This fabulous collection of easy duets in jazzy and light styles is just the thing to liven up any lesson or practice session. Expertly written for students around the level of Piano Time 3, these stylish and toe-tapping duets provide accessible and fun material for all young jazz players.

Pianoworks Collection 1 is packed with attractive repertoire for any beginner pianist. It includes favourite melodies from the Classical and Romantic repertoire, with themes from Handel's Water Music, Schubert's 'Trout' Quintet, and the waltz from Tchaikovsky's Sleeping Beauty; timeless popular songs, such as Aura Lee-a ballad written during the American Civil War and popularized by Elvis Presley in the film Love me Tender; show tunes such as 'The Policeman's Song' from The Pirates of Penzance; some contemporary classical repertoire; and new compositions. All pieces are carefully selected and edited by Janet and Alan Bullard, and short notes are provided for each giving technical tips, musical background, and ideas for interpretation. This is the perfect companion volume to Pianoworks Book 1.

This wonderful anthology presents a fascinating survey of music by African composers, both those living in Africa and those now resident elsewhere in the world. The music, much of which is published here for the first time, includes a kaleidoscope of different styles, moods, genres, and colours. You will find works influenced by the blues, jazz, and ragtime and works built on exotic scales, African folk-tunes, and drumming rhythms. The volumes are graded, ranging from beginner (Vol. 1) to advanced (Vol. 5). They provide exciting material for pianists just beginning their studies and for those who are looking for new and exciting recital repertoire.

for piano four-hands
A terrific arrangement for piano four-hands.

(Willis). Part 1 of a comprehensive step-by-step course specifically designed to suit the needs of all students beginning the piano. Includes: characters and illustrations * writing exercises * sight reading drills * review work * accompaniments * accompaniments for teacher or parent. Beloved worldwide since 1955 and now with audio tracks accessible online!

Pianist Mike Garson was David Bowie's most frequent musician on record and onstage throughout Bowie's life. They played over a thousand shows together between 1972 and 2004 and Garson is featured on over 20 of Bowie's albums. EBowie's Piano ManE is the first-ever biography of Mike Garson written by Clifford Slapper a fellow pianist who also played for Bowie working closely with him on his last-ever television appearance. The book explores the special relationship between Garson and Bowie beginning with the extraordinary story of how Garson went overnight from playing in tiny jazz clubs to touring the world on arena rock tours with Bowie after one short phone call and audition.THA noted master of jazz classical and other genres Garson has composed thousands of original works and has taught countless students acting as mentor to many. EBowie's Piano ManE explores his roots and childhood in Brooklyn his ongoing strong presence in the jazz world and his collaborations with a huge range of other artists in addition to Bowie. Touring and recording with the Smashing Pumpkins and Nine Inch Nails are given in-depth attention as is his approach to teaching and creating music. Explored in detail in particular is his commitment to improvisation as a form of composition a manifestation of his more general dedication to living in the moment and always moving forward a a trait he shared with Bowie.

A compendium of over 100 of the world's most beloved masterpieces by the great composers. Contains preludes by Bach, waltzes by Chopin and Strauss, minuets by Mozart and Handel, and themes from symphonies and piano concertos of Schubert, Beethoven, Tchaikovsky, and many more. Spiral bound.

While Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin's works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin's works, this book explores the extent to which Chopin's oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlinska employs Riemannian and Schenkerian theory to consider, in turn, the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music and music analysts.

Piano Star Skills Builder develops musicianship skills for young pianists who are working towards Initial Grade level and beyond. It provides a firm foundation in scales, aural, and sight-reading skills, building essential techniques progressively. The varied material includes fun pieces to play, songs to sing, written and listening activities, composition games, and much more. Based on decades of proven teaching strategies, with all content tried out on - and approved! - by children, Piano Star Skills Builder will grow young pianists' confidence and skill around all areas of musicianship, providing them with the underpinnings they need to succeed at ABRSM Initial Grade Piano and beyond, and develop their musical journey for many years to come. Key features: - 10 units, each covering musical activities around scales, aural, and music reading - A comprehensive scheme of study, creatively presented in an engaging and fun way - Varied musical content, including new and familiar tunes to play, duets for pupil and teacher, and songs to fire the imagination - Works towards, at, and beyond the requirements of ABRSM Initial Grade Piano - Brought to life with colour illustrations

With clear and easy-to-understand exercises, The Piano Handbook is perfect for anyone interested in learning the piano. It provides fresh material and techniques, and gives brand-new players everything they need to learn and enjoy the piano. This book's innovative tutorial approach to piano covers classical and contemporary music styles in an integrated way. Instead of limiting students to one type of music and one style of playing, author Carl Humphries draws connections between various genres and techniques, highlighting the principles and history they share. Performance, improvisation, and composition are treated as interrelated skills that can be learned together. Featuring a mix of repertoire and freshly composed study pieces, The Piano Handbook demonstrates that learning different kinds of music at the same time can be a positive and enriching experience.

Includes a Piano Lessons Book and CD featuring wonderful tracks to accompany the student during practice or performance.

This volume focuses on the core composers of the 18th-century repertoire. It begins with an overview of the keyboard instruments that were in use during the 18th century and a chapter on performance practice. The book proceeds through each major composer, beginning with Bach, and then progressing through the French masters, Scarlatti, C.P.E. and J.C. Bach, Haydn, Mozart and early Beethoven. Each chapter is written by a well-known scholar in the field and includes history, musical examples and analysis.

Scale Explorer for Piano is a creative resource for students learning their scales and arpeggios. This book covers ABRSM's new syllabus requirements (from 2021) at Grade 1, and includes engaging activities that bring scales to life through short pieces, improvisation, composition and exercises. Key features *

Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their message, Griffiths argues, enabled Stravinsky to formulate from that intensely Russian experience an internationalist brand of neoclassicism founded upon the premises of objectivity and craft. Drawing directly on the composer's manuscripts, Griffiths addresses Stravinsky's lifelong fascination with counterpoint and with pianism's constructive processes. Stravinsky's Piano presents both of these as recurring features of the compositional attitudes that Stravinsky consistently applied to his works, whether Russian, neoclassical or serial, and regardless of idiom and genre.

Winner of the 2012 Ogasapian Book Prize from the The Organ Historical Society The organist seated at the king of instruments with thousands of pipes rising all around him, his hands busy at the manuals and his feet patrolling the pedalboard, is a symbol of musical self-sufficiency yielding musical possibilities beyond that of any other mode of solo performance. In this book, David Yearsley presents a new interpretation of the significance of the oldest and richest of European instruments, by investigating the German origins of the uniquely independent use of the feet in organ playing. Delving into a range of musical, literary and visual sources, Bach's Feet demonstrates the cultural importance of this physically demanding mode of music-making, from the blind German organists of the fifteenth century, through the central contribution of Bach's music and legacy, to the newly-pedaling organists of the British Empire and the sinister visions of Nazi propagandists.

24 stylish pieces in a range of jazz and light-hearted styles, supported by witty illustrations. Great stuff that sounds cool, but is still easy. Piano Time Jazz Book 2 is around the level of Piano Time 3.

Makers of the Piano Volume 2: 1820-1860 continues the overview of early pianos begun in Clinkscale's Makers of the Piano 1700-1820 (OUP, 1993). Although a few of the biographies overlap, the majority of the makers are completely new. Approximately 2,400 makers and manufacturers and about 2,200 pianos are listed in this book. Of this total, about 645 are English, the majority of whom were active in London; more than 200 of the London makers have not been discussed in previous publications. In addition to British makers, several hundred others have not before been catalogued in English. This group includes makers active in nineteenth-century Hungary, Austria, major German cities, Scandinavia, The Netherlands, Italy, Spain, Canada, and the United States. Particularly useful is an appendix prepared by John R. Watson of the Colonial Williamsburg Foundation in Virginia of detailed drawings of the major types of instrument styles discussed in the main text itself.