A very approachable work, probably the composer's most famous and popular organ piece.

Five volumes of piano repertoire offering an ideal introduction to music from the Romantic period. Featuring works by great names such as Chopin, Schumann and Debussy as well as pieces by lesser-known composers from this prolific period of piano writing. Volumes are carefully graded and offer a variety of keys, time signatures and moods.

First published over seventy years ago, this imaginative series of studies is as useful and relevant now as it ever has been. Each volume has studies composed by well known and lesser known composers and is carefully graded to offer a variety of keys, time signatures, textures and tempi, whilst each study is given a title which tells the student exactly what it is trying to achieve. These books provide invaluable practice material for the building of technique and are also enjoyable to play in their own right.

Beethoven's Complete Pianoforte Sonatas, edited by Harold Craxton, are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

C.P.E. Bach's Selected Keyboard Works have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

A five-volume graded anthology of short piano pieces from the Romantic era. As well as featuring the great German composers from the period, this collection includes works by Rimsky-Korsakov, Moszkowski, Glazunov, Albeniz, Granados, Delius and many others. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

This delightful collection of Preludes provides an excellent introduction to the music of the Baroque period. The album is grouped in three sets of six each: the first comes from the Wilhelm Friedemann Bach Notebook, compiled by Johann Sebastian for his eldest son; the second, which has been preserved in copies made by his pupils, was probably composed by Johann Sebastian; and the third comes from the collection of Johann Peter Kellner, of which only Nos. 5 and 6 are known to be written by Johann Sebastian.

Beethoven's Complete Pianoforte Sonatas, edited by Harold Craxton, are published within the 'Signature' Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

First published over seventy years ago, this imaginative series of studies is as useful and relevant now as it ever has been. Each volume has studies composed by well known and lesser known composers and is carefully graded to offer a variety of keys, time signatures, textures and tempi, whilst each study is given a title which tells the student exactly what it is trying to achieve. These books provide invaluable practice material for the building of technique and are also enjoyable to play in their own right.

Schubert's Impromptus are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

Bach's Inventions & Sinfonias are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

Bach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.

The Soviet composer Gliere was very much influenced by the 19th-century Russian romantic tradition. As the short pieces in this album demonstrate, he was particularly skilful at expressing a melody in simple and direct terms while at the same time creating a colourful and romantic picture.

Brahms' Six Piano Pieces are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

This delightful set of practical miniature arrangements of hymn tunes for organ is useful throughout the church year and is accessible to the average church organist. These short pieces not only enhance church services, but also prove invaluable to the church musician looking for something fresh to use during services. The styles of miniatures, which last anywhere from 30 seconds to a minute in duration, are sufficiently varied to maintain interest: some settings are meditative, while others are fanfares, and they can be used during various parts of the service. The book includes a preface that discusses practical usage of the miniatures, citing some examples from te Velde's own experience. It also includes a liturgical index and an index of first lines for the convenience of the organist.

Five superb albums of graded pieces provide a wealth of jazz repertoire. Throughout, there is a huge range of styles, from bebop blues to calypsos, boogie-woogie to ballads, jazz waltzes to free jazz. There are classic tunes by the jazz greats, including Duke Ellington, Miles Davis and Thelonious Monk. And there are brand-new pieces specially commissioned from professional British jazz musicians and educators. Each album presents 15 pieces in three lists: blues, standards and contemporary jazz. The head of each piece is set out with all the characteristic voicings, phrasing and rhythmic patterns you need for a stylish performance. The improvised section gives guideline pitches and left-hand voicings as a practical starting-point. Accessible, student-centred and of the highest musical standards, these pieces will get you playing jazz confidently and creatively.

(Personality). The Piano Guys started as YouTube sensations with their clever and inspiring takes on popular music and the creative videos that accompany them. Their YouTube Channel is one of the most popular in the world with nearly 2 million subscribers and hundreds of millions of views Their eclectic mix of classical, film score, rock and pop favorites resonates with audiences across generations and from all walks of life. Their two albums have both topped the Billboard New Age charts. Here are piano solo arrangements of ten favorites as performed by The Piano Guys from both of those albums: All of Me * Arwen's Vigil * Begin Again * Bring Him Home * Can't Help Falling in Love * Home * Just the Way You Are * Michael Meets Mozart * A Thousand Years * Twinkle Lullaby. Six of the pieces also include a separate pull-out cello part.

Now twice the size of the previous edition, adding all of the content of Early Piano Works, plus never before published student counterpoint exercises and manuscript facsimiles of childhood compositions. Includes historical notes on each piece as well as biographical information on the life and music of Samuel Barber.

Lennie Tristano was one of jazz's most extraordinary innovators, possessing a superb piano technique and an awesome musical imagination. Unheralded by the general public, the blind pianist's work was revered by many jazz greats including the legendary Charlie Parker. Tristano's persuasive personality made him an ideal teacher, and he proved that (against the accepted theory of the time) jazz improvisation could be taught. His guidance played a big part in the development of many instrumentalists including saxophonists Lee Konitz and Warne Marsh and double-bassist Peter Ind. It is Ind's long, direct involvement with his subject that makes this such a revealing book: the story of an English musician going to New York to study with a neglected Jazz giant. In the process, Tristano's genius is examined and his reputation revalued, with Ind making a persuasive case for the pianist to be placed at the centre of jazz developments in the mid-20th century.

"In his autobiographical "Notes of a Pianist," nineteenth-century New Orleans piano virtuoso and composer Louis Moreau Gottschalk shares with us his impressions as he travels through North and South America. His concert schedule and the number of cities he visits in a year during the age of locomotive and steamship would be daunting to even the most travel-hardened jet-age road warrior. Whether at a railroad siding worrying about the fate of his precious Chickering concert grand pianos before the Civil War battle of Gettysburg, fleeing San Francisco for South America because of a concocted scandal, or tending the wounded during the revolution in Lima, Peru, Gottschalk puts the reader in the middle of the action. His writing style is like his music--bold, colorful, romantic, virtuosic, and dramatic."--Lambert Orkis, Grammy Award-winning pianist

"Having grown up in opera-mad New Orleans in a household in which Creole tunes were probably common currency, Louis Moreau Gottschalk, after finishing school in Paris, gave free rein to his captivating and spontaneous fantasy and melodic charm. As Frederick Starr convincingly shows, his music was brilliant and original. And it leaves, when sympathetically presented, an indelible impression of his genius."--Lawrence Gushee, University of Illinois at Urbana-Champaign, author of "Pioneers of Jazz: The Story of the Creole Band"

"Over and above all [the] purely sensuous aspects of [Gottschalk's] pianism . . . Was the presence of a genuinely musical soul. This was what most commanded the admiration of his friend and mentor Hector Berlioz: his musicianship, his taste, and his fine sense of proportion."--From the editor's Prelude

(Musicians Institute Press). 60 essential exercises for the beginning to professional pianist, all based on the requisite Hanon studies. The exercises address: stride, ragtime, Broadway, honky-tonk, New Orleans, Harlem stride, 2-beat swing, Fats Waller, Dr. John, Scott Joplin, Willie "The Lion" Smith, Art Tatum, Jelly Roll Morton, and more.