In Power in the Balance: Presidents, Parties, and Legislatures in Peru and Beyond, Barry S. Levitt answers urgent questions about executive power in "new" democracies. He examines in rich detail the case of Peru, from President Alan Garcia's first term (1985-1990), to the erosion of democracy under President Alberto Fujimori (1990-2000), through the interim government of Valentin Paniagua (2000-2001) and the remarkable, if rocky, renewal of democracy culminating in Alejandro Toledo's 2001-2006 presidency. This turbulent experience with democracy brings into clear focus the functioning of formal political institutions-constitutions and electoral laws, presidents and legislatures, political parties and leaders-while also exposing the informal side of Peru's national politics over the course of two decades. Levitt's study of politics in Peru also provides a test case for his regional analysis of cross-national differences and change over time in presidential power across eighteen Latin American countries. In Peru and throughout Latin America, Levitt shows, the rule of law itself and the organizational forms of political parties have a stronger impact on legislative-executive relations than do most of the institutional traits and constitutional powers that configure the formal "rules of the game" for high politics. His findings, and their implications for improving the quality of new democracies everywhere, will surprise promoters, practitioners, and scholars of democratic politics alike.

This collection is an exploration of pop culture and sports that takes a Klostermaniacal look at expectations, reality, media, and fans. Some of Chuck's questions are these: Why does a given band's most ardent fans always hate that band's most recent album? What makes the game of football appear outwardly conservative while it is inwardly radical? Why is pop culture obsessed with time travel? What do Kurt Cobain and David Koresh have in common? Why do artists, athletes, celebrities, and just about everyone else respond when interviewed, even when they should keep their mouths shut? What makes voyeurism so interesting, and what makes it so boring? And, just what the hell is irony anyway? In Klosterman's new collection, the answers are hilarious and entertaining, and the way he gets to them even more so.

It's been barely twenty years since Dave Eggers (b. 1970) burst onto the American literary scene with the publication of his memoir, A Heartbreaking Work of Staggering Genius. In that time, he has gone on to publish several books of fiction, a few more books of nonfiction, a dozen books for children, and many harder-to-classify works. In addition to his authorship, Eggers has established himself as an influential publisher, editor, and designer. He has also founded a publishing company, McSweeney's; two magazines, Might and McSweeney's Quarterly Concern; and several nonprofit organizations. This whirlwind of productivity, within publishing and beyond, gives Eggers a unique standing among American writers: jack of all trades, master of same. The interviews contained in Conversations with Dave Eggers suggest the range of Eggers's pursuits-a range that is reflected in the variety of the interviews themselves. In addition to the expected interviews with major publications, Eggers engages here with obscure magazines and blogs, trade publications, international publications, student publications, and children from a mentoring program run by one of his nonprofits. To read the interviews in sequence is to witness Eggers's rapid evolution. The cultural hysteria around Staggering Genius and Eggers's complicated relationship with celebrity are clear in many of the earlier interviews. From there, as the buzz around him mellows, Eggers responds in kind, allowing writing and his other endeavors to come to the fore of his conversations. Together, these interviews provide valuable insight into a driving force in contemporary American literature.

The Great Protector of Wits provides a new assessment of baron d'Holbach (1723-1789) and his circle. A challenging figure of the European Enlightenment, Paul-Henri Thiry d'Holbach was not only a radically materialistic philosopher, a champion of anticlericalism, the author of the Systeme de la nature - known as 'the Bible of atheists' -, an ideologue, a popularizer of the natural sciences and a prolific contributor to the Encyclopedie, but he also played a crucial role as an organizer of intellectual networks and was a master of disseminating clandestine literature and a consummate strategist in authorial fictions. In this collective volume, for the first time, all these different threads of d'Holbach's 'philosophy in action' are considered and analyzed in their interconnection. Contributors to this volume: Jacopo Agnesina, Nicholas Cronk, Melanie Ephreme, Enrico Galvagni, Jonathan Israel, Alan Charles Kors, Mladen Kozul, Brunello Lotti, Emilio Mazza, Gianluca Mori, Iryna Mykhailova, Gianni Paganini, Paolo Quintili, Alain Sandrier, Ruggero Sciuto, Maria Susana Seguin, and Gerhardt Stenger.

Teyler's Foundation in Haarlem and its 'Book and Art Room' of 1779, edited by Ellinoor Bergvelt and Debora Meijers, examines for the first time this institution in the context of scientific, museological, political, artistic, religious and philosophical developments. The key moment was the decision in 1779 to give a free interpretation to the testament of its founder, the Mennonite entrepreneur Pieter Teyler van der Hulst (1702-1778): stimulated by the naturalist Martinus van Marum, the Foundation's board decided to build an impressive museum room and to establish a natural science collection. The institution thus entered an era in which older scientific and collecting traditions engaged with new developments towards a research institution and a public museum of natural history, physics and art. Contributors: Ellinoor S. Bergvelt, Terry van Druten, Arnold Heumakers, Eric Jorink, Paul Knolle, Debora Meijers, Wijnand Mijnhardt, Bert Sliggers, Koenraad Vos, and Holger Zaunstoeck.

Youth studies in Latin America and Spain face numerous challenges. This book delves into youth experiences in the 21st century, shaped by complex and pressing issues: the surge of youth cultures and groups, visual images of youth throughout time, and fragmented youth experiences in radically unequal societies. It analyzes young people as precarious natives in global capitalism and labor uncertainty, juvenicide, feminist discourse, social networks, intimacy and sexual affection among young people in a context of growing claims of gender equality. Also included are rural and indigenous youth as political actors, the actions of young political activists within government administrations, the experience of youth migration and empowerment, and young people dealing with the digital world. How have youth studies approached these issues in Latin America and Spain? Which were the main developments and transformations in this research field over the past years? Where is it heading? Contributors are: Jorge Benedicto, Maritza Urteaga, Dolores Rocca, Jose Antonio Perez Islas, Juan Carlos Revilla, Mariano Urraco, Almudena Moreno, Oscar Aguilera, Marcela Saa, Rafael Merino, Ana Miranda, Carles Feixa, Gonzalo Saravi, Antonio Santos-Ortega, David Munoz-Rodriguez, Arantxa Grau-Munoz, Jose Manuel Valenzuela, Silvia Elizalde, Monica Figueras, Mittzy Arciniega, Nele Hansen, Tanja Strecker, Elisa G. de Castro, Melina Vazquez, Rene Unda, Daniel Llanos, Sonia Paez de la Torre, Pere Soler, Daniel Calderon, and Stribor Kuric.

The essays in this collection are written to make readers (re)consider what is possible in Africa. The essays shake the tree of received wisdom and received categories, and hone in on the complexities of life under ecological and economic constraints. Yet, throughout this volume, people do not emerge as victims, but rather as inventors, engineers, scientists, planners, writers, artists, and activists, or as children, mothers, fathers, friends, or lovers - all as future-makers. It is precisely through agents such as these that Africa is futuring: rethinking, living, confronting, imagining, and relating in the light of its many emerging tomorrows.

Communicating Across Differences: Negotiating Identity, Privilege, and Marginalization in the 21st Century presents research and scholarship from a broad range of contributing authors who represent the voices and perspectives of traditionally marginalized and uniquely underrepresented groups. The anthology explores the intersectionality of intercultural communication and cultural studies, blending social science approaches with critical perspectives. Each chapter examines how marginality and privilege pertain to issues surrounding race, gender, sexuality, class, dis/ability, language, inter/nationality, and instruction that are negotiated through the process of communication and media messaging while being framed in hegemonic cultural dynamics. Readers gain insight into the breadth and depth of the intergroup identities that impact our ability to communicate effectively across differences today. Dedicated chapters examine cross-racial communication, racial representation and grouping in news coverage, cultural influences and variations in language usage, power dynamics surrounding disability discourse, instructor immediacy behaviors from the perspective of international students, and more. Designed to help us better understand and respect the cultural, social, and political implications that surround power, privilege, marginalization, and oppression, Communicating Across Differences is a timely and essential resource for courses focusing on diversity, multiculturalism, cultural studies, and intercultural communication.

What Politics? Youth and Political Engagement in Africa examines the diverse experiences of being young in today's Africa. It offers new perspectives to the roles and positions young people take to change their life conditions both within and beyond the formal political structures and institutions. The contributors represent several social science disciplines, and provide well-grounded qualitative analyses of young people's everyday engagements by critically examining dominant discourses of youth, politics and ideology. Despite focusing on Africa, the book is a collective effort to better understand what it is like to be young today, and what the making of tomorrow's yesterday means for them in personal and political terms. Contributors are: Ehaab Abdou, Abebaw Yirga Adamu, Henni Alava, Paivi Armila, Randi Ronning Balsvik, Jesper Bjarnesen, THora Bjoernsdottir, Jonina Einarsdottir, Tilo Gratz, Nanna Jordt Jorgensen, Marko Kananen, Sofia Laine, Naydene de Lange, Afifa Ltifi, Ivo Mhike, Claudia Mitchell, Relebohile Moletsane, Danai S. Mupotsa, Elina Oinas, Henri Onodera, Eija Ranta, Mounir Saidani, Mariko Sato, Loubna H. Skalli, Tiina Sotkasiira, Abdoulaye Sounaye, Leena Suurpaa, and Mulumebet Zenebe. What Politics? Youth and Political Engagement in Africa is now available in paperback for individual customers.

Pre-pandemic the Middle East and North Africa was the only region in the world experiencing increases in poverty and declines in life satisfaction. This Report investigates how the COVID-19 pandemic changed the welfare of individuals and households in the region, by relying on phone surveys and micro-simulation exercises.

What has been the significance of sport for the European avant-garde in the first half of the 20th century? From an international and interdisciplinary perspective we show the extent to which avant-garde art and culture was shaped by the dynamic encounter with modern sports. Our focus lies on avant-garde artists, groups, movements and institutions across Europe (including Cubism, Futurism, Vorticism, Purism, Expressionism, Dada, the Bauhaus, Constructivism in Central and Eastern Europe), thereby unfolding the diversity of avant-garde responses to modern sports. The book in front of you includes fascinating readings in the fields of aesthetics, visual cultures, cultural history and politics and highlights why specific kinds of sport such as cycling, boxing and football became important for avant-garde movements and artists.

The Lost History of Cosmopolitanism challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today.

The Angel and the Cholent: Food Representation from the Israel Folktale Archives by Idit Pintel-Ginsberg, translated into English for the first time from Hebrew, analyzes how food and foodways are the major agents generating the plots of several significant folktales. The tales were chosen from the Israel Folktales Archives' (IFA) extensive collection of twenty-five thousand tales. In looking at the subject of food through the lens of the folktale, we are invited to consider these tales both as a reflection of society and as an art form that discloses hidden hopes and often subversive meanings. The Angel and the Cholent presents thirty folktales from seventeen different ethnicities and is divided into five chapters. Chapter 1 considers food and taste-tales included here focus on the pleasure derived by food consumption and its reasonable limits. The tales in Chapter 2 are concerned with food and gender, highlighting the various and intricate ways food is used to emphasize gender functions in society, the struggle between the sexes, and the love and lust demonstrated through food preparations and its consumption. Chapter 3 examines food and class with tales that reflect on how sharing food to support those in need is a universal social act considered a ""mitzvah"" (a Jewish religious obligation), but it can also become an unspoken burden for the providers. Chapter 4 deals with food and kashrut-the tales included in this chapter expose the various challenges of ""keeping kosher,"" mainly the heavy financial burden it causes and the social price paid by the inability of sharing meals with non-Jews. Finally, Chapter 5 explores food and sacred time, with tales that convey the tension and stress caused by finding and cooking specific foods required for holiday feasts, the Shabbat and other sacred times. The tales themselves can be appreciated for their literary quality, humor, and profound wisdom. Readers, scholars, and students interested in folkloristic and anthropological foodway studies or Jewish cultural studies will delight in these tales and find the editorial commentary illuminating.

Framing Gotham City as a microcosm of a modern-day metropolis, Gotham City Living posits this fictional setting as a hyper-aware archetype, demonstrative of the social, political and cultural tensions felt throughout urban America. Looking at the comics, graphic novels, films and television shows that form the Batman universe, this book demonstrates how the various creators of Gotham City have imagined a geography for the condition of America, the cast of characters acting as catalysts for a revaluation of established urban values. McCrystal breaks down representations of the city and its inhabitants into key sociological themes, focusing on youth, gender, sexuality, race and ethnicity, class disparity and criminality. Surveying comic strip publications from the mid-20th century to modern depictions, this book explores a wide range of material from the universe as well as the most contemporary depictions of the caped crusader not yet fully addressed in a scholarly context. These include the works of Tom King and Gail Simone; the films by Christopher Nolan and Tim Burton; and the Batman animated series and Gotham television shows. Covering characters from Batman and Robin to Batgirl, Catwoman and Poison Ivy, Gotham City Living examines the Batman franchise as it has evolved, demonstrating how the city presents a timeline of social progression (and regression) in urban American society.

The Cultural Political Economy of the Construction Industry in Turkey analyses the growth of the popularity of the 'Justice and Development Party' (official acronym: AK Parti or AKP) of Turkey's president Erdogan, through the lens of the construction sector. It provides a comprehensive analysis of the question of hegemony and the electoral success of the AKP - despite frequent economic downturns and ferocious political conflicts including a coup d'etat attempt and rekindled armed struggles. In this book, Ismail Doga Karatepe critically examines the AKP's ability to satisfy the needs and wishes of different social classes and groups. By taking the construction sector as an example, the book analyses these in the context of the changes in the urban landscape of modern Turkey.

The aim of Protests and Generations is to problematize the relations between generations and protests in the Middle East, North Africa and the Mediterranean. Most of the work on recent protests insists on the newness of their manifestation but leave unexplored the various links that exist between them and what preceded them. Mark Muhannad Ayyash and Ratiba Hadj-Moussa (Eds.) argue that their articulation relies at once on historical ties and their rejection. It is precisely this tension that the chapters of the book address in specifically documenting several case studies that highlight the generating processes by which generations and protests are connected. What the production and use of generation brings to scholarly understanding of the protests and the ability to articulate them is one of the major questions this collection addresses. Contributors are: Mark Muhannad Ayyash, Lorenzo Cini, Eric Gobe, Ratiba Hadj-Moussa, Andrea Hajek, Chaymaa Hassabo, Gal Levy, Ilana Kaufman, Sunaina Maira, Mohammad Massala, Matthieu Rey, Goekboeru Sarp Tanyildiz, and Stephen Luis Vilaseca. *Protests and Generations is now available in paperback for individual customers.

After decades of being much maligned in Western culture, the moustache is enjoying a cultural renaissance thanks to the annual phenomenon of Movember. 'One Thousand Mustaches' is a fun romp through the history of the moustache.

This reference work covers the cuisine and foodways of India in all their diversity and complexity, including regions, personalities, street foods, communities and topics that have been often neglected. The book starts with an overview essay situating the Great Indian Table in relation to its geography, history and agriculture, followed by alphabetically organized entries. The entries, which are between 150 and 1,500 words long, combine facts with history, anecdotes, and legends. They are supplemented by longer entries on key topics such as regional cuisines, spice mixtures, food and medicine, rites of passages, cooking methods, rice, sweets, tea, drinks (alcoholic and soft) and the Indian diaspora. This comprehensive volume illuminates contemporary Indian cooking and cuisine in tradition and practice.

The political responsibility of artists in a globalized society is debated in this collection of articles by authors from Africa, Australia, South America, Europe, and Scandinavia. Bemoaning the competition for tourist dollars among the world's great cities and the commodification of cultural artifacts, these artists propose real and imagined places where art might resist capitalism, such as failed urban developments, among refugees, and in rural outposts.