Think Yourself Rich: A Step-by-Step Guide to Financial Independence is aimed at first-timeearners who want to put themselves on the right path to financial independence. It provides an easy-to-understand guide that explains in clear terms how to consciously choose and plan for a debt-free lifestyle and not only survive, but thrive, on the long-term journey towards financial freedom.

The book covers crucial issues about financial planning clearly and succinctly, including:

- Why it is important to get rid of all unnecessary debt as quickly as possible.

- When you should start saving or investing.

- How to plan for emergencies.

- How much and what kind of insurance you need.

- How much of your income you should save.

- How much of your income you should invest.

- Where, how and when you should invest.

Theoretical information about budgets, financial plans and investment (including all important terminology for various investment options) is interwoven with relevant reallife examples and scenarios that will inspire readers to set aside the time to design and write up a proper financial plan – and execute it. Each chapter builds on the previous one to help readers achieve their goals by sticking to their plans. This book will equip readers to take full control of their finances.

For two decades before a railway system linked southern Africa’s principal cities in the mid-1890’s, the world’s richest supplies of diamonds and gold were transported by coach and horses to distant ports for export. For Irish soldiers based at Fort Napier, Pietermaritzburg, the temptation of this fabulous wealth proved irresistible: they deserted by the score and, as members of the ciminal ‘Irish Brigade’, embarked on a spree of bank, safe and highway robberies.

Masked Raiders follows the wild exploits of legendary brigands like the McKeone brothers and ‘One Armed Jack’ McLoughlin, who ravaged the subcontinent, from the mining towns of Barberton, Kimberley and Johannesburg, to the borders of Basotholand, Bechuanaland, Mozambique and Rhodesia. With tales of heists, safe-cracking, illegal gold dealings, prison breaks and hidden roadside treasure, the book reveals the potency of the highveld’s ‘criminal heroes’.

Startling insights also reveal how the hidden grammar of brigandage informed political actions of the day, such as the Jameson Raid, and how the movement of bandits across the interior helped shape the borders of what was to become modern South Africa.

The 366 daily devotions in A Mustard Seed are dedicated to those believers who have to get up every morning and walk the talk, go through the daily grind and face their day-to-day challenges.

This devotional is for every believer who needs a mustard seed of faith to get through every day so they can walk in the fullness of what God has prepared for them in His kingdom.

Wanneer jy tyd in God se teenwoordigheid deurbring en oor sy kragtige Woord mediteer, bou dit karakter, innerlike krag en ’n godvresende selfvertroue om enige lewensuitdaging te trotseer.

In stilwees en vertroue is 366 oordenkings deur die bekende evangelis Angus Buchan. Elkeen van die daaglikse teksverse, inspirerende oordenkings en diepsinnige gebede sal jou toerus met die krag van die Heilige Gees om sterk te staan teen elke dag se uitdagings. Nou is die tyd om God te vertrou. Bring daarom tyd saam met Hom deur, want ons krag lê in stil wees en vertroue hê (Jes. 30:15).

What happens when we die? How are some people able to see or communicate with spiritual worlds beyond our own? Can they offer answers to some of our most burning questions about life and death?

Sarah Bullen, who has had a life-altering near-death experience herself, explores these mysteries as she gathers riveting stories of people from South Africa and beyond – people who have crossed to the ‘other side’ or those who can contact it. This book offers original interviews with a fascinating collection of teachers with special abilities, individuals who have gone through near-death experiences and those who can communicate across worlds using mediumship, gifts, trance and plants.

Meet and learn from a man who woke up on a stretcher on the way to the morgue, a spiritual teacher who survived two near-death experiences on an operating table, a psychic rabbi, an influencer who communicates with the departed, a former corporate executive-turned-sangoma who runs a traditional clinic, and shamans and neo-shamans from across the continent. With her keen observation skills and insights gleaned from her own experience, Bullen offers a fresh way of looking at the world.

Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind.

This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns.

A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included.

This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.

To journey through South Africa is to step into a world where beauty is woven into every horizon. This is a country whose landscapes defy description: from the golden savannahs of the Highveld and the emerald vineyards of the Cape to the untamed wilds of Kruger and the dramatic meeting of two oceans at the continent’s edge. South Africa’s uniqueness lies not only in its breathtaking scenery, but in the vibrant tapestry of cultures, languages, and traditions that infuse every encounter with meaning. Here, luxury is found in the stillness of dawn as elephants roam free, in the exquisite comfort of lodges designed to honour the land, and in the knowledge that each experience is anchored in a deep respect for nature and community. The country’s commitment to conservation and sustainability is a way of life – one that invites visitors to become stewards of its wild beauty. To explore South Africa is to be changed by it: to witness a place where grandeur and spirituality coexist, where adventure and serenity are never far apart, and where every moment is a celebration of life’s richness and possibility.
 
The warmth and resilience of South Africa’s people and their deep connection to the land creates encounters that resonate long after departure. Ubuntu, the unique philosophy that ‘we are because of others,’ shapes not only human relationships, but also the approach to conservation and sustainable tourism that defines the country’s finest establishments.
 
The lodges, hotels, and retreats featured in ‘South Africa’s Best’ represent more than luxury accommodation; they all embody a commitment to environmental stewardship and community empowerment by demonstrating how exceptional hospitality can coexist with conservation efforts. Here, solar-powered suites overlook pristine wilderness, organic gardens supply world-class kitchens, and tourism revenue directly supports local communities and wildlife protection initiatives. These properties are bastions of hope, demonstrating that luxury and purpose can flourish together, and that travel can be a force for good.
 
This edition has been enriched through our collaboration with Ardmore, South Africa’s celebrated design studio, whose distinctive ceramics, textiles, and homeware are inspired by the country’s flora, fauna, and folklore. Ardmore reflects a commitment to artistic excellence and social upliftment, embodying the philosophy of Ubuntu. Their work has transformed local talent into internationally recognised artistry while supporting conservation efforts.
 
Our partnership with Steadfast Africa further enhances this collection. As a boutique luxury travel company, Steadfast Africa curates bespoke journeys within South Africa that showcase the country’s most exceptional destinations. Their expertise ensures seamless access to the world-class lodges, exclusive reserves, and immersive cultural experiences featured in this edition. Steadfast Africa ensures that travellers are able to become active participants in preserving the country’s natural heritage and supporting the communities that call these landscapes home.
 
Whether tracking rhino on foot with expert guides, dining on farm-to-table cuisine under the stars, or participating in meaningful cultural exchanges, each featured destination invites guests to engage deeply and mindfully with both nature and heritage. What sets these luxury destinations apart is their shared ethos: a dedication to preserving the country’s wild beauty and uplifting its people, ensuring that South Africa’s wonders will endure for generations to come.
 
‘South Africa’s Best’ gives readers the opportunity to embark on a journey where every page is infused with purpose, gratitude, and the promise of lasting change. In compiling this edition, our hope is to unite travellers who share a love for this remarkable country and a desire to make a meaningful impact. This book is both a tribute and a call to action: to honour and protect the land, people, and wildlife that make South Africa truly extraordinary.

Persuasiveness. Influence. A certain ‘something’ that makes it impossible for people to say no. Call it what you will, some people have it. DJ Sbu certainly does - it’s the quality that has helped him evolve from an ambitious boy growing up on Tembisa’s rough streets to a DJ, an entrepreneur, an author, a philanthropist and a speaker who graces stages around the world. In this book Sbu shares the secrets to cultivating this irresistible quality. Using events that have shaped his own life, he reveals how a positive outlook, resilience, hard work and determination can help you win in every sphere.

This inspiring read also acts as a practical handbook, showing you how to apply The Art Of Hustling to become a winning salesperson. It is DJ Sbu’s firm belief that, if you know how to sell, you will never go hungry. He also believes that this simple skill holds the key to solving Africa’s considerable unemployment problem.

His passion for youth development comes through loud and clear in this easy-to-read, easy-to-use handbook. Full of practical examples, sound advice and no-nonsense insights, it’s a must-have for every person who wishes to further their lives and their careers, whether in the corporate world or starting out on an entrepreneurial journey.

DJ Sbu’s career is testimony to his strength, resilience and spirit of innovation; the very qualities needed to get ahead in today’s rapidly evolving business environment. In sharing his story, he hopes to ignite others’ success.

In addition to stamping and stencilling, various relief methods of printmaking, including lino, texture plate and collagraph, the author has included four different types of screen printing and sun and cyanotype print projects as well as how to use rust and plant materials for 'eco' type printing. Transfer methods and altered art prints offer a different take on conventional approaches to this easily accessible art form. But by far the most exciting, and largest section of the book is devoted to monotype prints and monoprinting with the focus on gel printing. Angie Franke uses her gelatine based printing pads (you'll get the recipe) and the commercial Gelli Plate - as well as a fascinating venture into clay bed printing - to explore monoprint methods in many different ways, drawing on other processes in the book to build fascinating results of richly combined layers of colour with stamp, stencil, mask and texture plate tools. Easy to follow instructions with stylish photographs will inspire anyone to give printmaking a go!

Dana Snyman sien dinge op sy eiesoortige, aweregse manier. In deel een is hy op pad saam met die TV-span van Op pad met Dana. Soos hulle die land deurkruis op soek na stories, beleef Dana nie net die lief en leed van die mense met wie hy gesels nie, maar ook sy eie innerlike reis. Hy kom huistoe met 'n optelhond -- en met 'n nuwe manier van kyk. In deel twee kyk hy rugby. In kroee, township-huisies, saam met oom Frik du Preez en Joost van der Westhuizen. Snaaks, skerp en onthutsend eerlik.

On a still, cool day in the east of a city by the sea, three sounds only: a bulldozer’s engine, a forgotten song, a canon that tells the time. Behind the bulldozer, a sign: Luxury Mall Coming Soon. As the vehicle moves in to the clear ground, it strikes at something unexpected…

What Remains is a fusion of text, dance and movement to tell a story about the unexpected uncovering of a slave burial ground in Cape Town, the archaeological dig that follows and a city haunted by the memory of slavery. When the bones emerge from the ground, everyone in the city – slave descendants, archaeologists, citizens, property developers – is forced to reckon with a history sometimes remembered, sometimes forgotten.

Loosely based on the events at Prestwich Place, What Remains is a path between memory and magic, the uncanny and the known, waking and dreaming. Four figures – The Archaeologist, The Healer, The Dancer and The Student – move between bones and books, archives and madness, paintings and protest, as they struggle to reconcile the past with the now.

Not only does it contain full place settings, flowers, centrepieces and everything else for tables for 25 different occasions, it also offers more than 50 mouth-watering recipes and shows you how to make table elements such as napkin rings, name tags, boxes for favours, place mats and other decorative accessories. Practical information on basic planning, from compiling a mood board and finding unusual under plates to selecting music and finding the perfect guest favour, is complemented by extended captions providing the know-how to replicate the settings. A separate section contains full recipes as well as instructions and templates for DIY ideas not detailed in captions. Hints and tips on presentation techniques, scheduling tasks to ensure that you can be relaxed and enjoy your guests and ways to add a personal touch abound.

'It is easier to tell you I used to be in a religious cult. My declaration is most likely to surprise you, even leave you confused. You might ask for more details. I’d tell you it was one of those evangelical churches, and you'd fill in the gaps for yourself because there are endless possibilities of what a cult-like evangelical church can look like in South Africa. Did I eat grass? Or maybe a snake? Was I sprayed with doom?'

Unlike more traditional denominational churches Pentecostal or evangelical churches are more of a movement and much less regulated. Journalist Pontsho Pilane's experience at a powerful evangelical church changed the trajectory of her life and began her journey of deconstruction. Her aim is to be a responsible believer contributing to a more just society.

In this memoir and analysis, Pontsho investigates the dangers of uninterrogated belief in Pentecostal churches and how these beliefs affect our everyday lives.

How can we reclaim the soul-deepening wildness that grounds us and energizes us when so much of the modern world seems designed to tame us?

In this thrilling memoir of a life spent exploring the most incredible places on Earth—from the Great African Seaforest to the crocodile lairs of the Okavango Delta—Craig Foster reveals how we can attend to the earthly beauty around us and deepen our love for all living things, whether we make our homes in the country, the city, or anywhere in between.

Foster explores his struggles to remain present to life when a disconnection from nature and the demands of his professional life begin to deaden his senses. And his own reliance on nature’s rejuvenating spiritual power is put to the test when catastrophe strikes close to home.

Foster’s lyrical, riveting Amphibious Soul draws on his decades of daily ocean dives, wisdom from Indigenous teachers, and leading-edge science.

Die boek bestaan uit agt hoofstukke wat elk begin met ‘n unieke, gepaste kunswerk, ‘n gedig wat jou op reis neem deur jou eie lewe asook inspirasieprikkels (prompts) wat die ma sal inspireer om haar eie storie te skryf.

Nie net ʼn mooi geskenk nie, maar ʼn kunswerk en ʼn erfstuk.

Die gedigte in Swatland speel grootliks in Malmesbury af en word aangebied in die taal wat deur die bruin gemeenskap hier gepraat word: Kaaps wat met die kenmerkende bry-klank van die streek weerklink.

Op vernuwende wyse word dié bry skriftelik uitgebeeld. ’n Rugbyderby, ’n krieketwedstryd, en ’n besoek aan die openbare swembad word vars verbeeld deur die skep van opvallende kontraste.

Maatskaplike kwessies word met galgehumor belig en diep persoonlike sake sonder sentimentaliteit aangeroer.

Now in its third year, the AVBOB Poetry Project has garnered several industry prizes.

I Wish I'd Said: Volume 2 includes 101 poems with English translations: 55 specially commissioned poems and 44 poems drawn from the 2018 competition. And, following the blueprint of the first volume, we pay homage to the Khoisan languages, by including two poems by the |Xam poet Dia!kwain. South African poets old and new were asked to submit poems on loss, grieving, love and consolation in their mother tongues.

This new collection – and the online poetry portal – forms a space where the voiceless may be heard, and where we find common ground. Loss is a universal language and poetry its voice.

Griefseed is a gift, an offering from the pen of Malika Ndlovu that seeks to transform the ways we think about and process grief.

Multidisciplinary in scope, the text includes poems, personal essays, images, and reflections on grief that punctuate the life story of the poet, offered here as medicine. These creative pieces function as both window onto an individual woman’s life as she has journeyed with, through and beyond grief; as well as a mirror, inviting the reader to see their own lives and losses reflected within Ndlovu’s.

This invitation to sit with grief, hold it, look it in the eye, and tend to it, is also an invocation to consider multigenerational relationships – how grief cements our relationships to the past, to ancestors, to descendants. To note where grief echoes along kinship lines, spreading itself throughout the branches of family trees. How centuries of grief from our grandmothers and grandfathers lodge themselves in our own bodies, crying out for release, relief and processing. If we dare to take up this visceral knowing, grief can transform us, becoming a generative site for renewal, rethinking, recasting.

Menige ouer, onderwyser en afrigter het al die wens uitgespreek dat minder tyd aan die soek van geskikte materiaal vir Eisteddfods bestee hoef te word. Eisteddfod-pret is gebore uit hierdie noodkreet van ouers, onderwysers en kinders wat jaarliks in desperaatheid die internet en biblioteke fynkam vir vars, nuwe materiaal, want dis nie sommer enigiets wat geskik is nie. Die inhoud van hierdie bundel is oorspronklike, ongepubliseerde werke van die Fynbosskrywers, werke wat die potensiaal het om A++ by ’n Eisteddfod te verwerf. Dit bestaan uit 108 gedigte, 24 monoloë en 20 samesprake wat geskik is vir gebruik in die laerskool. ‘n Inleiding deur Louise Lachenicht verseker ook dat die deelnemer se potensiaal ten volle ontwikkel word met riglyne vir afrigters, onderwysers en ouers.

This is fundamentally a text about race and antiblack racism and their subsequent production of the problem of alienation (separation) of human beings from one another, from their bodies, and from themselves, globally, but with distinct and conscious focus on the historical context of apartheid and “post”-apartheid South Africa through the psychological lens of one of the country’s first and distinguished clinical psychologists, Noel Chabani Manganyi.

The book is a philosophically critical engagement with his work, and it constitutes, as it were, part of the author’s overarching project of attempting to reclaim and retrieve hitherto overlooked, ignored and invisibilised Black thinkers of the past and present. Although Manganyi has written over 10 books, the most important and popular being Being-Black-in-the-World (1973) and Alienation and the Body in Racist Society (1977), his ideas and work have, for one reason or another, been disregarded by mainstream South African psychology, let alone philosophy. The author foregrounds philosophy as also a culprit because Manganyi himself describes his work as that of “a psychologist who thinks and conceptualises psychological reality in a phenomenological way”.

Manganyi has the distinction of being the first Black clinical psychologist trained in South Africa as the title of his latest book, Apartheid and the Making of a Black Psychologist (2016) indicates. His body of published work reveals that from the beginning he has been involved in an attempt to contextualise his discipline, psychology, to the lived realities of his country, that is, apartheid racism and the alienation it produced on Black people. In other words, his main concern has been to utilise psychological discourse to address issues relevant to what can broadly be called “the Black lived-experience” in an antiblack racist society and their experience of the condition of alienation. As such he stood as a solitary figure whose voice was pushed to the margins of the psychological establishment, which was either silent about or complicit in the oppression of Blacks by the apartheid regime.

By exploring Manganyi’s serious concerns about apartheid racism and its attendant devastating production of alienation among Black people, the author argues that the problem of alienation produced by continuing rampant antiblack racism (even from the hands of a Black government) constitutes itself as a lingering problem of “post”-apartheid South Africa.

The author demonstrates that apartheid and alienation are not only conceptually synonymous but experientially related because what connects antiblack racism (apartheid) and alienation is the fact of our embodied existence in the world and that Black alienation manifests itself through the body. After all, antiblack racism is predicated on bodily appearance and body differences among human beings. Manganyi himself places a high premium on the body precisely because, in his view, the Black subjects have inherited a negative sociological schema of their black bodies as a result of which most of them experience themselves as somethings or objects outside of themselves, that is.

The value of revisiting Manganyi’s contribution can be underlined by reference to imperatives posed in recent incidents of antiblack racism and contemporary approaches to race and embodiment in disciplines such as philosophy (Black existentialism), psychology, sociology, cultural studies and identity politics.

This book's focus spans a wide variety of disciplines, including psychology, philosophy, political philosophy, critical race studies and post-colonialism, and therefore will be of interest to a broad cross-section of undergraduate and graduate students, scholars and activists.

The world is emerging from the COVID-19 pandemic, more fragmented and further away from the more equal and equitable iteration imagined in 2015 when the Sustainable Development Goals (SDGs) were conceptualised. As we hurtle, at seemingly lightning speed, towards the 2030 deadline to achieve these goals, the urgency is palpable. Although we have certainly strayed further away from the targets, there is still time to act in order to ensure that we inch closer to this vision.

Tshilidzi Marwala paints a stark, and often grim, picture of our current context – one defined by monumental setbacks in the SDGs. Yet, as he carves out each developmental goal and its implications, it is apparent that there are tangible solutions that can be implemented, now. Tshilidzi’s assertion that now is the time to act is backed by intricate and actionable data with a simple mission statement: we must heal the future.

He offers a new narrative that addresses how we can translate the latent potential that exists through technology, innovation and new approaches to leadership and policy-making, to deal with, among others, poverty eradication, joblessness, an education system in crisis, declining economies and food insecurity.

Heal our World is a deep-dive into the Sustainable Development Goals, particularly relating to the African context, and looks toward securing a future in which our divisions are blurred, and our goals almost seem in reach again.

"101 Poems about Things We Should Be Loud About," is a powerful and thought-provoking work that explores a range of pressing issues that affect all people today.

In this collection, the author employs a unique and captivating poetic style to delve deeply into topics such as gender equality, racial justice, self-improvement, and environmentalism. What sets this collection apart is not only the words but also the detailed illustrations that accompany each poem. These illustrations, also created by the author herself, bring each poem to life and add an extra layer of meaning to the already powerful words.

Through her evocative and lyrical verse, she challenges readers to confront the injustices of the world and to raise their voices in protest. Her poems are a call to action, urging readers to take a stand against inequality and to fight for a more just and equitable world. What's particularly striking about the collection is the way in which she weaves together personal experiences and broader social issues. Her poems are rooted in her own unique perspective, but they also speak to the experiences of others who have faced similar struggles. This makes her work all the more powerful, as it connects readers to the broader social issues at play and encourages them to take action.

The first one thousand days of human life, or the period between conception and age two, is one of the most pivotal periods of human development. Optimizing nutrition during this time not only prevents childhood malnutrition but also determines future health and potential. The Politics of Potential examines early life interventions in the first one thousand days of life in South Africa, drawing on fieldwork from international conferences, government offices, health-care facilities, and the everyday lives of fifteen women and their families in Cape Town.

Michelle Pentecost explores various aspects of a politics of potential, a term that underlines the first one thousand days concept and its effects on clinical care and the lives of childbearing women in South Africa. Why was the First One Thousand Days project so readily adopted by South Africa and many other countries? Pentecost not only explores this question but also discusses the science of intergenerational transmissions of health, disease, and human capital and how this constitutes new forms of intergenerational responsibility.

The women who are the target of first one thousdand days interventions are cast as both vulnerable and responsible for the health of future generations, such that, despite its history, intergenerational responsibility in South Africa remains entrenched in powerfully gendered and racialized ways.