In 1725 Johann Sebastian Bach wrote two keyboard suites for his wife Anna Magdalena, whom he married in 1721. These became the first entries in a book in which, over the next twenty years, were gathered together both keyboard pieces and vocal works by Johann Sebastian and his two sons Carl Philipp Emanuel and Johann Christian as well as such composers as Couperin, Boehm, Petzold and Hasse. An illuminating portrait of domestic music-making in the Bach family during the Leipzig period, this authoritative new edition of the book contains the keyboard pieces only, including the well-known Minuet in G and Prelude in C, from The Well-Tempered Clavier, Part I, and more substantial items such as C. P. E. Bach's Solo per il Cembalo in E flat (early versions of Partitas Nos. 3 and 6 and French Suites Nos. 1 and 2 are excluded). This first-class edition, providing an important and attractive introduction to the Baroque style, also contains invaluable advice on appropriate tempo, phrasing, articulation and ornamentation in accordance with contemporary performance practice.

Originally published in 1933, this book provides a detailed history of the piano-forte from its invention in Italy in the eighteenth century until the presentation of the first European cast-iron frame for a piano at the 1851 Great Exhibition. Harding also analyses the role of the piano as a replacement for a chamber orchestra and its history as a domestic instrument. The text is richly illustrated with images of pianos produced by a variety of makers over time, as well as with images of piano machinery taken from patent registrations. This thoroughly-researched book will be of value to anyone with an interest in one of the most ubiquitous instruments in the Western world and the history of its development.

Diese Bibliographie bietet einen umfassenden UEberblick uber die Literatur der letzten 100 Jahre zum Thema Klaviermusik (seit etwa 1550) in deutscher, englischer, franzoesischer und italienischer Sprache. Aufgenommen wurden selbstandige Schriften, Zeitschriftenaufsatze, Artikel in Sammelpublikationen, Jahrbuchern, Festschriften und Kongressberichten sowie Dissertationen. Der erste Teil listet die Literatur zu einzelnen Komponisten auf. Umfangreiche Kapitel werden nach Werkgruppen und einzelnen Werken gegliedert. Der zweite Teil verzeichnet die Literatur zur Klaviermusik einzelner Zeitabschnitte, Lander und zu anderen Stichworten.

Take more than forty years of partnering celebrated soloists in concerts all over the world, add nearly thirty years of teaching the art of accompanying, and you have the qualifications for such an audacious title as The Complete Collaborator. All the tools for understanding and executing first-class collaborative piano are here, paired with audio recordings of many of the musical examples performed by the author himself, along with two vocalists, on a companion website.
The obvious topics: breathing, languages, flexibility, and creating a collaborative atmosphere are discussed at length, articulated clearly for the curious novice and proving beneficial even for the experienced professional. In addition, two significant chapters deal with orchestral accompaniment, reflecting today's requirements for any professional accompanist. Oft-neglected details such as beginning a piece together, telling stories with piano solos, tuning, and balance between the players are also covered herein.
Dubbed the "Dean of Accompanists" by the Los Angeles Times, this teacher of sold-out masters' classes presents his material clearly and incisively, but always with the humor and wit for which he is known. Whether it be read by the curious novice, the amateur who wants to accompany as best he can, or the experienced professional seeking confirmation or a new look at the role of any partner, Martin Katz's The Complete Collaborator is all one needs.

Ever since the piano was invented, people have longed to own one. By the nineteenth century the big, unwieldy instruments were everywhere: they shrank in the heat of the colonies, swayed on steamships and sang in the drawing room of every genteel home. Some of these old pianos have become treasured family heirlooms, some just firewood. But others have led a more itinerant life, occasionally finding their way to a secret, glass-roofed workshop in Paris where they are lovingly restored by a piano repairer with a passion for his job. When T. E. Carhart came upon Luc and his atelier, his life changed. As he explored the Eldorado of pianos in Luc's back room, absorbed Luc's wisdom on life and music and finally found the baby grand of his dreams, he rediscovered his deep love for this most magical of instruments.

In this wonderfully atmospheric book, full of Parisian life, the story of a musical friendship and a mutual obsession is intertwined with reflections on how pianos work, their glorious history and the people who care for them, from the most amateur pianist to the tuners and craftsmen who make the mechanism sing.

Zum 350-jahrigen Geburtsjubilaum von F. W. Zachow erscheint erstmals in Buchform diese innovative, provokative und auch uberraschende Forschungsarbeit. Zachow war Handels Lehrmeister. Die Arbeit erschliesst die Handschriften der Vokalwerke Zachows mit historisch-quellenkundlicher Methodik und stellt erstmals ein Quellenverzeichnis zusammen. Sie untersucht die gattungs- und stilbildenden Aspekte seiner Kompositionen und seine musik-historische Sonderbedeutung. Ausserdem eroertert sie die Bewerbung von J. S. Bach 1713 in Halle und seine Teilnahme am Orgelneubau, Bachs ideale, recht schoene und recht grosse Orgel. Diese Arbeit wendet sich an Kirchenmusiker, Chorleiter, Organisten und Sanger und alle, die die musica sacra des Halleschen Spatbarockkomponisten F. W. Zachow wiederentdecken moechten.

Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gerard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.

Zeitgemasse Vermittlung und Qualitatssteigerung des Orgelspiels ist seit Jahrhunderten ein zentrales Anliegen von Organisten. Dies spiegelt sich auch in den Orgelschulen wider. Diese Untersuchung betrachtet schwerpunktmassig reprasentative Lehrwerke des 18. bis 20. Jahrhunderts aus dem deutschen, belgischen, franzoesischen und italienischen Raum, erganzend angloamerikanische sowie zeitgenoessische Schulen. Was aus diesen lehr- und lernbar ist, warum und wie gerade altere Schulen den Orgelunterricht bereichern koennen, wird aufgezeigt.

The Fender Rhodes story is a historical tribute to the electric piano that changed the sound of music. Invented by Harold Rhodes as a rehabilitation tool for soldiers in World War II, the Fender Rhodes piano both revolutionized and empowered musicians to explore a new, electric frontier of music. Through interviews with a remarkable cast of music notables, the book takes an insider's look into how this electric piano played - and continues to play - an integral role in the creation of a wealth of music, from the 1960s through today. The collection of interviews with Michael Bearden, George Benson, Stanley Clarke, Chick Corea, D'Angelo, Eumir Deodato, George Duke, Larry Dunn, Donald Fagen, Ronnie Foster, Rodney Franklin, Robert Glasper, Jay Graydon, Dave Grusin, Don Grusin, Onaje Allan Gumbs, Ellis Hall, Herbie Hancock, Lalah Hathaway, Rami Jaffee, Bob James, Quincy Jones, Ramsey Lewis, Jeff Lorber, Robin Lumley, Ray Manzarek, Les McCann, Marcus Miller, Steve Molitz, John Novello, David Paich, Jerry Peters, Greg Phillinganes, James Poyser, Patrice Rushen, Joe Sample, Lenny White, Maurice White, Vince Wilburn Jr., Allee Willis, the CBS musical instruments staff, and others provides for a rare glimpse at the music history behind some of the most memorable music of our time.

The Language of Folk offers a wealth of folk repertoire from around the British Isles and further afield, carefully selected and arranged to develop the key skills and vocal styles integral to folk song. Produced in association with The Sage Gateshead and its nationally renowned folk music programme, these books provide a wealth of material both for established folk singers and those new to the world of folk. 20 varied folk songs, progressing from beginner level to around grade 4 Includes both unaccompanied songs and songs arranged with piano accompaniment Informative contextual notes and practice tips for every song Chord names provided for all songs, offering performers the freedom to add their own accompaniment Helpful introduction to the folk song genre, including a beginner's guide to ornamentation CD with authentic performances of every song by young folk singers, along with backing tracks for the accompanied pieces Complete lyric sheets available as PDFs to print on the CD All unaccompanied songs feature on the current Trinity singing syllabus ('Technical Work' section)

Five superb albums of graded pieces provide a wealth of jazz repertoire. Throughout, there is a huge range of styles, from bebop blues to calypsos, boogie-woogie to ballads, jazz waltzes to free jazz. There are classic tunes by the jazz greats, including Duke Ellington, Miles Davis and Thelonious Monk. And there are brand-new pieces specially commissioned from professional British jazz musicians and educators. Each album presents 15 pieces in three lists: blues, standards and contemporary jazz. The head of each piece is set out with all the characteristic voicings, phrasing and rhythmic patterns you need for a stylish performance. The improvised section gives guideline pitches and left-hand voicings as a practical starting-point. Accessible, student-centred and of the highest musical standards, these pieces will get you playing jazz confidently and creatively.

Electronic Keyboard Basics 1 introduces the basic reading of notation, simple five-finger positions and auto-accompaniments with fingered chords as an alternative.Echo playing and simple improvisation encourage the pupil to play by ear and develop good aural skills. This book is packed with the widest variety of musical styles from classical to contemporary, and full of fantastic illustrations, Sarah Walker's Electronic Keyboard Basics is a great way to learn.

An excellent collection of 21 of Joel's best tunes.

• And So It Goes
• Baby Grand
• Honesty
• I Go To Extremes
• An Innocent Man
• It's Still Rock And Roll To Me
• Just The Way You Are
• Keeping The Faith
• Leave A Tender Moment Alone
• The Longest Time
• Movin' Out
• My Life
• New York State Of Mind
• Piano Man
• Shameless
• She's Always A Woman
• She's Got A Way
• Tell Her About It
• Uptown Girl
• We Didn't Start The Fire
• You May Be Right

Piano Progress Studies Book 2 is part of The Waterman/Harewood Piano Series, which displays the thoroughness, imagination and sense of discovery that are key features of teaching. The excellence of the musical material, the clear printing and the attractive presentation of the books have been universally acclaimed. The series is established as one of the foremost modern piano methods. Author Fanny Waterman is one of the most outstanding piano teachers of our time. Joint founder, with Marion Harewood, of the Leeds International Piano Competition, her ever growing list of prize-winning pupils has brought her international renown.