‘How can there be only one dedicated hospital in the country for our children?’

When Madiba asked this question, he sowed the seeds of a challenge that would grow into a legacy.

A seed may be small but its size is disproportionate to what it can become over time. The Nelson Mandela Children’s Hospital was a project that seemed impossible when it was just an idea that started with ten people seated around a dinner table. As they discussed the state of healthcare in the country and shared their experiences, they realised that it was the children of Southern Africa who were the most disadvantaged by the lack of dedicated paediatric facilities. At the end of the evening a statement by the late Dr Nthato Motlana took hold and became the catalyst for a remarkable journey: ‘I will speak to Nelson,’ he said.

With South Africa’s first democratically elected president Nelson Mandela’s backing, the board of the Children’s Fund was inspired to take up the challenge to address this vital need. After years of global research and advice from experts in numerous different fields a Trust was formed to oversee the project and, critically, to set about raising the one billion rand it would take to build, equip and staff a state-of-the-art children’s hospital.

The stories behind the planning for, fundraising and building of the Nelson Mandela Children’s Hospital are inspiring, personal, and sometimes heart-breaking. It was a long and arduous journey, beset with difficulties, but the dedicated team’s commitment and courage prevailed to create a living legacy that will truly impact the lives of children for generations to come.

Today, the Nelson Mandela Children’s Hospital in Johannesburg is a proud testimony to a uniquely African story which honours the memory of a great statesman and celebrates the children for whom he cared so deeply.

Here is the Cape Town underworld laid bare, explored through the characters who control the protection industry, the bouncers and security at nightclubs and strip clubs.

At the centre of this turf war is Nafiz Modack, the latest kingpin to have seized control of the industry, a man often in court on various charges, including extortion. Investigative journalist Caryn Dolley has followed Modack and his predecessors for six years as power has shifted in the nightclub security industry, and she focuses on how closely connected the criminal underworld is with the police services. In this suspenseful page turner of an investigation, she writes about the overlapping of the state with the underworld, the underworld with the upperworld, and how the associated violence is not confined to specific areas of Cape Town, but is happening inside hospitals, airports, clubs and restaurants and putting residents at risk.

A book that lays bare the myth that violence and gangsterism in Cape Town is confined to the ganglands of the Cape Flats, wherever you find yourself, you’re only a hair’s breadth away from the enforcers.

The Real Interior not only allows the reader a behind-the-scenes peek into the glitz and glamour of design and décor, but into a career once never considered an option for a young girl, born in Soweto.

As one of the first black and very recognisable faces of Interior Design in Africa, Nthabi Taukobong was thrust into the limelight from the very start of her profession. Spanning a career of more than 23 years she has worked on esteemed residential and leisure projects for presidents, African royalty, captains of industry and five-star hotels, to name but a few. Through the rough and often very challenging terrain of her chosen career, sprinkled generously with the high-end glamour of prestigious interiors that Nthabi has been privileged to work on, she learned that she, in fact, had to be seated right within her own interior before she could offer anything further to those in search of her creative gift.

And as she searched and explored the greater world of design, trying to grasp what it really took to be an esteemed designer, the journey unexpectedly brought her right back into her own home. Not only Nthabi’s physical home, but also to her inner-home, the place that she refers to as her ‘real interior’. It was in writing a letter one evening, congratulating herself on reaching the milestone of 21 years in her career, that Nthabi discovered she was not only writing to herself, but to every creative.

Her letter ended up being an entire book and Nthabi finally understood how her unique story could inspire and encourage others.

As a follow up to the bestselling Killing Kebble: An Underworld Exposed (2010), Ministry of Crime: An Underworld Explored examines how organised crime, gangsters and powerful political figures have been able to capture the law enforcement authorities and agencies.

These various organisations have been eviscerated, hollowed out and left ineffective. They have been infiltrated and compromised and, as a result, prominent underworld figures have been able to flourish in South Africa, setting up elaborate networks of crime with the assistance of many cops.

The criminal justice system has been left exposed and it is crucial that the South African public knows about the capture that has occurred on different levels.

Bonang Mohale is a highly respected South African businessman, who is known as much for his patriotism and his active role in seeking to advance his country’s interests as for the leading role he has played in companies like Otis Elevators, Shell South Africa and South African Airways, among others. Developed over 30 years of business experience, his insights have motivated change in organisations and individuals alike.

As CEO of Business Leadership South Africa, he frequently shares his insights through speeches and articles on the role of business in South Africa and the core tenets of leadership. Lift As You Rise is a compilation of some of his spoken and written words in which Mohale reveals the issues he is passionate about – among them transformation, people development, constructive collaboration and integrity – and how they came to define his career and his life. He looks into the ideas behind his words and offers fresh thoughts on the subjects they cover.

This well-balanced compilation is enhanced by contributions from others he has mentored or met on his journey which underscore who Mohale the man is – a fearless and energetic leader whose compassion, humanity and eternal optimism promote hope and encourage action.

There is value in this book for leaders in all walks of life, but it is Mohale’s hope that young people specifically, those rising through the ranks, will find his insights and experience inspiring – for they are the country’s future leaders.

From historic gabled manor houses to contemporary wineries, quirky family-run farms to iconic estates, country picnics to world-class fine dining restaurants, this 3rd edition of Wineries Of The Cape profiles 58 of the very best visitor experiences in the winelands.

All are within easy reach of Cape Town, and a top-notch wine selection is at the core of each of the wineries chosen for inclusion in the book.

When we learn from each other, that’s when we learn more about ourselves.

With a radio career spanning more than three decades, Thabo “T-Bose” Mokwele brings topics to the airwaves that challenge and invoke human introspection and dialogue with his audience. And through this he has learned a lot about life and its nuances. Pause is a collection of Thabo’s observations, reflections and learnings about what life is about. Simply put, this is the book he wishes he had read before starting his adult life journey.

Pause is a compilation of Thabo’s pearls of wisdom and lessons about life, God, money, relationships, parenting and, most importantly, self-mastery. His knowledge has been acquired by reading other philosophers’ views on life and love, from interviewing entrepreneurs and entertainers about self-sufficiency, and preachers and teachers about self-mastery. This, you may say, is his ‘bible’; to drive his life, and a lens through which he views his existence.

Thabo shares what he knows, what he practises and what still challenges him. It’s a book that everyone, from teens to adults, should read for a glimpse, and as a guide, to living a life that is meaningful.

We learn from our mistakes, but some mistakes are costly and should never be repeated. And if reading a short chapter on a particular topic can help mould a young person’s life, or assist an adult to self-correct, then Pause is a must-read.

Verkies jy blokraaie waar die leidrade binne of buite die raaisel staan, koderaaisels of sudoku?

Die Groot Afrikaanse Blokraaiboek bevat dit alles! Hierdie versameling bevat meer as 200 van die beste blokraaisels en ander speletjies wat in Media24 se gewilde tydskrifte soos Sarie, Weg, Tuis en Landbou-weekblad verskyn het.

Dit beloof om jou ure lank te vermaak en uit te daag. Dit is boonop die perfekte geskenk vir enige blokraaiverslaafde.

The inspiring story of a world-champion sportsman and cancer warrior.

Few athletes hold a record comparable to that of Oscar Chalupsky. He made history at the age of fifteen as the first person to win both the Junior and Senior Ironman titles on the same day at the South African National Lifesaving Championships, he was the country’s spokesman at the 1992 Barcelona Olympics, and he is a multiple-times global surfski champion, having won the internationally famous Molokai to Oahu World Surfski Marathon championships in Hawaii a record twelve times – his most recent victory being at the age of forty-nine.

Then, in 2019, he was diagnosed with multiple myeloma, an incurable bone marrow cancer and told he had six months to live. But as with everything else Oscar does, he is determined to emerge victorious. He continues to paddle kayaks, play golf, and with a combination of medical treatment, exercise, iron determination and unconquerable optimism, he has defied every doctor’s prediction to date. How does he do it?

In this book, Oscar relives some of his most exhilarating and nail-biting races, and shares the lessons he has learnt from winning on the international surf lifesaving, kayak and surfski circuits as well as running several successful businesses. The final chapters recount his courageous battle against cancer, the vital support of his family and friends, and his refusal to let the deadly disease dictate his life.

No Retreat, No Surrender is an uplifting account of grit, perseverance, talent and attitude, vividly capturing the determined mindset of an inspirational sporting legend.

Jana Marx, bekende joernalis soos gesien in Devildorp bestudeer die fenomeen van kultusse.

Sy beantwoord vrae soos:

• watter antieke kultusse daar was
• wat die verskil tussen 'n kerk, 'n sekte, die okkulte en 'n kultus is
• watter tipe mens word in 'n kultus ingetrek
• watter kenmerke word in 'n kultusleier gevind?

Kultusse word in verskillende onderafdelings ingedeel: moord- en gedagtebeheerkultusse, korporatiewe kultusse, sekskultusse en politieke kultusse. Jana bekyk bekende plaaslike en internasionele kultusse binne elkeen van hierdie afdelings. Sy verwys ook na die BITE-model van Dr Steve Hassen sodat gewone mense kan uitwerk of geliefdes in 'n kultus vasgekeer is. Daar is 'n hoofstuk met riglyne oor wat om te doen as jou geliefde in 'n kultus is.

Jy kan alles oor kultusse wat jy nog altyd wou geweet het in hierdie boek vind.

This book explores learning outcomes for low-income rural and township youth at five South African universities. The book is framed as a contribution to southern and Africa-centred scholarship, adapting Amartya Sen’s capability approach and a framework of key concepts: capabilities, functionings, context, conversion factors, poverty and agency to investigate opportunities and obstacles to achieved student outcomes. This approach allows a reimagining of ‘inclusive learning outcomes’ to encompass the multi-dimensional value of a university education and a plurality of valued cognitive and non-cognitive outcomes for students from low-income backgrounds whose experiences are strongly shaped by hardship.

Based on capability theorising and student voices, the book proposes for policy and practice a set of contextual higher education capability domains and corresponding functionings orientated to more justice and more equality for each person to have the opportunities to be and to do what they have reason to value. The book concludes that sufficient material resources are necessary to get into university and flourish while there; the benefits of a university education should be rich and multi-dimensional so that they can result in functionings in all areas of life as well as work and future study; the inequalities and exclusion of the labour market and pathways to further study must be addressed by wider economic and social policies for ‘inclusive learning outcomes’ to be meaningful; and that universities ought to be doing more to enable black working-class students to participate and succeed.

Low-Income Students, Human Development and Higher Education in South Africa makes an original contribution to capabilitarian scholarship: conceptually in theorising a South-based multi-dimensional student well-being higher education matrix and a rich reconceptualisation of learning outcomes, as well as empirically by conducting rigorous, longitudinal in-depth mixed-methods research on students’ lives and experiences in higher education in South Africa. The audience for the book includes higher education researchers, international capabilitarian scholars, practitioners and policy-makers.

Hoe wonderlik dat God ons vertrou om Sy ligdraers te wees. Nog beter nuus, Hy maak ons gewillig en bekwaam om Sy ligdraers te wees.

As ons aan onsself die vraag sou vra: Hoe vervul ons die verwagting van God, om sy werk hier op aarde te doen? Alles gaan nie noodwendig oor ons woorde nie, maar die grootste kommunikasie is wat mense by ons sien, ons optrede elke dag.

In die boek probeer ek ’n paar punte uitlig waarop ons kan fokus om die verwagting wat God oor ons het, na te kom. Die groot beloning vir ons staan in Fillipense 2 v. 16 waar die Woord sê dat God trots gaan wees op ons omdat ons Sy ligdraers was.

Ons geloof is ’n offer in Sy diens.

To celebrate Mothertongue’s 21st anniversary, Collaborative Conversations weaves together the reflections of a group of artists, scholars and writers who have journeyed with the organisation over the last two decades.

Since its inception in 2000 with What the Water Gave Me, The Mothertongue Project has used participatory, integrated arts methods to create theatrical works that strive for personal and collective dialogue and healing in South Africa. In poetry, scholarly writing and transcribed oral conversations, the contributors now think and feel their way through the aspirations and achievements – and the alchemy – of The Mothertongue Project’s work.

Accompanied by photographs of performances from across the 21 years, this book provides a sense of what a Mothertongue theatre piece does: it draws audience and performers into transformative, embodied conversations.

The 366 daily devotions in A Mustard Seed are dedicated to those believers who have to get up every morning and walk the talk, go through the daily grind and face their day-to-day challenges.

This devotional is for every believer who needs a mustard seed of faith to get through every day so they can walk in the fullness of what God has prepared for them in His kingdom.

Wanneer jy tyd in God se teenwoordigheid deurbring en oor sy kragtige Woord mediteer, bou dit karakter, innerlike krag en ’n godvresende selfvertroue om enige lewensuitdaging te trotseer.

In stilwees en vertroue is 366 oordenkings deur die bekende evangelis Angus Buchan. Elkeen van die daaglikse teksverse, inspirerende oordenkings en diepsinnige gebede sal jou toerus met die krag van die Heilige Gees om sterk te staan teen elke dag se uitdagings. Nou is die tyd om God te vertrou. Bring daarom tyd saam met Hom deur, want ons krag lê in stil wees en vertroue hê (Jes. 30:15).

Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind.

This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns.

A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included.

This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.

In addition to stamping and stencilling, various relief methods of printmaking, including lino, texture plate and collagraph, the author has included four different types of screen printing and sun and cyanotype print projects as well as how to use rust and plant materials for 'eco' type printing. Transfer methods and altered art prints offer a different take on conventional approaches to this easily accessible art form. But by far the most exciting, and largest section of the book is devoted to monotype prints and monoprinting with the focus on gel printing. Angie Franke uses her gelatine based printing pads (you'll get the recipe) and the commercial Gelli Plate - as well as a fascinating venture into clay bed printing - to explore monoprint methods in many different ways, drawing on other processes in the book to build fascinating results of richly combined layers of colour with stamp, stencil, mask and texture plate tools. Easy to follow instructions with stylish photographs will inspire anyone to give printmaking a go!

Dana Snyman sien dinge op sy eiesoortige, aweregse manier. In deel een is hy op pad saam met die TV-span van Op pad met Dana. Soos hulle die land deurkruis op soek na stories, beleef Dana nie net die lief en leed van die mense met wie hy gesels nie, maar ook sy eie innerlike reis. Hy kom huistoe met 'n optelhond -- en met 'n nuwe manier van kyk. In deel twee kyk hy rugby. In kroee, township-huisies, saam met oom Frik du Preez en Joost van der Westhuizen. Snaaks, skerp en onthutsend eerlik.

'It is easier to tell you I used to be in a religious cult. My declaration is most likely to surprise you, even leave you confused. You might ask for more details. I’d tell you it was one of those evangelical churches, and you'd fill in the gaps for yourself because there are endless possibilities of what a cult-like evangelical church can look like in South Africa. Did I eat grass? Or maybe a snake? Was I sprayed with doom?'

Unlike more traditional denominational churches Pentecostal or evangelical churches are more of a movement and much less regulated. Journalist Pontsho Pilane's experience at a powerful evangelical church changed the trajectory of her life and began her journey of deconstruction. Her aim is to be a responsible believer contributing to a more just society.

In this memoir and analysis, Pontsho investigates the dangers of uninterrogated belief in Pentecostal churches and how these beliefs affect our everyday lives.

Not only does it contain full place settings, flowers, centrepieces and everything else for tables for 25 different occasions, it also offers more than 50 mouth-watering recipes and shows you how to make table elements such as napkin rings, name tags, boxes for favours, place mats and other decorative accessories. Practical information on basic planning, from compiling a mood board and finding unusual under plates to selecting music and finding the perfect guest favour, is complemented by extended captions providing the know-how to replicate the settings. A separate section contains full recipes as well as instructions and templates for DIY ideas not detailed in captions. Hints and tips on presentation techniques, scheduling tasks to ensure that you can be relaxed and enjoy your guests and ways to add a personal touch abound.

Alle Sondaars Welkom is ’n mengelmoes gedagtes oor God en sy mense wat oor die laaste paar jaar geskryf is.

Jaco Strydom motiveer lesers om te leer by groot geeste in die verlede en die vreemde wesens wat ronddwaal in die hede; community met ander soekers te ontdek; in verwondering te staan voor die misterie en nuut te kyk na Jesus.

Die boek sal jou uitdaag om saam te soek na die wilde waarheid, na geloof te midde van ongeloof, bygeloof, misterie en verwondering.

Now in its third year, the AVBOB Poetry Project has garnered several industry prizes.

I Wish I'd Said: Volume 2 includes 101 poems with English translations: 55 specially commissioned poems and 44 poems drawn from the 2018 competition. And, following the blueprint of the first volume, we pay homage to the Khoisan languages, by including two poems by the |Xam poet Dia!kwain. South African poets old and new were asked to submit poems on loss, grieving, love and consolation in their mother tongues.

This new collection – and the online poetry portal – forms a space where the voiceless may be heard, and where we find common ground. Loss is a universal language and poetry its voice.

Die gedigte in Swatland speel grootliks in Malmesbury af en word aangebied in die taal wat deur die bruin gemeenskap hier gepraat word: Kaaps wat met die kenmerkende bry-klank van die streek weerklink.

Op vernuwende wyse word dié bry skriftelik uitgebeeld. ’n Rugbyderby, ’n krieketwedstryd, en ’n besoek aan die openbare swembad word vars verbeeld deur die skep van opvallende kontraste.

Maatskaplike kwessies word met galgehumor belig en diep persoonlike sake sonder sentimentaliteit aangeroer.