Finzi's small and select output sadly includes no original solo organ music, and organists will find these arrangements by Robert Gower, Alan Ridout, and Philip Brunelle gratifyingly idiomatic and rewarding. These arrangements make ideal quiet voluntaries or recital items with a difference. The rich sonorities of the original orchestral works transfer well to the organ.

This book contains valuable material to help players strengthen their sight-reading skills in preparation for the ABRSM Grade 7 exam. Featuring preparatory exercises that gradually introduce key new elements encountered at Grade 7, along with a comprehensive selection of sample sight-reading pieces, More Piano Sight-Reading supports students with the transition between grades, and encourages them to integrate sight-reading into their daily practice. More Piano Sight-Reading is available for ABRSM Grades 1 to 8, offering additional support for the sight-reading requirements of the current syllabus.

The role of music at a wedding cannot be overstated as it shapes the entire ceremony and heightens the emotions for all in attendance. All the arrangements in this must-have compilation are organized into four sections: Pre-Ceremony, Processional, During the Ceremony, and Recessional. Additionally, a 4-page guide will aid brides, grooms and pianists in choosing music for the ceremony. Each song includes a write-up about the music, chord symbols and lyrics, and most of the pieces are in vocal ranges appropriate for vocalists. This eclectic mix of classical standards and new pop favorites will have great appeal to excited brides-to-be!
Allegro Maestoso (Handel) * Andante (Mozart) * Arioso (Bach) * As Times Goes By * At Last * Ave Maria (Gounod) * Ave Maria (Schubert) * Beauty and the Beast * Be Thou with Me (J. S. Bach) * Bridal Chorus - short version (Wagner) * Bridal Chorus - complete version (Wagner) * Canon in D (Pachelbel) * Come What May * GymnopA(c)die (Satie) * The Hawaiian Wedding Song * I Don't Want to Miss a Thing * I've Grown Accustomed to Her Face * Jesu, Joy of Man's Desiring (J. S. Bach) * Larghetto (Handel) * Love Is Here to Stay * My Funny Valentine * Nocturne (Borodin) * Nocturne (Chopin) * O Mio Babbino Caro (Puccini) * Ode to Joy (Beethoven) * Over the Rainbow * Panis Angelicus (Franck) * PathA(c)tique Sonata (Beethoven) * Plaisir d'Amour (Martini) * The Prayer * Recessional (Purcell) * Rhapsody on a Theme by Paganini (Rachmaninoff) * The Rose * Sheep May Safely Graze (J. S. Bach) * Take My Breath Away * (I've Had) The Time of My Life * This I Promise You * Trumpet Voluntary (Clarke) * Unforgettable * Up Where We Belong * Valentine * The Way You Look Tonight * Wedding March (Mendelssohn) *Wedding Song (There is Love) * We've Only Just Begun * What a Wonderful World * When a Man Loves a Woman * When I Fall in Love * The Wind Beneath My Wings * You Raise Me Up.

Up-Grade! Pop Piano Grades 0-1 is part of Pam Wedgwood's hugely successful Up-Grade! Series, allowing pianists of all ages repertoire to bridge the gap between grades. Up-Grade! Pop offer's Pam's own take on songs such as Robbie Williams' Angels, Queen's Another One Bites The Dust and James Blunt's You're Beautiful as well as her own specially composed pieces. The varied pieces in this lively collection are demonstrated on the online audio and are designed to ease you gently on towards the next grade! There are several other spin-offs to the Up-Grade! series for piano, including jazz and Christmas.

An excellent collection of 21 of Joel's best tunes.

• And So It Goes
• Baby Grand
• Honesty
• I Go To Extremes
• An Innocent Man
• It's Still Rock And Roll To Me
• Just The Way You Are
• Keeping The Faith
• Leave A Tender Moment Alone
• The Longest Time
• Movin' Out
• My Life
• New York State Of Mind
• Piano Man
• Shameless
• She's Always A Woman
• She's Got A Way
• Tell Her About It
• Uptown Girl
• We Didn't Start The Fire
• You May Be Right

(Music Sales America). Modeled after the popular standard Hanon technique, here are authentic progressive exercises and etudes to enable the contemporary piano student to master the art of playing in the boogie-woogie style.

(Faber Piano Adventures ). Well-loved folk songs arranged in middle C position with no eighth notes or dotted rhythms, providing the earliest level reading for the beginning pianist. Contents include: Yankee Doodle * The Muffin Man * London Bridge * The Wheels on the Bus * Ten Little Indians * Baa Baa Black Sheep * On the Bridge * Hush, Little Baby * Alouette * Shoo, Fly * Pop Goes the Weasel * Row, Row, Row Your Boat.

(Faber Piano Adventures ). This book is a treasury of the most popular and most requested masterworks of Western music. The selections are taken from original non-keyboard sources and arranged to create a "big" sound while remaining within the intermediate level. Contents include: Arioso (from Cantata No. 156) by J.S. Bach * Canon in D by Pachelbel * Danse Macabre by Saint-Saens * The Great Gate of Kiev (from Pictures at an Exhibition ) by Mussorgsky * Habanera (from the opera Carmen ) by Bizet * Hornpipe (from Water Music ) by Handel * Hungarian Dance No. 5 by Brahms * Liebesfreud by Kreisler * Rondeau (from Suite de Symphonies No. 1 ) by Mouret * Russian Sailor's Dance (from the opera Sadko ) by Rimsky-Korsakov * Spring Song by Mendelssohn * Tales from the Vienna Woods (Opus 325) by J. Strauss, Jr. * Theme from Symphony No. 40 by Mozart.

This method is a truly entertaining approach to learning how to play the piano. Written by Ward Cannel of the Piano Consortium, the method breaks down music theory into visual concepts which are fun and easy to grasp, so you can learn to play the music you want to play! Perfect for those piano lesson dropouts!

This is the first book about the life of jazz pianist and composer Stan Tracey CBE (1926-2013). Drawn largely from his personal diaries and some of his many interviews, his son Clark Tracey pieces together what made the late Stan Tracey a unique character in jazz music. Stan's wit and wisdom also come shining through in abundance in this long overdue account of one of the UK's most important jazz musicians.In a career that spanned 70 years, Stan Tracey recalls his earliest memories in war torn London and his first experiences of hearing jazz. As a teenager, he joined ENSA and the RAF Gang Show and for the next three years played at more venues than many musicians do in a lifetime. Once demobbed, Stan befriends pianist Eddie Thomson, vibist and drummer Victor Feldman and clarinettist Vic Ash and begins his career in music. He toured with Kenny Baker's band and the Kirchin Band before joining the Ted Heath Orchestra, then began recording under his own name. He was asked by Ronnie Scott to be the house pianist at Scott's new club, where Stan's legendary status grew for the next six years.He accompanied giants of American jazz such as Stan Getz, Sonny Rollins, Roland Kirk, Dexter Gordon, Freddie Hubbard and many others. During this period he wrote and recorded the seminal album Under Milk Wood, which to this day remains his best selling work. Stan left Ronnie's club following a drug addiction and in the 1970s found himself penniless. His wife Jackie employed her skill in the music business as an A&R from previous years and began presenting concerts to keep Stan afloat, as he formed new musical friendships in the free/improvised idiom at that time, such as Mike Osborne and Keith Tippett. Commissions for suites emerged and Stan's writing skills found an outlet again through the formation of his various groups that were to last for nearly 30 years. Stan's achievements and awards are ample and in many cases unique. Recipient of an OBE and a CBE, Stan also received several lifetime achievement awards and in his last year became the first recipient of the Ivor Novello Jazz Award.

(Faber Piano Adventures ). Piano arrangements of some of the great symphonic and operatic masterworks of Western music. Contents include: Aria (from the Peasant Cantata) by J.S. Bach * La Donna e Mobile (from the opera Rigoletto ) by Verdi * Largo (from the opera Die Fliedermaus ) by J. Strauss, Jr. * The Little Man in the Woods (from the opera Hansel and Gretel ) by Humperdinck * March Militaire by Shubert * Overture (from the opera William Tell ) by Rossini * Pizzicato Polka by J. Strauss, Jr. & J. Strauss * Polvetzian Dance No. 17 (from the opera Prince Igor ) by Borodin * Roses from the South by J. Strauss, Jr. * The Rage Over the Lost Penny by Beethoven * Theme from "The Surprise" Symphony by Haydn * Theme from Trumpet Concerto in Eb by Haydn * Trepak (from the ballet The Nutcracker ) by Tchaikovsky.

Beethoven's Complete Pianoforte Sonatas, edited by Harold Craxton, are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

The Soviet composer Gliere was very much influenced by the 19th-century Russian romantic tradition. As the short pieces in this album demonstrate, he was particularly skilful at expressing a melody in simple and direct terms while at the same time creating a colourful and romantic picture.

Ultimate Piano Solos presents over 50 best-selling piano solos collected together for the first time in one book. Suitable for the intermediate piano player, it includes must-have Classical pieces such as Beethoven's Moonlight Sonata, Satie's Gymnopedie No.1 and Faure's Pavane, alongside modern classics from La La Land, Twilight and Final Fantasy soundtracks and songs arranged for piano from the likes of The Piano Guys, Ed Sheeran, Joni Mitchell, Birdy and Louis Armstrong.

Zum 350-jahrigen Geburtsjubilaum von F. W. Zachow erscheint erstmals in Buchform diese innovative, provokative und auch uberraschende Forschungsarbeit. Zachow war Handels Lehrmeister. Die Arbeit erschliesst die Handschriften der Vokalwerke Zachows mit historisch-quellenkundlicher Methodik und stellt erstmals ein Quellenverzeichnis zusammen. Sie untersucht die gattungs- und stilbildenden Aspekte seiner Kompositionen und seine musik-historische Sonderbedeutung. Ausserdem eroertert sie die Bewerbung von J. S. Bach 1713 in Halle und seine Teilnahme am Orgelneubau, Bachs ideale, recht schoene und recht grosse Orgel. Diese Arbeit wendet sich an Kirchenmusiker, Chorleiter, Organisten und Sanger und alle, die die musica sacra des Halleschen Spatbarockkomponisten F. W. Zachow wiederentdecken moechten.