Pianoworks: Popular Styles is a superb one-stop introduction to key musical styles of the last 100 years. Through 18 original pieces it captures the essential ingredients of blues, gospel, rock, jazz, and Latin, as well as neo-classicism, minimalism, and other popular classical styles. The pieces are carefully tailored for students of the Pianoworks series, covering technically Book 2 and the final section of Book 1, and the collection works equally well as a stand-alone repertoire resource.

Gripping narrative nonfiction that tells the dramatic story of a remarkable young Texan pianist, Van Cliburn, who played his way through the wall of fear built by the Cold War, won the hearts of the American and Russian people, and eased tensions between two superpowers on the brink of nuclear war. In 1958, an unheralded twenty-three-year-old piano prodigy from Texas named Van Cliburn traveled to Moscow to compete in the First International Tchaikovsky Competition. The Soviets had no intention of bestowing their coveted prize on an unknown American; a Russian pianist had already been chosen to win. Yet when the gangly Texan with the shy grin took the stage and began to play, he instantly captivated an entire nation. The Soviet people were charmed by Van Cliburn's extraordinary talent, passion, and fresh-faced innocence, but it was his palpable love for the music that earned their devotion; for many, he played more like a Russian than their own musicians. As enraptured crowds mobbed Cliburn's performances, pressure mounted to award him the competition prize. "Is he the best?" Soviet Premier Nikita Khrushchev demanded of the judges. "In that case ...give him the prize!" Adored by millions in the USSR, Cliburn returned to a thunderous hero's welcome in the USA and became, for a time, an ambassador of hope for two dangerously hostile superpowers. In this thrilling, impeccably researched account, Nigel Cliff recreates the drama and tension of the Cold War era, and brings into focus the gifted musician and deeply compelling figure whose music would temporarily bridge the divide between two dangerously hostile powers.

An updated edition of the first book on this subject, covering influences, key works and reception history. From the start of the English musical renaissance, British composers were preoccupied with Germanic principles of sonata writing, despite their subsequent exposure to influences outside this tradition, among them late romantic music, French impressionism, Russian nationalism, Scriabin, British folk music, African-American music and neo-classicism. Regardless of education - or the climate, fully explored here, at the Royal College and the Royal Academy - the Austro-German tradition proved inescapable. This first study of the subject offers detailed commentary on key works, with plentiful musical examples, revealing influences and techniques and demonstrating composers' attitudes towards the genre. The reception history of the piano sonata is also discussed, to build up a picture of public musical taste. The appendix contains transcripts of interviews, including one with Sir Michael Tippett; these are particularly significant, as most of the subjects are now dead. Also included is a useful reference section, cataloguing the sonatas, as well as a full discography chronicling the recording history of each sonata, updated in 2012. Lisa Hardy studied music, mathematics and education at the University of Keele and researched her PhD at Goldsmiths' College, London, under the supervision of Professor Peter Dickinson. She works as a freelance piano and flute teacher and piano accompanist in the North East of England and teaches music at Durham High School for Girls.

These witty, instrument-specific stickers in packs of 6 sheets are great fun and a useful tool for teachers.

(Music Sales America). A guide to the most useful chords in every key with easy-to-read photos and diagrams.

This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres, with Cornet and Trumpet Voluntaries, Echo Voluntaries, fugal works with slow introductions, and Full Voluntaries; as such, the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction, with information on instruments of the period, registration, ornamentation, and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; these complete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources, this is a major collection that will be of interest to organists of all abilities.

This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres, with Cornet and Trumpet Voluntaries, Echo Voluntaries, fugal works with slow introductions, and Full Voluntaries; as such, the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction, with information on instruments of the period, registration, ornamentation, and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; these complete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources, this is a major collection that will be of interest to organists of all abilities.

This stylish piano album takes players on a musical tour of springtime, presenting well-loved jazz standards such as 'April in Paris' and 'Honeysuckle Rose' alongside cool original compositions by celebrated jazz pianist Nikki Iles. The nine pieces present a variety of jazz styles, including swing, folk, samba, and contemporary, drawing inspiration from the likes of Keith Jarrett, Oscar Peterson, Count Basie, and Chick Corea. With fully notated rhythms, grooves, and improvisations, Jazz in Springtime is the perfect collection for pianists looking for that authentic jazz sound. Contents: Honeysuckle Rose, Fats Waller/Andy Razaf, arr. Nikki Iles May Song, Trad. English, arr. Nikki Iles I've got the world on a string, Harold Arlen/Ted Kohler, arr. Nikki Iles Mwanzo, Nikki Iles It might as well be spring, Richard Rodgers/Oscar Hammerstein II, arr. Nikki Iles April in Paris, E. Y. Harburg/Vernon Duke, arr. Nikki Iles Up on the Hill, Nikki Iles Spring can really hang you up the most, Fran Landesman/Tommy Wolf, arr. Nikki Iles Flores, Nikki Iles

The Oxford Book of Lent and Easter Organ Music brings together a superb array of repertoire for use from Ash Wednesday through to Pentecost, providing a comprehensive volume for this extended liturgical period. The pieces-largely based on well-known hymn tunes-vary in style and length, suiting a range of purposes, from processionals and interludes to voluntaries and recital works. A range of technical difficulty makes the book useful for players of differing abilities, and clean and uncluttered scores leave interpretative decisions to the performer. An invaluable resource for a major part of the church year.

Ever wanted to play the blues, but weren't sure where to start? Blues Piano will teach you the basic skills you need. From comping to soloing, you'll learn the theory, the tools, and even the tricks that the pros use. And, you get seven complete tunes to jam on. Listen to the CD, then start playing along! Covers: scales and chords; left-hand patterns; walking bass; endings and turnarounds; right-hand techniques; how to solo with blues scales; crossover licks; and more.

Ofrece ejercicios y melodA-as para: Estudios del Pedal * Escalas cromAticas y menores * Arreglos fAciles de algunas piezas clAsicas * Ejercicios rA-tmicos y mAs. [Spanish]
[The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading)].

Jazz on a Summer's Day is a unique collection of stylish jazz arrangements and original compositions for solo piano. It conveys the many sides of summer through swing, blues, samba, calypso, and folk, and draws inspiration from jazz artists including Oscar Peterson, Bill Evans, Grover Washington Jr, and Sonny Rollins. The author's credentials, as a celebrated jazz pianist and composer, guarantee a perfect introduction to jazz and to sounding like the best.

Pianoworks Duets 1 is the perfect resource for beginner pianists to explore duet-playing. They'll develop balance, playing in time, and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres, from Offenbach's lively 'Can-Can' and Joplin's 'The Entertainer' to traditional folk tunes from Japan and the West Indies. In addition, the collection contains several new and original gems by Alan Bullard, the co-author of this celebrated series.

Pianoworks Duets 2 is the perfect resource for developing pianists to explore duet-playing. They'll develop balance, playing in time, and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres, including 'Spring' from Vivaldi's The Four Seasons, Joplin's exuberant rag 'The Easy Winners', and the traditional Scottish song 'Afton Water'. In addition, the collection contains several new and original gems by Alan Bullard, the co-author of this celebrated series.

This selection of twelve pieces draws on a variety of jazz styles associated with famous artists including Duke Ellington, Billie Holiday, and Ella Fitzgerald. The pieces are simple yet delightful, and this volume presents a refreshing approach to exploring jazz while improving your piano technique. This volume is perfect for intermediate standard players (approximately Grades 4-5) of any age, and includes a CD with performances by the composer.

(Piano Solo Composer Collection). New solo arrangements with chord symbols for 20 Jobim favorites, including: Agua De Beber (Water to Drink) * Aguas De Marco (Waters of March) * Bim-Bom * The Girl from Ipanema (Garota De Ipanema) * How Insensitive (Insensatez) * Meditation (Meditacao) * One Note Samba (Samba De Uma Nota So) * Quiet Nights of Quiet Stars (Corcovado) * Slightly Out of Tune (Desafinado) * Wave * and more.

Jazz Improvisation for Keyboard Players is a straightforward, no-nonsense improvisation series. It deals with creating melodies, using the left hand, pianistic approaches to soloing, scale choices for improvisation and much more.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Oxford Service Music for Organ: Manuals and Pedals, Book 1 was winner of the Music Industries Association's Best Classical Publication 2011.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing.

Why does a piano sound like a piano? A similar question can be asked of virtually all musical instruments. A particular note - such as middle C - can be produced by a piano, a violin, a clarinet, and many other instruments, yet it is easy for even a musically untrained listener to distinguish between these different instruments. A central quest in the study of musical instruments is to understand why the sound of the "same" note depends greatly on the instrument, and to elucidate which aspects of an instrument are most critical in producing the musical tones characteristic of the instrument. The primary goal of Physics of the Piano is to investigate these questions for the piano. The explanations in this book use a minimum of mathematics, and are intended for anyone who is interested in music and musical instruments. At the same time, there are many insights relating physics and the piano that will likely be interesting and perhaps surprising for many physicists.