Dana Snyman sien dinge op sy eiesoortige, aweregse manier. In deel een is hy op pad saam met die TV-span van Op pad met Dana. Soos hulle die land deurkruis op soek na stories, beleef Dana nie net die lief en leed van die mense met wie hy gesels nie, maar ook sy eie innerlike reis. Hy kom huistoe met 'n optelhond -- en met 'n nuwe manier van kyk. In deel twee kyk hy rugby. In kroee, township-huisies, saam met oom Frik du Preez en Joost van der Westhuizen. Snaaks, skerp en onthutsend eerlik.

'It is easier to tell you I used to be in a religious cult. My declaration is most likely to surprise you, even leave you confused. You might ask for more details. I’d tell you it was one of those evangelical churches, and you'd fill in the gaps for yourself because there are endless possibilities of what a cult-like evangelical church can look like in South Africa. Did I eat grass? Or maybe a snake? Was I sprayed with doom?'

Unlike more traditional denominational churches Pentecostal or evangelical churches are more of a movement and much less regulated. Journalist Pontsho Pilane's experience at a powerful evangelical church changed the trajectory of her life and began her journey of deconstruction. Her aim is to be a responsible believer contributing to a more just society.

In this memoir and analysis, Pontsho investigates the dangers of uninterrogated belief in Pentecostal churches and how these beliefs affect our everyday lives.

Verkies jy blokraaie waar die leidrade binne of buite die raaisel staan, koderaaisels of sudoku?

Die Groot Afrikaanse Blokraaiboek bevat dit alles! Hierdie versameling bevat meer as 200 van die beste blokraaisels en ander speletjies wat in Media24 se gewilde tydskrifte soos Sarie, Weg, Tuis en Landbou-weekblad verskyn het.

Dit beloof om jou ure lank te vermaak en uit te daag. Dit is boonop die perfekte geskenk vir enige blokraaiverslaafde.

Not only does it contain full place settings, flowers, centrepieces and everything else for tables for 25 different occasions, it also offers more than 50 mouth-watering recipes and shows you how to make table elements such as napkin rings, name tags, boxes for favours, place mats and other decorative accessories. Practical information on basic planning, from compiling a mood board and finding unusual under plates to selecting music and finding the perfect guest favour, is complemented by extended captions providing the know-how to replicate the settings. A separate section contains full recipes as well as instructions and templates for DIY ideas not detailed in captions. Hints and tips on presentation techniques, scheduling tasks to ensure that you can be relaxed and enjoy your guests and ways to add a personal touch abound.

Alle Sondaars Welkom is ’n mengelmoes gedagtes oor God en sy mense wat oor die laaste paar jaar geskryf is.

Jaco Strydom motiveer lesers om te leer by groot geeste in die verlede en die vreemde wesens wat ronddwaal in die hede; community met ander soekers te ontdek; in verwondering te staan voor die misterie en nuut te kyk na Jesus.

Die boek sal jou uitdaag om saam te soek na die wilde waarheid, na geloof te midde van ongeloof, bygeloof, misterie en verwondering.

Now in its third year, the AVBOB Poetry Project has garnered several industry prizes.

I Wish I'd Said: Volume 2 includes 101 poems with English translations: 55 specially commissioned poems and 44 poems drawn from the 2018 competition. And, following the blueprint of the first volume, we pay homage to the Khoisan languages, by including two poems by the |Xam poet Dia!kwain. South African poets old and new were asked to submit poems on loss, grieving, love and consolation in their mother tongues.

This new collection – and the online poetry portal – forms a space where the voiceless may be heard, and where we find common ground. Loss is a universal language and poetry its voice.

Die gedigte in Swatland speel grootliks in Malmesbury af en word aangebied in die taal wat deur die bruin gemeenskap hier gepraat word: Kaaps wat met die kenmerkende bry-klank van die streek weerklink.

Op vernuwende wyse word dié bry skriftelik uitgebeeld. ’n Rugbyderby, ’n krieketwedstryd, en ’n besoek aan die openbare swembad word vars verbeeld deur die skep van opvallende kontraste.

Maatskaplike kwessies word met galgehumor belig en diep persoonlike sake sonder sentimentaliteit aangeroer.

Menige ouer, onderwyser en afrigter het al die wens uitgespreek dat minder tyd aan die soek van geskikte materiaal vir Eisteddfods bestee hoef te word. Eisteddfod-pret is gebore uit hierdie noodkreet van ouers, onderwysers en kinders wat jaarliks in desperaatheid die internet en biblioteke fynkam vir vars, nuwe materiaal, want dis nie sommer enigiets wat geskik is nie. Die inhoud van hierdie bundel is oorspronklike, ongepubliseerde werke van die Fynbosskrywers, werke wat die potensiaal het om A++ by ’n Eisteddfod te verwerf. Dit bestaan uit 108 gedigte, 24 monoloë en 20 samesprake wat geskik is vir gebruik in die laerskool. ‘n Inleiding deur Louise Lachenicht verseker ook dat die deelnemer se potensiaal ten volle ontwikkel word met riglyne vir afrigters, onderwysers en ouers.

This is fundamentally a text about race and antiblack racism and their subsequent production of the problem of alienation (separation) of human beings from one another, from their bodies, and from themselves, globally, but with distinct and conscious focus on the historical context of apartheid and “post”-apartheid South Africa through the psychological lens of one of the country’s first and distinguished clinical psychologists, Noel Chabani Manganyi.

The book is a philosophically critical engagement with his work, and it constitutes, as it were, part of the author’s overarching project of attempting to reclaim and retrieve hitherto overlooked, ignored and invisibilised Black thinkers of the past and present. Although Manganyi has written over 10 books, the most important and popular being Being-Black-in-the-World (1973) and Alienation and the Body in Racist Society (1977), his ideas and work have, for one reason or another, been disregarded by mainstream South African psychology, let alone philosophy. The author foregrounds philosophy as also a culprit because Manganyi himself describes his work as that of “a psychologist who thinks and conceptualises psychological reality in a phenomenological way”.

Manganyi has the distinction of being the first Black clinical psychologist trained in South Africa as the title of his latest book, Apartheid and the Making of a Black Psychologist (2016) indicates. His body of published work reveals that from the beginning he has been involved in an attempt to contextualise his discipline, psychology, to the lived realities of his country, that is, apartheid racism and the alienation it produced on Black people. In other words, his main concern has been to utilise psychological discourse to address issues relevant to what can broadly be called “the Black lived-experience” in an antiblack racist society and their experience of the condition of alienation. As such he stood as a solitary figure whose voice was pushed to the margins of the psychological establishment, which was either silent about or complicit in the oppression of Blacks by the apartheid regime.

By exploring Manganyi’s serious concerns about apartheid racism and its attendant devastating production of alienation among Black people, the author argues that the problem of alienation produced by continuing rampant antiblack racism (even from the hands of a Black government) constitutes itself as a lingering problem of “post”-apartheid South Africa.

The author demonstrates that apartheid and alienation are not only conceptually synonymous but experientially related because what connects antiblack racism (apartheid) and alienation is the fact of our embodied existence in the world and that Black alienation manifests itself through the body. After all, antiblack racism is predicated on bodily appearance and body differences among human beings. Manganyi himself places a high premium on the body precisely because, in his view, the Black subjects have inherited a negative sociological schema of their black bodies as a result of which most of them experience themselves as somethings or objects outside of themselves, that is.

The value of revisiting Manganyi’s contribution can be underlined by reference to imperatives posed in recent incidents of antiblack racism and contemporary approaches to race and embodiment in disciplines such as philosophy (Black existentialism), psychology, sociology, cultural studies and identity politics.

This book's focus spans a wide variety of disciplines, including psychology, philosophy, political philosophy, critical race studies and post-colonialism, and therefore will be of interest to a broad cross-section of undergraduate and graduate students, scholars and activists.

Navigating motherhood from the age of 18, Kim Stephens shelved her inner journo and embraced a life of media sales and sports marketing, working with some of the biggest sports brands globally, and locally, whilst pursuing her own ultra-running ambitions.

Arguing vehemently against the possibility that she was running from her own truth, Covid-19 wiped out Kim’s possibilities for continued escape. After three children, two divorces and a gradual sexual awakening, Kim found herself at 40-something virtually unemployed, with all the time in the world to write, sip gin and study a general response to one of the world’s most draconian lockdowns. Her humorous observations of middle-class South African behaviour through the various levels of lockdown earned her a certain notoriety and a degree of viral success, and with that the courage to put it all into a book.

Hold the Line tells the story of teenage pregnancy, the situational blindness of white South Africa, the disappointment of divorce and the deep joy found through true awakening. Stitched together with the lockdown writing that Kim penned for a growing base of followers, she shares a more in-depth life story with her usual candid self-deprecation.

Written to rattle a few truths from within its readers, Hold the Line ends ironically as the world begins to follow a potential third World War via TikTok.

Die afgelope halfeeu het meer as 15 000 uitgawes van Beeld verskyn met derduisende stories in woord en beeld. Regdeur hierdie 50 jaar is ’n mantra in die redaksie: “Slaan die groot storie hard.” In Beeld 50 vertel dié geliefde koerant se joernaliste hoe hulle juis dit gedoen het deur die dekades en wat hulle steeds bybly van daardie ervaring. Die boek neem die leser op ’n reis deur van die grootste nuusgebeure sedert 1974 en weerspieël die geskakeerde leefwêreld van die Afrikaanse gemeenskap in die noorde van die land.

Beeld is die Suid-Afrikaanse dagblad wat al die meeste as die mooiste aangewys is, daarvan getuig die foto’s, voorblaaie, spotprente en grafika op dié blaaie. Tog is dit nie ’n beste-voetjie-voorsit-soort boek nie, want dis in die eerste plek joernaliste wie se stemme jy hier hoor. Op die ou end is die belangrikste element die leser.

Soos Pieter du Toit in 2014 as nuusredakteur gesê het: “Ons lojaliteit lê by die briefskrywer wat ons kapittel oor ’n onbesonne hoofberig, die intekenaar wat kla oor sy nat koerant op die grasperk en die leser wat dankie sê vir die nuwe Saterdag-Beeld.”

Think Yourself Rich: A Step-by-Step Guide to Financial Independence is aimed at first-timeearners who want to put themselves on the right path to financial independence. It provides an easy-to-understand guide that explains in clear terms how to consciously choose and plan for a debt-free lifestyle and not only survive, but thrive, on the long-term journey towards financial freedom.

The book covers crucial issues about financial planning clearly and succinctly, including:

- Why it is important to get rid of all unnecessary debt as quickly as possible.

- When you should start saving or investing.

- How to plan for emergencies.

- How much and what kind of insurance you need.

- How much of your income you should save.

- How much of your income you should invest.

- Where, how and when you should invest.

Theoretical information about budgets, financial plans and investment (including all important terminology for various investment options) is interwoven with relevant reallife examples and scenarios that will inspire readers to set aside the time to design and write up a proper financial plan – and execute it. Each chapter builds on the previous one to help readers achieve their goals by sticking to their plans. This book will equip readers to take full control of their finances.

Persuasiveness. Influence. A certain ‘something’ that makes it impossible for people to say no. Call it what you will, some people have it. DJ Sbu certainly does - it’s the quality that has helped him evolve from an ambitious boy growing up on Tembisa’s rough streets to a DJ, an entrepreneur, an author, a philanthropist and a speaker who graces stages around the world. In this book Sbu shares the secrets to cultivating this irresistible quality. Using events that have shaped his own life, he reveals how a positive outlook, resilience, hard work and determination can help you win in every sphere.

This inspiring read also acts as a practical handbook, showing you how to apply The Art Of Hustling to become a winning salesperson. It is DJ Sbu’s firm belief that, if you know how to sell, you will never go hungry. He also believes that this simple skill holds the key to solving Africa’s considerable unemployment problem.

His passion for youth development comes through loud and clear in this easy-to-read, easy-to-use handbook. Full of practical examples, sound advice and no-nonsense insights, it’s a must-have for every person who wishes to further their lives and their careers, whether in the corporate world or starting out on an entrepreneurial journey.

DJ Sbu’s career is testimony to his strength, resilience and spirit of innovation; the very qualities needed to get ahead in today’s rapidly evolving business environment. In sharing his story, he hopes to ignite others’ success.

The first one thousand days of human life, or the period between conception and age two, is one of the most pivotal periods of human development. Optimizing nutrition during this time not only prevents childhood malnutrition but also determines future health and potential. The Politics of Potential examines early life interventions in the first one thousand days of life in South Africa, drawing on fieldwork from international conferences, government offices, health-care facilities, and the everyday lives of fifteen women and their families in Cape Town.

Michelle Pentecost explores various aspects of a politics of potential, a term that underlines the first one thousand days concept and its effects on clinical care and the lives of childbearing women in South Africa. Why was the First One Thousand Days project so readily adopted by South Africa and many other countries? Pentecost not only explores this question but also discusses the science of intergenerational transmissions of health, disease, and human capital and how this constitutes new forms of intergenerational responsibility.

The women who are the target of first one thousdand days interventions are cast as both vulnerable and responsible for the health of future generations, such that, despite its history, intergenerational responsibility in South Africa remains entrenched in powerfully gendered and racialized ways.

Speel jy al 'n ruk lank met mosaiekwerk, maar voel jy moet dit nou op 'n hoer vlak beoefen? Of is jy 'n beginner wat soek na 'n uitdaging? Dan is hierdie boek net wat jy nodig het. Dit bied mosaiekwerk aan as 'n kunsvorm waar lyn, kleur en tekstuur almal saamwerk om pragtige resultate te lewer. Die treffende foto's op elke bladsy is inspirerend en leersaam. Die skrywer, wat oorspronklik 'n tekstiel ontwerper was, besef hoe belangrik die keuse van 'n ontwerp is wanneer jy 'n mosaiekprojek wil onderneem. Hierdie boek sal jou leer hoe om die regte ontwerp te kies en dit as 'n ontwerptekening weer te gee. Die tegniese inligting wat verskaf word, sal jou lei deur die proses om 'n ontwerp te kies, jou leer van die verskillende teels wat beskikbaar is, oppervlakke waarop jy kan werk en watter vir bepaalde toestande gebruik moet word, die materiaal en gereedskap wat nodig is, sowel as die verskillende mosaiektegnieke wat vir die voltooiing van jou projek gebruik kan word. Daar is selfs voorstelle vir alternatiewe as benodigdhede in jou omgewing moeilik bekombaar is. Die stap-vir-stap-projekte is pragtig en kan presies gevolg word, maar die skrywer moedig mosaiekwerkers aan om die projekte hul eie te maak deur met kleur en tekstuur te speel. Die projekte sluit groot en klein items in wat jy in jou huis of as geskenke kan gebruik, en gee alternatiewe voorstelle en idees ingeval jy 'n ander voorkoms of gevoel sou verkies. Mosaiekkuns behels soveel meer as die blote plasing van teels langs mekaar, en met Doen Mosaiek in die hand sal jy ontdek hoe geweldig bevredigend hierdie handwerkvorm kan wees.

Griefseed is a gift, an offering from the pen of Malika Ndlovu that seeks to transform the ways we think about and process grief.

Multidisciplinary in scope, the text includes poems, personal essays, images, and reflections on grief that punctuate the life story of the poet, offered here as medicine. These creative pieces function as both window onto an individual woman’s life as she has journeyed with, through and beyond grief; as well as a mirror, inviting the reader to see their own lives and losses reflected within Ndlovu’s.

This invitation to sit with grief, hold it, look it in the eye, and tend to it, is also an invocation to consider multigenerational relationships – how grief cements our relationships to the past, to ancestors, to descendants. To note where grief echoes along kinship lines, spreading itself throughout the branches of family trees. How centuries of grief from our grandmothers and grandfathers lodge themselves in our own bodies, crying out for release, relief and processing. If we dare to take up this visceral knowing, grief can transform us, becoming a generative site for renewal, rethinking, recasting.

Annamarie van Niekerk gaan brutaal eerlik om met vraagstukke waarmee ons daagliks worstel: plaasmoord, geweld teen vroue, skuld en onmag, aandadigheid en keuse.

Sy woon in Den Haag, maar keer terug Suid-Afrika toe vir die begrafnis van haar liewe vriend, Ruben, wat saam met sy ma in ʼn wrede plaasmoord vermoor is. Dié reis lei terug na ander reise: Van haar kinderjare in PE in ʼn streng Nasionale huishouding met ʼn Broederbondpa. Na Umtata, waar sy gaan klasgee en verlief raak op ʼn swart kollega. Na Hillbrow, waar die twee van hulle onwettig saamwoon en aktief is in skrywersirkels met vriende soos Nadine Gordimer en Njabulo Ndebele. Tot geweld ook hul verhouding binnedring. Uiteindelik na die tronk, waar sy Ruben se moordenaars gaan soek in haar strewe na verstaan.

Van Niekerk vervleg haar eie storie aangrypend met ’n verkenning van die groot kwessies in ons land. Onder ʼn bloedrooi hemel is ʼn diep ontroerende persoonlike reis, van geweld na genade, meesterlik vertel.

The world is emerging from the COVID-19 pandemic, more fragmented and further away from the more equal and equitable iteration imagined in 2015 when the Sustainable Development Goals (SDGs) were conceptualised. As we hurtle, at seemingly lightning speed, towards the 2030 deadline to achieve these goals, the urgency is palpable. Although we have certainly strayed further away from the targets, there is still time to act in order to ensure that we inch closer to this vision.

Tshilidzi Marwala paints a stark, and often grim, picture of our current context – one defined by monumental setbacks in the SDGs. Yet, as he carves out each developmental goal and its implications, it is apparent that there are tangible solutions that can be implemented, now. Tshilidzi’s assertion that now is the time to act is backed by intricate and actionable data with a simple mission statement: we must heal the future.

He offers a new narrative that addresses how we can translate the latent potential that exists through technology, innovation and new approaches to leadership and policy-making, to deal with, among others, poverty eradication, joblessness, an education system in crisis, declining economies and food insecurity.

Heal our World is a deep-dive into the Sustainable Development Goals, particularly relating to the African context, and looks toward securing a future in which our divisions are blurred, and our goals almost seem in reach again.

Quilt Potpourri concentrates on the geometric triangular family of quilts: with different lay-outs, shapes and styles.

Features:

• a complete instruction manual for individuals or groups for using isometric graph paper for designing for hand and machine sewing at all skill levels
• 144 colourful printed pages, as inspiration for a variety of ideas and projects for both individuals, groups, and community development projects
• hand-drawn and coloured patterns and photographs of completed items as well as wide-range information on the use of colour
• biographical references and a bilingual Index, a comprehensive printed collection of isometric patterns, blocks, and contemporary versions of traditional quilts included
• special attention to freedom of designing and individual satisfaction
• technical information suitable for all types of quilt making
• all measurements in the book are shown metrically and imperially.

Die Pharos Afrikaansgids bied eenvoudige riglyne vir spelling en skryfwyses volgens die 2017-uitgawe van die Afrikaanse woordelys en spelreëls en is KABV- geskik. Dit dek die belangrike taalsake wat oor leerders se pad kom en is 'n praktiese, alledaagse gids vir voorgraadse studente en ander taalgebruikers.

- Deel A bevat naslaanlyste van woorde wat dikwels spellingprobleme oplewer, meervoude en verkleining, intensiewe vorme, vergelykings en idiome.

- Deel B is ’n naslaangedeelte wat belangrike en algemene taalreëls aan die hand van eenvoudige definisies en enkele voorbeelde verduidelik.

- Deel C bevat nuttige inligting oor byvoorbeeld sinsoorte, woordorde in sinne en die konstruksie van paragrawe. Daar is ook ’n kort oorsig oor tekstipes.

Op die kantlyn is ’n bundel kort-kortverhale waarin na verskeie aspekte van menswees gekyk word. Dit sluit in om ’n buitestander te wees, met heelwat van die verhale wat deur ironie gekenmerk word. Die bundel gaan ook oor die vreugde en hartseer van menswees en drome wat nie verwesenlik word nie.

Saffron is a Cape Town-based plant guru who is obsessed with plants, and she has over 500 of them. After years of amassing them, she put her knowledge to the test by writing "Jungle Problems," a user-friendly guide that will teach plant parents everything they need to know to keep their plants healthy and thriving.

Designed for gardener’s who want to know the secret language of their leafy friends, this fantastic guide will teach readers how to quickly diagnosing any issue with their plants, from the cause of their mysterious yellowing to the cause of their defiant wilting.

Saffron's Jungle Problems is jam-packed with helpful hints, brilliant solutions, and colourful illustrations. This is a fantastic resource which will turn any home gardener into the ultimate botanical investigator.

In his latest book, The Africa in Brazil, Mavimbela explores and deals with relations between Africa and Brazil. He intelligently connects global history with dialogues of the present time. With his skill of expression, poetic treatment of words, and mathematical power of synthesis, he navigates the waters of the Atlantic to remind us of the encounters and ruptures that continue to define indelible relations between Brazil and Africa of today. He also uses the positives in the leadership of President Luiz Inácio Lula da Silva (Lula) to illuminate paths that could be followed in reconnecting and integrating the historical, political, cultural and economic synergies between Brazil and the continent of Africa.

The author makes instructive references to relations between South Africa and Brazil to underline historical, colonial and socio-economic vestiges (both parallels and similarities) that continue to define the two countries. He argues that the painful scars left by what he calls ‘Colonialism of a Special Type’, a common and historical feature in the two countries, continue to characterise much of the two societies.

This book is a breathtaking read. Mavimbela’s description of Brazilian Africanness, his treatment of places he visited in the country, the subjects, environments, rhythms, foods, deities and settings, make up a script for a film, with no loose ends.

This is a necessary and timely book for Brazil, Africa and the African Diaspora – it is something that has been missing in the decolonial and South-South literature.

To journey through South Africa is to step into a world where beauty is woven into every horizon. This is a country whose landscapes defy description: from the golden savannahs of the Highveld and the emerald vineyards of the Cape to the untamed wilds of Kruger and the dramatic meeting of two oceans at the continent’s edge. South Africa’s uniqueness lies not only in its breathtaking scenery, but in the vibrant tapestry of cultures, languages, and traditions that infuse every encounter with meaning. Here, luxury is found in the stillness of dawn as elephants roam free, in the exquisite comfort of lodges designed to honour the land, and in the knowledge that each experience is anchored in a deep respect for nature and community. The country’s commitment to conservation and sustainability is a way of life – one that invites visitors to become stewards of its wild beauty. To explore South Africa is to be changed by it: to witness a place where grandeur and spirituality coexist, where adventure and serenity are never far apart, and where every moment is a celebration of life’s richness and possibility.
 
The warmth and resilience of South Africa’s people and their deep connection to the land creates encounters that resonate long after departure. Ubuntu, the unique philosophy that ‘we are because of others,’ shapes not only human relationships, but also the approach to conservation and sustainable tourism that defines the country’s finest establishments.
 
The lodges, hotels, and retreats featured in ‘South Africa’s Best’ represent more than luxury accommodation; they all embody a commitment to environmental stewardship and community empowerment by demonstrating how exceptional hospitality can coexist with conservation efforts. Here, solar-powered suites overlook pristine wilderness, organic gardens supply world-class kitchens, and tourism revenue directly supports local communities and wildlife protection initiatives. These properties are bastions of hope, demonstrating that luxury and purpose can flourish together, and that travel can be a force for good.
 
This edition has been enriched through our collaboration with Ardmore, South Africa’s celebrated design studio, whose distinctive ceramics, textiles, and homeware are inspired by the country’s flora, fauna, and folklore. Ardmore reflects a commitment to artistic excellence and social upliftment, embodying the philosophy of Ubuntu. Their work has transformed local talent into internationally recognised artistry while supporting conservation efforts.
 
Our partnership with Steadfast Africa further enhances this collection. As a boutique luxury travel company, Steadfast Africa curates bespoke journeys within South Africa that showcase the country’s most exceptional destinations. Their expertise ensures seamless access to the world-class lodges, exclusive reserves, and immersive cultural experiences featured in this edition. Steadfast Africa ensures that travellers are able to become active participants in preserving the country’s natural heritage and supporting the communities that call these landscapes home.
 
Whether tracking rhino on foot with expert guides, dining on farm-to-table cuisine under the stars, or participating in meaningful cultural exchanges, each featured destination invites guests to engage deeply and mindfully with both nature and heritage. What sets these luxury destinations apart is their shared ethos: a dedication to preserving the country’s wild beauty and uplifting its people, ensuring that South Africa’s wonders will endure for generations to come.
 
‘South Africa’s Best’ gives readers the opportunity to embark on a journey where every page is infused with purpose, gratitude, and the promise of lasting change. In compiling this edition, our hope is to unite travellers who share a love for this remarkable country and a desire to make a meaningful impact. This book is both a tribute and a call to action: to honour and protect the land, people, and wildlife that make South Africa truly extraordinary.