Despite the fact that immigration policy is today one of the most salient political issues in the OECD countries, we know surprisingly little about the factors behind the very different choices countries have made over the last decades when it comes to immigrant admission. Why has the balance between inclusion and exclusion differed so much between countries - and for different categories of migrants? The answer that this book provides is that this is to an important extent a result of how domestic labour market and welfare state institutions have approached the question of inclusion and exclusion, since immigration policy does not stand independent from these central policy areas. By developing and testing an institutional explanation for immigrant admission, this book offers a theoretically informed, and empirically rich, analysis of variation in immigration policy in the OECD countries from the 1980s to the 2000s.

How the immigration policies and popular culture of the 1980's fused to shape modern views on democracy In the 1980s, amid increasing immigration from Latin America, the Caribbean, and Asia, the circle of who was considered American seemed to broaden, reflecting the democratic gains made by racial minorities and women. Although this expanded circle was increasingly visible in the daily lives of Americans through TV shows, films, and popular news media, these gains were circumscribed by the discourse that certain immigrants, for instance single and working mothers, were feared, censured, or welcomed exclusively as laborers. In The Cultural Politics of U.S. Immigration, Leah Perry argues that 1980s immigration discourse in law and popular media was a crucial ingredient in the cohesion of the neoliberal idea of democracy. Blending critical legal analysis with a feminist media studies methodology over a range of sources, including legal documents, congressional debates, and popular media, such as Golden Girls, Who's the Boss?, Scarface, and Mi Vida Loca, Perry shows how even while "multicultural" immigrants were embraced, they were at the same time disciplined through gendered discourses of respectability. Examining the relationship between law and culture, this book weaves questions of legal status and gender into existing discussions about race and ethnicity to revise our understanding of both neoliberalism and immigration.

Cosmopolitan Sex Workers is a groundbreaking work that examines the phenomenon of non-trafficked women who migrate from one global city to another to perform paid sexual labor in Southeast Asia. Christine Chin offers an innovative theoretical framework that she terms "3C" (city, creativity and cosmopolitanism) in order to show how factors at the local, state, transnational and individual levels work together to shape women's ability to migrate to perform sex work. Chin's book will show that as neoliberal economic restructuring processes create pathways connecting major cities throughout the world, competition and collaboration between cities creates new avenues for the movement of people, services and goods (the "city" portion of the argument). Loosely organized networks of migrant labor grow in tandem with professional-managerial classes, and sex workers migrate to different parts of cities, depending on the location of the clientele to which they cater. But while global cities create economic opportunities for migrants (and survive on the labor they provide), states also react to the presence of migrants with new forms of securitization and surveillance. Migrants therefore need to negotiate between appropriating and subverting the ideas that inform global economic restructuring to maintain agency (the "creativity"). Chin suggests that migration allows women to develop intercultural skills that help them to make these negotiations (the "cosmopolitanism"). Chin's book stands apart from other literature on migrant sex labor not only in that she focuses on non-trafficked women, but also in that she demonstrates the co-dependence between global economic processes, sex work, and women's economic agency. Through original ethnographic research with sex workers in Kuala Lumpur, she shows that migrant sex work can provide women with the means of earning income for families, for education, and even for their own businesses. It also allows women the means to travel the world - a form of cosmopolitanism "from below."

Migration is a problem of highest importance today, and likewise is its history. Italian migrants who had to leave the peninsula in the long sixteenth century because of their heterodox Protestant faith is a topic that has its deep roots in Italian Renaissance scholarship since Delio Cantimori: It became a part of a twentieth century form of Italian leyenda negra in liberal historiography. But its international dimension and Central Europe (not only Germany) as destination of that movement has often been neglected. Three different levels of connectivity are addressed: the materiality of communication (travel, printing, the diffusion of books and manuscripts); individual migrants and their biographies and networks; and the cultural transfers, discourses, and ideas migrating in one or in both directions.

In this book, Mireya Loza sheds new light on the private lives of migrantmen who participated in the Bracero Program (1942-1964), a binationalagreement between the United States and Mexico that allowed hundredsof thousands of Mexican workers to enter this country on temporary workpermits. While this program and the issue of temporary workers has longbeen politicized on both sides of the border, Loza argues that the prevailingromanticized image of braceros as a family-oriented, productive, legal workforcehas obscured the real, diverse experiences of the workers themselves.Focusing on underexplored aspects of workers' lives-such as their transnationalunion-organizing efforts, the sexual economies of both hetero andqueer workers, and the ethno-racial boundaries among Mexican indigenousbraceros-Loza reveals how these men defied perceived political, sexual, andracial norms. Basing her work on an archive of more than 800 oral histories from theUnited States and Mexico, Loza is the first scholar to carefully differentiatebetween the experiences of mestizo guest workers and the many Mixtec,Zapotec, Purhepecha, and Mayan laborers. In doing so, she captures themyriad ways these defiant workers responded to the intense discriminationand exploitation of an unjust system that still persists today.

In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage also effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions. Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

Traffic: Media as Infrastructures and Cultural Practices presents texts by international media and cultural scholars that address the relationship between symbolic and infrastructural dimensions of media, analysing traffic in terms of media ecology, as epistemological principle, and as (trans-)formative power. Contributors are: Menahem Blondheim, Grant David Bollmer, Richard Cavell, Wolf-Dieter Ernst, Norm Friesen, Elihu Katz, Peter Krapp, Martina Leeker, Jana Mangold, John Durham Peters, Gabriele Schabacher, Michael Steppat, Wolfgang Sutzl, Hartmut Winkler

The growing importance of the Indian diaspora is felt today across the globe due to its emergence as the second-largest diasporic community. By examining historical, socio-cultural, economic, political, and literary aspects of the Indian diaspora, this volume sets out to trace the latest developments in the field of Indian diaspora studies. It brings together essays by Indian and foreign scholars, thus providing an authoritative platform for discussions in which identities and affiliations are contested and constituted through the hierarchies of cross-cultural migration in this increasingly globalized world. This volume traces the transnational network of the Indian diaspora, and will prove of interest to scholars working in the fields of the Indian diaspora, diaspora theory, and cultural studies. Countries covered include Mauritius, Fiji, Singapore, Trinidad & Tobago, Guyana, Suriname, the UK, Ireland, the USA, Canada, Malaya, South Africa, and New Zealand. Creative writers discussed include Ramabai Espinet, Vikram Chandra, Rohinton Mistry, Chitra Banerjee Divakaruni, Nisha Ganatra, Jhumpa Lahiri, Kavery Nambisan, and Sarita Mandanna, along with the work of filmmakers (Mira Nair, Yash Chopra, Kabir Khan, Shuchi Kothari, Mandrika Rupa, Karan Johar, Sugu Pillay, Mallika Krishnamurthy, and Nisha Ganatra).

A primary source analysis of the migration of Jews from Argentina to Israel. Between Exile and Exodus: Argentinian Jewish Immigration to Israel, 1948-1967 examines the case of the 16,500 Argentine Jewish immigrants who arrived in Israel during the first two decades of its existence (1948-1967). Based on a thorough investigation of various archives in Argentina and Israel, author Sebastian Klor presents a sociohistoric analysis of that immigration with a comparative perspective. Although manystudies have explored Jewish immigration to the State of Israel, few have dealt with the immigrants themselves. Between Exile and Exodus offers fascinating insights into this migration, its social and economic profiles, and the motivation for the relocation of many of these people. It contributes to different areas of study-Argentina and its Jews, Jewish immigration to Israel, and immigration in general. This book's integration of a computerized database comprising the personal data of more than 10,000 Argentinian Jewish immigrants has allowed the author to uncover their stories in a direct, intimate manner. Because immigration is an individual experience, rather than a collective one, the author aims to address the individual's perspective in order to fully comprehend the process. In the area of Argentinian Jewry it brings a new approach to the study of Zionism and the relations of the community with Israel, pointing out the importance of family as a basis for mutual interactions. Klor's work clarifies the centrality of marginal groups in the case of Jewish immigration to Israel, and demystifies the idea that aliya from Argentina was solely ideological. In the area of Israeli studies the book takes a critical view of the "catastrophic" concept as a cause for Jewish immigration to Israel, analyzing the gap between the decision-makers in Israel and in Argentina and the real circumstances of the individual immigrants. It also contributes to migration studies, showing how an atypical case, such as the Argentinian Jewish immigrants to Israel, is shaped by similar patterns that characterize "classical" mass migrations, such as the impact of chain migrations and the immigration of marginal groups. This book's importance lies in uncovering and examining individual viewpoints alongside the official, bureaucratic immigration narrative.

The `refugee crisis' and the recent rise of anti-immigration parties across Europe has prompted widespread debates about migration, integration and security on the continent. But the perspectives and experiences of immigrants in northern and western Europe have equal political significance for contemporary European societies. While Turkish migration to Europe has been a vital area of research, little scholarly attention has been paid to Turkish migration to specifically Sweden, which has a mix of religious and ethnic groups from Turkey and where now well over 100,000 Swedes have Turkish origins. This book examines immigration from Turkey to Sweden from its beginnings in the mid-1960s, when the recruitment of workers was needed to satisfy the expanding industrial economy. It traces the impact of Sweden's economic downturn, and the effects of the 1971 Turkish military intervention and the 1980 military coup, after which asylum seekers - mostly Assyrian Christians and Kurds - sought refuge in Sweden. Contributors explore how the patterns of labour migration and interactions with Swedish society impacted the social and political attitudes of these different communities, their sense of belonging, and diasporic activism. The book also investigates issues of integration, return migration, transnational ties, external voting and citizenship rights. Through the detailed analysis of migration to Sweden and emigration from Turkey, this book sheds new light on the situation of migrants in Europe.

This book collects the main papers written by George Borjas on the economics of immigration during a decades-long career. Although there was little interest in immigration issues among economists before the 1980s, the literature has exploded since. The essays collected in this book represent some of the contributions that helped build the foundations of immigration economics. The essays cover a wide range of topics, including the assimilation of immigrants, the skill characteristics of the immigrant population, the intergenerational progress of immigrant households, the measurement of the impact of immigrants on the labor markets of receiving countries, and the calculation of the economic benefits from immigration. The essays included in this volume continue to be widely cited and have often set the research agenda for subsequent research on immigration in both receiving and sending countries.

For the past three decades, Sino-African relations have attracted widespread coverage for the political, economic, and diplomatic engagements between African countries and China, as well as grassroots interactions and encounters between Africans and Chinese. Such engagements and interactions feature controversies, tensions, and biases fueled by the subjective viewpoints of various actors and observers. China in Africa examines these issues following interviews with African and Chinese policymakers, diplomats, professionals, and corporate managers. It also includes discussions, observations, and interviews with the members of the general public in Senegal, Namibia, and South Africa, as well as in China. It includes four key areas of Sino-African relations: economic relations, environmental and sustainable development issues, African migration to China, and Chinese migration to Africa.

The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general

The first book in English on Chinese-language media in Australia, Digital Transnationalism explores the challenges, opportunities and development of this sector against the backdrop of China's rise, its soft power agenda, and renewed hostility between China and the global West. Situated in the Australian context, this study nevertheless is essential to understand the complex and evolving nature of Chinese-language digital media, and the role they play in fostering digital transnationalism among first-generation Chinese migrants across the globe.

Millions of southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of southerners-and people in general-are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of southern nationhood and redefined southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted southerners to leave the region and changed perceptions of southerners to outsiders as well as how southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant's journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and connects the history of border crossings to the issues being considered in today's national landscape.

This volume focuses on coalitions and collaborations formed by refugees from Nazi Germany in their host countries. Exile from Nazi Germany was a global phenomenon involving the expulsion and displacement of entire families, organizations, and communities. While forced emigration inevitable meant loss of familiar structures and surroundings, successful integration into often very foreign cultures was possible due to the exiles' ability to access and/or establish networks. By focusing on such networks rather than on individual experiences, the contributions in this volume provide a complex and nuanced analysis of the multifaceted, interacting factors of the exile experience. This approach connects the NS-exile to other forms of displacement and persecution and locates it within the ruptures of civilization dominating the twentieth and twenty-first centuries. Contributors are: Dieter Adolph, Jacob Boas, Margit Franz, Katherine Holland, Birgit Maier-Katkin Leonie Marx, Wolfgang Mieder, Thomas Schneider, Helga Schreckenberger, Swen Steinberg, Karina von Tippelskirch, Joerg Thunecke, Jacqueline Vansant, and Veronika Zwerger