A perennially popular collection of colour cartoon illustrations, with accompanying texts, on the endearing oddities of our British life and character. Drawing on their many years' experience of teaching English as a Foreign Language the authors also offer the wider world a tongue-in-cheek guide on how to get around in English and at the same time make sense of our 'funny ways'. It's a gentle brand of satire, and although there's the occasional barbed arrow for bland food, fashion disasters or dubious standards of hygiene, the tone of The "How To Be British Collection" is more nostalgic than scornful, and the pet-loving, royal-watching, tea drinking characters that populate its pages are viewed with wry affection. Cartoons like "How to be Polite" and "How to Complain" have been reproduced in publications all over the world, perhaps because they put a finger on that peculiar tentativeness that foreigners find so puzzling (and so funny) about us. In order to be British, or at any rate to pass unnoticed in British society, the visitor must learn not to 'make a fuss'. A fuss is something that the true Brit cannot stand. It is nearly as bad as a 'scene', and in the same category as 'drawing attention to yourself'. In the first frame of How To Be Polite, a man -- presumably an uninitiated foreign visitor -- has fallen into a river. He's clearly in trouble and is shouting HELP! -- at the top of his voice, judging by the speech bubble. An English gentleman is walking his dog along the river bank. There's a lifebelt prominently displayed beside them, but the gent and his dog are walking away from the emergency with disapproving expressions. In the next frame, the man in the river has changed his strategy and is calling out: "Excuse me, Sir. I'm terribly sorry to bother you, but I wonder if you would mind helping me a moment, as long as it's no trouble, of course...". And this time, naturally, the English gent is rushing to his aid, throwing the lifebelt into the water. Even the dog is smiling. Much of the material in The "How to be British Collection" is about how cultural differences can prove a minefield for the unwary. To that extent its appeal - in an age where so many of us travel and even set up home overseas - is universal. Every visitor to Britain comes knowing that our favourite conversational gambit is the weather. But how many can successfully do it at 1) Elementary 2) Intermediate and 3) Advanced levels? The book's enduring popularity comes from the recognition factor -- how exposed we can be once we stray away from the comfort zone of our own native language. A hapless visitor, phrase book in hand, stops to ask an old lady in the street for directions. He looks pleased with himself for phrasing the question so nicely, but then is utterly at a loss to understand her long, rambling, minutely detailed reply. We've all been there. To help the poor innocent abroad around these cultural and linguistic booby-traps, the book includes on most pages collectible Expressions to learn and (of course) Expressions to avoid. Thus, under the entry for Real English, which negotiates the difficult area of colloquial speech including "idioms, slang and even the occasional taboo word, as used by flesh and blood native speakers" we find -- Expressions to learn:"'E nicked it off of a lorry and now the coppers 'ave done 'im for it." Expressions to avoid: "That's not correct English, Mrs. Jones -- it says so here in my grammar book".

Does conflict still surprise and often overwhelm you? Do you wish you had a better understanding of how to transform life's inevitable conflicts from problems to opportunities? Do you wonder what power has to do with conflict?

Here is a practical guide to understanding and transforming conflict based on biblical and Anabaptist principles. Over 20 noted authors shaped by many experiences and cultures tell of lessons taught by walking conflict's holy ground. Some insights will be familiar, some new -- and some able to trigger new conflict!

Study questions continue the conversation begun in each of 17 chapters and will help highlight the common ground as well as differences readers may have with authors and each other.

Making Peace with Conflict, edited by Carolyn Schrock-Shenk and Lawrence Ressler, is a project of Mennonite Conciliation Service, a program of Mennonite Central Committee U.S.

Tarot cards have been around since the Renaissance and have become increasingly popular in recent years, often due to their prevalence in popular culture. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture in the contexts of art, television, movies, even comic books. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. They make horror movies scarier. They make paintings more provocative. They provide illustrative structure to comics and can establish the traits of television characters. The Cards: The Evolution and Power of Tarot begins with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. This section ends with an examination of the people who make up today's tarot community. Then, specific areas of popular culture-art, television, movies, and comics-are each given a chapter in which to survey the use of Tarot. In this section, author Patrick Maille analyzes such works as Deadpool, Books of Magic by Neil Gaiman, Disney's Haunted Mansion, Sherlock Holmes: Game of Shadows, The Andy Griffith Show, Buffy the Vampire Slayer, and King of the Hill. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.

The English translation of this bestselling graphic novel tells the story of Nok, an old blind man who sells lottery tickets in Bangkok, as he decides to leave the city and return to his native village. Through reflections on contemporary Bangkok and flashbacks to his past, Nok reconstructs a journey through the slums of migrant workers, the rice fields of Isaan, the tourist villages of Ko Pha Ngan, and the Red Shirt protests of 2010. Based on a decade of anthropological research, The King of Bangkok is a story of migration to the city, distant families in the countryside, economic development eroding the land, and violent political protest. Ultimately, it is a story about contemporary Thailand and how the waves of history lift, engulf, and crash against ordinary people.

It's been barely twenty years since Dave Eggers (b. 1970) burst onto the American literary scene with the publication of his memoir, A Heartbreaking Work of Staggering Genius. In that time, he has gone on to publish several books of fiction, a few more books of nonfiction, a dozen books for children, and many harder-to-classify works. In addition to his authorship, Eggers has established himself as an influential publisher, editor, and designer. He has also founded a publishing company, McSweeney's; two magazines, Might and McSweeney's Quarterly Concern; and several nonprofit organizations. This whirlwind of productivity, within publishing and beyond, gives Eggers a unique standing among American writers: jack of all trades, master of same. The interviews contained in Conversations with Dave Eggers suggest the range of Eggers's pursuits-a range that is reflected in the variety of the interviews themselves. In addition to the expected interviews with major publications, Eggers engages here with obscure magazines and blogs, trade publications, international publications, student publications, and children from a mentoring program run by one of his nonprofits. To read the interviews in sequence is to witness Eggers's rapid evolution. The cultural hysteria around Staggering Genius and Eggers's complicated relationship with celebrity are clear in many of the earlier interviews. From there, as the buzz around him mellows, Eggers responds in kind, allowing writing and his other endeavors to come to the fore of his conversations. Together, these interviews provide valuable insight into a driving force in contemporary American literature.

Our food system is broken, and it's endangering what's most precious to us: our environment, our health, our soil and water, and our future. In recent years, a host of books and films have compellingly documented the dangers. But advice on what to do about them largely begins and ends with the admonition to eat local" or eat organic." Longtime good food pioneer Oran Hesterman knows that we can't fix the broken system simply by changing what's on our own plates: the answer lies beyond the kitchen. In Fair Food he shares an inspiring and practical vision for changing not only what we eat, but how food is grown, packaged, delivered, marketed, and sold. He introduces people and organizations across the country who are already doing this work in a number of creative ways, and provides a wealth of practical information for readers who want to get more involved.

Novelist and nature writer Richard Horan embarked on an adventure across America to reveal that farming is still the vibrant beating heart of our nation. Horan went from coast to coast, visiting organic family farms and working the harvests of more than a dozen essential or unusual food crops--from Kansas wheat and Michigan wild rice to Maine potatoes, California walnuts, and Cape Cod cranberries--in search of connections with the farmers, the soil, the seasons, and the lifeblood of America.

Sparkling with lively prose and a winning blend of profound seriousness and delightful humor, Harvest carries the reader on an eyeopening and transformational journey across the length and breadth of this remarkable land, offering a powerful national portrait of challenge and diligence, and an inspiring message of hope.

In Black to Nature: Pastoral Return and African American Culture, author Stefanie K. Dunning considers both popular and literary texts that range from Beyonce's Lemonade to Jesmyn Ward's Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls ""the dream of Black Studies""-abolition. Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.

Framing Gotham City as a microcosm of a modern-day metropolis, Gotham City Living posits this fictional setting as a hyper-aware archetype, demonstrative of the social, political and cultural tensions felt throughout urban America. Looking at the comics, graphic novels, films and television shows that form the Batman universe, this book demonstrates how the various creators of Gotham City have imagined a geography for the condition of America, the cast of characters acting as catalysts for a revaluation of established urban values. McCrystal breaks down representations of the city and its inhabitants into key sociological themes, focusing on youth, gender, sexuality, race and ethnicity, class disparity and criminality. Surveying comic strip publications from the mid-20th century to modern depictions, this book explores a wide range of material from the universe as well as the most contemporary depictions of the caped crusader not yet fully addressed in a scholarly context. These include the works of Tom King and Gail Simone; the films by Christopher Nolan and Tim Burton; and the Batman animated series and Gotham television shows. Covering characters from Batman and Robin to Batgirl, Catwoman and Poison Ivy, Gotham City Living examines the Batman franchise as it has evolved, demonstrating how the city presents a timeline of social progression (and regression) in urban American society.

This book seeks to address critical issues and challenges in Africa and the emerging trends for the future. Authors from varied disciplines will examine and offer insight into what knowledge already exists in a specific topic area and what that may mean for the future of Africa. Despite several idealistic efforts towards a united Africa, the term remains a hypothetical concept symbolizing a desired federal state on the continent. This book plays an important role in shaping policies on the future of Africa through a deconstructive interrogation of present trends. It provides a valuable resource in varied fields of study and is highly relevant to the emerging contexts in Africa. The audience of this book includes students and policymakers, key players in Africa, political parties, trade unions, NGO's, and general audiences looking to examine and understand the future trends in Africa.

The Handbook of Social Policy and Development makes a groundbreaking, coherent case for enhancing collaboration between social policy and development. With wide ranging chapters, it discusses a myriad of ways in which this can be done, exploring both academic and practical activities. As the conventional distinction between 'developed' and 'developing' countries becomes increasingly blurred, this Handbook explores how collaboration between social policy and development is needed to meet global social needs. With contributions from leading experts in both social policy and development studies, this Handbook analyses the complexities of integrating social policy and development studies. Examining a diverse and comprehensive range of countries and case studies that highlight ways to improve this integration, contributors deal with critical debates, covering a wide range of services, programmes, providers and policy sectors. The Handbook of Social Policy and Development is an invaluable introduction to the subject for students of social policy and development studies. Its comprehensive approach also makes it a valuable reference for researchers and specialists in the field. Contributors include: L. Alfers, A. Barrientos, J. Beall, A. Datta, H. Dean, K. Falkenberg, R. Jolkonnen, D. Kiwan, H.-j. Kwon, J. Lee, A. Lombard, F. Lund, P. Mader, J. Midgley, L. Patel, M. Pawar, M. Rogan, R. Surender, M. Terano, M. Urbina-Ferretjans, A. Virk, N. Yeates

Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. How can financial services, such as credit, deposit accounts, financial transfers, and insurance be provided to people in need? This challenging and complex issue has been a topic of interest for the international aid community for decades. Drawing on renowned experts in microfinance and financial inclusion, this Research Agenda sheds much-needed light on this multifaceted challenge and points the way ahead for future research. Providing a critical and multidisciplinary approach to research in microfinance and financial inclusion, the authors provide a state-of-the-art overview of current scholarly knowledge on the provision of financial services to disadvantaged populations worldwide. Reviewing the literature on the subject from the fields of economics, management science and development studies, they discuss the limitations and challenges of current research and chart avenues for future developments. With its fascinating insights, this Research Agenda will be of interest to students of finance and economics, development, and business and management, as well as researchers with a specific interest in microfinance and financial inclusion. Contributors include: J. Bastiaensen, A. Cozarenco, B. D'espallier, K.O. Djan, M. Duvendack, A. Garcia, J. Goedecke, I. Guerin, V. Hartarska, B. Hathaway, N. Hermes, F. Huybrechs, R. Lensink, R. Mersland, J. Morduch, S. Morvant, D. Nadolnyak, T. Ogden, J.-M. Servet, T.W. Sommeno, A. Szafarz, G. Van Hecken, B. Venet, L. Weill, T. Wry, S. Zamore

Young adult literature featuring LGBTQ characters is booming. In the 1980s and 1990s, only a handful of such titles were published every year. Recently, these numbers have soared to over one hundred annual releases. Queer characters are also appearing more frequently in film, on television, and in video games. This explosion of queer representation, however, has prompted new forms of longstanding cultural anxieties about adolescent sexuality. What makes for a good "coming out" story? Will increased queer representation in young people's media teach adolescents the right lessons and help queer teens live better, happier lives? What if these stories harm young people instead of helping them? In Queer Anxieties of Young Adult Literature and Culture, Derritt Mason considers these questions through a range of popular media, including an assortment of young adult books; Caper in the Castro, the first-ever queer video game; online fan communities; and popular television series Glee and Big Mouth. Mason argues themes that generate the most anxiety about adolescent culture - queer visibility, risk taking, HIV/AIDS, dystopia and horror, and the promise that "It Gets Better" and the threat that it might not - challenge us to rethink how we read and engage with young people's media. Instead of imagining queer young adult literature as a subgenre defined by its visibly queer characters, Mason proposes that we see "queer YA" as a body of transmedia texts with blurry boundaries, one that coheres around affect - specifically, anxiety - instead of content.

What was the Scottish Enlightenment? Long since ignored or sidelined, it is now a controversial topic - damned by some as a conservative movement objectively allied to the enemies of enlightenment, placed centre stage by others as the archetype of what is meant by 'Enlightenment'. In this book leading experts reassess the issue by exploring both the eighteenth-century intellectual developments taking place within Scotland and the Scottish contribution to the Enlightenment as a whole. The Scottish experience during this period forms the underlying theme of early chapters, with contributors examining the central philosophy of the 'science of man', the reality of 'applied enlightenment' in Scotland, and the Presbyterian hostility to the spread of 'heretical' ideas. Moving beyond Scotland's borders, contributors in later chapters examine the wider recognition of Scotland's intellectual activity, both within Europe and across the Atlantic. Through a series of case studies authors assess the engagement of European intellectuals with Scottish thinkers, looking at the French interpretation of Adam Smith's notion of sympathy, divergent approaches to the writing of history in Scotland and Germany, and the variety of Neapolitan responses to Scottish thought; the final chapter analyses the links between the 'moderate Enlightenment' in Scotland and America. Through these innovative studies this book provides a rich and nuanced understanding of Enlightenment thought in Scotland and its impact in Europe and North America, highlighting the importance of placing the national context in a transnational perspective.

Antonio Gramsci's Prison Notebooks, written between 1929 and 1935, are the work of one of the most original thinkers in twentieth century Europe. Gramsci has had a profound influence on debates about the relationship between politics and culture. His complex and fruitful approach to questions of ideology, power and change remains crucial for critical theory. This volume was the first selection published from the Notebooks to be made available in Britain, and was originally published in the early 1970s. It contains the most important of Gramsci's notebooks, including the texts of The Modern Prince, and Americanism and Fordism, and extensive notes on the state and civil society, Italian history and the role of intellectuals. 'Far the best informative apparatus available to any foreign language readership of Gramsci.' Perry Anderson, New Left Review 'A model of scholarship' New Statesman

The Angel and the Cholent: Food Representation from the Israel Folktale Archives by Idit Pintel-Ginsberg, translated into English for the first time from Hebrew, analyzes how food and foodways are the major agents generating the plots of several significant folktales. The tales were chosen from the Israel Folktales Archives' (IFA) extensive collection of twenty-five thousand tales. In looking at the subject of food through the lens of the folktale, we are invited to consider these tales both as a reflection of society and as an art form that discloses hidden hopes and often subversive meanings. The Angel and the Cholent presents thirty folktales from seventeen different ethnicities and is divided into five chapters. Chapter 1 considers food and taste-tales included here focus on the pleasure derived by food consumption and its reasonable limits. The tales in Chapter 2 are concerned with food and gender, highlighting the various and intricate ways food is used to emphasize gender functions in society, the struggle between the sexes, and the love and lust demonstrated through food preparations and its consumption. Chapter 3 examines food and class with tales that reflect on how sharing food to support those in need is a universal social act considered a ""mitzvah"" (a Jewish religious obligation), but it can also become an unspoken burden for the providers. Chapter 4 deals with food and kashrut-the tales included in this chapter expose the various challenges of ""keeping kosher,"" mainly the heavy financial burden it causes and the social price paid by the inability of sharing meals with non-Jews. Finally, Chapter 5 explores food and sacred time, with tales that convey the tension and stress caused by finding and cooking specific foods required for holiday feasts, the Shabbat and other sacred times. The tales themselves can be appreciated for their literary quality, humor, and profound wisdom. Readers, scholars, and students interested in folkloristic and anthropological foodway studies or Jewish cultural studies will delight in these tales and find the editorial commentary illuminating.