When we learn from each other, that’s when we learn more about ourselves.

With a radio career spanning more than three decades, Thabo “T-Bose” Mokwele brings topics to the airwaves that challenge and invoke human introspection and dialogue with his audience. And through this he has learned a lot about life and its nuances. Pause is a collection of Thabo’s observations, reflections and learnings about what life is about. Simply put, this is the book he wishes he had read before starting his adult life journey.

Pause is a compilation of Thabo’s pearls of wisdom and lessons about life, God, money, relationships, parenting and, most importantly, self-mastery. His knowledge has been acquired by reading other philosophers’ views on life and love, from interviewing entrepreneurs and entertainers about self-sufficiency, and preachers and teachers about self-mastery. This, you may say, is his ‘bible’; to drive his life, and a lens through which he views his existence.

Thabo shares what he knows, what he practises and what still challenges him. It’s a book that everyone, from teens to adults, should read for a glimpse, and as a guide, to living a life that is meaningful.

We learn from our mistakes, but some mistakes are costly and should never be repeated. And if reading a short chapter on a particular topic can help mould a young person’s life, or assist an adult to self-correct, then Pause is a must-read.

Speel jy al 'n ruk lank met mosaiekwerk, maar voel jy moet dit nou op 'n hoer vlak beoefen? Of is jy 'n beginner wat soek na 'n uitdaging? Dan is hierdie boek net wat jy nodig het. Dit bied mosaiekwerk aan as 'n kunsvorm waar lyn, kleur en tekstuur almal saamwerk om pragtige resultate te lewer. Die treffende foto's op elke bladsy is inspirerend en leersaam. Die skrywer, wat oorspronklik 'n tekstiel ontwerper was, besef hoe belangrik die keuse van 'n ontwerp is wanneer jy 'n mosaiekprojek wil onderneem. Hierdie boek sal jou leer hoe om die regte ontwerp te kies en dit as 'n ontwerptekening weer te gee. Die tegniese inligting wat verskaf word, sal jou lei deur die proses om 'n ontwerp te kies, jou leer van die verskillende teels wat beskikbaar is, oppervlakke waarop jy kan werk en watter vir bepaalde toestande gebruik moet word, die materiaal en gereedskap wat nodig is, sowel as die verskillende mosaiektegnieke wat vir die voltooiing van jou projek gebruik kan word. Daar is selfs voorstelle vir alternatiewe as benodigdhede in jou omgewing moeilik bekombaar is. Die stap-vir-stap-projekte is pragtig en kan presies gevolg word, maar die skrywer moedig mosaiekwerkers aan om die projekte hul eie te maak deur met kleur en tekstuur te speel. Die projekte sluit groot en klein items in wat jy in jou huis of as geskenke kan gebruik, en gee alternatiewe voorstelle en idees ingeval jy 'n ander voorkoms of gevoel sou verkies. Mosaiekkuns behels soveel meer as die blote plasing van teels langs mekaar, en met Doen Mosaiek in die hand sal jy ontdek hoe geweldig bevredigend hierdie handwerkvorm kan wees.

On a still, cool day in the east of a city by the sea, three sounds only: a bulldozer’s engine, a forgotten song, a canon that tells the time. Behind the bulldozer, a sign: Luxury Mall Coming Soon. As the vehicle moves in to the clear ground, it strikes at something unexpected…

What Remains is a fusion of text, dance and movement to tell a story about the unexpected uncovering of a slave burial ground in Cape Town, the archaeological dig that follows and a city haunted by the memory of slavery. When the bones emerge from the ground, everyone in the city – slave descendants, archaeologists, citizens, property developers – is forced to reckon with a history sometimes remembered, sometimes forgotten.

Loosely based on the events at Prestwich Place, What Remains is a path between memory and magic, the uncanny and the known, waking and dreaming. Four figures – The Archaeologist, The Healer, The Dancer and The Student – move between bones and books, archives and madness, paintings and protest, as they struggle to reconcile the past with the now.

Conquer Your Mountains is a 52-week devotional for Christian professionals who want to make a difference and see life from a higher perspective. It contains contemplative prayers, self-reflection exercises, thought provoking messages and a fictional allegory of a spiritual journey with God.

This book is designed to help the reader understand and engage with the invisible and almighty works of God in their daily lives. Even though the symbol and theme of mountains are used throughout this powerful book, it is not a book about nature but rather a book about the divine nature of God and who we are to Him as his creations.

As the reader engages with each of the 52 weeks in this devotional, a deep transformational work will begin that may positively change the readers’ outlook on God, life, finance, work, relationships, purpose, and everything else.

Alle Sondaars Welkom is ’n mengelmoes gedagtes oor God en sy mense wat oor die laaste paar jaar geskryf is.

Jaco Strydom motiveer lesers om te leer by groot geeste in die verlede en die vreemde wesens wat ronddwaal in die hede; community met ander soekers te ontdek; in verwondering te staan voor die misterie en nuut te kyk na Jesus.

Die boek sal jou uitdaag om saam te soek na die wilde waarheid, na geloof te midde van ongeloof, bygeloof, misterie en verwondering.

Hoe wonderlik dat God ons vertrou om Sy ligdraers te wees. Nog beter nuus, Hy maak ons gewillig en bekwaam om Sy ligdraers te wees.

As ons aan onsself die vraag sou vra: Hoe vervul ons die verwagting van God, om sy werk hier op aarde te doen? Alles gaan nie noodwendig oor ons woorde nie, maar die grootste kommunikasie is wat mense by ons sien, ons optrede elke dag.

In die boek probeer ek ’n paar punte uitlig waarop ons kan fokus om die verwagting wat God oor ons het, na te kom. Die groot beloning vir ons staan in Fillipense 2 v. 16 waar die Woord sê dat God trots gaan wees op ons omdat ons Sy ligdraers was.

Ons geloof is ’n offer in Sy diens.

The 366 daily devotions in A Mustard Seed are dedicated to those believers who have to get up every morning and walk the talk, go through the daily grind and face their day-to-day challenges.

This devotional is for every believer who needs a mustard seed of faith to get through every day so they can walk in the fullness of what God has prepared for them in His kingdom.

Die boek bestaan uit agt hoofstukke wat elk begin met ‘n unieke, gepaste kunswerk, ‘n gedig wat jou op reis neem deur jou eie lewe asook inspirasieprikkels (prompts) wat die ma sal inspireer om haar eie storie te skryf.

Nie net ʼn mooi geskenk nie, maar ʼn kunswerk en ʼn erfstuk.

Wanneer jy tyd in God se teenwoordigheid deurbring en oor sy kragtige Woord mediteer, bou dit karakter, innerlike krag en ’n godvresende selfvertroue om enige lewensuitdaging te trotseer.

In stilwees en vertroue is 366 oordenkings deur die bekende evangelis Angus Buchan. Elkeen van die daaglikse teksverse, inspirerende oordenkings en diepsinnige gebede sal jou toerus met die krag van die Heilige Gees om sterk te staan teen elke dag se uitdagings. Nou is die tyd om God te vertrou. Bring daarom tyd saam met Hom deur, want ons krag lê in stil wees en vertroue hê (Jes. 30:15).

Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind.

This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns.

A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included.

This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.

In addition to stamping and stencilling, various relief methods of printmaking, including lino, texture plate and collagraph, the author has included four different types of screen printing and sun and cyanotype print projects as well as how to use rust and plant materials for 'eco' type printing. Transfer methods and altered art prints offer a different take on conventional approaches to this easily accessible art form. But by far the most exciting, and largest section of the book is devoted to monotype prints and monoprinting with the focus on gel printing. Angie Franke uses her gelatine based printing pads (you'll get the recipe) and the commercial Gelli Plate - as well as a fascinating venture into clay bed printing - to explore monoprint methods in many different ways, drawing on other processes in the book to build fascinating results of richly combined layers of colour with stamp, stencil, mask and texture plate tools. Easy to follow instructions with stylish photographs will inspire anyone to give printmaking a go!

Persuasiveness. Influence. A certain ‘something’ that makes it impossible for people to say no. Call it what you will, some people have it. DJ Sbu certainly does - it’s the quality that has helped him evolve from an ambitious boy growing up on Tembisa’s rough streets to a DJ, an entrepreneur, an author, a philanthropist and a speaker who graces stages around the world. In this book Sbu shares the secrets to cultivating this irresistible quality. Using events that have shaped his own life, he reveals how a positive outlook, resilience, hard work and determination can help you win in every sphere.

This inspiring read also acts as a practical handbook, showing you how to apply The Art Of Hustling to become a winning salesperson. It is DJ Sbu’s firm belief that, if you know how to sell, you will never go hungry. He also believes that this simple skill holds the key to solving Africa’s considerable unemployment problem.

His passion for youth development comes through loud and clear in this easy-to-read, easy-to-use handbook. Full of practical examples, sound advice and no-nonsense insights, it’s a must-have for every person who wishes to further their lives and their careers, whether in the corporate world or starting out on an entrepreneurial journey.

DJ Sbu’s career is testimony to his strength, resilience and spirit of innovation; the very qualities needed to get ahead in today’s rapidly evolving business environment. In sharing his story, he hopes to ignite others’ success.

Dana Snyman sien dinge op sy eiesoortige, aweregse manier. In deel een is hy op pad saam met die TV-span van Op pad met Dana. Soos hulle die land deurkruis op soek na stories, beleef Dana nie net die lief en leed van die mense met wie hy gesels nie, maar ook sy eie innerlike reis. Hy kom huistoe met 'n optelhond -- en met 'n nuwe manier van kyk. In deel twee kyk hy rugby. In kroee, township-huisies, saam met oom Frik du Preez en Joost van der Westhuizen. Snaaks, skerp en onthutsend eerlik.

After artist Joanne Bloch experienced serious sight loss, she felt called to explore what it means to be visually impaired in our society. Unseen gives both her own reflections and those of 20 other South Africans, each told in the unique voice of its contributor.

The conversations and stories in Unseen reveal many hidden complexities. They describe sensory and bodily adaptations, as well as the systemic barriers to basic rights that are built into our society. They show the constant need to counter ignorance and hostility and describe the social discomfort and isolation that often come with visual impairment. Yet these are not narratives of passive victims. Instead, they are idiosyncratic, compelling expressions of courage, humour, solidarity and resilience. Most of all, they reflect a determination to live a rich and fulfilling life despite every difficulty.

Unseen is not just about loss and struggle; it’s a testament to resilience, adaptation, and the human spirit. Through intimate portraits and thoughtful analysis, Bloch invites readers to reconsider their understanding of sight, disability, and what it means to truly perceive one another in a world that often disregards the visually impaired. This book is an essential read for anyone seeking to understand the diverse experiences of disability and the power of human connection.

Not only does it contain full place settings, flowers, centrepieces and everything else for tables for 25 different occasions, it also offers more than 50 mouth-watering recipes and shows you how to make table elements such as napkin rings, name tags, boxes for favours, place mats and other decorative accessories. Practical information on basic planning, from compiling a mood board and finding unusual under plates to selecting music and finding the perfect guest favour, is complemented by extended captions providing the know-how to replicate the settings. A separate section contains full recipes as well as instructions and templates for DIY ideas not detailed in captions. Hints and tips on presentation techniques, scheduling tasks to ensure that you can be relaxed and enjoy your guests and ways to add a personal touch abound.

How can we reclaim the soul-deepening wildness that grounds us and energizes us when so much of the modern world seems designed to tame us?

In this thrilling memoir of a life spent exploring the most incredible places on Earth—from the Great African Seaforest to the crocodile lairs of the Okavango Delta—Craig Foster reveals how we can attend to the earthly beauty around us and deepen our love for all living things, whether we make our homes in the country, the city, or anywhere in between.

Foster explores his struggles to remain present to life when a disconnection from nature and the demands of his professional life begin to deaden his senses. And his own reliance on nature’s rejuvenating spiritual power is put to the test when catastrophe strikes close to home.

Foster’s lyrical, riveting Amphibious Soul draws on his decades of daily ocean dives, wisdom from Indigenous teachers, and leading-edge science.

'It is easier to tell you I used to be in a religious cult. My declaration is most likely to surprise you, even leave you confused. You might ask for more details. I’d tell you it was one of those evangelical churches, and you'd fill in the gaps for yourself because there are endless possibilities of what a cult-like evangelical church can look like in South Africa. Did I eat grass? Or maybe a snake? Was I sprayed with doom?'

Unlike more traditional denominational churches Pentecostal or evangelical churches are more of a movement and much less regulated. Journalist Pontsho Pilane's experience at a powerful evangelical church changed the trajectory of her life and began her journey of deconstruction. Her aim is to be a responsible believer contributing to a more just society.

In this memoir and analysis, Pontsho investigates the dangers of uninterrogated belief in Pentecostal churches and how these beliefs affect our everyday lives.

This is fundamentally a text about race and antiblack racism and their subsequent production of the problem of alienation (separation) of human beings from one another, from their bodies, and from themselves, globally, but with distinct and conscious focus on the historical context of apartheid and “post”-apartheid South Africa through the psychological lens of one of the country’s first and distinguished clinical psychologists, Noel Chabani Manganyi.

The book is a philosophically critical engagement with his work, and it constitutes, as it were, part of the author’s overarching project of attempting to reclaim and retrieve hitherto overlooked, ignored and invisibilised Black thinkers of the past and present. Although Manganyi has written over 10 books, the most important and popular being Being-Black-in-the-World (1973) and Alienation and the Body in Racist Society (1977), his ideas and work have, for one reason or another, been disregarded by mainstream South African psychology, let alone philosophy. The author foregrounds philosophy as also a culprit because Manganyi himself describes his work as that of “a psychologist who thinks and conceptualises psychological reality in a phenomenological way”.

Manganyi has the distinction of being the first Black clinical psychologist trained in South Africa as the title of his latest book, Apartheid and the Making of a Black Psychologist (2016) indicates. His body of published work reveals that from the beginning he has been involved in an attempt to contextualise his discipline, psychology, to the lived realities of his country, that is, apartheid racism and the alienation it produced on Black people. In other words, his main concern has been to utilise psychological discourse to address issues relevant to what can broadly be called “the Black lived-experience” in an antiblack racist society and their experience of the condition of alienation. As such he stood as a solitary figure whose voice was pushed to the margins of the psychological establishment, which was either silent about or complicit in the oppression of Blacks by the apartheid regime.

By exploring Manganyi’s serious concerns about apartheid racism and its attendant devastating production of alienation among Black people, the author argues that the problem of alienation produced by continuing rampant antiblack racism (even from the hands of a Black government) constitutes itself as a lingering problem of “post”-apartheid South Africa.

The author demonstrates that apartheid and alienation are not only conceptually synonymous but experientially related because what connects antiblack racism (apartheid) and alienation is the fact of our embodied existence in the world and that Black alienation manifests itself through the body. After all, antiblack racism is predicated on bodily appearance and body differences among human beings. Manganyi himself places a high premium on the body precisely because, in his view, the Black subjects have inherited a negative sociological schema of their black bodies as a result of which most of them experience themselves as somethings or objects outside of themselves, that is.

The value of revisiting Manganyi’s contribution can be underlined by reference to imperatives posed in recent incidents of antiblack racism and contemporary approaches to race and embodiment in disciplines such as philosophy (Black existentialism), psychology, sociology, cultural studies and identity politics.

This book's focus spans a wide variety of disciplines, including psychology, philosophy, political philosophy, critical race studies and post-colonialism, and therefore will be of interest to a broad cross-section of undergraduate and graduate students, scholars and activists.

We live in a world that demands perfection. Big data, analytics, trend lines and averages bind us to a set of norms and values that assign a numeric worth to who we are and what we are capable of. Should we not meet established milestones or targets, not conform to the appropriate curve, or fail to live up to pre-established societal expectations, we invariably experience a sense of personal failure, worthlessness and fears and anxiety about a tenuous future. Added to this is the struggle with growing poverty and widening gaps in inequality, fractured family units, chronic stress and mental health challenges overlaid with the uncertainty and complexity of a rapidly changing world.

Yet, in truth it doesn't matter where we come from and what our historic circumstances and achievements might be. We are all capable of extraordinary lives and should not be bound by limitations, whether self-imposed or from external sources. What can unlock our fullest potential is resilience, a consummate skill that can be developed and grown throughout our lives. This reality is echoed by the likes of Albert Einstein, Oprah Winfrey, JK Rowling, Billy Jean King and Siya Kolisi, who all struggled in some way or another and overcame the restraints of their circumstances through resilience in various forms.

In addition, many resilience 'lessons' and how these are applicable to everyday life are taken from a fusion of cutting-edge science and learnings from some of the most recognizable figures in world sport, including Usain Bolt, Michael Phelps, Michael Jordan, Martina Navratilova and Novak Djokovic.

Thrive is a resilience manual, a practical, step-by-step guide to help you realise your fullest potential.

This book explores representations of fathers in select South African novels published from the birth of apartheid to the post-transitional moment.

Father figures in the texts reflect political and social climates in South Africa – at different times representing the oppressive apartheid government, righteous and authoritative liberation leaders and the unfulfilled promise of a democratic South Africa. Grant Andrews examines how father characters are linked to storytelling; they narrate the lives of their children and their patriarchal power is constituted through narratives. He features authors such as Alan Paton, Nadine Gordimer, J.M. Coetzee, Zakes Mda, K. Sello Duiker, Mark Behr, Zoë Wicomb, Lisa Fugard and Zukiswa Wanner.

Stories of Fathers, Stories of the Nation also investigates how fatherhoods are being reimagined in light of shifting discourses of gender and identity. More recent novels have deconstructed the father figure and his paternal narrative power, representing conflicts around racial identity, sexuality, legacy and how the sins of the father are visited on his children.

Menige ouer, onderwyser en afrigter het al die wens uitgespreek dat minder tyd aan die soek van geskikte materiaal vir Eisteddfods bestee hoef te word. Eisteddfod-pret is gebore uit hierdie noodkreet van ouers, onderwysers en kinders wat jaarliks in desperaatheid die internet en biblioteke fynkam vir vars, nuwe materiaal, want dis nie sommer enigiets wat geskik is nie. Die inhoud van hierdie bundel is oorspronklike, ongepubliseerde werke van die Fynbosskrywers, werke wat die potensiaal het om A++ by ’n Eisteddfod te verwerf. Dit bestaan uit 108 gedigte, 24 monoloë en 20 samesprake wat geskik is vir gebruik in die laerskool. ‘n Inleiding deur Louise Lachenicht verseker ook dat die deelnemer se potensiaal ten volle ontwikkel word met riglyne vir afrigters, onderwysers en ouers.

Die gedigte in Swatland speel grootliks in Malmesbury af en word aangebied in die taal wat deur die bruin gemeenskap hier gepraat word: Kaaps wat met die kenmerkende bry-klank van die streek weerklink.

Op vernuwende wyse word dié bry skriftelik uitgebeeld. ’n Rugbyderby, ’n krieketwedstryd, en ’n besoek aan die openbare swembad word vars verbeeld deur die skep van opvallende kontraste.

Maatskaplike kwessies word met galgehumor belig en diep persoonlike sake sonder sentimentaliteit aangeroer.

Now in its third year, the AVBOB Poetry Project has garnered several industry prizes.

I Wish I'd Said: Volume 2 includes 101 poems with English translations: 55 specially commissioned poems and 44 poems drawn from the 2018 competition. And, following the blueprint of the first volume, we pay homage to the Khoisan languages, by including two poems by the |Xam poet Dia!kwain. South African poets old and new were asked to submit poems on loss, grieving, love and consolation in their mother tongues.

This new collection – and the online poetry portal – forms a space where the voiceless may be heard, and where we find common ground. Loss is a universal language and poetry its voice.