Throughout his career, the influential new media theorist Vilem
Flusser kept the idea of gesture in mind: that people express their
being in the world through a sweeping range of movements. He
reconsiders familiar actions--from speaking and painting to smoking
and telephoning--in terms of particular movement, opening a
surprising new perspective on the ways we share and preserve
meaning. A gesture may or may not be linked to specialized
apparatus, though its form crucially affects the person who makes
it.
These essays, published here as a collection in English for the
first time, were written over roughly a half century and reflect
both an eclectic array of interests and a durable commitment to
phenomenological thought. Defining gesture as "a movement of the
body or of a tool attached to the body for which there is no
satisfactory causal explanation," Flusser moves around the topic
from diverse points of view, angles, and distances: at times he
zooms in on a modest, ordinary movement such as taking a
photograph, shaving, or listening to music; at others, he pulls
back to look at something as vast and varied as human "making,"
embracing everything from the fashioning of simple tools to mass
manufacturing. But whatever the gesture, Flusser analyzes it as the
expression of a particular form of consciousness, that is, as a
particular relationship between the world and the one who
gestures.
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