Paige is best known for A Million Miles From Normal, her weekly column in the Sunday Times Life & Style magazine. As one of the anchor columnists of the Life & Style section since 2011, she has produced hundreds of hilarious columns and received hundreds more hilarious responses.

Pens Behaving Badly is a collection of the best of her columns and the best of the wild letters they’ve inspired.

Racist thinking – that intelligence is influenced by racial origin, for example – was part of mainstream science a century ago and, surprisingly, is still endorsed by maerick scientists at some of the world’s most respectable institutions today. The myths being perpetuated on genetics, race, IQ and general intelligence are what Black Brain, White Brain challenges – precisely, systematically and in painstaking detail.

In this immensely readable book Evans tackles highly complex subjects, from the origin of humans and the genesis of intelligence to athletic performance and genes, IQ and cleverness, in a fluent and engaging style that makes science accessible and the facts absorbing. Persuasive, without being didactic or sermonising, and lightened by a wry sense of humour, Evans’s text weaves it all together in such a way that one is keen to follow all the threads the better to see the larger tapestry.

Carefully balancing claims, testing dodgy propositions and presenting fairly the theories of modern scientists and evolutionary psychologists, Evans shows just how uniform we are, genetically, as a species and that it’s mainly the environment we grow up and live in that’s the strong determining factor in general intelligence.

Die Glinster In My Grysheid is ‘n praktiese gids wat algemene uitdagings geassosieer met veroudering op gemaklike manier aanspreek.

Byvoorbeeld:

• Aanpassing by verandering
• Negatiwiteit
• Depressie
• Eetgewoontes
• Afname in energievlakke
• Geheueverlies
• Vrees vir val
• Kinders en kleinkinders wat verskillende prioriteite en leefstyle handaaf
• Hantering van gevoelens van waardeloosheid

Prente illustreer bewegings en tegnieke duidelik, wat dit eenvoudig en gebruikersvriendelik maak. In die boek is ‘n Mind Moves plakkaat ingesluit wat Mind Moves oefeninge bymekaar groepeer wat bogenoemde uitdagings aanspreek.

How does a middle-class Afrikaans boytjie from Springs, a rebellious product of Christelik-nasionale Opvoeding, end up in the grubby world of protest punk, slap-bang in the middle of the anti-apartheid struggle?

The '80s in South Africa were a mess, a schmangled clusterf*ck of a decade. For some, it was braaivleis, rugby, sunny skies and Chevrolet. For others, it was a one-eyed bumbling about in a world without signage, desperately looking for the emergency exit. While the black population was becoming increasingly agitated and militant, the white dorps, towns and leafy suburbs of South Africa’s cities were mostly ignorant in their privileged bliss. Whiteys were like the frog in the cooker, not realising that the temperature was on the rise. Soon they would slowly, to their terminal surprise, turn white belly-up amid the froth of bubbles boiling from below. Soon it would be too late to get the hell out.

But in tiny pockets of white rebellion, the country was beginning to hum with resistant energy in Joburg, Cape Town and Durban. The '80s counter-culture and the music it produced was anti-establishment, anti-government, anti-apartheid, but not self-consciously so. While the state saw this strange white subculture as a hive of hedonists and drugged-up nihilists, this anarchic clutter of guitar-wielding, pill-munching, dope-smoking musicians and their followers were in fact a second front in the struggle against apartheid.

In brilliantly tragic and hilarious detail, Between Rock & A Hard Place is the epic memoir of Carsten Rasch’s role in the South African counter-culture Punk and New Wave scene in the late '70s and early '80s. Through his eyes as a musician, promoter and enthusiastic participant, it tells the story of those tumultuous and giddy times with heartfelt irreverence. Veering between lucid moments of desperate innovation and psychotic adventures on the rim of sanity, all the time riding roughshod at delirious speed over the potholes of “culture”, the reader is introduced to half-forgotten heroes, now fast disappearing into the fog of time, and the band of misfits who attempted to disrupt “the system”.

We Are No Longer At Ease is a collection of personal articles, essays, speeches and poetry mainly from voices of young people who were part of the student-led protest movement known as #FeesMustFall which began in 2015. It tells the journey of a youth that participated in a movement that redefined politics in post-apartheid South Africa and is the evidence of a “born free” generation telling their own story and leading discourse as well as action on transforming South Africa.

The collection includes works by the young student leaders turned academic and public commentators such as David Maimela, Thapelo Tselapedi and Sisonke Msimang; student newspaper journalists that were covering the protests like Natasha Ndlebe; public writing commentators with aims to inform and teach the broader South African society about the aspects of the movement like Yamkela Spengane and Rofhiwa Maneta; lecturers who were assisting the students articulate and find clarity in the way they shaped and voiced their ideas such as Sabelo Ndlovu-Gatsheni and then of course others were foot soldiers on the ground leading students through the police brutality of rubber bullets and pepper spray like Loverlyn Nwandeyi, Ntokozo Qwabe and Ramabina Mahapa.

"Elke gedig is ’n uiting van die sibille. "Die woorde deur Sowjet-digter Marina Tswetajewa eggo in Juanita Louw se debuutbundel, In die grot van die sibille, waar digkuns gelykgestel word aan die magiese woord wat deur die mitologiese profetes in haar grot gespreek is. Die leser gaan as't ware die grot binne waar klankryke, evokatiewe verse met droomagtige, eksotiese beelde die menslike kondisie belig. Louw werk met fassinerende stof uit ander kulture wat op prikkelende manier ontgin word.

The Botsotso literary journal started in 1996 as a monthly 4-page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time – largely politisized black workers and youth – with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews.

The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society.

With over seventy poets represented, this is a bumper edition of the journal and given the number of interesting and accomplished poems received (over the past two years since publication of Botsotso 17), we believed it worthwhile to break from tradition and dedicate this edition wholly to poetry.

Deur elke dag te skryf, kan jy verhalend tot verhaal kom

Probeer sin maak met sinne wat nie wil sin maak nie. Dis die wese van skryfterapie - of journalling. En dis waarmee hierdie boek jou wil help: om deur jou gebrokenheid jouself te vind.

Skryfterapie is 'n bewese manier om deur verlies en trauma te werk, ongeag wat die aard of omvang van jou trauma is - om amper letterlik “tot verhaal te kom”, selfs al dink jy jy kan nie skryf nie.

Of jy jou werk verloor het, of deur 'n egskeiding moes worstel, of die slagoffer van misdaad was, of met 'n ernstige siekte gediagnoseer is, of 'n geliefde verloor het. Hierdie is alles lewensveranderende, traumatiese ervarings. Die antwoord oor die pad vorentoe lê in jouself: skryfterapie.

Dis boonop iets wat jy in jou eie tyd kan doen, en op verskillende maniere, van letterlik 'n dagboek hou op papier, net vir jou eie oë bedoel, tot 'n digitale dagboek soos 'n aanlyn blog. Of selfs dig, of krabbel op papier ... Of dalk selfs jou memoires skryf. Alles help jou “om tot verhaal te kom”. Hierdie boek is jou praktiese journalling-gids met van inspirasie uit die werk van vele skrywers tot praktiese “Maar hoe skryf ek?”-wenke.

Dis die eerste boek in Afrikaans oor skryfterapie. Rabe, 'n bekende in die media, skryf vir die eerste keer hier in boekformaat oor die selfdood van haar seun, waaroor daar al wyd berig is.

Living In South Africa is a comprehensive and practical guide handbook to working in and enjoying life in South Africa.

This guide is useful to all interested in embracing life in South Africa.

The carefully researched information is complemented with personal experience and includes helpful hints and recommended resources.

A politically incorrect, thoroughly unscientific and exceptionally funny “guidebook” that identifies – and makes fun of – the people of the Rainbow Nation.

Written for all the South Africans it parodies, the book is satirical to its core, noting from the start that “Blacks”, “English Whites”, “Afrikaners”, “Coloureds”, “Indians” and “Miscellaneous” are the primary races to be encountered in the land, and they all have their own interesting and sometimes hilarious hang-ups about life in the new South Africa.

Although this book is a warning to look out for cults of any stripe, the emphasis will be on those cults or sects which are most influential today.

Cults and sects have risen out of the soil of a Christianity that has lost much of the original message and practice. This must be recognized as true whether the church is viewed from the traditionalist wing or the charismatic / Pentecostal wing of Christianity.

Cattle, property and wildlife adventures beat the drum in this African roller-coaster of adrenaline, danger and envy. From the first chant to the last lot, the stage is set for a fast-paced narrative full of action, power-plays and latent deception.

Puff Adders In The Panicum is an anthology of short, true vignettes describing Andrew Hutchinson's experiences as an auctioneer.

The narratives are mostly set in the Albany area, around Grahamstown, known as “Settler Country”, as this was where the British settled in the 1800s. The communities in this area comprise hard-working, unpretentious folk, which is reflected in the writer’s stories about his time as an auctioneer both in this area and elsewhere. His stories are unembellished and most interesting. As the narrator, Andrew Hutchinson, successfully gives the reader insight into the areas in which he worked and he aptly reflects the interesting characters and strange foibles of the people whom he met as an auctioneer.

His writing is humorous and exposes the appearance of “offerings of sweet success and the promise of prosperity” with the reality of “puff adders” ready to strike. Andrew’s understanding of the people with whom he did business and his “business partners” is evident in his writing. Should the reader not be of South African origin, the glossary of words and expressions included will clarify the references made.

The stories are enjoyable and easy to read, and provide an understanding and awareness of the challenges and triumphs faced by auctioneers, as well as an insight into the world of the people with whom he dealt.

Unckle is a foreign national who escapes from Kashmir Province in Pakistan after attracting attention for leading protests against the Indian occupation of Kashmir. It is during a peaceful protest that he becomes a violent character after suffering at the hands of police during a protest march. Unckle is re-united with his brother - Barbar - and the two brothers make use of Barbar’s link to Beijing and the bosses of the State Security Firm. The tale unfolds as the two brothers agree to do the bidding of the Beijing masters.

The international underworld of human trafficking, rhino horn poaching and the capture of money from the masses, takes a foothold in the coastal city of East London and Grahamstown.

Unckle will reach into the psyche of all Africans while the storyline will hold an international audience spellbound with the cultural background to three nations - Pakistan, China, South Africa, and in particular, the amaXhosa characters as the ancestors are invoked to deal with Rafiki Majosa and the foreigner, Barbar.

Andrew Hutchinson draws his experience from within the auctioneering, trading and wildlife arenas to bring you Unckle, a fictional/factual tour of the underbelly of the corrupt grab for Africa and her resources.

This handbook offers a unique decolonial take on the field of Critical Whiteness Studies by rehistoricising and re-spatialising the study of bodies and identities in the world system of coloniality.

Situating the critical study of whiteness as a core intellectual pillar in a broadly based project for racial and social justice, the volume understands whiteness as elaborated in global coloniality through epistemology, ideology and governmentality at the intersections with heteropatriarchy and capitalism. The diverse contributions present Black and other racially diverse scholarship as crucial to the field. The focus of inquiry is expanded beyond Northern Anglophone contexts to challenge centre/margin relations, examining whiteness in the Caribbean, South Africa and the African continent, Asia, the Middle East as well as in the United States and parts of Europe. Providing a transdisciplinary approach and addressing debates about knowledges, black and white subjectivities and newly defensive forms of whiteness, as seen in the rise of the Radical Right, the handbook deepens our understanding of power, place, and culture in coloniality.

This book will be an invaluable resource for researchers, advanced students, and scholars in the fields of Education, History, Sociology, Anthropology, Psychology, Political Sciences, Philosophy, Critical Race Theory, Feminist and Gender Studies, Postcolonial and Decolonial Studies, Security Studies, Migration Studies, Media Studies, Indigenous Studies, Cultural Studies, Critical Diversity Studies, and African, Latin American, Asian, American, British and European Studies.

To celebrate Mothertongue’s 21st anniversary, Collaborative Conversations weaves together the reflections of a group of artists, scholars and writers who have journeyed with the organisation over the last two decades.

Since its inception in 2000 with What the Water Gave Me, The Mothertongue Project has used participatory, integrated arts methods to create theatrical works that strive for personal and collective dialogue and healing in South Africa. In poetry, scholarly writing and transcribed oral conversations, the contributors now think and feel their way through the aspirations and achievements – and the alchemy – of The Mothertongue Project’s work.

Accompanied by photographs of performances from across the 21 years, this book provides a sense of what a Mothertongue theatre piece does: it draws audience and performers into transformative, embodied conversations.

This book has been put together by experts in the field of mental health, and associated fields, whom have been carefully chosen to share their insights on a specific knowledge area with you. A golden thread that runs through all these chapters is that each and every contributor is passionate about what they do, and in so doing passionate in sharing their knowledge and experience with you in their unique way. There is much to be done in the field of mental health as yet.

Mental Health in the Workplace consists of 3 parts:

• Part 1: Mental health in the workplace: Understanding the current context and what has given rise to this increasing concern
• Part 2: Mental health is not an island: Wellbeing is holistic and has multiple dimensions
• Part 3: Coping mechanisms: Towards a way forward with mental health

We cannot ignore the fact the context of the pandemic has changed our lives as we once knew it to be. The book starts off with a positioning of the current context and why a spotlight has been placed on mental health. Part 1 focuses largely on how the workplace has responded to the mental health pandemic, what trends we are seeing now and what we can expect to see post pandemic, and some of the major contributors to mental health concerns in the workplace. Included are the common manifestations of mental illnesses which is only one component of the mental health topic as positioned in this book.

In More Easy Party Treats for Children, each chapter presents a different theme, including trains, monsters, sheep, butterfl ies, bees, superheroes, ragdolls and dinosaurs. All the treats are made using readily available items, such as ice cream cones, marshmallows, jelly sweets, lollipops and wafer biscuits. Each theme includes a centrepiece that can be used in addition to, or even replace, the traditional birthday cake. The simple-to-follow instructions don’t require any baking or specialist skills, making it possible for busy moms to put on the perfect party without blowing the budget or spending hours in the kitchen. Kids will be delighted by the variety of treats on offer and the themes can be adapted to suit individual preferences and ages. Beautiful photography and creative styling showcase the treats and offer further ideas for party settings.

We are mere players in a pantomime, performing parts which must stay true to narrative alone; right now, this means weeping salt into a chilli stew to the sound of the sea - that enormous story, consistent and unfathomed, repeating outside in the dark, endlessly.

I write into questions of discomfort, tracking an image until the poem reveals a partial answer.

The scarcity of conviviality in universities, within and between disciplines, and among scholars suggests that the position in and production and consumption of knowledge are far from neutral, objective, and disinterested processes. They are socially and politically mediated by webs of humanity, hierarchies of power, and instances of human agency. Given the resilience of colonial education in Africa and among Africans, endogenous traditions of knowledge are barely recognised and grossly underrepresented.

Conviviality in knowledge production would entail not just seeking conversations and collaboration with and across disciplines in the conventional sense but also the integration of sidestepped popular epistemologies informed by popular universes and ideas of reality.

Such scholarship is predicated upon recognising and providing for incompleteness as a necessary attribute of being, from persons to disciplines and traditions of knowing, and knowledge making.

Racism is a global phenomenon. First-world countries and developing countries are struggling with how to implement anti-racism measures and how best to achieve non-racialism and social cohesion. In Dealing with Racism, advocate, businessman and social activist Nathanael Siljeur examines the issues of race from his perspective as a coloured man in post-apartheid South Africa.

While things have changed since the demise of apartheid, much work still remains to create a truly free and just society. Sijleur looks at our responsibilities as parents, businesspeople and members of churches and community organisations and asks us to examine both the practical steps needed to ensure human dignity and equality as well as the ways we might unwittingly be contributing to prejudice. His message is positive and compassionately self-critical, aimed at engaging all sides of the issue in honest reflection and constructive debate.

Siljeur’s work is of specific relevance to South Africans in the post-apartheid era but also reaches out to the rest of the world where racism remains a burning issue.

Her business burnt to the ground, her home flooded, family bankruptcy a harsh reality, and yet, these events paled into insignificance for what was to come. Mala was diagnosed with four complex and debilitating, incurable diseases. She became riddled with inflammation and excruciating symptoms. The medical prognosis – no hope and wheelchair bound for the rest of her life. Her relationships and life were falling apart.

But, Mala defied the limited beliefs of medical science and today is walking, dancing, driving and thriving again. How? She used her adverse situation to conduct intensive research resulting in a unique Take-Charge Wellness formula that works! This non-fiction, self-help book is a success story that is both gripping and empowering for those caught up in the stress of everyday life or battling a chronic illness.

This, is Mala’s story, scientifically researched and referenced.

This book makes visible undocumented everyday experiences that shaped the lives of ordinary South Africans during the country’s brutal and painful past. It is a record of things that “sit” within all of us. By sharing their memories, the storytellers map the scope of the wider, and difficult, conversation about the meaning of justice and the missing parts of the discourse of reconciliation in South Africa. It creates a space for a conversation about South Africa’s history and what it means to talk to and to hear the other within the context of this history.

In publishing each story in Xhosa, Afrikaans and English, we hope that the book will stimulate conversation among South Africans across languages. We hope that it will enable South Africans to connect with one another in a manner that seeks mutual understanding about the complicated aspects of our shared history and its continuing impact on the lives of individuals and communities. It is for this reason that we have compiled the collection of stories in this book. Stories - people narrating their memories of life under apartheid - can help introduce an alternative understanding of the painful aspects of their traumatic pasts. Twenty years after the TRC, this book is testament to our understanding that justice and reconciliation is not merely an event or a legal process but an on-going process that requires people to talk publicly about the effects of colonialism and apartheid on South Africans, and the need to listen to one another’s stories.

The book gives publicity to undocumented everyday experiences that shaped the lives of ordinary South Africans during this country’s brutal and painful past. As such, it is an effort to depict a conversation about the meaning of transformation. We hope that by sharing their memories in this book, the storytellers will contribute towards a deeper understanding of the suffering that underpins this country and shapes our contemporary dispensation.

Creativity and imagination are key catalysts to unlocking potential in the 21st century. While those in business and civil society are generally aware of its challenges, few seem able to understand or apply the creativity necessary to meet them. Creativity Explained argues that the most direct route to imaginative insight lies in understanding how genuinely creative people develop their big ideas.

Focusing on the lives of contemporary writers, musicians and artists, Priilaid examines the elements of the creative process to provide readers with a better appreciation of creativity in practice. Through looking at the work of figures such as Bob Dylan, Bruce Springsteen, David Bowie, Bill Evans, Jackson Pollock, J.K. Rowling and the iconic Steve Jobs, he shows how artists are typically outsiders, marked by the extent of their suffering, resilience and love for the work they do.

In Creativity Explained, Priilaid presents an insightful overview of the imaginative mindset and disciplines crucial to the formulation of great ideas.

In 2012 Angy Peter was bringing up her young children with her husband, Isaac Mbadu, in Bardale, Mfuleni, on the Cape Flats.

Angy and Isaac were activists, leading the charge for a commission of inquiry into policing in Khayelitsha. Angy was vocally against vigilante violence and a go-to-person when demanding better services from the police.

But when the commission started its hearings Angy found herself instead on trial for murdering – necklacing – a young neighbourhood troublemaker, Rowan du Preez. The State’s case would centre on the accusation Rowan du Preez allegedly made with his dying breath – that Angy and her husband Isaac set the tyre alight around his neck.

Simone Haysom takes us into the heart of a mystery: was Angy Peter framed by the police for a murder she did not commit? Or was she, as the State argued, ‘a wolf in sheep’s clothing’, who won a young man’s trust then turned against him, in the most brutal way?

Simone Haysom spent four years meticulously researching this case and the result is a court-room drama interwoven with expert opinion and research into crime and the state of policing in the townships of South Africa.

IntheFlow is a practical, accessible book based on Mindfulness principles, which can be easily applied to the workplace – with extraordinary outcomes and benefits for individuals and teams.

IntheFlow is for anyone who is intrigued by Mindfulness, is aware of the tremendous impact it can have on one’s life, and is keen to incorporate the concepts and principles into one’s life at work. Designed as 6-step daily ritual, IntheFlow focuses ones attention and awareness on the good and great parts of our everyday lives – which are often overlooked, or get lost in the cacophony of stress, anxiety, frustration, exhaustion and overwhelm which seem to be inevitable consequences of our busy-ness. For leaders and teams, IntheFlow provides a way to practice elements of Mindfulness in the workplace, and experience positive and substantial shifts – both individually, and collectively. And for companies who are looking to reduce workplace stress, and create a culture of trust and empathy – which naturally enhances productivity – IntheFlow is an ideal solution!

IntheFlow is not just for work, though. It has also been used to great benefit by other groups – who want to connect in a deeper, more introspective way than what one typically experiences with Facebook or other social media; and families who use IntheFlow as a way to share the highlights (and lowlights) of their day. IntheFlow is essential reading for anyone who is curious about how to practically incorporate Mindfulness principles into an average day, and experience its wonderful benefits – whether you’re an experienced Mindfulness practitioner, or never meditated for a single minute.