These are the stories you haven't heard on the news. These are the people you will never forget. In the midst of never-ending debates, protests, riots, suicide bombings, and broken peace initiatives, one man came to make a difference. Previously known for his determination to deliver Bibles behind the Iron Curtain, Brother Andrew has spent the last thirty years on a very different quest. Traveling to Lebanon, the West Bank, Gaza, and Israel, Brother Andrew has sought out church leaders and urged them not to flee the violence but to stay and strengthen their congregations to become a force for change. His mission: to bring hope to the believers caught in the crossfire of the most volatile region on earth. "This is a book that invites applause and criticism. It will edify and offend, fostering healthy and much-needed discussion and debate in the Western Church."-Randy Alcorn, author, Safely Home "This man's courage is not just a case of bravado on steroids."-Charisma magazine Brother Andrew began taking Bibles to Christians behind closed borders in 1955. That work has since developed into Open Doors International. He is the author and coauthor of numerous books, including God's Smuggler and The Narrow Road. Al Janssen has cowritten or authored more than twenty-five books. He is chairman of the board for Open Doors (USA) and is director of communications for Open Doors International.

Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. Providing a critical overview of cultural economics, this Research Agenda explores the current state of affairs in the field, suggesting methods of improvement for the coherency and progressiveness of future research. Situating work in this area in its historical context, Samuel Cameron draws together a range of international contributors to explore the development of cultural economics. Undertaking a thorough examination of matters of data quality, statistical methodology and the challenge of new developments in technology, chapters examine the different approaches to cultural economics. The book explores the myriad ways in which the topic has been neglected by mainstream economics, and examines reasons why it needs to be considered, evaluated and explored in more detail in our modern world. Current researchers in cultural economics, as well as cultural policies and leisure studies will find this book an invaluable read in exploring different ways to integrate cultural economics into mainstream studies. This Research Agenda will also be an invaluable aid for advanced students to create discussions suitable for essay topics and dissertations. Contributors include: S. Cameron, C. Peukert, J. Snowball, H. Sonnabend, M. Zieba

Resilience has lately emerged as a recurrent notion to explain how territorial socio-economic systems adapt successfully (or not) to negative events. Resilience, Crisis and Innovation Dynamics uses resilience as a bridging notion to connect different types of theoretical and empirical approaches, helping improve understanding of the impacts of economic turbulence at both system and actor levels. Providing a unique overview of the recent financial crisis, as well as assessing the importance of innovation dynamics for regional resilience, the international array of contributors offers an engaging and thought-provoking debate as to how regional resilience can be improved as well as exploring the social aspects of vulnerability, resilience and innovation. In offering a set of challenges from different regional and structural perspectives, the book helps to consolidate the research surrounding resilience in regional science. Essentially, the contributions consider the relevance of innovation systems, knowledge networks and the role innovation actors play to create new possibilities for preparing for, and adapting to, both present shocks and future problems that may arise. Offering a wealth of refreshing studies with great value for academia, industry and government, this book will be relevant for students and researchers of economics, urban and regional studies, and innovation as well as regional scientists and planners. Contributors include: P. Bary, T. Baycan, M.B. Baypinar, M. Benke, A.B.S. Bravo, R. Comunian, P. Cooke, K. Czimre, A.S. Dogruel, F. Dogruel, L. England, A. Faggian, M.E. Ferreira, K.R. Forray, T. Heinonen, D. Kallioras, T. Kozma, B. Martini, S. Marton, F.J. Ortega-Colomer, B.S. OEzen, Y. OEzerkek, P. Pantazis, E. Pekkola, T.S. Pereira, H. Pinto, Y. Psycharis, M.M. Ridhwan, M. Sipikal, M. Siserova, R.R. Stough, V. Szitasiova, K. Teperics, B.J. Valencia

This book provides theories, experiences, reflections and future directions for social scientists who wish to engage with policy-oriented research in, and for, cities and regions. The '?policy learning?' perspective is comprehensively discussed, focusing on actors promoting '?policy knowledge?' and interaction among different stakeholders. Theoretical frameworks and practical experiences of policy-orientated research for European regions and cities are comprehensively explored in this timely book. The authors review current theories and present novel case studies of policy-orientated research. By combining policy analysis with urban and regional studies, the book highlights how researchers can be agents of policy learning, helping policymakers to learn how to learn. This book will provide unique, real world insights for researchers, practitioners and stakeholders interested in research-based approaches to cities and regions. Contributors include: I. Bakker, S. Bandera, P. Benneworth, M.C. Cattaneo, P. Coletti, A. Colombino, A. Colombo, J.L. De las Rivas Sanz, N. Francesco Dotti, F. Eckardt, A. Gerritsen, S. Giest, D. Greenwood, A. Healy, T. Herrschel, T. Metze-Burghouts, S. Moyson, M. Paris, S. Pazos-Vidal, D. Pojani, P. Scholten, D. Stead, M. Stuiver, C. Termeer, G. Urso, J. Vaesen, W.-J. Velderman, B. Wayens

Traditional media is over. The internet reigns. And in the attention economy, influencers are royalty. But who are they … and how do you become one?

Break the Internet takes a deep dive into the influencer industry, tracing its evolution from blogging and legacy social media such as Tumblr to today’s world in which YouTube, Instagram, and TikTok dominate. Surveying the new media landscape that the rise of online celebrity has created, it is an insider account of a trend which is set to dominate our future — experts estimate that the economy of influence will be valued at $24bn globally by 2025.

Olivia Yallop enrols in an influencer bootcamp, goes undercover at a fan meetup, and shadows online vloggers, Instagrammers, and content creators to understand how online personas are built, uncovering what it is really like to live a branded life and trade in a ‘social stock market’. From mumfluencers and activists to governments and investors, everyone wants to build their online influence. But how do you stay authentic in a system designed to commodify identity? Break the Internet examines both the dangers and the transformative potential of online culture.

The Mobilities Paradox: A Critical Analysis asks how the mobilities paradigm, arguably one of the most influential theoretical innovations of the 21st century, holds up against the empirical realities of a deeply unequal world. Korstanje's provocative analysis pairs a sweeping overview of the theoretical landscape with specific instances of tourism, terrorism, hospitality, automobility, digital technologies, and non-places to put mobilities theory to the test.' - Jennie Germann Molz, College of the Holy Cross, US The theory of mobilities has gained great recognition and traction over recent decades, illustrating not only the influence of mobilities in daily life but also the rise and expansion of globalization worldwide. But what if this sense of mobilities is in fact an ideological bubble that provides the illusion of freedom whilst limiting our mobility or even keeping us immobile? This book reviews the strengths and weaknesses of the mobilities paradigm and reminds us that today only a small percentage of the world?s population travel internationally. In doing so the author?s insightful analysis constructs a bridge between Marxism and Cultural theory. Offering a critical discussion of the theory of mobilities, the book explores the concept in the context of colonialism, nation states, consumption, globalization, fear and terrorism. This unique book presents an alternative viewpoint that is vital reading for cultural theorists, sociologists, anthropologists and Marxist scholars seeking a different understanding of the theory of mobilities.

Specifications: 2-1/2-inch vinyl figure of Hedwig with a button that plays Hedwig's sounds from the Harry Potter films. Bonus sticker book: Mini sticker book includes 8 full-colour stickers. Perfect gift: A unique and keepsake item for all fans of Harry Potter. Officially licensed: Authentic collectible. Copyright (c) 2023 Warner Bros. Entertainment. WIZARDING WORLD characters, names, and related indicia are (c) & (TM) Warner Bros. Entertainment Inc. WB SHIELD: (c) & (TM) WBEI. Publishing Rights (c) JKR. (s23)

It's been barely twenty years since Dave Eggers (b. 1970) burst onto the American literary scene with the publication of his memoir, A Heartbreaking Work of Staggering Genius. In that time, he has gone on to publish several books of fiction, a few more books of nonfiction, a dozen books for children, and many harder-to-classify works. In addition to his authorship, Eggers has established himself as an influential publisher, editor, and designer. He has also founded a publishing company, McSweeney's; two magazines, Might and McSweeney's Quarterly Concern; and several nonprofit organizations. This whirlwind of productivity, within publishing and beyond, gives Eggers a unique standing among American writers: jack of all trades, master of same. The interviews contained in Conversations with Dave Eggers suggest the range of Eggers's pursuits-a range that is reflected in the variety of the interviews themselves. In addition to the expected interviews with major publications, Eggers engages here with obscure magazines and blogs, trade publications, international publications, student publications, and children from a mentoring program run by one of his nonprofits. To read the interviews in sequence is to witness Eggers's rapid evolution. The cultural hysteria around Staggering Genius and Eggers's complicated relationship with celebrity are clear in many of the earlier interviews. From there, as the buzz around him mellows, Eggers responds in kind, allowing writing and his other endeavors to come to the fore of his conversations. Together, these interviews provide valuable insight into a driving force in contemporary American literature.

The Handbook of Social Policy and Development makes a groundbreaking, coherent case for enhancing collaboration between social policy and development. With wide ranging chapters, it discusses a myriad of ways in which this can be done, exploring both academic and practical activities. As the conventional distinction between 'developed' and 'developing' countries becomes increasingly blurred, this Handbook explores how collaboration between social policy and development is needed to meet global social needs. With contributions from leading experts in both social policy and development studies, this Handbook analyses the complexities of integrating social policy and development studies. Examining a diverse and comprehensive range of countries and case studies that highlight ways to improve this integration, contributors deal with critical debates, covering a wide range of services, programmes, providers and policy sectors. The Handbook of Social Policy and Development is an invaluable introduction to the subject for students of social policy and development studies. Its comprehensive approach also makes it a valuable reference for researchers and specialists in the field. Contributors include: L. Alfers, A. Barrientos, J. Beall, A. Datta, H. Dean, K. Falkenberg, R. Jolkonnen, D. Kiwan, H.-j. Kwon, J. Lee, A. Lombard, F. Lund, P. Mader, J. Midgley, L. Patel, M. Pawar, M. Rogan, R. Surender, M. Terano, M. Urbina-Ferretjans, A. Virk, N. Yeates

This book offers an outside-in look at American cultural peculiarities that helps Americans, see ourselves as others see us -and vice versa. "American Cultural Baggage" lets both Americans and the rest of the world in on things most Americans don't know, about themselves and their values and how those things are perceived by others. Americans will learn of the impression they make, while others will gain insight into the curious tribal values of Americans.

Tarot cards have been around since the Renaissance and have become increasingly popular in recent years, often due to their prevalence in popular culture. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture in the contexts of art, television, movies, even comic books. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. They make horror movies scarier. They make paintings more provocative. They provide illustrative structure to comics and can establish the traits of television characters. The Cards: The Evolution and Power of Tarot begins with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. This section ends with an examination of the people who make up today's tarot community. Then, specific areas of popular culture-art, television, movies, and comics-are each given a chapter in which to survey the use of Tarot. In this section, author Patrick Maille analyzes such works as Deadpool, Books of Magic by Neil Gaiman, Disney's Haunted Mansion, Sherlock Holmes: Game of Shadows, The Andy Griffith Show, Buffy the Vampire Slayer, and King of the Hill. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.