‘How can there be only one dedicated hospital in the country for our children?’

When Madiba asked this question, he sowed the seeds of a challenge that would grow into a legacy.

A seed may be small but its size is disproportionate to what it can become over time. The Nelson Mandela Children’s Hospital was a project that seemed impossible when it was just an idea that started with ten people seated around a dinner table. As they discussed the state of healthcare in the country and shared their experiences, they realised that it was the children of Southern Africa who were the most disadvantaged by the lack of dedicated paediatric facilities. At the end of the evening a statement by the late Dr Nthato Motlana took hold and became the catalyst for a remarkable journey: ‘I will speak to Nelson,’ he said.

With South Africa’s first democratically elected president Nelson Mandela’s backing, the board of the Children’s Fund was inspired to take up the challenge to address this vital need. After years of global research and advice from experts in numerous different fields a Trust was formed to oversee the project and, critically, to set about raising the one billion rand it would take to build, equip and staff a state-of-the-art children’s hospital.

The stories behind the planning for, fundraising and building of the Nelson Mandela Children’s Hospital are inspiring, personal, and sometimes heart-breaking. It was a long and arduous journey, beset with difficulties, but the dedicated team’s commitment and courage prevailed to create a living legacy that will truly impact the lives of children for generations to come.

Today, the Nelson Mandela Children’s Hospital in Johannesburg is a proud testimony to a uniquely African story which honours the memory of a great statesman and celebrates the children for whom he cared so deeply.

While the Covid-19 pandemic has confined most of the world to some form of lockdown, it has also confronted us with the horrific truth about the pandemic of gender-based violence. This self-help book is for every person dealing with domestic violence and sexual abuse, not only in South Africa, but around the world.

We remember all the victims of abuse who have been silenced by death. Women and children are being raped, abused, stalked - and murdered - but are expected to keep quiet about this. We can no longer accept this as "normal". Statistics tell us that more than half of all murders worldwide are committed by partners. Husbands, wives or relational partners suffer the worst abuse.

These stories are told anonymously to protect their identities and their safety. They have shared their stories willingly, in their own words, from their perspective. And they have done so with love - hoping that sharing their stories will make a difference to yours.

May these stories inspire you to find your voice, face this onslaught with courage, and overcome it to live a free, healthy life.

Spirituality is a concept that is loosely used when people speak about systemised beliefs, which has led to the misconception that spirituality and religion are one thing.

This book simply aims at clarifying the difference between Religion, Universal Spirituality, African Indigenous Spirituality.

The book makes a clear distinction between the sectors and their functionalities in the societies in which they are practiced.

Yusuf is at it again, but this time bringing us some epic stories of his three kids which he calls his dragons.
From the one dragon almost being airlifted by an eagle, to the other dragon who decided to use the Sun City pool as his toilet.. My little dragon is now pulling out as many feathers of that eagle as she can. Is mos self-defense. The Trainer is going befukkk, as half a bird has been plucked already. Just then I'm thinking of applying for a job for this child at County Fair. This child mos knows how to pluck man.

The first one thousand days of human life, or the period between conception and age two, is one of the most pivotal periods of human development. Optimizing nutrition during this time not only prevents childhood malnutrition but also determines future health and potential. The Politics of Potential examines early life interventions in the first one thousand days of life in South Africa, drawing on fieldwork from international conferences, government offices, health-care facilities, and the everyday lives of fifteen women and their families in Cape Town.

Michelle Pentecost explores various aspects of a politics of potential, a term that underlines the first one thousand days concept and its effects on clinical care and the lives of childbearing women in South Africa. Why was the First One Thousand Days project so readily adopted by South Africa and many other countries? Pentecost not only explores this question but also discusses the science of intergenerational transmissions of health, disease, and human capital and how this constitutes new forms of intergenerational responsibility.

The women who are the target of first one thousdand days interventions are cast as both vulnerable and responsible for the health of future generations, such that, despite its history, intergenerational responsibility in South Africa remains entrenched in powerfully gendered and racialized ways.

Yusuf brings another epic book to life with some hard-hitting stories with his usual craziness added. From gold deals at KFC to hustling in China, not forgetting his near-death experiences. Stories that you feel like you were there. Following on his previous best selling books Living Coloured: (because Black and White Were Already Taken) and Living Lekka: (from Mitchells Plain to Aeroplane).

The grass family, known as Poaceae, is probably the most important plant family on earth. Grasses were the first food plants to be cultivated by man. Grass crops, such as maize, wheat, rice and sugarcane are still our most important food source to farm animals and the large herds of grazing animals in the wild. The identification of grasses becomes important during land management as the various grass species differ in their grazing value and other ecological functions. Furthermore, weedy grasses react differently to different herbicides and therefore need to be correctly identified. This title, Guide to grasses of southern Africa, is the most comprehensive colour identification guide to the common grasses of southern Africa and includes, among others, the following features: descriptions and illustrations of the 320 most important grasses in southern Africa, an easy-to-use grass identification key, more than 1 000 excellent photographs in full colour, thirteen short, fully illustrated introductory chapters with general information on grasses, common names of grasses in indigenous languages, icons that enable the reader to obtain certain information at a glance.

Die Pharos Afrikaansgids bied eenvoudige riglyne vir spelling en skryfwyses volgens die 2017-uitgawe van die Afrikaanse woordelys en spelreëls en is KABV- geskik. Dit dek die belangrike taalsake wat oor leerders se pad kom en is 'n praktiese, alledaagse gids vir voorgraadse studente en ander taalgebruikers.

- Deel A bevat naslaanlyste van woorde wat dikwels spellingprobleme oplewer, meervoude en verkleining, intensiewe vorme, vergelykings en idiome.

- Deel B is ’n naslaangedeelte wat belangrike en algemene taalreëls aan die hand van eenvoudige definisies en enkele voorbeelde verduidelik.

- Deel C bevat nuttige inligting oor byvoorbeeld sinsoorte, woordorde in sinne en die konstruksie van paragrawe. Daar is ook ’n kort oorsig oor tekstipes.

Op die kantlyn is ’n bundel kort-kortverhale waarin na verskeie aspekte van menswees gekyk word. Dit sluit in om ’n buitestander te wees, met heelwat van die verhale wat deur ironie gekenmerk word. Die bundel gaan ook oor die vreugde en hartseer van menswees en drome wat nie verwesenlik word nie.

River Fugue is Sarah Frost’s second poetry collection, and continues with the search to find herself through her connections to nature which she explored in her first collection, Conduit.

The poems grapple with the persistence of wonder, how one finds it, then loses it, then finds it again. By describing the loss, they evoke it as well, the absence accentuating even more strongly what she yearns for. The collection records a coming to terms with a difficult childhood, and the renegotiation of an adult relationship with the poet’s parents.

Writing to forgive, the poet has crafted poems that are transcendent and affirmatory.

Saffron is a Cape Town-based plant guru who is obsessed with plants, and she has over 500 of them. After years of amassing them, she put her knowledge to the test by writing "Jungle Problems," a user-friendly guide that will teach plant parents everything they need to know to keep their plants healthy and thriving.

Designed for gardener’s who want to know the secret language of their leafy friends, this fantastic guide will teach readers how to quickly diagnosing any issue with their plants, from the cause of their mysterious yellowing to the cause of their defiant wilting.

Saffron's Jungle Problems is jam-packed with helpful hints, brilliant solutions, and colourful illustrations. This is a fantastic resource which will turn any home gardener into the ultimate botanical investigator.

After artist Joanne Bloch experienced serious sight loss, she felt called to explore what it means to be visually impaired in our society. Unseen gives both her own reflections and those of 20 other South Africans, each told in the unique voice of its contributor.

The conversations and stories in Unseen reveal many hidden complexities. They describe sensory and bodily adaptations, as well as the systemic barriers to basic rights that are built into our society. They show the constant need to counter ignorance and hostility and describe the social discomfort and isolation that often come with visual impairment. Yet these are not narratives of passive victims. Instead, they are idiosyncratic, compelling expressions of courage, humour, solidarity and resilience. Most of all, they reflect a determination to live a rich and fulfilling life despite every difficulty.

Unseen is not just about loss and struggle; it’s a testament to resilience, adaptation, and the human spirit. Through intimate portraits and thoughtful analysis, Bloch invites readers to reconsider their understanding of sight, disability, and what it means to truly perceive one another in a world that often disregards the visually impaired. This book is an essential read for anyone seeking to understand the diverse experiences of disability and the power of human connection.

Vriendelikheid is om jou krag te gebruik om saggies heel te maak, sonder om iets terug te verwag. 

Die bekende skrywer en Andrew Murray-pryswenner Andries Cilliers begelei lesers op ’n  kragtige, maar deernisvolle 100-dae reis. Hy inspireer ons om vriendeliker te leef en te wees: met die mense rondom ons, en met onsself. Só leer ken ons ook ons Vriend.

Daniël Lötter soek geeste en gedaantes op, besoek spookhuise en vertel meer oor sieners en legendes wat Suid-Afrikaners reeds jare lank laat kopkrap.

Maak kennis met die heks van Hexrivier, die seemonsters van die ou Kaap en Antjie Somers. Jacoba Marais, Japie Roux en Marie van der Post is van die minder bekende sieners, maar natuurlik bly Johanna Brandt en Siener van en Rensburg nie agterweë nie.

Waarom spook 'n skoorsoekerige goewerneur, 'n koninklike kleinseun en 'n gewetenlose moordernaar ewe vlytig as Daisy de Melker, sr. Henrietta Stockdale en lady Anne Barnard? En wat is dit met dwaalligte en spookfoto's?

If you drive through Mpumalanga with an eye on the landscape flashing by, you may see, near the sides of the road and further away on the hills above and in the valleys below, fragments of building in stone as well as sections of stone-walling breaking the grass cover. Endless stone circles, set in bewildering mazes and linked by long stone passages, cover the landscape stretching from Ohrigstad to Carolina, connecting over 10 000 square kilometres of the escarpment into a complex web of stone-walled homesteads, terraced fields and linking roads. Oral traditions recorded in the early twentieth century named the area Bokoni - the country of the Koni people. Few South Africans or visitors to the country know much about these settlements, and why today they are deserted and largely ignored. A long tradition of archaeological work which might provide some of the answers remains cloistered in universities and the knowledge vacuum has been filled by a variety of exotic explanations - invoking ancient settlers from India or even visitors from outer space - that share a common assumption that Africans were too primitive to have created such elaborate stone structures. Forgotten World defies the usual stereotypes about backward African farming methods and shows that these settlements were at their peak between 1500 and 1820, that they housed a substantial population, organised vast amounts of labour for infrastructural development, and displayed extraordinary levels of agricultural innovation and productivity. The Koni were part of a trading system linked to the coast of Mozambique and the wider world of Indian Ocean trade beyond. Forgotten World tells the story of Bokoni through rigorous historical and archaeological research, and lavishly illustrates it with stunning photographic images.

This unique book is the first ever written in isiZulu by a Zulu author. Magema Fuze wrote it in the early 1900s, and published it privately in 1922 under the title Abantu Abamnyama, Lapa Bavela Ngakona.

In this fascinating work, the author gives his views on racial origins and differences, and describes the settlement of the black people throughout Natal. He records the traditional customs of the Zulu people, and gives an overview of Zulu history during the turbulent period of the nineteenth century, from the perspective of the black people who lived through it.

Integrated with this is Bishop Colenso’s account of Natal history, which Fuze reproduces and comments on. Of added interest is Hlonipha Mokoena’s foreword that offers insightful commentary on the contextual realities and challenges of the time.

Abantu Abamnyama is a resource to be valued, providing unique source material on Zulu history and Zulu life in the time of Shaka and beyond. It will be of interest to anyone who has ever asked themselves, 'Where did the black people come from?'.

Wild Law weaves politics, legal theory, quantum physics and ancient wisdom into a fascinating and inspiring story about how to rediscover a viable role for the human species within the Earth community.

This title has been seminal in inspiring the global movement to recognise rights for Nature - a movement destined to shape the 21st Century as significantly as the human rights movements shaped the 20th Century. Wild Law reveals how the governance systems of contemporary civilisations legitimise and promote the disastrous exploitation and destruction of Earth and why an Earth-centred approach is essential to address climate change and the accelerating degradation of the ecological systems on which we depend. Cormac Cullinan explains how to begin transforming industrialized societies to ensure that the pursuit of human wellbeing enhances the beauty, health and diversity of Earth instead of diminishing it.

This edition includes a new preface, postscript and the Universal Declaration of the Rights of Mother Earth proclaimed on 22nd April 2010 by the People's World Conference on Climate Change and the Rights of Mother Earth.

Over the past few years, it has become clear that the path of transformation in schools since 1994 has not led South Africa’s education system to where we had hoped it could be. Through tweets, posts and recent protests in schools, it has become apparent that in former Model-C and private schools, children of colour and those who are ‘different’ don’t feel they belong.

Following the astonishing success of How To Fix South Africa’s Schools, the authors sat down with young people who attended former Model-C and private schools, as well as principals and teachers, to reflect on transformation and belonging in South African schools. These filmed reflections, included on DVD in this book, are honest and insightful.

Drawing on the authors’ experiences in supporting schools over the last twenty years, and the insight of those interviewed, A School Where I Belong outlines six areas where true transformation in South African classrooms and schools can begin.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.

Here is the Cape Town underworld laid bare, explored through the characters who control the protection industry, the bouncers and security at nightclubs and strip clubs.

At the centre of this turf war is Nafiz Modack, the latest kingpin to have seized control of the industry, a man often in court on various charges, including extortion. Investigative journalist Caryn Dolley has followed Modack and his predecessors for six years as power has shifted in the nightclub security industry, and she focuses on how closely connected the criminal underworld is with the police services. In this suspenseful page turner of an investigation, she writes about the overlapping of the state with the underworld, the underworld with the upperworld, and how the associated violence is not confined to specific areas of Cape Town, but is happening inside hospitals, airports, clubs and restaurants and putting residents at risk.

A book that lays bare the myth that violence and gangsterism in Cape Town is confined to the ganglands of the Cape Flats, wherever you find yourself, you’re only a hair’s breadth away from the enforcers.

An inspirational practical guide with bold and colourful designs, Polymer clay is a popular medium suitable for and loved by crafters of all ages and skill levels.

It is available in every imaginable colour and easily cured in a home oven, making clay art accessible to everyone. Clay surfaces can be enhanced in many ways and borrowing techniques from other crafts, such as stamping, punching, mosaicing and embossing adds tremendously to the versatility of this craft, making it fun and rewarding. This book shows you how to use it to create exquisite jewellery, stylish gifts, decorative boxes, buttons, faux finishes, attractive home accessories and much more.

Lots of step by step photographs ensure that not even a rank beginner can go wrong, and full page pictures of the finished items will inspire clay crafters to try the terrific projects. Many techniques, from basic conditioning to creative canework and millefiori-finishes, are clearly explained and illustrated, then contextualised in the various projects. Use these techniques to create your own unique pieces and custom designs. Owing to the nature of the medium, no two pieces will ever look exactly the same.

So go get your clay and start playing!

Vir die afgelope 49 jaar skryf ds Kobus van der Westhuysen al die Hart tot hart-rubriek vir Landbouweekblad. Dit is die rubriek wat die langste ononderbroke verskyn het in die geskiedenis van die Media24 stal. Ds Van der Westhuysen skryf in gewone taal vir gewone mense. Hy verstaan die hart van ’n boer en weet dat boere uitgelewer is aan die nukke en grille van die natuur waaroor hulle geen beheer het nie. Vir hierdie boek het ds van der Westhuysen self 366 paslike stukkies uitgesoek.

Mitch is living the good monkey life. As his home is in a tree above a fancy restaurant, his diet consists of fine-dining gifts from dinner guests. So when the chef puts up a new sign that reads ‘Do NOT Feed The Monkey!’, Mitch panics. Who will bring him delicious food now? But with help from some unexpected cooks, Mitch discovers that making his own food isn’t so bad after all.

This is a cookbook for children with 49 creative and easy recipes for all occasions, told through the adventures of a hungry monkey and his friends on the African savannah. The author, Marleen Lammers, is an experienced children’s fiction book storyteller, while the illustrator, Anja Stoeckigt has created the most charming and engaging depictions of both the animals and the recipes.

Van die oomblik wat ons gebore word, begin ons ook te sterf. Maar al is die dood een van die algemeenste menslike gebeurtenisse, vermy die meeste mense om daaroor te dink of te praat. Wreed En Mooi Is Die Dood – met bydraes deur gewilde Afrikaanse skrywers – probeer hierdie stilte te verbreek.

Deur hul diep persoonlike verhale oor verlies en heling te deel, bied die bydraers onbewustelik ook raad vir hoe om die hartseer van ’n geliefde se dood te verwerk en hoe om jou eie sterflikheid te konfronteer. So vertel Marita van der Vyver van haar babaseun se dood, terwyl Valda Jansen beskryf hoe sy lamgelê is deur die nuus dat sy kanker het en Kerneels Breytenbach deel sy ervaring van eensaamheid na sy vrou se dood. ’n Paramedikus beskryf sy daaglikse ontmoetings met die dood, daar is ’n lys van dinge wat ’n mens vir ’n sterwende moet sê en nie moet sê nie en ook ’n bespreking van die rituele om die dood. Daar is soms selfs ’n bietjie humor . . . soos die storie oor die jong dominee wat in ’n leë graf geval het en Annelie Botes se voorbereidings vir haar begrafnis.

Dit is ’n aangrypende boek wat beloof om lesers te roer en weer te laat dink oor hulle prioriteite in die lewe.