Min dinge kom by ’n geskenk wat met liefde met die hand gemaak is en boonop so mooi toegedraai dat jy dit amper nie wil oopmaak nie. Dié boek is ’n onontbeerlike gids as jy graag aan die gee-kant van so ’n geskenk is, of dit nou vir ’n verjaardag, Kersfees, mylpaaldag of ander spesiale geleentheid is.

Dit bevat:

• Meer as 100 idees vir handgemaakte geskenke
• Die mooiste toedraaiplanne
• Kaartjies wat by die pakkie pas
• Al die patrone wat jy nodig het
• Pragtige foto’s van die eindproduk

Al die projekte is bekostigbaar en word maklik en duidelik, stap vir stap uiteengesit. Of jy ’n bakker of handwerker is of eerder ’n slag met naald en gare het, hier is oorgenoeg idees om jou vir ’n lang tyd besig te hou en die perfekte geskenk vir al jou geliefdes te vind.

This coffee-table book on flower arranging contains easy step-by-step instructions on how to achieve beautiful flower arrangements for a variety of vases and containers. Birkenhead Blooms contains information on what equipment is required, what preparation is necessary, the use of colour, and how to make arrangements work in differently shaped vases, e.g. cubes and tubes, tall and slim, wide and flat. Also included are inspirational full-colour photographs of the steps and the gorgeous end results. Chapters are organised by shape of the vase, making it easy for readers to find a suitable arrangement to fit the vase/s they have at home. Some of the arrangements use as few as two or three blooms, thus keeping down costs while still adding a touch of elegance to a room. This title will appeal to people seeking inspiration to create modern and stylish flower combinations, as well as anyone looking for success with arranging flowers for their home with relatively little effort and expense, and without daunting instructions and mountains of supplies!

Met haar nuutste bundel, Disteltyd, neem die digter Marlise Joubert bestek op haar lewe; die verouderingsproses met gepaardgaande fisieke aftakeling en verlies, maar ook besinning oor familie, eie kinderjare en die onlangse inperking, beurtkrag en geweld.

Dit is gedigte met ’n sterk poëtiese en visuele inslag en word gekenmerk deur ’n introspektiewe, selfs nostalgiese, toonaard. Soos die distel as onkruid ’n saadpluim lewer wat lig, dartelend en lieflik is, is hierdie gedigte ook.

Disteltyd is ’n bundel wat weens die geskakeerdheid daarvan ’n belangrike bydrae lewer tot die steeds groeiende korpus van laatwerke; gedigte wat meestal ontroer weens die menslikheid en humor daarin verwoord, maar terselfdertyd ook die leser konfronteer met die maatskaplike onregte kenmerkend van ons tyd.

In die eerste opstel, “Oor huise”, beskryf hy hoe hy self 'n huis van klip in die Kouga gebou het. So 'n huis moet by die bewoners daarvan pas, beweer Versfeld, en dit hang af daarvan of jy met jouself tuis is. Hy skryf verder oor die vreugde van kook en goeie kos, oor die verwantskap tussen die skepping van poesie en die skepping van 'n eenvoudige meubelstuk, oor jag, visvang en ons belewing van die natuur. Die laaste opstel, “Oor patriotisme”, kry opnuut betekenis in 'n tyd waarin ons verhouding met ons geboorteland en ons medemens geproblematiseer word. Versfeld se styl is besonder toeganklik en die leser word dikwels verras deur 'n diepsinnige wending waardeur ons omgang met die alledaagse verryk word. So skryf hy byvoorbeeld oor klip: “Die engel uit die klip is die engel wat alreeds in die klip gesit het, en aan hom is die kliphouer onderdanig. Laat die engele dus jou huisie bou, maar hulle sal net met jou hande bou, en net met jou eie hande sal jy aan hulle raak.”

Hoekom is ek so, wat is fout met my? Ek kan nie regtig met iemand hieroor praat nie. Ek sien nie kans vir die verwerping, spot en veroordeling nie. Wanneer my ouers, vriende en familie dit uitvind, hoe gaan hulle reageer? Wat dink God van alles, waar pas Hy in? Hoekom straf Hy my so? Ek bly liewers stil en leef ’n lewe van leuens.

Hierdie is 'n moet-lees boek vir:

• Die wat anti-gay is (ouers, familie, vriende, kerkleiers) en nie besef watter bloedspoor gelos word deur die misbruik van die Skrifte, mites en ongevoelige uitsprake teenoor gay mense nie.
• Die gelowige gay mens wat met sy of haar seksualiteit sukkel en hopelik aangespoor sal word om hulleself te aanvaar.
• Die pro-gay mense (ouers, familie, vriende, kerkleiers) wat swaar dra in die proses om die gay mens te beskerm.

Hierdie rubrieke is liries, evokatief, diep menslik, met humor en ʼn plattelandse ambience. Petro skryf sedert 2012 vir Die Burger rubrieke en was voltyds vir vier jaar lank die Dinsdag-rubriekskrywer vir Beeld.

Verskeie van haar artikels is in Rapport Weekliks en Huisgenoot gepubliseer. Sy word in 2019 deur die Cordus-trust vereer met die Orde van die Beiteltjie van die Afrikaanse Woordkunsakademie vir “haar besondere bydrae tot Afrikaans met unieke onderwerpe waarmee sy die kuns vervolmaak het om sinvol te skryf oor die mens en alledaagse stories van die gewone lewe.”

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Gardening is every bit as creative as painting flowers in watercolour. And it is in bringing together various elements that a lot of the creativity lies.

This book gives you expert guidance to achieve this, with loads of examples from gardens all over the country. It shows you that a garden is in essence a combination of shapes, textures, colours and growth forms – the ultimate combination of combinations. Learn how to combine plants that are mutually supportive and create their own harmony or combine plants and elements for sameness, or for contrast. By bringing together selected plants and garden elements you create a more beautiful, more arresting and more powerful visual presentation than what could be done by using any of the combined elements individually. The creative scope and different permutations made possible by combinations cannot be quantified – what you can imagine, you can combine.

This book looks at combinations in four categories: colour, shape and form, texture, and the specific environment of the garden and its plants. More than 230 magnificent photographs will charm and inspire you and the information will show you how to use combinations skilfully and wisely. Maximise the appeal of your garden by making the most of its combinations.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present.

South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title ‘Imbokodo’ was been chosen as it is a Zulu word that means “rock” and is often used in the saying ‘Wathint’ Abafazi, Wathint’ Imbokodo!’, which means “You Strike a Women, You Strike a Rock!”

In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

• Nokutela Linderly Dube
• Cecilia Lilian Tshabalala
• Sibusisiwe Violet Makhanya
• Dora Nginza
• Louisa Mvemve
• The Makiwane Sisters: Daisy, Florence and Cecilia
• Nontsikelelo Qwelane
• Zanele Mbeki
• Professor Tebello Nyokong
• Dr Phumzile Mlambo-Ngcuka

Like many national curricula around the world, South Africa’s curriculum is rich in environment and sustainability content. Despite this, environmental teaching and learning can be challenging for educators. This comes at a time when Sustainable Development Goal 4 via Target 4.7 requires governments to integrate Education for Sustainable Development into national education systems.

Teaching and Learning for Change is an exploration of how teachers and teacher educators engage environment and sustainability content knowledge, methods, and assessment practices – an exposition of quality education processes in support of ecological and social justice and sustainability. The chapters evolve from a ten-year research programme led out of the DSI/NRF SARChI Chair in Global Change and Social Learning Systems working with national partners in the Fundisa for Change programme and the UNESCO Sustainability Starts with Teachers programme. They show the integration of education for sustainable development in teacher professional development and curricula in schools in South Africa. They reveal how university-based researchers, teachers and teacher educators have made theoretically and contextually reasoned choices about their lives and their teaching in response to calls for a more sustainable world in which education must play a role.

Teaching and Learning for Change will be of interest to education policymakers in government, advisors and educators in educational and environmental departments, NGOs and other institutions. It will also be of interest to teacher educators, teachers and researchers in education more generally, and environment and sustainability education specifically.

'n Verversingstasie is in 1652 in Tafelbaai aangele om skepe te bedien op die roete tussen Europa en Oos-Indie. Die diens is deur 'n netwerk van bemande buiteposte aan die Kaapse kus en op die nabygelee eilande moontlik gemaak. Die Buiteposte is die resultaat van 30 jaar van navorsing in Suid-Afrika en in Europa, waar die VOC sy ontstaan gehad het. Dr. Sleigh is een van slegs 'n klein aantal geskiedkundiges wat die sewentiende-eeuse skrif van die VOC-dokumente met gemak lees. Hy is lid van verskeie plaaslike en internasionale geskiedenisverenigings en bewaringsorganisasies en word landswyd erken as adviseur rakende sake wat op die VOC betrekking het.

It took a viral pandemic to reinvigorate the evidence that a low-carb, high-fat (LCHF) diet may be a ‘vaccine’ against ill health and premature death. The Eat Right Revolution exposes the real pandemic we should all worry about: it’s not another coronavirus, but a diet-related medical condition that threatens people’s life expectancy and well-being globally.

The Eat Right Revolution sets out a quick, safe, cheap and effective investment you can make for lifelong health in body and mind. It exposes the root causes of chronic, life-threatening comorbidities, such as obesity, type-2 diabetes, heart disease and more, and explains why LCHF and ketogenic diets can be safer, more effective solutions than drugs to beat these diseases.

With recipes, food lists and meal plans, as well as updated, personalised do’s and don’ts on the right LCHF approach for each individual, this book is an essential guide to living a longer, stronger, healthier life.

In preparation for its 2019-2022 Country Partnership Framework with South Africa, the World Bank Group has drafted a Systematic Country Diagnostic (SCD) which forms the basis of this book. Its aim is to strengthen understanding of the constraints in achieving two goals in South Africa: to eliminate poverty by 2030, and to boost shared prosperity. These goals are enshrined in South Africa’s Vision 2030 in the National Development Plan.

This book is the result of consultations and conversations with key government departments, the National Planning Commission, the private sector, academics and trade unions. It identifies five broad policy priorities: to build South Africa’s skills base; to reduce the highly skewed distribution of land and productive assets; to increase competitiveness and the country’s participation in global and regional value chains; to overcome apartheid spatial patterns; and to increase the country’s strategic adaptation to climate change. The key obstacle to growth that has been identified is ‘the legacy of exclusion’.

Undoing this is a long-term process, but renewed commitment by the political leadership to strengthen institutions and rebuild the social contract present an enormous opportunity in achieving progress towards South Africa’s Vision 2030.

Johannesburg: The elusive metropolis is a pioneering effort to insert South Africa's largest city into urban theory on its own terms. Johannesburg is Africa's premier metropolis. Yet theories of urbanization have tended to cast it as an emblem of irresolvable crisis, the spatial embodiment of unequal economic relations and segregationist policies, a city that responds to but does not contribute to modernity on the global scale. Complicating and contesting such characterizations, the contributors to this collection reassess classic theories of metropolitan modernity as they explore the experience of 'citiness' and urban life in post-apartheid South Africa. They portray Johannesburg as a polycentric and international city with a hybrid history that continually permeates the present. Turning its back on rigid rationalities of planning and racial separation, Johannesburg has become a place of intermingling and improvisation, a city that is fast developing its own brand of cosmopolitan culture. The volume's essays include and investigation of representation and self-stylisation in the city, and ethnographic examination of frictions zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and litereary relationship between Johannesburg and Maputo, Mozambique's capital. One contributor considers how Johannesburg's cosmopolitan sociability enabled the anti-colonial projects of Ghandi and Mandela. Journalists, artists, architects, writers and scholars bring contemporary Johannesburg to life in ten short pieces which include reflections on music and megamalls, nightlife, living as foreigners in the city, and built spaces.

Kojo Baffoe embodies what it is to be a contemporary African man. Of Ghanaian and German heritage, he was raised in Lesotho and moved to South Africa at the age of 27. Forever curious, Kojo has the enviable ability to simultaneously experience moments intimately and engage people (and their views) sincerely, while remaining detached enough to think through his experiences critically. He has earned a reputation as a thinker, someone who lives outside the box and free of the labels that society seeks to place on us.

Listen to Your Footsteps is an honest and, at times, raw collection of essays from a son, a father, a husband, a brother and a man deeply committed to doing the internal work. Kojo reflects on losing his mother as a toddler, being raised by his father, forming an identity, living as an immigrant, his tussles with substance abuse, as well as his experiences of fatherhood, marriage and making a career in a fickle industry. He gives an extended glimpse into the experiences that make boys become men, and the battles that make men discover what they are made of, all the while questioning what it means to be ‘a man’.

Jackie Phamotse digs deep into the climate of law and policy in the social media landscape.

After a David and Goliath social media legal battle that saw many take note tweeting about her, the result is a brace, thought-provoking and remarkably detailed social media guide and personal narrative. A first-hand approach on beating public humiliation and cyber victimization, Phamotse combines personal anecdotes, hard data and compelling research to cut through an unjust system governed by the rich and famous. The author directly addresses the question of power and obsession related to social media influencers.

Written with equal doses of humor, compassion and wisdom, I Tweet What I Like is an inspiring call to action, celebrating diversity and human potential. I Tweet What I Like will inspire you!

To celebrate Mothertongue’s 21st anniversary, Collaborative Conversations weaves together the reflections of a group of artists, scholars and writers who have journeyed with the organisation over the last two decades.

Since its inception in 2000 with What the Water Gave Me, The Mothertongue Project has used participatory, integrated arts methods to create theatrical works that strive for personal and collective dialogue and healing in South Africa. In poetry, scholarly writing and transcribed oral conversations, the contributors now think and feel their way through the aspirations and achievements – and the alchemy – of The Mothertongue Project’s work.

Accompanied by photographs of performances from across the 21 years, this book provides a sense of what a Mothertongue theatre piece does: it draws audience and performers into transformative, embodied conversations.

"101 Poems about Things We Should Be Loud About," is a powerful and thought-provoking work that explores a range of pressing issues that affect all people today.

In this collection, the author employs a unique and captivating poetic style to delve deeply into topics such as gender equality, racial justice, self-improvement, and environmentalism. What sets this collection apart is not only the words but also the detailed illustrations that accompany each poem. These illustrations, also created by the author herself, bring each poem to life and add an extra layer of meaning to the already powerful words.

Through her evocative and lyrical verse, she challenges readers to confront the injustices of the world and to raise their voices in protest. Her poems are a call to action, urging readers to take a stand against inequality and to fight for a more just and equitable world. What's particularly striking about the collection is the way in which she weaves together personal experiences and broader social issues. Her poems are rooted in her own unique perspective, but they also speak to the experiences of others who have faced similar struggles. This makes her work all the more powerful, as it connects readers to the broader social issues at play and encourages them to take action.

Klein dorpies is elkeen uniek met sy eie karakter en dinge.

Vanweë die klein gemeenskappe word mense in dieselfde smeltkroes gegooi; hetsy na gelang van kulturele afkoms of ras, verskillende godsdienste of oortuigings. Om te oorleef moes hulle die lewe se uitdagings so goed moontlik saam met mekaar aanpak, en so ontwikkel ’n algemene soort kultuur deur die jare heen; baie prakties, sonder onnodige nonsies en met baie humor.

Plattelandsemense aarsel nie om dinge te sê soos dit is nie; dikwels in plat taalgebruik wat vir ander miskien stuitig mag wees of selfs aanstoot sal gee. Die skrywer is ’n gebore en getoë “boytjie” van die platteland wat nie kan verhelp om met sy tong in die kies te skryf en te skets nie.

ʼn Groot knippie sout is gewis nodig. Lag of huil gerus lekker saam!

I Declare is Andrea Dondolo’s first published book. A journey through years of gracing stages, evoking the effervescent spirit of the praise singer, the forerunner of royals.

Some of the poems in this book foreran and set the tone for nation building events, setting the tone for magnanimous decisions. Like a weaver bird’s nest, this book holds and gives love unmeasured, a feast for word lovers, cultural guardian, creatives, subject matter think tanks.

This is an invitation to take your shoes off, free your wings and soar.

My Word! tells the stories of Thérèse Hulme and the young people that she’s worked with during the last seventeen years.

Thérèse has taught many learners in some of the most marginalized communities in the Western Cape how to write and how to find their voices. Her narrative approach will, in turn, inspire teachers to shape a writing culture in their classroom. To assist teachers, the book contains many questions meant to help teachers critically examine existing practices and beliefs.

The book also has practical exercises for learners, questions for teachers to ponder and discussions meant to bring new insights to the CAPS goals. It is especially the stories, poems, drama texts and spoken word pieces by the young writers that will capture readers’ imagination.

Begin ’n nuwe lewe van sukses.

Hierin kan jy leer watter stappe jy moet neem om ’n nuwe lewe van sukses te begin, leer hoe om jou mislukkings tot jou voordeel te gebruik en leer hoe om positiewe denke te hê.

Entrepreneur, researcher and architect Nathan Kabinga is documenting African cities with freehand sketches. He is creating a series of books called Sketch n Cities that is segmented into volumes. Each volume illustrates an African city.

This first volume illustrates Pretoria, one of the capital cities of South Africa. Nathan unveils Pretoria’s suburbs, townships, CBD, institutional buildings, incidental architecture, and quirks.

Sketch n Cities would appeal to architects and people who appreciate hand-sketched art and is also a wonderful product for those who love illustrated short stories about cities. In addition, a volume about a particular city makes an evocative souvenir for tourists visiting the documented city.

This anthology of stories and its companion anthology of poems A flower for the dashboard collect writing from a weekly creative writing course held in Grahamstown/Makhanda since 1998. The two anthologies bring together more than eighty writers from 21 years of the annual course publication Aerial.

The stories in The last time I lived anywhere real speak of childhood experiences, transitions of all kinds, and how our cracks and flaws make us more (or less) human. Each has its measure of love, joy, heartbreak and humour, whether dark and twisted, wry and light-hearted, or bittersweet.