Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, ""I figure singing and playing is the same,"" or, ""Singing was more into my blood than the trumpet."" Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.

In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950s and '60s who forged connections between jazz and Africa that definitively reshaped both their music and the world. Each artist identified in particular ways with Africa's struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents. In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures.

Ethel Waters overcame her disadvantaged childhood to become the most famous African American actress, singer, and entertainer of her time. Her critically acclaimed move to Broadway in the mid 1920s-after having first triumphed in Black vaudeville during the Harlem Renaissance-brought the startlingly innovative and subtle character of Black Theatre into the mainstream. Ethel transformed such songs as "Dinah," "Am I Blue?," "Stormy Weather," and Irving Berlin's "Heat Wave" into classics and inspired the next generation of Black female vocalists. She gave sophistication and class to the blues and American popular song, and she influenced countless singers including Judy Garland and Frank Sinatra. Tough, uncompromising, courageous, and ambitious, Ethel Waters became one of the first African American women to be given equal billing with white stars on the Broadway stage. In 1943, the film version of her Broadway success, Cabin in the Sky, established her as Hollywood's first Black-leading lady. In such plays as Mamba's Daughters and films including The Member of the Wedding, she shattered the myth that Black women could perform only as singers. For her work in Pinky, she received an Academy Award nomination for Best Supporting Actress, the second African American to be so honored. Although she was arguably the most influential female blues and jazz singer of the 1920s and 1930s, as well as a major Black figure in 20th century theatre, cinema, radio, and television, she is now the least remembered. In Ethel Waters: Stormy Weather, Stephen Bourne documents the career of this monumental figure in American popular culture, offering new insights into the work of this forgotten legend. Supplemented by fourteen photographs, this biography leaves little doubt as to why-for decades-no other Black star was held in such high regard.

During the years between the world wars, a small but dynamic community of African American jazz musicians left the United States and settled in Paris, creating a vibrant expatriate musical scene and introducing jazz to the French. While the Harlem Renaissance was taking off across the Atlantic, entertainers in Montmartre, the epicenter of the Parisian scene, contributed enthusiastically to a culture that thrived for two decades, until the occupation of the city by German troops on June 18, 1940. In "Harlem in Montmartre, " William Shack takes a fascinating look at this extraordinary cultural moment, one in which African American musicians could flee the racism of the United States to pursue their lives and art in the relatively free context of bohemian Europe. His book is the first comprehensive treatment of the rise and decline of the African American music community in Paris; in it, he considers the international dimensions of black experience in the modern era and explores the similarities and differences of Harlem-style jazz and culture in Europe and America.
Shack focuses on some of the principal actors who played critical roles in shaping the jazz scene in Montmartre--Josephine Baker, Sidney Bechet, and Bricktop--but he also discusses others who opened clubs, underwrote loans, and contributed their musical talents to this unparalleled experiment. As an anthropologist, Shack pays particular attention to the club culture. He describes the musicians' experiences, the settings in which they performed, and the response of French audiences.
Shack's meticulous research and encyclopedic knowledge of Montmartre's jazz culture, including the people and places involved, make this a riveting, authoritative work. Seamlessly fusing biographical, sociological, and historical details, he brings this unique era to life and demonstrates how the Paris jazz scene played a crucial role in legitimizing jazz--both in Europe and the United States.

The best biography of any jazz musician that we have. Bird Lives! will stand for a long time as a major source of information and illumination not only of the great musician with whom it deals but of the entire jazz life in this society.--Ralph Gleason Inspired by great affection and dedication, Bird Lives! provides a vivid and accurate picture not only of the saxophonist-composer as artist and human being but of his zeitgeist and the musical/social setting that produced him. Parker was an immensely complex personality; saint and satyr, loving father and footloose vagabond, with a limitless appetite for sex, music, food, pills, heroin, liquor, life. A man of vast influence, the most admired and imitated creator of the mid-1940s bop revolution, he was forced to work in dives, reduced to bumming dollars when he should have been respected as a reigning virtuoso. . . . A sensitive, penetrating portrait.--Leonard Feather, Los Angeles Times One of the very few jazz books that deserve to be called literature . . . perhaps the finest writing on jazz to be found anywhere. . . . Those aware of Parker's genius cannot do without this book.--Grover Sales, Saturday Review

W. C. Handy's blues, Memphis Blues," "Beale Street Blues," "St. Louis Blues",changed America's music forever. In Father of the Blues, Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873-1958) was a sensitive child who loved nature and music but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the "devilish" calling of black music and theatre. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South his days in minstrel shows, and then in his own band how he made his first 100 from "Memphis Blues" how his orchestra came to grief with the First World War his successful career in New York as publisher and song writer his association with the literati of the Harlem Renaissance.Handy's remarkable tale,pervaded with his unique personality and humour,reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz.

In The Heart of Rock & Soul, veteran rock critic Dave Marsh offers a polemical guide to the 1,001 greatest rock and soul singles ever made, encompassing rock, metal, R&B, disco, folk, funk, punk, reggae, rap, soul, country, and any other music that has made a difference over the past fifty years. The illuminating essays,complete with music history, social commentary, and personal appraisals,double as a mini-history of popular music. Here you will find singles by artists as wide-ranging as Aretha Franklin, George Jones, Roy Orbison, the Sex Pistols, Madonna, Run-D.M.C., and Van Halen. Featuring a new preface that covers the hits,and misses,of the'90s, The Heart of Rock & Soul remains as provocative, passionate, and timeless as the music it praises.

"Contemporary Musicians provides comprehensive information on more than 2,000 musicians and groups from around the world. Entries include a detailed biographical essay, selected discographies, contact information and a list of sources. Features include e-mail addresses and online sources where available.

New Volume Students and other researchers will love this biographical and critical series covering performers and others in a wide variety of musical fields. Each volume covers more than 80 musicians and provides vital statistics, critical essays, photographs and more. Musician and subject indexes facilitate research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others

New Volume Students and other researchers will love this biographical and critical series covering performers and others in a wide variety of musical fields. Each volume covers more than 80 musicians and provides vital statistics, critical essays, photographs and more. Musician and subject indexes facilitate research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others

Rich in anecdote and insight, Jazz Matters is a collection of essays, profiles, and reviews by Doug Ramsey, and observer and chronicler of jazz and its musicians for more than thirty years. It stirs the reader to discover or rediscover the music and performers Ramsey describes. His accounts of recording sessions and live performances enhance this excellent review of the history, variety, and artistic depth that make jazz so profound an element in modern culture. Jazz Matters gives the reader a basis for understanding jazz improvisation Ramsey's sensitive, straightforward, and entertaining pieces promote appreciation of the accomplishment of artists from Louis Armstrong to John Coltrane and Ornette Coleman.

"Contemporary Musicians provides comprehensive information on more than 2,000 musicians and groups from around the world. Entries include a detailed biographical essay, selected discographies, contact information and a list of sources. Features include e-mail addresses and online sources where available.

This is the first compact history of jazz to place it within broader context. With an eye on the music, the musicians, and the audience, Mr. Peretti traces the emergence of jazz and follows its progress to the present, showing how it has reflected shifting American values. Heartily recommended...accessible to a broad readership. - "Library Journal". It is part of the "American Ways" series.

New Volume Students and other researchers will love this biographical and critical series covering performers and others in a wide variety of musical fields. Each volume covers more than 80 musicians and provides vital statistics, critical essays, photographs and more. Musician and subject indexes facilitate research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others