Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gerard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.

Zeitgemasse Vermittlung und Qualitatssteigerung des Orgelspiels ist seit Jahrhunderten ein zentrales Anliegen von Organisten. Dies spiegelt sich auch in den Orgelschulen wider. Diese Untersuchung betrachtet schwerpunktmassig reprasentative Lehrwerke des 18. bis 20. Jahrhunderts aus dem deutschen, belgischen, franzoesischen und italienischen Raum, erganzend angloamerikanische sowie zeitgenoessische Schulen. Was aus diesen lehr- und lernbar ist, warum und wie gerade altere Schulen den Orgelunterricht bereichern koennen, wird aufgezeigt.

The Fender Rhodes story is a historical tribute to the electric piano that changed the sound of music. Invented by Harold Rhodes as a rehabilitation tool for soldiers in World War II, the Fender Rhodes piano both revolutionized and empowered musicians to explore a new, electric frontier of music. Through interviews with a remarkable cast of music notables, the book takes an insider's look into how this electric piano played - and continues to play - an integral role in the creation of a wealth of music, from the 1960s through today. The collection of interviews with Michael Bearden, George Benson, Stanley Clarke, Chick Corea, D'Angelo, Eumir Deodato, George Duke, Larry Dunn, Donald Fagen, Ronnie Foster, Rodney Franklin, Robert Glasper, Jay Graydon, Dave Grusin, Don Grusin, Onaje Allan Gumbs, Ellis Hall, Herbie Hancock, Lalah Hathaway, Rami Jaffee, Bob James, Quincy Jones, Ramsey Lewis, Jeff Lorber, Robin Lumley, Ray Manzarek, Les McCann, Marcus Miller, Steve Molitz, John Novello, David Paich, Jerry Peters, Greg Phillinganes, James Poyser, Patrice Rushen, Joe Sample, Lenny White, Maurice White, Vince Wilburn Jr., Allee Willis, the CBS musical instruments staff, and others provides for a rare glimpse at the music history behind some of the most memorable music of our time.

The Language of Folk offers a wealth of folk repertoire from around the British Isles and further afield, carefully selected and arranged to develop the key skills and vocal styles integral to folk song. Produced in association with The Sage Gateshead and its nationally renowned folk music programme, these books provide a wealth of material both for established folk singers and those new to the world of folk. 20 varied folk songs, progressing from beginner level to around grade 4 Includes both unaccompanied songs and songs arranged with piano accompaniment Informative contextual notes and practice tips for every song Chord names provided for all songs, offering performers the freedom to add their own accompaniment Helpful introduction to the folk song genre, including a beginner's guide to ornamentation CD with authentic performances of every song by young folk singers, along with backing tracks for the accompanied pieces Complete lyric sheets available as PDFs to print on the CD All unaccompanied songs feature on the current Trinity singing syllabus ('Technical Work' section)

Five superb albums of graded pieces provide a wealth of jazz repertoire. Throughout, there is a huge range of styles, from bebop blues to calypsos, boogie-woogie to ballads, jazz waltzes to free jazz. There are classic tunes by the jazz greats, including Duke Ellington, Miles Davis and Thelonious Monk. And there are brand-new pieces specially commissioned from professional British jazz musicians and educators. Each album presents 15 pieces in three lists: blues, standards and contemporary jazz. The head of each piece is set out with all the characteristic voicings, phrasing and rhythmic patterns you need for a stylish performance. The improvised section gives guideline pitches and left-hand voicings as a practical starting-point. Accessible, student-centred and of the highest musical standards, these pieces will get you playing jazz confidently and creatively.

Electronic Keyboard Basics 1 introduces the basic reading of notation, simple five-finger positions and auto-accompaniments with fingered chords as an alternative.Echo playing and simple improvisation encourage the pupil to play by ear and develop good aural skills. This book is packed with the widest variety of musical styles from classical to contemporary, and full of fantastic illustrations, Sarah Walker's Electronic Keyboard Basics is a great way to learn.

An excellent collection of 21 of Joel's best tunes.

• And So It Goes
• Baby Grand
• Honesty
• I Go To Extremes
• An Innocent Man
• It's Still Rock And Roll To Me
• Just The Way You Are
• Keeping The Faith
• Leave A Tender Moment Alone
• The Longest Time
• Movin' Out
• My Life
• New York State Of Mind
• Piano Man
• Shameless
• She's Always A Woman
• She's Got A Way
• Tell Her About It
• Uptown Girl
• We Didn't Start The Fire
• You May Be Right

Piano Progress Studies Book 2 is part of The Waterman/Harewood Piano Series, which displays the thoroughness, imagination and sense of discovery that are key features of teaching. The excellence of the musical material, the clear printing and the attractive presentation of the books have been universally acclaimed. The series is established as one of the foremost modern piano methods. Author Fanny Waterman is one of the most outstanding piano teachers of our time. Joint founder, with Marion Harewood, of the Leeds International Piano Competition, her ever growing list of prize-winning pupils has brought her international renown.

..". a most precious book which every serious pianist and teacher must own." Journal of the American Liszt Society

Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century."

Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 3 the pieces are mostly at Grade 3 standard, helping pianists progress to Grade 4 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes The Lark Ascending by Vaughan Williams and 'Consider yourself' from Oliver! There are also lots of unsung melodies to be discovered, like 'Clog Dance' from La fille mal gardee and a traditional Serbian folk tune Djurdjevka. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

Selected by piano teachers for piano teachers, EPTA Teachers' Choice Piano Collection 1 is a collection of the most popular pieces for Grade 1-4 level students, as voted for by members of the European Piano Teacher's Association (EPTA). Each piece is introduced with a comment from a teacher, providing first-hand insights, tips and technical advice.

Five volumes of piano repertoire offering an ideal introduction to music from the Romantic period. Featuring works by great names such as Chopin, Schumann and Debussy as well as pieces by lesser-known composers from this prolific period of piano writing. Volumes are carefully graded and offer a variety of keys, time signatures and moods.

This method is a truly entertaining approach to learning how to play the piano. Written by Ward Cannel of the Piano Consortium, the method breaks down music theory into visual concepts which are fun and easy to grasp, so you can learn to play the music you want to play! Perfect for those piano lesson dropouts!

This book contains nine pieces from ABRSM's Grade 5 Piano Syllabus for 2019 & 2020, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Recordings of all 18 pieces on the Grade 5 syllabus are available. These can be purchased as part of the Piano Exam Pieces with CD package or as audio downloads (see www.abrsmdownloads.org for more details). ABRSM also offers a range of apps to support musical learning, available from www.abrsm.org/apps.

This piano score represents a reduction of the orchestral version of Tchaikovsky's famous ballet. Headings are in Russian and French. 275 pages, 7 by 10 ? inches.

Brahms' Six Piano Pieces are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

(Faber Piano Adventures ). This special collection will let Primer Level students shine A colorful mix of carefully selected pieces from the PreTime Piano Supplemental Library is very appealing to beginning piano students and offers instructional value to teachers. Songs include: Hard Rock Candy * Hound Dog Blues * Hush, Little Baby * I've Got the Joy, Joy Joy * Jazz Man * A Little Night Music * On Top of Spaghetti * Part of Your World * Row, Row, Row Your Boat * When Can I See You Again? (recorded by Owl City)