“Small” cities have something to offer in terms of theoretical resources and renewing our under¬standing of urban life. In other words, all cities do matter and are therefore worthy of drawing from. Condemning “insignificant” cities to oblivion is a travesty that will leave urban studies poorer. Importantly, no city is reducible to one register in the representation of its essence.

In Writing Windhoek, Ellison Tjirera makes an attempt to revivify the Capital city of Namibia and treat it as an idea meriting a closer examination and reflection. In illuminating the essence of Windhoek’s cityness, this book traces its history of spatial segregation, an imprint that contin¬ues to define contemporary city life. The cultural memory of Windhoek is analysed as a way of accessing what is otherwise a not so obvious strand through which to understand a city that has escaped a sustained scholarly rendition. In his further layering of the city, Tjirera provides a por¬trait of Windhoek through urban fantasies, regimes of the legal, and how migration is implicated in shaping social heterogeneity and concatenations of various urban rhythms.

Everyone is on a journey of growth, from birth to death. The authors used their research data, to tap into the vital stages of this journey of growth from a psychological growth perspective. They linked the stages of psychological growth to self-leadership development. Additionally, they linked different stages of self-leadership development to different types and styles of leadership. For example, they found that authoritative leadership is linked to earlier stages of psychological growth, while inclusive leadership is linked to latter stages of psychological growth.

The Poetic Journey of Self-Leadership: Leadership Development along Stages of Psychological Growth is relevant to those interested in self-reflection (as it assists to assign oneself to a stage of psychological development), personal growth (as it anticipates processes to follow during one’s current stage of development), self-leadership development, as well as useful for leadership assessment by practitioners (by assigning leadership to stages of development). Additionally, from an academic perspective, the book is relevant to psychology, sociology and leadership students.

Contents include:

• Surviving: Abandonment versus overwhelment; Survival-stage leader
• Conforming: Internality versus externality; Conforming leader
• Differentiating: Social predestination; Differentiated leader
• Individuating: Guilt versus fear; Journey to individuation; Conquering complexes; Authenticity; Individuated leader
• Self-actualizing: Kintsugi; Traumas; Magical other; Self-actualised leader
• Integrating: Values; Heroes; Purpose; Integrated leader
• Serving: Servant leader

Books about leadership and poetry are mostly written from the perspective of leaders, but The Poetic Journey of Self-Leadership: Leadership Development along Stages of Psychological Growth, focuses on self-leadership development, and not the usual listing of heroic leader capabilities that must be strived for. The authors used self-reported poetry from diverse participants, and in their own voices as their main data collection source. The book presents a diversity of writing styles and topics, and makes it much wider in scope and richer than other books.

"Why are you learning Zulu?" When Mark Sanders began studying the language, he was often asked this question. In Learning Zulu, Sanders places his own endeavors within a wider context to uncover how, in the past 150 years of South African history, Zulu became a battleground for issues of property, possession, and deprivation. Sanders combines elements of analysis and memoir to explore a complex cultural history. Perceiving that colonial learners of Zulu saw themselves as repairing harm done to Africans by Europeans, Sanders reveals deeper motives at work in the development of Zulu-language learning-from the emergence of the pidgin Fanagalo among missionaries and traders in the nineteenth century to widespread efforts, in the twentieth and twenty-first centuries, to teach a correct form of Zulu. Sanders looks at the white appropriation of Zulu language, music, and dance in South African culture, and at the association of Zulu with a martial masculinity. In exploring how Zulu has come to represent what is most properly and powerfully African, Sanders examines differences in English- and Zulu-language press coverage of an important trial, as well as the role of linguistic purism in xenophobic violence in South Africa. Through one person's efforts to learn the Zulu language, Learning Zulu explores how a language's history and politics infl uence all individuals in a multilingual society.

Joanne Hichens lost first her mother, then, in quick succession, her husband, her father and her mother-in-law - two deaths anticipated, two coming as the worst kind of shock. In this memoir of grief and recovery, she writes with honesty and humour of death, our 'constant companion', and the stumbling journey through the country of grief.

By turns searing and sparkling, her account gives compelling insight into the losses that stalk us all, while also celebrating the mainstays of life - friendship, family, and the memories of those we love and lose.

In Landscapes Between Then And Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era.

By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape.

Landscapes Between Then And Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest.

Acclaimed reviews:
"Landscapes Between Then and Now brilliantly explores how artistic and critical practices of post-apartheid South Africa and Namibia chart a creative and critical path out of habituated ways of looking at the world with a Western, colonial and inherently unjust gaze. This lucid, innovative and deeply ethical study of a range of genres and artists will quickly become an enduring and indispensable book for anyone concerned with camera-based art practices in our globalized age." ~ Ulrich Baer, New York University, author of Spectral Evidence: The Photography of Trauma

"This is an extraordinary book for those interested in a more prismatic consideration of the visualization of history at the interstices of violence, race and modernity in Africa; here the landscape itself is the primary archive. Focused on Southern Africa, Brandt reaches beyond the knowing silence photography can engender, to give voice to formerly unspeakable things that perhaps can no longer remain unspoken." ~ Erica Moiah James, art historian, curator and professor

"Landscapes Between Then and Now, reminds us of the extraordinary enmeshment of histories in Southern Africa in spite of rigid man-made borders and the traumas that came with them. In tracing the work of key artists working in photography, performance and video art, it delves into the complex politics of land and reflects on nuanced tensions emanating from different places, spaces and time periods. In many ways it creates a context for important debates around collective memory and commemoration that are ongoing today." ~ Tandazani Dhlakama, Assistant Curator, Zeitz Mocca Museum, South Africa

"Brandt writes insightfully about the individual bodies of work selected for in-depth consideration. Her underlying argument, that contemporary ‘landscape’ photography in the region should be understood in relation to the social documentary practices predominant during the apartheid years, is both valuable and convincing." ~ Darren Newbury, author of Defiant Images: Photography and Apartheid South Africa

"The past can be owned, just like landscape. The temptation to assert meaning, rather than to make visible, is as ancient as the hills. The writer guides us deep into this overlapping terrain as she examines landscape, memorial, monument and our memory of what happened to us." ~ Guy Tillim, South African photographer, Henri Cartier-Bresson Award winner, 2017

"In this moment of seismic shifting – of ideas, of power, and of the ways we construct and interpret knowledge – Brandt’s book is an insightful guide to readers attempting to navigate ‘landscapes’ – both as physical environments, and more so, as social and psychic spaces." ~ Nomvuyo Horwitz, University of Johannesburg, South Africa

Across the face of southern Africa are more than 460 remarkable stone palaces, once the abodes of kings. Some are small, others ramble, but many are absolutely astonishing: all are the legacy of kingdoms past.

Palaces of Stone brings to life the story of these early African societies, from AD 900 to approximately 1850. Some, such as Great Zimbabwe and Khami in Zimbabwe and Mapungubwe in South Africa, are famous world heritage sites, but the majority are unknown to the general public, unsung and unappreciated. Yet, the stone ruins that have survived tell a common story of innovative architecture and intricate stonework; flourishing local economies; long-distance travel; global trade; and emerging forms of political organisation.

By exploring a selection of known and unknown sites, Palaces of Stone reimagines the apparently empty spaces bequeathed to us by history, an Africa of places that once hummed with life. All that remains now are the ruins – a bedrock from which to unravel the past and understand the present.

As lesbian, gay, bisexual, transgender and intersex identities increasingly secure legal recognition across the globe, these formal equality gains are contradicted by the continued presence of violence. Such violence emerges as a political pressure point for contestations of identity and power within wider systems of global and local inequality. Discourses of homophobia-related violence constitute subjectivities that enact violence and that are rendered vulnerable to it, as well as shaping political possibilities to act against violence. Blackwashing Homophobia critiques prevailing discourses through which violence and its targets are normatively understood, exploring the knowledge regimes in which multiple forms of othering are both reproduced and/or resisted.

This book draws on primary research on lesbian subjectivity and violence in South Africa examining the intersections of sexual, gender, race and class identities, and the contemporary politics of violence in a postcolonial context:

• What are the contending ways of knowing homosexuals and the violence they face?
• How are the causes, characters, consequence of, and 'cures' for, violence constructed through such knowledges and what are their power effects?

The book explores these questions and their implications for how violence, as an instrument of power, might be countered. Blackwashing Homophobia is a timely intervention for theorising the discourse of homophobia-related violence and what it reveals and conceals, enables and hinders, in relation to queer identities and political imaginaries in times of violence. The book's interdisciplinary approach to the topic will appeal to social and political scientists, philosophers and psychology professionals, as well as to advanced psychology undergraduates and postgraduates alike.

Die stories is in kortverhale omskep deur ware, alledaagse gebeure, deurweef met humor en hoop wat bewys dat almal van ons net mense is: Uniek, maar tog eners!

Die stories help lesers om hul eie uitdagings en worstelinge in ’n ander lig te sien.

Die gebed is dat elkeen wat deur die blaaie woel, agteroor sal sit en lag, jouself vind in daardie oomblik en daarmee saam die Boodskap en Woord te ervaar..

Anna de Jager het in KwaZulu Natal grootgeword. Dit was nog altyd vir haar ʼn passie en selfopgelegde uitdaging om oomblikke vas te vang deur te skryf en te skets. Sy is in 1990 met Gert de Jager getroud en woon in Centurion. Hulle het twee dogters, Anita en Gerda en ‘n skoonseun, Marco. Daar het al verskeie vakpublikasies uit haar pen verskyn, maar hierdie is haar eerste memoires.

Kort nadat sy haar PhD voltooi het, is sy met borskanker gediagnoseer.

Chemo, koekies en tee is ’n openhartige deel van ʼn eiesoortige perspektief, baie genade en dankbaarheid.

Make your Brain POP is a practical, easy-to-read guide for parents focused on developing a growth mindset in children through mindful communication and purposeful parenting.

This book draws from personal experience and research-backed concepts, particularly Carol Dweck’s work on mindset psychology, to help set our children up for mental success.

Emotional Intelligence is a complete guidebook to help you leverage your EQ for greater professional and personal success.

Research now shows that people with higher levels of emotional intelligence generally have:

• Greater job satisfaction
• A better chance of getting promoted
• A bigger salary
• A higher standard of living
• Fewer family conflicts
• A stronger immune system
• A lower chance of developing cardiovascular disorders, and
• A more fulfilled life!

Written especially for the South African workplace, this newly updated edition will show you to improve and develop your emotional intelligence by focusing on these aspects of EQ:

• Self-awareness
• Self- regard
• Assertiveness
• Empathy
• Interpersonal relations
• Problem- solving
• Impulse control
• Stress tolerance
• Flexibility
• Optimism
• And more!

Throughout the book, you will find practical tips, exercises, and case studies to help you develop your emotional intelligence. Now is your chance to open the door to a better life!

Annette Prins a senior counselling psychologist, involves herself with developing human capital. As CEO and co-owner of the company Talent and Wellness Management, she developed and presented an array of workshops in the people skills arena, for the corporate and tertiary sectors. She specialises in stress management, anxiety and mood disorders and trauma counselling.

Eugene van Niekerk has taught psychology at both under-graduate and post-graduate level. His academic background is also complimented by work as psychotherapist and corporate consultant. Eugene’s interests include, amongst others: emotional intelligence; mind-body medicine; mental health in an information society; how affective neuroscience is able to improve individual and organisational performance.

As consultant Annette Weyers has been part of the wellness industry for fifteen years. She was co-founder of the Centre for Talent and Wellness Management an organisation that offered professional services to develop human talent and promote wellness. Services to employees included support and interventions through counseling, coaching, inspirational talks and workshops. "

There are no villains here. Award-winning journalist Paul McNally finds corrupt cops, drug dealers, vigilante residents, addicts, torturers, murderers and cops partnered with drug dealers. But no villains.

Raymond is a shop owner on Ontdekkers Road, in Johannesburg, who takes a baseball bat to the dealers when they break his rules. He systematically records in his notebook the police officers who come – all day, every day – to collect their bribe money from the dealers, and is looking for someone to trust. Khaba is a middle-aged police officer who wants a quiet life but whose demons will not leave him in peace. He is trying to regain his trust in what he once regarded as an honourable profession. Wendy is a petite, ageing police reservist who can handle an R5 rifle with confidence, but not the sadness that accompanies her in her daily life – the loss of her police officer husband, brutally murdered by a drug lord, and the addiction that has her adult son in its grip. She is looking for respect and affirmation and for her own life to have meaning.

Through different paths, the lives of Raymond, Khaba and Wendy intersect on the street as their attention is focused on the current power couple – a drug dealer named Obi and Lerato, a police officer. Seemingly untouchable, Obi and Lerato terrorise Ontdekkers, and in the process upset the balance of this already lawless world.

This text examines the forces - both destructive and dynamic - which have shaped 20th-century South Africa. The book draws on the rich and lively tradition of radical history writing on the country and weaves economic and cultural history into the political narrative.

Apartheid and industrialization, especially mining, are central themes, along with the rise of nationalism in the Afrikaner and African communities. But the author also emphasizes the neglected significance of rural experiences and local identities in shaping political consciousness. The roles played by such key figure as Smuts, Verwoerd, de Klerk, Plaatje, and Mandela are explored, while historiographical trends are reflected in analyses of rural protest, white cultural politics, the vitality of black urban life, and environmental decay.

The book assesses the analysis of black reactions to apartheid and the rise of the ANC.

Crochet and Conquer combines stories about healing with creative motifs and projects. Each poignant personal account is accompanied by its own matching motif and project The book contains twenty-one personal accounts of trauma and loss, each accompanied by a pattern or project. These projects and patterns will help you work through loss, work-related stress, depression, illness or trauma

Hier’s Armand weer, sonder klere voor jou deur…

Armand se eerste kookboek was ’n wegholsukses. Sy toeganklike benadering tot kos het baie mense oortuig van ’n nuwe manier van eet én leef – vars, onopgesmuk, met sakpas-bestanddele in die keto- en banting-styl. Sy boek het gewys: Van lekker eet kom gesondheid en optimale gewig.

In sy nuwe boek stroop Armand sy gunstelingdisse (en homself) nog verder. Sy selfopgelegde uitdaging was om bestanddele wat reeds in sy koskas was, te gebruik. Dié kreatiewe verkennings lei tot ’n ‘van-plaas-tot-tafel’-aanslag wat wys dat die smaaklikste en gesondste kos eenvoudige kos is.

Armand Kook Kaal 2 bestaan uit 50 banting- en keto-vriendelike disse. Stap-virstap, en met pragfoto’s daarby, wys Armand hoe om heerlike disse te skep uit vars bestanddele sonder om die skaal of beursie te laat ly.

Voeg Armand se keto-kruierolletjies, murgpamoen-röstis, en klappermelkpanna cotta tot jou kookarsenaal toe en pluk die vrugte.

Southern Africa is the natural home of the richest and most diverse succulent flora in the world. These plants come in all shapes and sizes, from trees such as the baobab at more than 20 m tall, to miniature soil huggers, just a few millimetres high, which mimic their pebble-desert surroundings.

This user-friendly, richly illustrated field guide features more than 700 southern African succulents, focusing on the most interesting and commonly encountered species. An introduction to families and their key features will help readers identify the relevant plant group, while concise accounts describing the plants’ diagnostic features, along with distribution maps, will enable quick ID of species.

More than just an ID guide for plant lovers, this book will inspire gardeners who are turning to indigenous, low-maintenance and waterwise plants for cultivation.

This is a unique, first-of-its-kind tree book with beautiful illustrations of the fruiting twigs of 381 South African trees.

The reason behind illustrating tree fruits is that, like so many tree-lovers, Trevor found it difficult to identify many tree species from their leaves as they are the most variable of all the plant parts. Fruits, like flowers, have much more stable shapes and sizes and, unlike flowers, are easier to identify macroscopically. Scratch around the under-canopy of trees and you may find the remains of fruit that can be useful for identification. Thus, this book was born, and it represents the culmination of some 40 years’ work by the author.

This book includes:

• Specially coded keys showing colour and size for easyidentification.
• The current botanical binomial, recent old names (due totaxonomic changes) and the “best” common name are given.
• Notes on distribution, fruiting time and habitats are also provided.
• 381 Beautiful illustrations of the fruiting twigs of South African trees

And Still We Rise is an inspiring anthology of 16 true stories from across Africa, showcasing how strategic philanthropy through the Higherlife Foundation has transformed individual lives and entire communities.

Founded by Tsitsi and Strive Masiyiwa during Zimbabwe's HIV/AIDS crisis, the Foundation began as a scholarship trust and has grown into a comprehensive development initiative.

These real stories counter typical narratives about Africa, showing homegrown solutions and leadership.

Kintsugi is die Japanese kunstegniek om ’n gebroke keramiekvoorwerp met goud te herstel. Die tegniek maak ’n voorwerp mooier en meer kosbaar as wat dit in ’n ongebroke toestand was. Met die regte ingrype kan gebrokenheid waarde en skoonheid ontsluit. Hierdie idee is die draad wat deur dié boek loop.

In hierdie boek maak tientalle mense van verskillende agtergronde hul harte oop ter bemoediging en om insigte te deel.

In Suid-Afrika ly een uit ses mense aan depressie, angs en middelafhanklikheid en tot ses miljoen aan post-traumatiese stres. Agt duisend mense per jaar staan hul lewens aan selfdood af. Die Covid-epidemie dryf dit verder op die spits. Lees hier vir advies. Daar is hoop.

’n Storieryke wandeling deur plaashuisgange, landerye wat reg en ryp is vir oes en God se drome van oorvloed vir ons lewens.

Caitlin Henderson vertel allerhande verhale oor alles van steekse trekkers tot haar waarnemings oor ’n eens vaal huwelik wat nou floreer, en alles en nog wat tussenin. Sy verweef haar staaltjies met God se Woord en leer ons hoe om verlossing in ons eie stories raak te sien. Selfs al woon jy in die stad en nie iewers op die platteland soos Caitlin nie, sal jy aanklank vind by haar interessante, en somtyds lawwe stories. Die universele lesse en waarhede daarin spreek tot die hart van elkeen wat waarlik nader aan God wil leef.

In Geanker in geloof verken ons bybelse waarhede deur die oë van ’n boer se vrou. Of jy nou jaag om die kinders by die skool te kry, hard werk om jou eie besigheid op die been te bring, of rustig deur die weivelde van jou eie stukkie grond stap, dáár kan jy hoop kweek en vreugde vind.

In September 2018, Professor Sean Davison's peaceful life in the leafy suburbs of Pinelands, Cape Town is shattered. Arrested for the murder of Dr Anrich Burger, a once-fit athlete turned quadriplegic who begged Davison to assist him in ending his life in 2015, the unassuming academic and father of three now finds himself locked up in a prison cell.

Under investigation led by the Hawks, an additional two murders are added to the case for which he now faces a mandatory life prison sentence. Written in compelling detail, The Price of Mercy tracks the extraordinary journey that Davison embarks on to prepare for the gruelling legal challenge that lies ahead.

The desperate cries of many, begging for his assistance to help end their lives of suffering haunt him. Unwavering in his belief that we all have the right to die with dignity, Davison's selfless battle is made more bearable by his friendship with the late and great Archbishop Desmond Tutu.

A book that will change the way you see death.

Jare se gewoontes, die verlede se stories en herhalende emosionele patrone bring mee dat die meeste van ons vasgevang sit binne ons eie droomwêreld. Hier beleef en herleef ons dieselfde storie oor en oor, alhoewel die karakters en dekor soms verander.

Binne hierdie droomstorie, of sekerlik eerder nagmerrie, is ons vasgevang. Dit is lyding, dit is hel. Daar is gelukkig ‘n weg (Tao) uit die doolhof van hierdie skynlewe, en dit is: word wakker. Dan hoef jy nie eens te wonder hoe om die droomstorie te probeer oplos of hoe om die karakters te benader nie; nee, jy word eenvoudig wakker en jou hele droomwêreld tuimel ineen.

Presies wat Abel Pienaar in hierdie boek met jou wil deel. ‘n Gids na wakker word, innerlike vryheid en lewensgeluk.

Non-Governmental Organisations (NGOs) are regarded by many as vital role players in improving the lives of the poor and bringing about social justice. This book includes contributions from NGO workers, academics and social movement activists in order to provide varying perspectives on what possible role NGOs can rightly play in popular struggles. Consequently, the book does not have a single message about what role NGOs ought to play in struggles for social justice, but rather invites careful reflection and critical discussion on their role both in South Africa and further afield.

The search for answers to the issue of global sustainability has become increasingly urgent. In the context of higher education, many universities and academics are seeking new insights that can shift our dependence on ways of living that rely on the exploitation of so many and the degradation of so much of our planet. This is the vision that drives SANORD and many of the researchers and institutions within its network.

Although much of the research is on a relatively small scale, the vision is steadily gaining momentum, forging dynamic collaborations and pathways to new knowledge. The contributors to this book cover a variety of subject areas and offer fresh insights about chronically under-researched parts of the world. Others document and critically reflect on innovative approaches to cross-continental teaching and research collaborations.

This book will be of interest to anyone involved in the transformation of higher education or the practicalities of cross-continental and cross-disciplinary academic collaboration.

The Southern African-Nordic Centre (SANORD) is a network of higher education institutions from Denmark, Finland, Iceland, Norway, Sweden, Botswana, Namibia, Malawi, South Africa, Zambia and Zimbabwe. Universities in the southern African and Nordic regions that are not yet members are encouraged to join.

KwaZulu-Natal is culturally rich, offering a wide range of writers - writing mainly in English and Zulu - who are linked through their lives and their writing to this province of South Africa. The writers include, to name just a few, Alan Paton, Roy Campbell, Lewis Nkosi, Ronnie Govender, Wilbur Smith, Daphne Rooke, Credo Mutwa and Gcina Mhlophe. And how better to understand a writer than to know about the places they are linked to? For example, who, after reading the lyrical opening sentences of Paton's famous book Cry, the Beloved Country (1948) has not wanted to see this scene in reality? There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it. A Literary Guide to KwaZulu-Natal introduces you to the regions and writers through word and image, leading you imaginatively through this beautiful province. This could include following the route a fictional character charts in a novel, visiting particular settings from a story or tracking down the places linked to a writer, whether a birthplace, home, burial site or significant setting. Literary tourists are interested in how places have influenced writing and at the same time how writing has created place. This is also a way of reflecting upon and understanding historic and contemporary identities in a changing cultural and political South African landscape.