Write Your Memoir is an outstanding book, designed to set fire to your creativity and passions.

Engage in guided writing exercises and creative prompts that unlock the stories inside you. Whether you’re a seasoned writer or a beginner, you’ll find your voice and craft narratives that deeply resonate.

Each of us carries a lifetime of stories – some uplifting, some thought-provoking, all uniquely valuable. Write your memoir is designed to reveal the profound magic hidden within your personal journey.

The 366 daily devotions in A Mustard Seed are dedicated to those believers who have to get up every morning and walk the talk, go through the daily grind and face their day-to-day challenges.

This devotional is for every believer who needs a mustard seed of faith to get through every day so they can walk in the fullness of what God has prepared for them in His kingdom.

Wanneer jy tyd in God se teenwoordigheid deurbring en oor sy kragtige Woord mediteer, bou dit karakter, innerlike krag en ’n godvresende selfvertroue om enige lewensuitdaging te trotseer.

In stilwees en vertroue is 366 oordenkings deur die bekende evangelis Angus Buchan. Elkeen van die daaglikse teksverse, inspirerende oordenkings en diepsinnige gebede sal jou toerus met die krag van die Heilige Gees om sterk te staan teen elke dag se uitdagings. Nou is die tyd om God te vertrou. Bring daarom tyd saam met Hom deur, want ons krag lê in stil wees en vertroue hê (Jes. 30:15).

Esther Mahlangu: To Paint is in My Heart is a captivating exploration of the life and work of the iconic South African painter, one of the most influential artists of Pan-African Contemporary Art.

Esther Mahlangu is globally acclaimed for her bright and bold abstract paintings with vivid, geometric patterns that are rooted in South Africa’s Ndebele artistic tradition. She was a disruptor from an early age, becoming the first person to reimagine Ndebele visual artistic style—historically used for decorating houses—on painting media such as canvas, and has become a much-loved cultural ambassador of the Ndebele Nation.

Esther Mahlangu: To Paint is in My Heart celebrates Mahlangu’s remarkable journey as a pioneer of contemporary African art, whose vibrant and distinctive paintings have captured the hearts of many worldwide. Through a series of interviews with Mahlangu conducted by Hans Ulrich Obrist, Azu Nwagbogu, and Thomas Girst, readers will gain insight into her creative process, inspiration, and the cultural significance of her work. With stunning visuals and engaging narratives, this book offers an inspiring experience to the reader.

Chrisalis is die indrukwekkende debuut van ‘n digter wie se taal- en versvernuf die leser meevoer en meermale ook ontroer. In hierdie fyn afgewerkte gedigte word die grens tussen teks en werklikheid telkens getoets.

Dit is verse waarin realiteit self op sy kop gekeer word en waar die alledaagse vreemd gemaak word. Soos’n skoenlapper uit sy papie breek, so kom die digter self te voorskyn uit die chrisalis van sy vers.

Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind.

This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns.

A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included.

This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.

In addition to stamping and stencilling, various relief methods of printmaking, including lino, texture plate and collagraph, the author has included four different types of screen printing and sun and cyanotype print projects as well as how to use rust and plant materials for 'eco' type printing. Transfer methods and altered art prints offer a different take on conventional approaches to this easily accessible art form. But by far the most exciting, and largest section of the book is devoted to monotype prints and monoprinting with the focus on gel printing. Angie Franke uses her gelatine based printing pads (you'll get the recipe) and the commercial Gelli Plate - as well as a fascinating venture into clay bed printing - to explore monoprint methods in many different ways, drawing on other processes in the book to build fascinating results of richly combined layers of colour with stamp, stencil, mask and texture plate tools. Easy to follow instructions with stylish photographs will inspire anyone to give printmaking a go!

We live in a world that demands perfection. Big data, analytics, trend lines and averages bind us to a set of norms and values that assign a numeric worth to who we are and what we are capable of. Should we not meet established milestones or targets, not conform to the appropriate curve, or fail to live up to pre-established societal expectations, we invariably experience a sense of personal failure, worthlessness and fears and anxiety about a tenuous future. Added to this is the struggle with growing poverty and widening gaps in inequality, fractured family units, chronic stress and mental health challenges overlaid with the uncertainty and complexity of a rapidly changing world.

Yet, in truth it doesn't matter where we come from and what our historic circumstances and achievements might be. We are all capable of extraordinary lives and should not be bound by limitations, whether self-imposed or from external sources. What can unlock our fullest potential is resilience, a consummate skill that can be developed and grown throughout our lives. This reality is echoed by the likes of Albert Einstein, Oprah Winfrey, JK Rowling, Billy Jean King and Siya Kolisi, who all struggled in some way or another and overcame the restraints of their circumstances through resilience in various forms.

In addition, many resilience 'lessons' and how these are applicable to everyday life are taken from a fusion of cutting-edge science and learnings from some of the most recognizable figures in world sport, including Usain Bolt, Michael Phelps, Michael Jordan, Martina Navratilova and Novak Djokovic.

Thrive is a resilience manual, a practical, step-by-step guide to help you realise your fullest potential.

StorieKos is veel meer as net nog 'n kookboek. In StorieKos nooi Frik jou uit om saam met hom op reis te gaan vanaf die Karoo tot in Kaïro en van Rusland tot in Rome.

Dit is 'n kos-reisverhaal waarin hy sy passie vir “peasant food” of plattelandse kos deel – resepte en stories van mense en ervarings versamel oor 'n tydperk van bykans vier dekades. Hy deel die eenvoud en opregtheid van hierdie geregte wat die toets van tyd weerstaan het en deur die jare aangepas is in die kombuise van generasies van huiskokke.

Op sy reise dwarsoor die wêreld het mense hom ingenooi in hul huise en harte, die geheime van ou familieresepte met hom gedeel en het hy saam met hulle baie van hierdie disse leer kook in plattelandse kombuise en klein restaurante.

As jy dus hou van reis, mense en hul stories en boonop ook lief is vir kook, is hierdie 'n boek vir jou.

Jy wil asem skep en die mooi dinge raaksien. Maar soms raak die lewe dol en jy erg gestres. Bewustelikheid (mindfulness) en meditasie kan mens help om met nuwe oë na die wêreld te kyk.

Johannes de Villiers vertel die stories van gewone mense wat geleer het hoe om beter interpersoonlike verhoudings te hê, 'n positiewe bydrae tot die wêreld te maak, hul woede en stres beter te bestuur en die wonderskone in elke oomblik - ook die moeilikes - raak te sien. Dit kan ook jou storie wees.

Dana Snyman sien dinge op sy eiesoortige, aweregse manier. In deel een is hy op pad saam met die TV-span van Op pad met Dana. Soos hulle die land deurkruis op soek na stories, beleef Dana nie net die lief en leed van die mense met wie hy gesels nie, maar ook sy eie innerlike reis. Hy kom huistoe met 'n optelhond -- en met 'n nuwe manier van kyk. In deel twee kyk hy rugby. In kroee, township-huisies, saam met oom Frik du Preez en Joost van der Westhuizen. Snaaks, skerp en onthutsend eerlik.

Not only does it contain full place settings, flowers, centrepieces and everything else for tables for 25 different occasions, it also offers more than 50 mouth-watering recipes and shows you how to make table elements such as napkin rings, name tags, boxes for favours, place mats and other decorative accessories. Practical information on basic planning, from compiling a mood board and finding unusual under plates to selecting music and finding the perfect guest favour, is complemented by extended captions providing the know-how to replicate the settings. A separate section contains full recipes as well as instructions and templates for DIY ideas not detailed in captions. Hints and tips on presentation techniques, scheduling tasks to ensure that you can be relaxed and enjoy your guests and ways to add a personal touch abound.

Spirituality is a concept that is loosely used when people speak about systemised beliefs, which has led to the misconception that spirituality and religion are one thing.

This book simply aims at clarifying the difference between Religion, Universal Spirituality, African Indigenous Spirituality.

The book makes a clear distinction between the sectors and their functionalities in the societies in which they are practiced.

Alle Sondaars Welkom is ’n mengelmoes gedagtes oor God en sy mense wat oor die laaste paar jaar geskryf is.

Jaco Strydom motiveer lesers om te leer by groot geeste in die verlede en die vreemde wesens wat ronddwaal in die hede; community met ander soekers te ontdek; in verwondering te staan voor die misterie en nuut te kyk na Jesus.

Die boek sal jou uitdaag om saam te soek na die wilde waarheid, na geloof te midde van ongeloof, bygeloof, misterie en verwondering.

'It is easier to tell you I used to be in a religious cult. My declaration is most likely to surprise you, even leave you confused. You might ask for more details. I’d tell you it was one of those evangelical churches, and you'd fill in the gaps for yourself because there are endless possibilities of what a cult-like evangelical church can look like in South Africa. Did I eat grass? Or maybe a snake? Was I sprayed with doom?'

Unlike more traditional denominational churches Pentecostal or evangelical churches are more of a movement and much less regulated. Journalist Pontsho Pilane's experience at a powerful evangelical church changed the trajectory of her life and began her journey of deconstruction. Her aim is to be a responsible believer contributing to a more just society.

In this memoir and analysis, Pontsho investigates the dangers of uninterrogated belief in Pentecostal churches and how these beliefs affect our everyday lives.

This is fundamentally a text about race and antiblack racism and their subsequent production of the problem of alienation (separation) of human beings from one another, from their bodies, and from themselves, globally, but with distinct and conscious focus on the historical context of apartheid and “post”-apartheid South Africa through the psychological lens of one of the country’s first and distinguished clinical psychologists, Noel Chabani Manganyi.

The book is a philosophically critical engagement with his work, and it constitutes, as it were, part of the author’s overarching project of attempting to reclaim and retrieve hitherto overlooked, ignored and invisibilised Black thinkers of the past and present. Although Manganyi has written over 10 books, the most important and popular being Being-Black-in-the-World (1973) and Alienation and the Body in Racist Society (1977), his ideas and work have, for one reason or another, been disregarded by mainstream South African psychology, let alone philosophy. The author foregrounds philosophy as also a culprit because Manganyi himself describes his work as that of “a psychologist who thinks and conceptualises psychological reality in a phenomenological way”.

Manganyi has the distinction of being the first Black clinical psychologist trained in South Africa as the title of his latest book, Apartheid and the Making of a Black Psychologist (2016) indicates. His body of published work reveals that from the beginning he has been involved in an attempt to contextualise his discipline, psychology, to the lived realities of his country, that is, apartheid racism and the alienation it produced on Black people. In other words, his main concern has been to utilise psychological discourse to address issues relevant to what can broadly be called “the Black lived-experience” in an antiblack racist society and their experience of the condition of alienation. As such he stood as a solitary figure whose voice was pushed to the margins of the psychological establishment, which was either silent about or complicit in the oppression of Blacks by the apartheid regime.

By exploring Manganyi’s serious concerns about apartheid racism and its attendant devastating production of alienation among Black people, the author argues that the problem of alienation produced by continuing rampant antiblack racism (even from the hands of a Black government) constitutes itself as a lingering problem of “post”-apartheid South Africa.

The author demonstrates that apartheid and alienation are not only conceptually synonymous but experientially related because what connects antiblack racism (apartheid) and alienation is the fact of our embodied existence in the world and that Black alienation manifests itself through the body. After all, antiblack racism is predicated on bodily appearance and body differences among human beings. Manganyi himself places a high premium on the body precisely because, in his view, the Black subjects have inherited a negative sociological schema of their black bodies as a result of which most of them experience themselves as somethings or objects outside of themselves, that is.

The value of revisiting Manganyi’s contribution can be underlined by reference to imperatives posed in recent incidents of antiblack racism and contemporary approaches to race and embodiment in disciplines such as philosophy (Black existentialism), psychology, sociology, cultural studies and identity politics.

This book's focus spans a wide variety of disciplines, including psychology, philosophy, political philosophy, critical race studies and post-colonialism, and therefore will be of interest to a broad cross-section of undergraduate and graduate students, scholars and activists.

Life is like that sometimes draws readers into the unforgettable personal experiences that have shaped Khaya Dlanga’s world. Weaving heartfelt and often hilarious tales, from his rural Eastern Cape childhood to the profound losses he has faced as an adult, Khaya reflects on life’s unpredictability with warmth and wit.

The vivid stories explore love, loss, loyalty, forgiveness, tradition, chance, mischief, justice, responsibility and resilience, offering insights on relationships, identity and the lessons found in life’s toughest moments.

Both deeply moving and laugh-out-loud funny, Life is like that sometimes is an exploration of personal growth, faith and the power of storytelling to find meaning in it all.

What happens when we die? How are some people able to see or communicate with spiritual worlds beyond our own? Can they offer answers to some of our most burning questions about life and death?

Sarah Bullen, who has had a life-altering near-death experience herself, explores these mysteries as she gathers riveting stories of people from South Africa and beyond – people who have crossed to the ‘other side’ or those who can contact it. This book offers original interviews with a fascinating collection of teachers with special abilities, individuals who have gone through near-death experiences and those who can communicate across worlds using mediumship, gifts, trance and plants.

Meet and learn from a man who woke up on a stretcher on the way to the morgue, a spiritual teacher who survived two near-death experiences on an operating table, a psychic rabbi, an influencer who communicates with the departed, a former corporate executive-turned-sangoma who runs a traditional clinic, and shamans and neo-shamans from across the continent. With her keen observation skills and insights gleaned from her own experience, Bullen offers a fresh way of looking at the world.

This book explores representations of fathers in select South African novels published from the birth of apartheid to the post-transitional moment.

Father figures in the texts reflect political and social climates in South Africa – at different times representing the oppressive apartheid government, righteous and authoritative liberation leaders and the unfulfilled promise of a democratic South Africa. Grant Andrews examines how father characters are linked to storytelling; they narrate the lives of their children and their patriarchal power is constituted through narratives. He features authors such as Alan Paton, Nadine Gordimer, J.M. Coetzee, Zakes Mda, K. Sello Duiker, Mark Behr, Zoë Wicomb, Lisa Fugard and Zukiswa Wanner.

Stories of Fathers, Stories of the Nation also investigates how fatherhoods are being reimagined in light of shifting discourses of gender and identity. More recent novels have deconstructed the father figure and his paternal narrative power, representing conflicts around racial identity, sexuality, legacy and how the sins of the father are visited on his children.

Die gedigte in Swatland speel grootliks in Malmesbury af en word aangebied in die taal wat deur die bruin gemeenskap hier gepraat word: Kaaps wat met die kenmerkende bry-klank van die streek weerklink.

Op vernuwende wyse word dié bry skriftelik uitgebeeld. ’n Rugbyderby, ’n krieketwedstryd, en ’n besoek aan die openbare swembad word vars verbeeld deur die skep van opvallende kontraste.

Maatskaplike kwessies word met galgehumor belig en diep persoonlike sake sonder sentimentaliteit aangeroer.

Menige ouer, onderwyser en afrigter het al die wens uitgespreek dat minder tyd aan die soek van geskikte materiaal vir Eisteddfods bestee hoef te word. Eisteddfod-pret is gebore uit hierdie noodkreet van ouers, onderwysers en kinders wat jaarliks in desperaatheid die internet en biblioteke fynkam vir vars, nuwe materiaal, want dis nie sommer enigiets wat geskik is nie. Die inhoud van hierdie bundel is oorspronklike, ongepubliseerde werke van die Fynbosskrywers, werke wat die potensiaal het om A++ by ’n Eisteddfod te verwerf. Dit bestaan uit 108 gedigte, 24 monoloë en 20 samesprake wat geskik is vir gebruik in die laerskool. ‘n Inleiding deur Louise Lachenicht verseker ook dat die deelnemer se potensiaal ten volle ontwikkel word met riglyne vir afrigters, onderwysers en ouers.

The Real Meal Revolution was all about taking on the global obesity epidemic with a revolutionary approach to eating; it challenged ingrained beliefs, it sold (and still sells) in record-breaking numbers throughout South Africa, and it changed people’s lives.

With Raising Superheroes, the authors have now set out to revolutionise the way we feed our children. It’s time, they believe, to challenge the kids’ food industry and our old assumptions; it’s time to give our children the best nutrition possible, and the best start in life.

Raising Superheroes is not a Banting cookbook, and it doesn’t offer no-carb eating for kids. But – in advocating low-sugar, low-refined-carb, “real” food eating – it is the Real Meal Revolution’s next step towards changing the world.

‘I straighten her little tiara every morning – I lift her chin and remind her that she is meant for greater things than playground bullies.’

‘Everything shines in its own time. There is no timetable for life.
Timetables are for classrooms, not for people.’

These are just some of the wisdoms shared on The Village, South Africa’s beloved Facebook group for parents raising tweens, teens and young adults.

Having kids is a baffling endeavour beset with sulks, meltdowns, anxiety and disappointment – and that’s just the parents! When you get that call to the principal’s office? When the school acceptances don’t come? When the bedroom door slams and you hear your child sobbing behind it? All awful but the family years are also, to many of us, our most precious time. The trick? To find a way to enjoy our families, love our children and believe in them and ourselves despite the daily challenges. And laugh . . .

In this book, Vanessa Raphaely and Karin Schimke have gathered together experiences and insights from The Village members. These are the gems and remedies from the real parenting experts – the parents – to help you raise your family in your own perfectly imperfect way.

Lucid and lyrical, Lucienne Bestall’s debut collection extends reflections on the seductions and limitations of language. With words and pictures borrowed from literature, contemporary art, art history, and mass media, Except for Breath asks after those experiences that elude simple description and turn instead to image and metaphor.

The collected essays appear an unlikely gathering – taking as their respective subjects death, disappointment, divine love, an unfamiliar city, the news, and headaches. Yet while each is discrete, together they share subtle aff inities, their narratives shaped by memory’s imprecisions and dreams retold, by magical thinking and wishful thinking, and coincidence mistaken as sign.

Pairing art writing and life writing, Bestall’s limpid prose is delicately revealing of her subjective encounter with a shared repertoire of familiar texts and images.