This collection of essays delves into the Coke brand to identify and decode its DNA. Unlike other accounts, these essays adopt a global approach to understand this global brand. Bringing together an international and interdisciplinary team of scholars, Decoding Coca-Cola critically interrogates the Coke brand as well its constituent parts. By examining those who have been responsible for creating the images of Coke as well as the audiences that have consumed them, these essays offer a unique and revealing insight into the Coke brand and asks whether Coca-Cola is always has the same meaning. Looking into the core meaning, values, and emotions underpinning the Coca-Cola brand, it provides a unique insight into how global brands are created and positioned. This critical examination of one of the world's most recognisable brands will be an essential resource for scholars researching and teaching in the fields of marketing, advertising, and communication. Its unique interdisciplinary approach also makes it accessible to scholars working in other humanities fields, including history, media studies, communication studies, and cultural studies.

Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of "loss" and "gain" in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.

Racialism, Drugs, and Migration: Contemporary Issues in Latin America and the Caribbean provides students with a collection of curated readings that focus on modern challenges within these regions. The anthology is divided into three distinct sections. Section I features a focus on ethnicity and racialism, with readings that address the nationalization of ethnicity, Black politics in Latin America, Mexico's indigenous resistance to globalization, and the myth of racial democracy in Brazil. In Section II, students read articles about the history, production, and trade of drugs within Latin America, as well as the effects of the War on Drugs on Latin American females and the environment. Section III speaks to issues related to migration and transnationalism, including the migration of indentured Indians from India to the Caribbean, return migration to the Caribbean, issues related to poverty and inequality in Mexico, and more. Designed to encourage discussion, critical thinking, and reflection, Racialism, Drugs, and Migration is an ideal resource for courses in ethnic and cultural studies.

Notions, constructions, and performances of race continue to define the contemporary American experience, including America's relationship to Shakespeare. In Passing Strange, Ayanna Thompson explores the myriad ways U.S. culture draws on the works and the mythology of the Bard to redefine the boundaries of the color line.
Drawing on an extensive--frequently unconventional--range of examples, Thompson examines the contact zones between constructions of Shakespeare and constructions of race. Among the questions she addresses are: Do Shakespeare's plays need to be edited, appropriated, updated, or rewritten to affirm racial equality and retain relevance? Can discussions of Shakespeare's universalism tell us anything beneficial about race? What advantages, if any, can a knowledge of Shakespeare provide to disadvantaged people of color, including those in prison? Do the answers to these questions impact our understandings of authorship, authority, and authenticity? In investigating this under-explored territory, Passing Strange examines a wide variety of contemporary texts, including films, novels, theatrical productions, YouTube videos, performances, and arts education programs.
Scholars, teachers, and performers will find a wealth of insights into the staging and performance of familiar plays, but they will also encounter new ways of viewing Shakespeare and American racial identity, enriching their understanding of each.

Sex in the Middle East and North Africa examines the sexual practices, politics, and complexities of the modern Arab world. Short chapters feature a variety of experts in anthropology, sociology, health science, and cultural studies. Many of the chapters are based on original ethnographic and interview work with subjects involved in these practices and include their voices. The book is organized into three sections: Single and Dating, Engaged and Married, and It's Complicated. The allusion to categories of relationship status on social media is at once a nod to the compulsion to categorize, recognition of the many ways that categorization is rarely straightforward, and acknowledgment that much of the intimate lives described by the contributors is mediated by online technologies.

Survival, the IISS's bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment. In this issue: Barry Posen argues that Europe is better placed to defend itself militarily than many, including the IISS, have portrayed it to be Kori Schake examines the prospects of Republican politics in a post-Trump America Daniel Byman and Aditi Joshi call for protocols to curb the abuse of social media by malign agents and states Nigel Gould-Davies explains Russia's stance on Belarus with reference to Moscow's long history of involving itself in its neighbours' affairs And nine more thought-provoking pieces, as well as our regular book reviews and Noteworthy column. Editor: Dr Dana Allin Managing Editor: Jonathan Stevenson Associate Editor: Carolyn West Assistant Editor: Jessica Watson

This book is an "apologia" for the rooted intellectual against the disdainful condescension of the cosmopolitan intellectual an apology in the Socratic sense of the word. It reflects the author s Texas rootedness unapologetically and offers a polemical but thoughtful indictment of the intellectual prejudice against rootedness; but it is ultimately about the universal human struggle with origins.

'Honorable Mention' 2017 PROSE Award - Education Practice Bringing together the voices of scholars and practitioners on challenges and possibilities of implementing peace education in diverse global sites, this book addresses key questions for students seeking to deepen their understanding of the field. The book not only highlights ground-breaking and rich qualitative studies from around the globe, but also analyses the limits and possibilities of peace education in diverse contexts of conflict and post-conflict societies. Contributing authors address how educators and learners can make meaning of international peace education efforts, how various forms of peace and violence interact in and around schools, and how the field of peace education has evolved and grown over the past four decades.

"Positive Peace "is a scholarly and creative compilation of articles on peace education, nonviolence and social change. Arun Gandhi (grandson of Mahatma Gandhi) sets the scene in his introduction with the challenge that positive peace is both a resisting of the physical violence of war and the passive violence of the psychological structures that lead to conflict. Peace education rises to meet that challenge. In twelve chapters, philosophers and educators look at a variety of topics from Gandhian nonviolence, to pragmatic conflict solving; hope and the ethics of belief, to the way we use violent language; mothering and peace activism, to multiculturalism and peace. Recurring themes are: pragmatic nonviolence, the ethics of care as an antidote to violence, and hope in a violent world. Chapters on the use of film in peace education, song and nonviolent activism, and teaching art history and peace, demonstrate pragmatic possibilities for would-be peace educators. Arun Gandhi in his introduction asks, "For generations human beings have strived to attain peace, but with little or no success. ... Why is peace so illusive? Is it unattainable? Are humans incapable of living in peace?" This book suggests that peace education has a large part to play. It is an important attempt to begin to meet the challenge.

How have employment relations evolved over the last decade? And how did workplaces and employees fare in the face of the longest recession in living memory? Employment Relations in the Shadow of Recession examines the state of British employment relations in 2011, how this has changed since 2004, and the role the recession played in shaping employees' experiences of work. It draws on findings from the 2011 Workplace Employment Relations Study, comparing these with the results of the previous study conducted in 2004. These surveys - each collecting responses from around 2,500 workplace managers, 1,000 employee representatives and over 20,000 employees - provide the most comprehensive portrait available of workplace employment relations in Britain. The book provides an in-depth analysis of the changes made to employment practices through the recession and of the impact that the economic downturn had on the shape and character of the employment relationship.

Revolution as Restoration examines the journal Guocui xuebao (1905-1911) to elucidate the momentous political and social changes in early twentieth-century China. Rather than viewing the journal as a collection of documents for studying a thinker (e.g., Zhang Taiyan), a concept (e.g., national essence), or an intellectual movement (e.g., cultural conservatism), this book focuses on the global network of commerce and communication that allowed independent publications to appear in the Chinese print market. As such, this book offers a different perspective on the Chinese quest for modernity. It shows that, from the start, the Chinese quest for modernity was never completely orchestrated by the central government, nor was it static and monolithic as the teleology of revolution describes.

This book is available as open access through the Bloomsbury Open Access programme and is available on bloomsburycollections.com. Attention is increasingly being paid to the conceptualization of the sustainable development agenda that should guide global development efforts beyond 2015. New trends are shaping the international environment, suggesting that the world emerging from the recent economic and financial crisis will probably be very different from the one we have known so far. The emerging issues demand new concerted responses and new international efforts, which will have to be framed by new rules and more democratic and inclusive mechanisms of global governance. Global Governance and Rules for the Post 2015 Era provides a unique assessment of global rules and governance, a reflection of how global rules have been shaping development experiences and outcomes, an identification of the shortcomings of current global governance mechanisms and innovative suggestions for reforming and improving them. The various chapters analyse whether current rules and governance structures enables the building of effective responses against international problems and promote a fair distribution of development opportunities among countries. This book is a timely contribution to the discussions on a new global development agenda undertaken under the leadership of the United Nations. It reflects the outcome of a research programme by a group of independent development experts brought together by the United Nations Committee for Development Policy (CDP), a subsidiary body of the Economic and Social Council. It will be of interest to policymakers worldwide, experts of international agencies, scholars, students and the wider public.

This book explores the theological voice of The Simpsons.Initially shunned by many in the Christian community when it made its television debut almost twenty years ago, after four hundred (and counting) episodes, and a feature-length film, few can deny that The Simpsons exhibits an astute understanding of Christianity in American culture. Its critiques of that culture are worth studying in detail. Jamey Heit's "The Springfield Reformation" investigates how The Simpsons blends important elements of contemporary American religious culture with a clear critique of the institutions and individuals that participate in and uphold that culture. Though The Simpsons is clearly a product of American popular culture, its writers offer up a well-planned, theologically informed religious climate in the cartoon world of Springfield. This world mirrors America in a way that allows the show's viewers to recognize that Christianity can hold together a family and a town that is rife with "sin," while at the same time exposing these very shortcomings.Heit focuses on distinct topics such as: god, the soul/the afterlife, prayer, the Christian ethic, evangelism, science versus religion, and faith (particularly in response to the question of why bad things happen to good people). He also explores the connections between various episodes, discussing how these connections, manifest an honest critique of Christianity in America. Engagingly written and guaranteed to appeal to smart, religiously curious fans of the show, Heit maintains that The Simpsons is not only a legitimate theological voice, but also that this voice offers a valuable addition to discussions about Christianity in America.

Long associated with the pejorative cliches of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, Maria Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock "en espanol," pop, and "vallenato" stars.

Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity.

Capoeira is a unique music-dance-sport-play activity created by African slaves, and Candomble is a hybrid religion combining Catholic and African beliefs and practices. And while there are numerous books on Candomble and kindred Afro-American religions, none of them effectively combines Candomble and Capoeira. Actually, Capoeira and Candomble are closely tied to one another. Together, they make up a coherent form of life in Brazil within the current process of globalization about which there has been much ballyhoo, eulogies, and condemnation. This study involves the author's practice of and reflections on the arts of Capoeira and Candomble; it culminates in the idea of an ""other logic,"" an alternative culture ""logic,"" about which much lip service is being paid in academic circles, with little to no concrete details. This book, consequently, is one of a kind insofar as it bears on the interdependency of two Afro-Brazilian practices while grounding them in a theoretical framework and at the same time interrelating them with topics of great concern in the initial years of a new millennium: post-colonial and diaspora studies.

Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory * Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative* Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley* Features a fully updated bibliography* Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines

This volume gathers the latest advances and innovations in the triple helix of university-industry-government relations, as presented by leading international researchers at the II International Triple Helix Summit 2018, held in Dubai, UAE on November 10-13, 2018, which brought together experts, practitioners and academics across disciplines that address the dynamics of government, industry and academia. It covers analysis, theory, measurements and empirical enquiry in all aspects of university-industry-government interactions, as well as the international bases and dimensions of triple helix relations, their impacts, and social, economic, political, cultural, health and environmental implications. It also examines the role of government/academia/industry in building innovation-based cities and nations, and in transforming nations into knowledge-based sustainable economies. The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists.

This work looks at cross-cultural lives and identities in the multicultural landscape. It covers such topics as: lives in China along the Yangtze River and the Yellow River before, during and after the cultural revolution; cross-cultural lives in China and Canada; and more.

This volume brings together, for the first time, a variety of texts from Certeau's book and journal publications which have proved important in the various disciplines where Certeau has had an influence. The "Reader" as a whole reflects the interdisciplinary nature of Certeau's work which draws on history, historiography, psychology, politics, philosophy, semiotics, ethnography, and theology to shape a critique of cultures past and present.

Some essays have been translated especially for this collection. All of them have been chosen to provide accessible texts suited for introducing readers to the work of this key twentieth-century thinker. Five specific areas are considered: history, sociology, politics, cultural and religious studies, and five leading scholars, each of whom employ Certeau's work in these distinct disciplines, introduce the sections.

An introduction by Graham Ward outlines Certeau's biography and places his work within the cultural context of his time, both in terms of French Catholicism and contemporary intellectual debates. It examines the major preoccupations of Certeau's work - with the Other, with spatiality, with colonialism, with the body, with discourse and oppression - and locates them within the overall development of his thinking. Finally, Ward discusses the impact of Certeau's work and comments on the current rediscovery of his potential.

Empires as political entities may be a thing of the past, but as a concept, empire is alive and kicking. From heritage tourism and costume dramas to theories of the imperial idea(l): empire sells. Post-Empire Imaginaries? Anglophone Literature, History, and the Demise of Empires presents innovative scholarship on the lives and legacies of empires in diverse media such as literature, film, advertising, and the visual arts. Though rooted in real space and history, the post-empire and its twin, the post-imperial, emerge as ungraspable ideational constructs. The volume convincingly establishes empire as welcoming resistance and affirmation, introducing post-empire imaginaries as figurations that connect the archives and repertoires of colonial nostalgia, postcolonial critique, post-imperial dreaming.

Architecture and Control makes a collective critical intervention into the relationship between architecture, including virtual architectures, and practices of control since the turn of the twentieth to twenty-first centuries. Authors from the fields of architectural theory, literature, film and cultural studies come together here with visual artists to explore the contested sites at which, in the present day, attempts at gaining control give rise to architectures of control as well as the potential for architectures of resistance. Together, these contributions make clear how a variety of post-2000 architectures enable control to be established, all the while observing how certain architectures and infrastructures allow for alternative, progressive modes of control, and even modes of the unforeseen and the uncontrolled, to arise. Contributors are: Pablo Bustinduy, Rafael Dernbach, Alexander R. Galloway, Hans Ulrich Gumbrecht, Maria Finn, Runa Johannessen, Natalie Koerner, Michael Krause, Samantha Martin-McAuliffe, Lorna Muir, Mikkel Bolt Rasmussen, Anne Elisabeth Sejten and Joey Whitfield

Human history has been marked by the great number of people born into conditions of war, violence, oppression and social exclusion. But at the same time, this history has been shaped by the long struggle for human rights and the people who have committed themselves to the practices of solidarity and nonviolence. The Power of Hope: Thoughts on Peace and Human Rights in the Third Millennium is a dialogue between two high-profile activists and thinkers who discuss the concrete ways we can shift to a world that prioritises justice and human dignity. Adolfo Perez Esquivel - Argentinian human rights activist and winner of the 1980 Nobel Peace Prize - played a vital role in resisting military dictatorship and was arrested and tortured under the Argentine militarist government. Daisaku Ikeda is a peacebuilder, Buddhist philosopher, educator, author and poet as well as being the founding president of Soka Gakkai International (SGI), the world's largest Buddhist lay organisation. Their dialogue intertwines their rich personal experiences in the struggle for human rights with wider reflections on how to make the Third Millennium the millennium of peace. The book combines rich accounts of Latin America under the brutality of the 1970s military regimes; insights from the Buddhist faith on the role of meditation for human rights activists; recognition of the crucial role of women in the practice of nonviolence; thoughts on international geopolitics and the legacies of Hiroshima; and discussion of the perilous role of globalisation in the loss of identities and ethical values.

"Multi-Ethnic Britain 2000+" provides an encompassing survey of artistic responses to the changes in the British cultural climate in the early years of the 21st century. It traces topical reactions to new forms of racism and religious fundamentalism, to legal as well as illegal immigration, and to the threat of global terror; yet it also highlights new forms of intercultural communication and convivial exchange. Framed by contributions from novelists Patrick Neate and Rajeev Balasubramanyam, "Multi-Ethnic Britain 2000+" showcases how artistic representations in literature, film, music and the visual arts reflect and respond to social and political discourses, and how they contribute to our understanding of the current (trans)cultural situation in Britain. The contributions in this volume cover a wide range of writers such as Graham Swift, Ian McEwan, Zadie Smith, Jackie Kay, Nadeem Aslam, Gautam Malkani, Nirpal Dhaliwal and Monica Ali; films ranging from Gurinder Chadha s "Bend It Like Beckham" and "Bride and Prejudice" to Michael Winterbottom s "In This World" and Alfonso Cuaron s "Children of Men"; paintings and photography by innovative black and Asian British Artists; and dubstep music.

" Honey bees--and the qualities associated with them--have quietly influenced American values for four centuries. During every major period in the country's history, bees and beekeepers have represented order and stability in a country without a national religion, political party, or language. Bees in America is an enlightening cultural history of bees and beekeeping in the United States. Tammy Horn, herself a beekeeper, offers a varied social and technological history from the colonial period, when the British first introduced bees to the New World, to the present, when bees are being used by the American military to detect bombs. Early European colonists introduced bees to the New World as part of an agrarian philosophy borrowed from the Greeks and Romans. Their legacy was intended to provide sustenance and a livelihood for immigrants in search of new opportunities, and the honey bee became a sign of colonization, alerting Native Americans to settlers' westward advance. Colonists imagined their own endeavors in terms of bees' hallmark traits of industry and thrift and the image of the busy and growing hive soon shaped American ideals about work, family, community, and leisure. The image of the hive continued to be popular in the eighteenth century, symbolizing a society working together for the common good and reflecting Enlightenment principles of order and balance. Less than a half-century later, Mormons settling Utah (where the bee is the state symbol) adopted the hive as a metaphor for their protected and close-knit culture that revolved around industry, harmony, frugality, and cooperation. In the Great Depression, beehives provided food and bartering goods for many farm families, and during World War II, the War Food Administration urged beekeepers to conserve every ounce of beeswax their bees provided, as more than a million pounds a year were being used in the manufacture of war products ranging from waterproofing products to tape. The bee remains a bellwether in modern America. Like so many other insects and animals, the bee population was decimated by the growing use of chemical pesticides in the 1970s. Nevertheless, beekeeping has experienced a revival as natural products containing honey and beeswax have increased the visibility and desirability of the honey bee. Still a powerful representation of success, the industrious honey bee continues to serve both as a source of income and a metaphor for globalization as America emerges as a leader in the Information Age.