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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Keyboard instruments
The organist seated at the king of instruments with thousands of
pipes rising all around him, his hands busy at the manuals and his
feet patrolling the pedalboard, is a symbol of musical
self-sufficiency yielding musical possibilities beyond that of any
other mode of solo performance. In this book, David Yearsley
presents an interpretation of the significance of the oldest and
richest of European instruments, by investigating the German
origins of the uniquely independent use of the feet in organ
playing. Delving into a range of musical, literary and visual
sources, Bach's Feet demonstrates the cultural importance of this
physically demanding mode of music-making, from the blind German
organists of the fifteenth century, through the central
contribution of Bach's music and legacy, to the newly-pedaling
organists of the British Empire and the sinister visions of Nazi
propagandists.
Teach yourself to play any make of electric keyboard with the
world's best selling easy to follow method Based on popular songs
and with easy to follow text and clear diagrams, it assumes no
previous knowledge of the keyboard or music. The CD contains full
band backing tracks and demonstrations of all songs.
The thirty-two Piano Sonatas of Ludwig van Beethoven form one of
the most important segments of piano literature. In this
accessible, compact, and comprehensive guidebook, renowned
performer and pedagogue Stewart Gordon presents the pianist with
historical insights and practical instructional tools for
interpreting the pieces. In the opening chapters of Beethoven's 32
Piano Sonatas, Gordon illuminates the essential historical context
behind common performance problems, discussing Beethoven's own
pianos and how they relate to compositional style and demands in
the pieces, and addressing textual issues, performance practices,
and nuances of the composer's manuscript inscriptions. In outlining
patterns of structure, sonority, keyboard technique, and emotional
meaning evident across Beethoven's compositional development,
Gordon provides important background and technical information key
to understanding his works in context. Part II of the book presents
each sonata in an outline-chart format, giving the student and
teacher ready access to essential information, interpretive
choices, and technical challenges in the individual works, measure
by measure, all in one handy reference source. In consideration of
the broad diversity of today's Beethoven interpreters, Gordon
avoids one-size-fits-all solutions or giving undue weight to his
own tastes and preferences. Instead, he puts the choices in the
hands of the performers, enabling them to create their own personal
relationship with the music and a more powerful performance.
A group of resourceful kids start "solution-seekers.com," a website
where "cybervisitors" can get answers to questions that trouble
them. But when one questioner asks the true meaning of Christmas,
the kids seek to unravel the mystery by journeying back through the
prophecies of the Old Testament. What they find is a series of "S"
words that reveal a "spectacular story!" With creative characters,
humorous dialogue and great music, The "S" Files is a children's
Christmas musical your kids will love performing.
(Faber Piano Adventures ). 11 songs that include I-IV-V7 chords in
the keys of C, G and F, featuring: Can You Feel the Love Tonight? *
Do-Re-Mi * (Meet) The Flintstones * She Loves You * Star Wars * and
more.
Focusing on styles such as classic ragtime, early blues &
boogie woogie, New Orleans jazz, stride and swing, this new book/CD
pack in the Hal Leonard Keyboard Style Series teaches left- and
right-hand techniques including chords, bass runs, patterns and
more. Key players of these styles - Scott Joplin, Jimmy Yancey,
Pete Johnson, Jelly Roll Morton, James P. Johnson, Fats Waller,
Teddy Wilson and Art Tatum - are prominently referenced. Includes
14 full songs to play, and an accompanying CD!
Presenting a fresh approach to French organ music, David Ponsford
analyses the repertory from the reign of Louis XIV by genre. The
colourful French organ was so consistent in design that the very
titles of pieces that were constituent parts of organ masses,
Magnificats and suites prescribed the registrations: plein jeu,
fugue, duo, recit, trio, fond d'orgue and grand jeu. Particular
examples from published livres d'orgue and important manuscript
collections are analysed chronologically, so that influences from
Italian as well as French sacred and secular music can be traced.
This analysis reveals the dynamic development of compositional
styles in which each composer developed, modified or reacted
against the exemplars of his predecessors. Composers discussed
include Louis Couperin, Francois Couperin, Raison, Clerambault and
Marchand. The reader will gain an enhanced understanding of
performance practices such as notes inegales, fingering and
ornamentation, and the influence of French composers on J. S. Bach.
Teaching Notes offers invaluable guidance for teachers on the 81
pieces included in the graded books of Piano Exam Pieces 2021 &
2022, Grades Initial-8. For each piece, you will find teaching
ideas relating to three areas of learning - musical context,
technical challenges, and performance and interpretation - in a
clear and easy-to-use layout. Written by experienced piano teachers
and ABRSM examiners, Teaching Notes also includes advice from
ABRSM's Chief Examiner on selecting and interpreting pieces.
Alongside practical solutions to technical challenges, it's full of
creative ideas to support and inspire your teaching.
The most influential compositional movement of the past fifty
years, spectralism was informed by digital technology but also
extended the aesthetics of pianist-composers such as Franz Liszt,
Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen
such as Tristan Murail and Gerard Grisey sought to create a
cooperative committed to exploring the evolution of timbre in time
as a basis for the musical experience. In The Spectral Piano,
Marilyn Nonken shows how the spectral attitude was influenced by
developments in technology but also continued a tradition of
performative and compositional virtuosity. Nonken explores shared
fascinations with the musical experience, which united spectralists
with their Romantic and early Modern predecessors. Examining
Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de
Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete
Wealth of Time, she reveals how spectral concerns relate not only
to the past but also to contemporary developments in philosophical
aesthetics.
A piece a week Piano Initial Grade for beginner players is ideal to
be used alongside the Improve your sight-reading! piano books to
support and improve the reading skills so fundamental to successful
sight-reading. These fun, short pieces are specifically written to
be learnt one per week. By continually reading accessible new
repertoire, the crucial processing of information and hand-eye
coordination are established and improved, developing confident
sight-reading. The best-selling Improve your sight-reading! series,
by renowned educationalist Paul Harris, is designed to develop
vital sight-reading skills, enabling students to learn new pieces
more quickly and play with other musicians.
Stravinsky's reinvention in the early 1920s, as both neoclassical
composer and concert-pianist, is here placed at the centre of a
fundamental reconsideration of his whole output - viewed from the
unprecedented perspective of his relationship with the piano.
Graham Griffiths assesses Stravinsky's musical upbringing in St
Petersburg with emphasis on his education at the hands of two
extraordinary teachers whom he later either ignored or denounced:
Leokadiya Kashperova, for piano and Rimsky-Korsakov, for
instrumentation. Their message, Griffiths argues, enabled
Stravinsky to formulate from that intensely Russian experience an
internationalist brand of neoclassicism founded upon the premises
of objectivity and craft. Drawing directly on the composer's
manuscripts, Griffiths addresses Stravinsky's lifelong fascination
with counterpoint and with pianism's constructive processes.
Stravinsky's Piano presents both of these as recurring features of
the compositional attitudes that Stravinsky consistently applied to
his works, whether Russian, neoclassical or serial, and regardless
of idiom and genre.
Scale Explorer for Piano is a creative resource for students
learning their scales and arpeggios. This book covers ABRSM's new
syllabus requirements (from 2021) at Grade 5, and includes engaging
activities that bring scales to life through short pieces,
improvisation, composition and exercises. Key features *
(Faber Piano Adventures ). Designed to be used in conjunction with
the other books in 3A, this book reinforces theory concepts through
writing, sightreading, and ear-training activities.
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