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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Keyboard instruments
This five-volume graded series of organ music by J. S. Bach (2
volumes for manuals only; 3 volumes for manuals and pedals)
provides a wonderful selection of pieces for all players. The whole
is an authoritative and fully practical introduction to this
cornerstone of the organ repertoire, with pieces presented in
highly practical form for teachers and students.
Famous Pianists and Their Technique has been a standard in the
field since its first publication in 1974. This widely used and
acclaimed history of piano technical thought includes insights into
the techniques of masters such as C.P.E. Bach, Bartok, Beethoven,
Brahms, Chopin, Clementi, Czerny, Debussy, Godowsky, Horowitz,
Levinskaya, Leschetizky, the Lhevinnes, Liszt, Mozart, Prokofiev,
Ravel, Rubinstein, and Schubert, among others.
Called "the bible of piano technique" by Maurice Hinson, this
book is a comprehensive resource for the student, teacher, and
professional pianist who seek to discover the secrets of how the
immortal professional pianists developed and polished their
mechanical and musical technique. This expanded edition contains a
foreword by Alan Walker, a new preface, and multiple new
appendices."
The undisputed pre-eminence of Paris as a centre of the piano world
dates from the early 19th century, and the professors of the Paris
Conservatoire transmitted the characteristic French style to each
new generation for some 150 years. First published in 1992, this
study surveys the historical development, performances practices,
and pedagogical philosophies of this school of piano playing. The
author studied with several proponents of the jeu perle, a French
style of playing categorized by rapid, clean even passage-work,
note after note. Over a 15-year period Charles Timbrell conducted
more than 70 interviews with notable French pianists, many of them
new to this edition and all of them frank and lively
conversationalists, ranging from a 96-year old Paul Loyonnet - a
link to the traditions of the 19th century - to emerging young
talents at the turn of the millennium. Also included in this
edition are the author's detailed recollections of his own lessons
with such luminaries as Gaby Casadesus, Jeanne-Marie Darre, Monique
Haas, Eric Heidsieck and Magda Tagliaferro.
A very approachable work, probably the composer's most famous and
popular organ piece.
A new, deeply researched biography of the great French organist,
who composed some of the best-loved works in the organ repertory --
and the masterful Requiem. Maurice Durufle: The Man and His Music
is a new biography of the great French organist and composer
(1902-86), and the most comprehensive in any language. James E.
Frazier traces Durufle's musical training, his studies
withTournemire and Vierne, and his career as an organist, church
musician, composer, recitalist, Conservatoire professor, and
orchestral musician. Frazier also examines the career and
contributions of Durufle's wife, the formidable organist
Marie-Madeleine Durufle-Chevalier. Durufle brought the church's
unique language of plainsong into a compelling liaison with the
secular harmonies of the modern French school (as typified by
Debussy, Ravel, and Dukas)in works for his own instrument and in
his widely loved masterpiece, the Requiem Op. 9 for soloists,
chorus, organ, and orchestra. Drawing on the accounts of those who
knew Durufle personally as well as on Frazier's own detailed
research, Maurice Durufle offers a broad sketch of this modest and
elusive man, widely recognized today for having created some of the
greatest works in the organ repertory -- and the masterful Requiem.
James E. Frazier holds advanced degrees in philosophy, organ,
theology, and sacred music from St. Alphonsus College, Mt. St.
Alphonsus Seminary, Hartt School of Music, the Yale University
Divinity School, and the Yale Institute of Sacred Music. He served
Episcopal churches in Hartford, Connecticut, and St. Paul,
Minnesota, as organist and director of music. For ten years he was
director of music for the Archdiocese of St. Paul and Minneapolis.
This is an exuberant and high-spirited work, written when the
composer was nineteen. With a hauntingly beautiful contrasting slow
movement, this is a fine concert piece for students of about grade
7 standard.
Alkan: lonely 19th century genius, virtuoso pianist and also
composer of some of the most difficult and disturbingly powerful
piano music. After a long period of neglect his piano music is
being discovered by an ever-widening public and played and recorded
by some of the world's leading pianists. This edition, in two
parts, was originally published in two separate volumes - the first
dealth with the man, and the second was devoted solely to his
music. With this reprint in one volume the books have been
extensively revised, with two extra appendices added, and new
bibliographies and discographies included.
Brass Mix is an original series of graded pieces that can be played
by any brass instrument. Book 1 covers Grades 1-3 and contains 12
new arrangements of traditional tunes and works by a diverse range
of composers. The pieces have been selected and arranged by brass
specialists to align with ABRSM grade levels. Many are featured on
the ABRSM 2023 Brass syllabus and in addition, all are ideal
choices for Performance Grade exams. There are piano and brass duet
accompaniments for all pieces, providing useful flexibility for
students and teachers. Key features:-one piece at each grade and
list of the ABRSM 2023 Brass syllabus, for all instruments
-distinctive and engaging repertoire from which to build a
programme for a Practical or Performance Grade exam -accompaniments
for a pianist or a second brass player -a single student book that
can be used by treble- and bass-clef brass including Eb Tuba
-separate Bb, Eb and F piano accompaniment books -a downloadable
part for Bb Tuba. Contents: Les Matadors: from Minuets, Cotillons
and Country Dances [Ignatius Sancho] Xiao Baicai [Trad. Chinese]
Takeda Lullaby [Trad. Japanese] The Barnyard Rag [Billy Johnson /
Chris Smith] The March of the Women [Cicely Hamilton / Ethel Smyth]
Jinkli Nona [Trad. Malaysian] On a Southern Balcony: No. 4 from
Southland Sketches [Blanche Ray Alden] Wade in the Water
[African-American Spiritual] On Parade [Amanda Ira Aldridge] Oh,
the Summer [Samuel Coleridge-Taylor] The Deserted Garden [Florence
Price] A Canadian Boat Song [Maurice Arnold]
for solo piano
This is a very simple collection of enjoyable piano pieces for
beginners.
This beautiful and informative resource is a must for all piano
students and players! It contains easy-to-read chord diagrams,
easy-to-see full-color photos, basic chord theory, treble and bass
clef notation, a chord symbol chart, and much more.
The 21 pieces in this collection represent some of the best
miniature masterworks in piano literature. These pieces were
carefully selected not only for their overall quality and
musicality, but because they advance very logically from the
five-finger position pieces that preceded them in Pathways to
Artistry: Masterworks, Book 1. For maximum benefit, students should
work through the skills that are comprehensively presented in
Pathways to Artistry: Technique, Book 2. Titles: Alpine Dance
(Heinrich Wohlfahrt) * BourA(c)e (Felix Le Couppey) * The Cuckoo
(Eduard HorAk) * English Gigue (Samuel Arnold) * Etude in A Minor
(Ludvig Schytte) * Hopak (Alexander Goedicke) * The Kingas Fanfare
(William Duncombe) * Little Scherzo (Ludvig Schytte) * A Lovely Day
(Daniel Gottlob TA1/4rk) * Melodic Etude, Op. 108, No. 12 (Ludvig
Schytte) * Minuet in F Major, K. 2 (Wolfgang Amadeus Mozart) *
Playful Dances (Jacob Schmitt) * A Pleasant Morning (Jean Louis
Streabbog) * Quadrille (Franz Joseph Haydn) * Rain (Nicolai
Lyubarski) * Royal Trumpet March (Jeremiah Clarke) * The Shepherdas
Song (Nicolai Lyubarski) * Sonatina in C Major (William Duncombe) *
Song from For Children (BA(c)la BartA3k) * Song without Words
(Louis KAhler) * Trio (Anton Diabelli).
(Educational Piano Library). 120 color-coded cards to learn basic
musical symbols, all notes from low ledger C to high ledger C, and
rhythm patterns in 4/4 and 3/4. Also includes cards that focus on
recognition of steps and skips on the staff.
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