Years before he was Secretary of State and winner of the Nobel Peace Prize, Henry Kissinger wrote "A World Restored" to understand and explain one of history's most important and dramatic periods-a time when Europe went from political chaos to a balanced peace that lasted for almost a hundred years.

After the fall of Napoleon, European diplomats gathered in a festive Vienna with the task of restoring stability following the French Revolution, the Napoleonic Wars, and the dissolution of the Holy Roman Empire. The central figures at the Congress of Vienna were the Foreign Secretary of the United Kingdom, Viscount Castlereagh and the Foreign Minister of Austria Klemens Wenzel von Mettern Metternich. Castlereagh was primarily concerned with maintaining balanced powers, while Metternich based his diplomacy on the idea of legitimacy-that is, establishing and working with governments that citizens accept without force. The peace they brokered lasted until the outbreak of World War I.

Through trenchant analysis of the history and forces that create stability, "A World Restored" gives insight into how to create long-lasting geopolitical peace-lessons that Kissinger saw as applicable to the period immediately following World War II, when he was writing this book.

But the lessons don't stop there. Like all good insights, the book's wisdom transcends any single political period. Kissinger's understanding of coalitions and balance of power can be applied to personal and professional situations, such as dealing with a tyrannical boss or coworker or formulating business or organizational tactics.

Regardless of his ideology, Henry Kissinger has had an important impact on modern politics and few would dispute his brilliance as a strategist. For anyone interested in Western history, the tactics of diplomacy, or political strategy, this volume will provide deep understanding of a pivotal time.

In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana's remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state's folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana's major ethnic groups-slavery, the grand d? (R)rangement, linguistic discrimination-resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero's ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana's folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state's cultural landscape, apparent in humor, popular culture, regional branding, and children's books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.

This intriguing volume sheds light on the diverse world of collecting film- and media-related materials. Lucy Fischer's introduction explores theories of collecting and representations of collecting and collections in film, while arguing that collections of film ephemera and other media-related collections are an important way in to understanding the relationship between material culture and film and media studies; she notes that the collectors have various motivations and types of collections. In the eleven chapters that follow, media studies scholars analyze a variety of fascinating collected materials, from Doris Day magazines to Godzilla action figures and LEGOs. While most contributors discuss their personal collections, some also offer valuable insight into specific collections of others. In many cases, collections that began as informal and personal have been built up, accessioned, and reorganized to create teaching and research materials which have significantly contributed to the field of film and media studies. Readers are offered glimpses into diverse collections comprised of films, fan magazines, records, comics, action figures, design artifacts, costumes, props- including Buffy the Vampire Slayer costumes, Planet of the Apes publicity materials, and Amazing Spider Man comics. Recollecting Collecting interrogates and illustrates the meaning and practical nature of film and media collections while also considering the vast array of personal and professional motivations behind their assemblage.

A History of Political Thought in the English Revolution (1954) examines the large range of political doctrines which played their part in the English revolution - a period when modern democratic ideas began. The political literature of the period between 1645, when the Levellers first seized upon the revolution's wider implications, and 1660, when Charles II restored the monarchy to power, is here studied in detail.

Culture is one of the most important elements for explaining individuals' behaviors within the social structure. It meets the various social needs of members of a society by directing how individuals must react to various events and how to act in specific circumstances. A planned and systematic process is required for disseminating this cultural accumulation as a policy, which is produced collectively by all members within their everyday life practices. The Handbook of Research on Examining Cultural Policies Through Digital Communication provides emerging research on this aspect of cultural policy, which is formed within the framework of this systematic process in a strategic manner and can be defined as various activities of the state intended for art, human sciences, and cultural inheritance. Creating such cultural policies involves the establishment of measures and organizations required for the development of each individual, providing economic and social facilities, all of which are actions intended for directing society. Featuring coverage on a broad range of topics such as long-distance education, digital citizenship, and public diplomacy, this book is ideally designed for academicians, researchers, advanced-level students, sociologists, international and national organizations, and government officials.

Using Amish Mafia as a window into the interplay between the real and the imagined, this book dissects the peculiar appeals and potential dangers of deception in reality TV and popular entertainment. When Amish Mafia was released in 2012, viewers were fascinated by the stories of this secret group of Amish and Mennonite enforcers who used threats, extortion, and violence to keep members of the Amish community in line-and to line their own pockets. While some of the stories were based loosely on actual events, the group itself was a complete fabrication. Its members were played by ex-Amish and ex-Mennonite young adults acting out scenarios concocted by the show's producers. What is most extraordinary about Amish Mafia is that, even though it was fictional, it was cleverly constructed to appear real. Discovery Channel, which aired it, assiduously maintained that it was real; whole episodes were devoted to proving that it was real; and many viewers (including smart reality TV fans) were fooled into believing it was real. In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip. This helps to explain the workings not just of this and other reality TV shows but also of other forms of media fakery, including fake news. The book winds through numerous fascinating case studies of media fakery, from P. T. Barnum's famous "humbugs" of the nineteenth century to recent TV news scandals. It examines the social and emotional appeals of other forms of entertaining fakery, including professional wrestling and supermarket tabloids. It explains how and why conventions of contrivance evolved in reality TV as well as the ethics of media fakery. And, for readers interested in the Amish, it tells how the ex-Amish "stars" of Amish Mafia got involved in the show and the impact that involvement had on their lives.

These are the stories you haven't heard on the news. These are the people you will never forget. In the midst of never-ending debates, protests, riots, suicide bombings, and broken peace initiatives, one man came to make a difference. Previously known for his determination to deliver Bibles behind the Iron Curtain, Brother Andrew has spent the last thirty years on a very different quest. Traveling to Lebanon, the West Bank, Gaza, and Israel, Brother Andrew has sought out church leaders and urged them not to flee the violence but to stay and strengthen their congregations to become a force for change. His mission: to bring hope to the believers caught in the crossfire of the most volatile region on earth. "This is a book that invites applause and criticism. It will edify and offend, fostering healthy and much-needed discussion and debate in the Western Church."-Randy Alcorn, author, Safely Home "This man's courage is not just a case of bravado on steroids."-Charisma magazine Brother Andrew began taking Bibles to Christians behind closed borders in 1955. That work has since developed into Open Doors International. He is the author and coauthor of numerous books, including God's Smuggler and The Narrow Road. Al Janssen has cowritten or authored more than twenty-five books. He is chairman of the board for Open Doors (USA) and is director of communications for Open Doors International.

The community development profession: issues, concepts and approaches is an informative resource for students and practitioners of community-based development as it faces the stumbling blocks of a new professionalism. Authors Professors Frik de Beer and Hennie Swanepoel introduce and debate the relevant issues, concepts and approaches, and their evolution, interpretation and application in the field of development. Based on an extensive literature study, the book argues that some more recently evolved approaches can be traced to a "community development" origin, with possible pitfalls of marginalisation and disempowerment in the hands of powerful people. De Beer and Swanepoel also discuss issues such as the origin and history of community development from an international and South African perspective; community development principles, policy, ethics, institutions and training; community development project management and evaluation; the integrated development programme (IDP); all aspects of participatory planning, local economic development, and sustainability; the important role played by government and NGOs. Lecturers will benefit from the questions for reflection and discussion, a reading list per theme and a glossary for second-language users, all of which are included in each chapter.

Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show's cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later. Katz-with the help of the show's cast, creators, and crew-reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men-both on screen and off-would taint the show's reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show's tone. Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair. Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.

In pre-Revolutionary War America, libraries were member-driven collections for the elite; it was not until 1790 that Benjamin Franklin helped to establish the first public lending library. Throughout the subsequent centuries the library has evolved, but always remained central to the cultural life of the nation. Thomas R. Schiff 's photographs trace the history of the library through aesthetic and style while featuring legendary architects such as Charles F. McKim; Shepley, Rutan and Coolidge; and I. M. Pei. The Library Book beautifully captures the shifting architectural styles and missions of the library in sweeping 360-degree panoramas-from the very earliest American libraries to the modernist masterpieces of Louis I. Kahn and others. In his introductory essay, acclaimed author and library lover Alberto Manguel considers the story of the library in America, its evolving architecture and cultural role, and how the American model reflects the archetypal idea of the universal library. Including brief descriptions of each unique library, this book brings bibliophiles into one hundred libraries across the nation.

This book offers an outside-in look at American cultural peculiarities that helps Americans, see ourselves as others see us -and vice versa. "American Cultural Baggage" lets both Americans and the rest of the world in on things most Americans don't know, about themselves and their values and how those things are perceived by others. Americans will learn of the impression they make, while others will gain insight into the curious tribal values of Americans.

Howard Cruse is the first biography to tell the life story of one of the most important figures in LGBTQ+ comics. A preacher's kid from Alabama who became "the godfather of queer comics," Cruse (1944-2019) was a groundbreaking underground cartoonist, a wicked satirist, an LGBTQ+ activist, and a mentor to a vast network of queer comics artists. His comic strip Wendel, published in The Advocate throughout the 1980s, is considered a revolutionary moment in the development of LGBTQ+ comics, as is his inaugurating the editorship of Gay Comix with Kitchen Sink Press in 1979, which furthered the careers of important artists like Jennifer Camper and Alison Bechdel. Cruse's graphic novel Stuck Rubber Baby, published in 1995, fictionalizes his own coming out in the context of the civil rights movement in 1960s Birmingham and was a significant forerunner to contemporary graphic novels and memoirs. Howard Cruse draws on extensive archival research and interviews and covers Cruse's entire body of work: the cute and zany Barefootz, the unexpected innovations of the Gay Comix stories, the domestic intimacies of Wendel, and the complexity and power of Stuck Rubber Baby. The book places Cruse's art in the context of his life and his times, including the historic movements for gay rights and against the AIDS crisis, and it celebrates this extraordinary and essential figure of LGBTQ+ comics and American comics art more broadly.