of relatively stoic acceptance of the downturn by the majority of publics. Featuring an impressive range of cases, this will stand as the most comprehensive scholarly account of the Great Recession's impact on political behavior in advanced economies.

In this volume, Stephen M. Gardiner and David A. Weisbach present arguments for and against the relevance of ethics to global climate policy. Gardiner argues that climate change is fundamentally an ethical issue, since it is an early instance of a distinctive challenge to ethical action (the perfect moral storm), and ethical concerns (such as with justice, rights, political legitimacy, community and humanity's relationship to nature) are at the heart of many of the decisions that need to be made. Consequently, climate policy that ignores ethics is at risk of "solving " the wrong problem, perhaps even to the extreme of endorsing forms of climate extortion. This is especially true of policy based on narrow forms of economic self-interest. By contrast, Weisbach argues that existing ethical theories are not well suited to addressing climate change. As applied to climate change, existing ethical theories suffer from internal logical problems and suggest infeasible strategies. Rather than following failed theories or waiting indefinitely for new and better ones, Weisbach argues that central motivation for climate policy is straightforward: it is in their common interest for people and nations to agree to policies that dramatically reduce emissions to prevent terrible harms.

Ride the trolley up the ridge of Beacon Hill and discover one of South Seattle's most interesting districts. Unique among Seattle neighborhoods, Beacon Hill is a community where immigrants from all over the globe have settled side by side for over 100 years. This new book tells the story of the people and businesses of Beacon Hill in vintage photographs, the majority of which date before World War II. Readers will learn about the immigrants who worked on farms, opened shops, and labored in shipyards, the building of Jefferson Park, as well as the activism and political struggles that shaped the Beacon Hill neighborhood.

Iris Murdoch's philosophy has long attracted readers searching for a morally serious yet humane perspective on human life. Her eloquent call for "a theology which can continue without God" has been especially attractive to those who find that they can live neither with religion nor without it. By developing a form of thinking that is neither exclusively secular nor traditionally religious, Murdoch sought to recapture the existential or spiritual import of philosophy. Long before the current wave of interest in spiritual exercises, she approached philosophy not only as an academic discourse, but as a practice whose aim is the transformation of perception and consciousness. As she put it, a moral philosophy should be capable of being "inhabited"; that is, it should be "a philosophy one could live by."
In A Philosophy to Live By, Maria Antonaccio argues that Murdoch's thought embodies an ascetic model of philosophy for contemporary life. Extending and complementing the argument of her earlier monograph, Picturing the Human: The Moral Thought of Iris Murdoch, this new work establishes Murdoch's continuing relevance by engaging her thought with a variety of contemporary thinkers and debates in ethics from a perspective informed by Murdoch's philosophy as a whole. Among the prominent philosophers engaged here are Charles Taylor, Martha Nussbaum, Stephen Mulhall, John Rawls, Pierre Hadot, and Michel Foucault, and theologians such as Stanley Hauerwas, David Tracy, William Schweiker, and others. These engagements represent a sustained effort to think with Murdoch, yet also beyond her, by enlisting the resources of her thought to explore wider debates at the intersections of moral philosophy, religion, art, and politics, and in doing so, to illuminate the distinctive patterns and tropes of her philosophical style.

Ethicists and psychologists have become increasingly interested in the development of virtue in recent years, approaching the topic from the perspectives of virtue ethics and developmental psychology respectively. Such interest in virtue development has spread beyond academia, as teachers and parents have increasingly striven to cultivate virtue as part of education and child-rearing. Looking at these parallel trends in the study and practice of virtue development, the essays in this volume explore such questions as: How can philosophical work on virtue development inform psychological work on it, and vice versa? How should we understand virtue as a dimension of human personality? What is the developmental foundation of virtue? What are the evolutionary aspects of virtue and its development? How is virtue fostered? How is virtue exemplified in behavior and action? How is our conception of virtue influenced by context and by developmental and social experiences? What are the tensions, impediments and prospects for an integrative field of virtue study? Rather than centering on each discipline, the essays in this volume are orgnaized around themes and engage each other in a broader dialogue. The volume begins with an introductory essay from the editors that explains the full range of philosophical and empirical issues that have surrounded the notion of virtue in recent years.

Walking through the French Quarter can overwhelm the senses--and the imagination. The experience is much more meaningful with knowledge of the area's colorful history. For instance, the infamous 1890 "separate but equal" legal doctrine justifying racial segregation was upheld by the Louisiana Supreme Court at the Cabildo on Jackson Square. In the mid-twentieth century, a young Lee Harvey Oswald called Exchange Alley home. One of New Orleans' favorite drinks--the sazerac--would not exist if Antoine Peychaud had not served his legendary bitters with cognac from his famous apothecary at 437 Royal. Local author Andy Peter Antippas presents a walking history of the Vieux Carre, one alley, corner and street at a time.

The United States is considered the world's foremost refuge for foreigners, and no place in the nation symbolizes this better than Ellis Island. Through Ellis Island's halls and corridors more than twelve million immigrants-of nearly every nationality and race-entered the country on their way to new experiences in North America. With an astonishing array of nineteenth- and twentieth-century photographs, Ellis Island leads the reader through the fascinating history of this small island in New York harbor from its pre-immigration days as one of the harbor's oyster islands to its spectacular years as the flagship station of the U.S. Bureau of Immigration to its current incarnation as the National Park Service's largest museum.

The Oxford Handbook of John Donne presents scholars with the history of Donne studies and provides tools to orient scholarship in this field in the twenty-first century and beyond. Though profoundly historical in its orientation, the Handbook is not a summary of existing knowledge but a resource that reveals patterns of literary and historical attention and the new directions that these patterns enable or obstruct.
Part I -- Research resources in Donne Studies and why they they matter -- emphasizes the heuristic and practical orientation of the Handbook, examining prevailing assumptions and reviewing the specialized scholarly tools available. This section provides a brief evaluation and description of the scholarly strengths, shortcomings, and significance of each resource, focusing on a balanced evaluation of the opportunities and the hazards each offers.
Part II -- Donne's genres -- begins with an introduction that explores the significance and differentiation of the numerous genres in which Donne wrote, including discussion of the problems posed by his overlapping and bending of genres. Essays trace the conventions and histories of the genres concered and study the ways in which Donne's works confirm how and why his "fresh invention" illustrates his responses to the literary and non-literary contexts of their composition.
Part III -- Biographical and historical contexts -- creates perspective on what is known about Donne's life; shows how his life and writings epitomized and affected important controversial issues of his day; and brings to bear on Donne studies some of the most stimulating and creative ideas developed in recent decades by historians of early modern England.
Part IV -- Problems of literary interpretation that have been traditionally and generally important in Donne Studies -- introduces students and researchers to major critical debates affecting the reception of Donne from the 17th through to the 21st centuries.

The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries. Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time. A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.

Featuring extensive revisions to the text as well as a new introduction and epilogue--bringing the book completely up to date on the tumultuous politics of the previous decade and the long-term implications of the Soviet collapse--this compact, original, and engaging book offers the definitive account of one of the great historical events of the last fifty years.
Combining historical and geopolitical analysis with an absorbing narrative, Kotkin draws upon extensive research, including memoirs by dozens of insiders and senior figures, to illuminate the factors that led to the demise of Communism and the USSR. The new edition puts the collapse in the context of the global economic and political changes from the 1970s to the present day. Kotkin creates a compelling profile of post Soviet Russia and he reminds us, with chilling immediacy, of what could not have been predicted--that the world's largest police state, with several million troops, a doomsday arsenal, and an appalling record of violence, would liquidate itself with barely a whimper. Throughout the book, Kotkin also paints vivid portraits of key personalities. Using recently released archive materials, for example, he offers a fascinating picture of Gorbachev, describing this virtuoso tactician and resolutely committed reformer as "flabbergasted by the fact that his socialist renewal was leading to the system's liquidation"--and more or less going along with it.
At once authoritative and provocative, Armageddon Averted illuminates the collapse of the Soviet Union, revealing how "principled restraint and scheming self-interest brought a deadly system to meek dissolution."
Acclaim for the First Edition:
"The clearest picture we have to date of the post-Soviet landscape."
--The New Yorker
"A triumph of the art of contemporary history. In fewer than 200 pagesKotkin elucidates the implosion of the Soviet empire--the most important and startling series of international events of the past fifty years--and clearly spells out why, thanks almost entirely to the 'principal restraint' of the Soviet leadership, that collapse didn't result in a cataclysmic war, as all experts had long forecasted."
-The Atlantic Monthly
"Concise and persuasive The mystery, for Kotkin, is not so much why the Soviet Union collapsed as why it did so with so little collateral damage."
--The New York Review of Books

"40-Day Journey with Dietrich Bonhoeffer" introduces Dietrich Bonhoeffer, a well- known and courageous German theologian and Lutheran pastor, who during the Nazi period was imprisoned and killed and whose writings have inspired and influenced Christians around the world.

In Bewitching Russian Opera: The Tsarina from State to Stage, Inna Naroditskaya investigates the musical lives of four female monarchs who ruled Russia for most of the eighteenth century - Catherine I, Anna, Elizabeth, and Catherine the Great. Engaging with ethnomusicological, historical, and philological approaches, her study traces the tsarinas' deeply invested interest in musical drama, as each built theaters, established drama schools, commissioned operas and ballets, and themselves wrote and produced musical plays. Naroditskaya examines the creative output of the tsarinas across the contexts in which they worked and lived, revealing significant connections between their personal creative aspirations and contemporary musical-theatrical practices, and the political and state affairs conducted during their reigns. Bewitching Russian Opera ultimately demonstrates that the theater served as an experimental space for these imperial women, in which they rehearsed, probed, and formulated gender and class roles, and enacted on the musical stage political ambitions and international conquests which they would later carry out on the world stage itself.
Beginning with the eighteenth-century imperial court, Naroditskaya illustrates the increased theatricality of the court and the popularity of musical theater among nobles, which occurred alongside an appropriation of folk and court ceremonies into the theater. Through contemporary performance theory, she demonstrates how the opportunity for role-playing and costume-changing in performative spaces allowed individuals to cross otherwise rigid boundaries of class and gender. A close look at a series of operas and musical theater productions - from Catherine the Great's fairy tale operas to Tchaikovsky's Pique Dame - illuminates the transition of these royal women from powerful political and cultural figures during their own reigns, to a marginalized and unreal Other under the patriarchal dominance of the subsequent period. These tsarinas successfully fostered the concept of a modern nation and collective national identity, only to then have their power and influence undone in Russian cultural consciousness through the fairy-tales operas of the 19th century that positioned tsarinas as "magical" and dangerous figures rightfully displaced and conquered--by triumphant heroes on the stage, and by the new patriarchal rulers in the state.

This is the first of Newman's Anglican works to be presented in a fully annotated edition. Newman published the first two editions in 1836 and 1837 at the height of his career within the Oxford Movement. The third edition was published in 1877, when Newman had been a Roman Catholic for thiry-two years. It represents a dialogue between the Evangelical Anglican, Anglo-Catholic, and Roman Catholic Newman. As such it is a critical work in understanding Newman's development, as well as the impact of his thought on the larger Christian Church in his century and even in this one as it comes to a close. The text of this edition is based on the edition of 1889 (with obvious errors and misprints silently corrected), the edition to be seen through the press by Newman before his death in 1890; its pagination is preserved in the margin alongside the present text to facilitate reference to the uniform edition of the collected works. The text is supplemented by an introduction and textual appendix which lists all the variant readings between the editions of 1836, 1837, 1877 and the final edition.