Politics and Community-Based Research: Perspectives from Yeoville Studio, Johannesburg provides a textured analysis of a contested urban space that will resonate with other contested urban spaces around the world and challenges researchers involved in such spaces to work in creative and politicised ways.

This edited collection is built around the experiences of Yeoville Studio, a research initiative based at the School of Architecture and Planning at the University of the Witwatersrand, Johannesburg. Through themed, illustrated stories of the people and places of Yeoville, the book presents a nuanced portrait of the vibrance and complexity of a post-apartheid, peri-central neighbourhood that has often been characterised as a ‘slum’ in Johannesburg. These narratives are interwoven with theoretical chapters by scholars from a diversity of disciplinary backgrounds, reflecting on the empirical experiences of the Studio and examining academic research processes.

These chapters unpack the engagement of the Studio in Yeoville, including issues of trust, the need to align policy with lived realities and social needs, the political dimensions of the knowledge produced and the ways in which this knowledge was, and could be used.

For more than a century, skin lighteners have been a ubiquitous feature of global popular culture-embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin colour from precolonial times to the postcolonial present. From indigenous skinbrightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billiondollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation, as well as consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners' layered history, Thomas theorises skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

If you like true stories about real people, are intrigued by serendipity, curious about curiosities, or maybe you are a collector yourself, then this book is for you.

The collecting and researching of any collectable is an intense and pleasurable pastime. The author’s passion for more than half a century has been for collecting handwritten, original letters, antique documents, manuscripts, old share certificates, fire insurance policies, photographs and maps.

The writers of these words on paper include kings and queens, presidents and prime ministers, admirals and generals, actors and authors, judges and prisoners, philosophers, statesmen, scientists, and sportsmen. Some were famous, some infamous, some important, others less so. Many you will know about; with others, only their names may be familiar. There’s Admiral Nelson, and the Duke of Wellington; there are queens Elizabeth I and II and kings George III, IV and VI; presidents Eisenhower, Kruger, and Mandela are here; prime ministers Botha, Hertzog and Smuts; explorers Scott and Shackleton. There’s Faraday and De la Rey, and many more, including two controversial giants of history – Napoleon and Rhodes.

The chapters need not be read in any set order, although there is an underlying thread linking them to the life of the author that enabled this eclectic collection to evolve in the way it did.

The richness and diversity of Dutch contributions to the built environment of South Africa remain little-known in the study of twentieth-century architectural history. Between 1902 and 1961 more than seventy Dutch-born émigré architects were active from the Cape to the Highveld, both in major towns and remote areas, and they designed hundreds of buildings and neighborhoods.

A sequel to the acclaimed Eclectic ZA Wilhelmiens: A Shared Dutch Built Heritage in South Africa, Common Ground reveals the great variety of styles and building types from this period, ranging from buildings for communities, religious practice, banking, industry, and civil infrastructure to the evolution of the Pretoria dwelling and low-cost housing.

These contributions are also contentious as they relate to the time of the entrenchment of apartheid. Yet these architects' extant work is an undeniable part of South Africa today and often still in daily service.

Architects care. It is foundational and germane to the discipline and practice of architecture. This book charts the way the Arts and Crafts Movement established the moral ethos of ‘an architecture of care’ that not only remains embedded in current discourse and practice but also that is being given a more vocal presence in our climate-crisis and social justice world.

By way of ‘genealogical strands’ the book charts the origin of ‘architecture of care’ ideas in the Arts and Crafts Movement and their impact on the ‘other progeny’ architectural projects in South Africa over the past hundred years. These range from the translation of inglenooks into an armature architecture of ‘Dignified Places’ in Cape Town’s townships to the ethos of ‘upliftment’ and care that translates from Octavia Hill through to ‘correcting’ building regulations and eventually finding a less moralising and more transformative impact in the ‘Hostels to Homes’ project.

The birth of design through context and climate in the Arts and Crafts Movement is demonstrated by the shift in South African houses from boxy cottages to solar- and nature-oriented ribbon plans as demonstrated through the work of Helmut Stauch and Norman Eaton. The dislocation of Arts and Crafts ideas to the Cape also demonstrated a limit to the valorising of vernacular architecture and its ‘against-globalization’ building materials whereby English architects promoted Cape Dutch settler architecture and denigrated African vernacular architecture. As a final ‘genealogical strand,’ the book demonstrates the coherence of moral instrumentality with the animism and affects potential of handmade buildings.

Written for academics, students and researchers interested in architectural history, it is an eye-opening investigation into the role of architecture in society.

While alien plants have been well publicised, this is the first book to be published on alien animals of Africa. It describes the history of each invasion, and the ecological and economic impacts in South Africa; and it discusses the effect of introduced biocontrol agents (usually insects), which are also alien species released deliberately to control problem plants. Key features are: Each group of animals is covered in a separate chapter written by a specialist in the field; colour photographs of each species; Maps for each species’ native mand introduced range, and a detailed map of its spread in South Africa; text covers identification and biology, distribution, impacts and control for the particular species; alien animals are considered in all habitats, including freshwater, terrestrial and marine. The book will be an essential reference for conservationists, farmers, reserve managers, gardeners, anglers, biology students and researchers, and of interest to the lay public.

Alchemie van my muse is ’n veelvlakkige debuut oor die lewe, die liefde en die lettere waarin die spel met die tradisie van die digkuns ontgin word.

Die digter besin oor digterskap en tree postmodernisties in gesprek met ander digters soos Louw, Kirsch, Boerneef, gert vlok nel, e.a. Daar word satiries gekyk na die posisie van Afrikaans. Die liefde word weerloos besing en oor besin, met nostalgie, humor en pyn. Die lewe en die onafwendbare dood word, soms tong-in-die-kies, ander kere oop-enbloot ontredderd, berym en ontrym.

An essential guide for every person on earth to help save our planet.

How do we live more gently on our planet? Can we put a stop to the environmental disasters that loom larger every day? These burning questions are on everyone’s mind. Wise About Waste addresses these urgent issues by providing a practical guide to reducing the waste we generate. Well-known author, academic and activist Helen Moffett looks at how we can all create less waste, and use resources more wisely. She tackles plastic waste, energy waste, food waste, manufacturing waste and much more – from homes to businesses, from immediate actions to long-term plans, there’s a strategy for everyone.

With over 150 practical tips and ideas, from the tiny and the quirky to the big and the dramatic, Wise About Waste can help us work towards waste-wise lifestyles. While there are tough questions and even tougher answers, these go hand-in-hand with reasons for hope and a good dash of humour.

In this inspiring autobiography, Barry Cohen unveils the struggles and triumphs of facing societal pressures, overcoming self-doubt and following one's dreams.

Discover the profound lessons learned from encounters with luminaries in music, theatre, business, politics, and sports, gaining a glimpse into a world where every setback becomes an opportunity for personal growth.

Journey of a Muizenberg Boy is a testament to the human capacity for resilience, determination, and boundless potential. Join the author on a captivating journey of self-discovery and empowerment, where the pursuit of passion leads to extraordinary experiences beyond imagination.

Critiquing the positioning of children from non-dominant groups as linguistically deficient, this book aims to bridge the gap between theorizing of language in critical sociolinguistics and approaches to language in education. Carolyn McKinney uses the lens of linguistic ideologies - teachers' and students' beliefs about language - to shed light on the continuing problem of reproduction of linguistic inequality.

Framed within global debates in sociolinguistics and applied linguistics, she examines the case of historically white schools in South Africa, a post-colonial context where political power has shifted but where the power of whiteness continues, to provide new insights into the complex relationships between language and power, and language and subjectivity. Implications for language curricula and policy in contexts of linguistic diversity are foregrounded.

Providing an accessible overview of the scholarly literature on language ideologies and language as social practice and resource in multilingual contexts, Language And Power In Post-Colonial Schooling uses the conceptual tools it presents to analyze classroom interaction and ethnographic observations from the day-to-day life in case study schools and explores implications of both the research literature and the analyses of students' and teachers' discourses and practices for language in education policy and curriculum.

In Sigh The Beloved Country, Bongani Madondo writes about people, issues, women who rock!!!, believers, fast boys and their faster toys, inner city and street life, and cultural criticism, amongst others.

Nobody escapes his critical pen, from Kenny Kunene, Miriam Makeba to Oscar Pistorius.

His 32 essays will make you laugh and cry as he captures the essence of every aspect of our country that makes it so weird and wonderful.

With the adoption of the United Nations Sustainable Development Goals (SDGs) and the Paris Agreement, the purpose of development is being redefined in both social and environmental terms. Despite pushback from conservative forces, change is accelerating in many sectors. To drive this transformation in ways that bring about social, environmental and economic justice at a local, national, regional and global levels, new knowledge and strong cross-regional networks capable of foregrounding different realities, needs and agendas will be essential. In fact, the power of knowledge matters today in ways that humanity has probably never experienced before, placing an emphasis on the roles of research, academics and universities.

In this collection, an international diverse collection of scholars from the southern African and Nordic regions critically review the SDGs in relation to their own areas of expertise, while placing the process of knowledge production in the spotlight. In Part I, the contributors provide a sober assessment of the obstacles that neo-liberal hegemony presents to substantive transformation. In Part Two, lessons learned from North–South research collaborations and academic exchanges are assessed in terms of their potential to offer real alternatives. In Part III, a set of case studies supply clear and nuanced analyses of the scale of the challenges faced in ensuring that no one is left behind. This accessible and absorbing collection will be of interest to anyone interested in North–South research networks and in the contemporary debates on the role of knowledge production.

The Southern African–Nordic Centre (SANORD) is a network of higher education institutions that stretches across Denmark, Finland, Iceland, Norway, Sweden, Botswana, Namibia, Malawi, South Africa, Zambia and Zimbabwe. Universities in the southern African and Nordic regions that are not yet members are encouraged to join.

Kom Saam is spesiaal geskryf vir vroue wat inspirasie, wysheid en hoop nodig het vir hul lewensreis.

Ons dae is tot oorlopens toe vol met aktiwiteite, beplanning, besluite, krisisse en vrese. Hoe weet ons wat is die regte keuses as daar so baie is? Wat gebeur as ons verkeerde besluite neem en hoe hanteer ons die gevolge? Elke dag moet ons te midde van die gewoel koers kies en antwoorde ge-reed hê oor die lewe vir onsself en ander; en nie net ten opsigte van ons persoonlike- en werksverhoudinge nie, maar ook ons geloof. Gelukkig is daar ook vreugde, vriende en samesyn op die paaie van ons lewensreise – en ons betroubare, drie-enige God.

Hierdie dagstukkies nooi jou uit om teen jou eie pas Jesus Christus beter te leer ken, om te begryp hoe innig God jou lief het, en hoe naby Hy langs jou stap op jou lewenspad.

Dink na oor die grootste hoogtepunte en die mees kosbare tye in jou lewe. Die skrywer is oortuig dat die meeste hiervan iets te doen het met mense, mense met wie jy 'n warm, kwaliteitsverhouding beleef. Hoekom is hy so oortuig? Want die lewe bestaan uit verhoudings.

God se DNA is liefde. Hy is die God van genade en gemeenskap. Dit is wie en wat Hy is. Dit gaan hand aan hand met die ware aard van God om Homself onophoudelik met ons te deel. In hierdie wonderlike boek delf Johan Smith diep in Bybelse waarhede oor die kern van verhoudings. Hy wys vir ons dat God 'n God van innige verhoudings is, en daarom moet ons in sy voetspore volg en weer passievol oor verhoudings raak.

Sunday Times adventure travel writer, Claire Keeton, and photographer Marianne Schwankhart have worked together to make sure you never have to spend another weekend at home wishing you were doing something more exciting.

They’ve collected over 30 great weekend destinations and given you the lowdown on the adventure activities you can do in each – visit Waterval Boven and try climbing, a mountain bike trail or learn to fly fish; take your children on a hike to explore the sandstone formations of the Cederberg; go horse riding in the Drakensberg; or tackle an urban adventure and bungee jump from the Soweto cooling towers.

Decide where you want to go and they’ll tell you what adventures are waiting for you, or decide what activity you want to do and they’ll tell you the best weekend destinations to head for.

The politics of black education has long been a key issue in southern African studies, but despite rich debates on the racial and class dimensions of schooling, historians have neglected their distinctive gendered dynamics. "A World of Their Own" is the first book to explore the meanings of black women's education in the making of modern South Africa. Its lens is a social history of the first high school for black South African women, Inanda Seminary, from its 1869 founding outside of Durban through the recent past.

Employing diverse archival and oral historical sources, Meghan Healy-Clancy reveals how educated black South African women developed a tradition of social leadership, by both working within and pushing at the boundaries of state power. She demonstrates that although colonial and apartheid governance marginalized women politically, it also valorized the social contributions of small cohorts of educated black women. This made space for growing numbers of black women to pursue careers as teachers and health workers over the course of the twentieth century. After the student uprisings of 1976, as young black men increasingly rejected formal education for exile and street politics, young black women increasingly stayed in school and cultivated an alternative form of student politics. Inanda Seminary students' experiences vividly show how their academic achievements challenged the narrow conceptions of black women's social roles harbored by both officials and black male activists. By the transition to democracy in the early 1990s, black women outnumbered black men at every level of education--introducing both new opportunities for women and gendered conflicts that remain acute today.

Two very different women meet during a long wait to buy subsidized rice and discover they have more in common than their poverty; an old man and a child share a last loving waltz; a cynical, disabled gangster learns humanity from a committed social worker, and a young girl finds her missing father and her role in the political struggle. This collection of stage plays, one radio play and a cinepoem, captures the essence of Zakes Mda’s method as a dramatist- a slow but intimate process of revelation (on the part of the characters). It is an artistic cooperation of the most pleasurable kind.

Does God exist? What caused the big bang? What is our purpose in life? Why does pain and suffering exist? Does science free us from religion? Which ‘god’ is the real ‘God’?

Deluded Gods is unique in the simple and concise manner in which it answers some of mankind’s age old questions. The reader is taken on a journey of discovery and is made to lay aside all presuppositions as they venture from the miniscule realm of quantum particles to the vast expanse of astrophysics. From start to end, the book is an exciting journey of discovery which leads to bold and interesting conclusions.

Whilst this book is written from a Christian perspective, it is respectful and considerate to all worldviews. Anyone with an open mind will be challenged to question their unconscious biasness and presuppositions.

After an extraordinary four-year battle, Gabi Lowe lost her beautiful, talented 20-year-old daughter, Jenna Lowe, on 8 June 2015 to pulmonary arterial hypertension, a rare degenerative lung disease, following a double lung transplant.

Jenna was young, bright and articulate. She was LEAD SA’s Youth Hero of the Year in 2015. Her death was mourned by thousands of people whose lives she had touched. During her short but full life, Jenna and the Lowe family raised much-needed awareness around this rare and devastating disease, highlighting the dire need for access to medication and organ donors locally. Although desperately ill, Jenna became the face for organ donation in South Africa through the hugely successful #GetMeTo21 campaign in which she invited all South Africans to attend her twenty-first birthday celebration by clicking on a link to become an organ donor. Tragically, Jenna died four months before reaching her milestone.

Brilliantly written, riveting in all its terrible truth and pain, in this brutally honest memoir Gabi Lowe shares her family’s desperate fight to save Jenna’s life. Get Me to 21 will inspire us to believe that the ability to face even the darkest, and most unimaginable, lives deep within us all.

This compilation of accounts of people, events and incidents reflects how they shaped and continue to shape the future of South Africa. Now, as history is brought back into perspective, the unbiased stories, the stories of foolishness, bravery, happiness and sadness, can be correctly told.

Ons harte en gedagtes ontvang daagliks ’n ontelbare hoeveelheid boodskappe. Sommige hiervan is waar en behulpsaam, maar ander maak seer, verwoes of is nie in lyn met die boodskappe wat God vir ons in sy innige liefde en wysheid wil gee nie.

Watter boodskappe kies jy om te glo en aan jouself te herhaal? Hoe klink jou interne gesprek wanneer jy na jou spieëlbeeld staar? Spreek jou woorde van hoop en geloof, of van nederlaag en moedeloosheid? Watter verskil glo jy sal dit maak as jy vir die volgende een-en-dertig dae sou kies om te fokus op wat die Here vir jou wil sê en wat Hy reeds vir jou in sy Woord vertel het? Laat Rig jou gedagtes hierop die eerste stap in die opwindende reis te wees na nuwe insigte, geestelike bemoediging en onderskraging.

Ontdek die krag van self-aanvaarding en daaglikse geestelike vernuwing wat voortvloei vanuit die persoonlike boodskappe vir jou uit die Woord van God.

In Landscapes Between Then And Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era.

By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape.

Landscapes Between Then And Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest.

Acclaimed reviews:
"Landscapes Between Then and Now brilliantly explores how artistic and critical practices of post-apartheid South Africa and Namibia chart a creative and critical path out of habituated ways of looking at the world with a Western, colonial and inherently unjust gaze. This lucid, innovative and deeply ethical study of a range of genres and artists will quickly become an enduring and indispensable book for anyone concerned with camera-based art practices in our globalized age." ~ Ulrich Baer, New York University, author of Spectral Evidence: The Photography of Trauma

"This is an extraordinary book for those interested in a more prismatic consideration of the visualization of history at the interstices of violence, race and modernity in Africa; here the landscape itself is the primary archive. Focused on Southern Africa, Brandt reaches beyond the knowing silence photography can engender, to give voice to formerly unspeakable things that perhaps can no longer remain unspoken." ~ Erica Moiah James, art historian, curator and professor

"Landscapes Between Then and Now, reminds us of the extraordinary enmeshment of histories in Southern Africa in spite of rigid man-made borders and the traumas that came with them. In tracing the work of key artists working in photography, performance and video art, it delves into the complex politics of land and reflects on nuanced tensions emanating from different places, spaces and time periods. In many ways it creates a context for important debates around collective memory and commemoration that are ongoing today." ~ Tandazani Dhlakama, Assistant Curator, Zeitz Mocca Museum, South Africa

"Brandt writes insightfully about the individual bodies of work selected for in-depth consideration. Her underlying argument, that contemporary ‘landscape’ photography in the region should be understood in relation to the social documentary practices predominant during the apartheid years, is both valuable and convincing." ~ Darren Newbury, author of Defiant Images: Photography and Apartheid South Africa

"The past can be owned, just like landscape. The temptation to assert meaning, rather than to make visible, is as ancient as the hills. The writer guides us deep into this overlapping terrain as she examines landscape, memorial, monument and our memory of what happened to us." ~ Guy Tillim, South African photographer, Henri Cartier-Bresson Award winner, 2017

"In this moment of seismic shifting – of ideas, of power, and of the ways we construct and interpret knowledge – Brandt’s book is an insightful guide to readers attempting to navigate ‘landscapes’ – both as physical environments, and more so, as social and psychic spaces." ~ Nomvuyo Horwitz, University of Johannesburg, South Africa

The practice and theory of science communication can take many forms. One of them, which this volume represents, explores what forms of knowledge might be constructed when creative writing encounters science.

Working outwards from a theoretical framework that sees the sciences as discourses constructed by human endeavour through forms of language and practices of authority, this collection offers writing that emerged from a scientific encounter. It explores the relationship between creativity and scientific experiment, between the languages deployed by scientists in their experiments and analyses and the languages forged by creatives in their ongoing efforts to understand the human condition.

Fic Sci 01 brought eleven creative writers together with a biomechanical engineer. The presented science invited creative enquiry into different aspects of flow, that physical property that is so central to research in fluid mechanics. This anthology collects the results of that encounter.

Bakens van geloof is ’n kragtige getuienis en praktiese voorbeeld van ’n daaglikse bonatuurlike wandel met God. Hierdie boek sal jou ’n voorskou gee van hoe groot en hoe werklik God se goedheid is teenoor sy kinders.

Ilse Roux deel haar passie vir die Woord en haar praktiese geloofspad met God op so ’n manier dat mens net weer oorweldig word met wie hierdie liefdevolle God werklik is. Sy het die waarde daarvan ontdek om in kinderlike geloof op God se Woord te vertrou en sien die vrug daarvan in haar en haar gesin se lewens.

Die deurlopende draad van gehoorsaamheid aan God se beginsels en sy stem, sal jou inspireer om ook jou verhouding met Hom te verdiep en sal jou leer dat jy Hom ten alle tye kan vertrou. Kort voor lank sal jy jou eie bakens van geloof hê wat spruit uit jou persoonlike geloofspad met Hom.

Take a few moments and reflect on some of the greatest highlights and some of the most precious moments in your life.

The writer is convinced that most of these recollections have something to do with people, people with whom you enjoy a warm, quality relationship. Why is he so convinced? Because life is relationships. God’s DNA is love. He is the God of grace and community. This is who He is and what He does. It is part and parcel of the very nature of God to constantly share Himself with His creation and with all of us.

In this wonderful book Johan Smith unearths deep biblical truths about the essence of relationships. He shows us that God is deeply relational, therefore, we need to follow in his footsteps and become passionate about his kind of relationships again. Johan guides us masterfully how to grow and nurture such relationships with God and others in this must-read book!