Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

This title tells the story of how the transition to democracy in South Africa enfranchised blacks politically but without raising most of them from poverty. It shows in detail how the continuing strength of the white establishment forces the leaders of the African National Congress (ANC) to compromise plans for full political and economic transformation. Deferring the economic transformation, the new dispensation nurtures a small black elite. The new elite absorbs the economic interests of the established white elites while continuing to share racial identities with the majority of their countrymen, muffling the divisions between rich whites and poor blacks, thus ensuring political stability in the new South Africa. Although democratic South Africa is officially "non-racial," the title shows that racial solidarities continue to play a role in the country's political economy. Ironically, racial identities, which ultimately proved the undoing of apartheid, have come to the rescue of contemporary democratic capitalism. The author explains how and why racial solidarities are being revamped, focusing particularly on the role of black economic empowerment, the black bourgeoisie, and how calls to represent the identities of black South Africans are having the effect of substituting the racial interests of black elites for the economic interests of the black poor.

Wits University celebrates 100 years of academic and research excellence, innovation, and social justice in 2022. The origins of Wits lie in the South African School of Mines, which was established in Kimberley in 1896 and transferred to Johannesburg as the Transvaal Technical Institute in 1904, becoming the Transvaal University College in 1906 and renamed the South African School of Mines and Technology four years later. Full university status was granted in 1922, incorporating the College as the University of the Witwatersrand. Professor Jan H. Hofmeyr was its first Principal.

The University of the Witwatersrand occupies a special place in the hearts and minds of South Africans. Its history is inextricably linked with the development of Johannesburg, with mining and economic development, and with political and social activism across the country.

Wits University at 100: From Excavation to Innovation captures important moments of Wits’ story in celebration of the university’s centenary in 2022. It explores Wits’ origins, the space and place that it occupies in society, and its transformation as it prepares the ground for the next century. From its humble beginnings as a mining college in Johannesburg to its current position as a flourishing and inclusive university, Wits University at 100 is a story of innovation driven from the global South.

In text and image, Wits is presented as a dynamic institution that thrives because of its people, many of whom, in one way or another, have shifted the world. The experiences, achievements and insights of past and present ‘Witsies’ come alive in this glossy, full-colour book that maps the university’s vision for the future.

Van die oomblik wat ons gebore word, begin ons ook te sterf. Maar al is die dood een van die algemeenste menslike gebeurtenisse, vermy die meeste mense om daaroor te dink of te praat. Wreed En Mooi Is Die Dood – met bydraes deur gewilde Afrikaanse skrywers – probeer hierdie stilte te verbreek.

Deur hul diep persoonlike verhale oor verlies en heling te deel, bied die bydraers onbewustelik ook raad vir hoe om die hartseer van ’n geliefde se dood te verwerk en hoe om jou eie sterflikheid te konfronteer. So vertel Marita van der Vyver van haar babaseun se dood, terwyl Valda Jansen beskryf hoe sy lamgelê is deur die nuus dat sy kanker het en Kerneels Breytenbach deel sy ervaring van eensaamheid na sy vrou se dood. ’n Paramedikus beskryf sy daaglikse ontmoetings met die dood, daar is ’n lys van dinge wat ’n mens vir ’n sterwende moet sê en nie moet sê nie en ook ’n bespreking van die rituele om die dood. Daar is soms selfs ’n bietjie humor . . . soos die storie oor die jong dominee wat in ’n leë graf geval het en Annelie Botes se voorbereidings vir haar begrafnis.

Dit is ’n aangrypende boek wat beloof om lesers te roer en weer te laat dink oor hulle prioriteite in die lewe.

Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.

Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.

By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.

History matters. Some wish to bury it; others to use it selectively for their own purposes. But in the case of any nation it must be confronted honestly. Just as the Freedom Charter proclaims that South Africa belongs to all who live in it, so does its history. And the country was liberated by its people, not one specific group.

Myth and Reality in South Africa’s History is a collection of eighty newspaper opinion pieces and feature articles published over a span of thirty years. Their purpose was to examine significant past lives, movements and events, and interpret their contemporary significance for a general readership. Emphasis was placed on individuals and organisations that had tended to be neglected by post-liberation discourse, which was prone to exaggerate the role of certain movements.

The intention was to challenge a monochrome version of national history by emphasising pluralism and diversity. Underlying themes are continuity of faith in universal human rights, individual empowerment and psychological liberation in the face of power, both under and after apartheid.

The chapters of this book are arranged by broad chronology regardless of date of publication to produce a historical narrative; pulled together by a short introduction to modern South African history.

To date, there has been no published textbook which takes into account changing sociolinguistic dynamics that have influenced South African society. Multilingualism and Intercultural Communication breaks new ground in this arena. The scope of this book ranges from macro-sociolinguistic questions pertaining to language policies and their implementation (or non-implementation) to micro-sociolinguistic observations of actual language-use in verbal interaction, mainly in multilingual contexts of Higher Education (HE). There is a gradual move for the study of language and culture to be taught in the context of (professional) disciplines in which they would be used, for example, Journalism and African languages, Education and African languages, etc. The book caters for this growing market. Because of its multilingual nature, it caters to English and Afrikaans language speakers, as well as the Sotho and Nguni language groups - the largest languages in South Africa [and also increasingly used in the context of South African Higher Education]. It brings together various inter-linked disciplines such as Sociolinguistics and Applied Language Studies, Media Studies and Journalism, History and Education, Social and Natural Sciences, Law, Human Language Technology, Music, Intercultural Communication and Literary Studies. The unique cross-cutting disciplinary features of the book will make it a must-have for twenty-first century South African students and scholars and those interested in applied language issues.

Jana Marx, bekende joernalis soos gesien in Devildorp bestudeer die fenomeen van kultusse.

Sy beantwoord vrae soos:

• watter antieke kultusse daar was
• wat die verskil tussen 'n kerk, 'n sekte, die okkulte en 'n kultus is
• watter tipe mens word in 'n kultus ingetrek
• watter kenmerke word in 'n kultusleier gevind?

Kultusse word in verskillende onderafdelings ingedeel: moord- en gedagtebeheerkultusse, korporatiewe kultusse, sekskultusse en politieke kultusse. Jana bekyk bekende plaaslike en internasionele kultusse binne elkeen van hierdie afdelings. Sy verwys ook na die BITE-model van Dr Steve Hassen sodat gewone mense kan uitwerk of geliefdes in 'n kultus vasgekeer is. Daar is 'n hoofstuk met riglyne oor wat om te doen as jou geliefde in 'n kultus is.

Jy kan alles oor kultusse wat jy nog altyd wou geweet het in hierdie boek vind.

African Doctoral and Masters researchers in Environmental Humanities, in the past 6 years, working in Mozambique, Malawi, Zimbabwe, South Africa, Botswana, Burundi, Ghana, Tanzania, Lesotho, Kenya, and DR Congo have consistently and independently come up against a similar story: that struggles in rural Africa are against neoliberal ideas of market-driven development, and neoliberal notions of environmentalism, that have proven fundamentally at odds with both economic and ecological wellbeing. Building on Contested Ecologies: Dialogues in the South on Nature and Knowledge (HSRC 2013; 275 citations to date), this volume develops an approach that identifies the ways in which environment and society is conceptualized by development “experts”, environmentalists and state officials, and contrasts those conceptualizations with understandings of ecology and wellbeing at ground level.

No comparable work on this topic has been done across ten African countries. Drawing on in-depth field research by African graduates, many of whom have pursued field research in their home languages, the collection makes a sustained and powerful case that local people’s struggles for livelihood have intensified against globalized corporate extractivism across the continent. Individual papers describe struggles over soil, mining, water, seed, pastoralism, energy, technology, forestry, and carbon trading.

Linking African struggles to Latin American rejection of extractivism and South Asian resistance to industrial agriculture and monocropping, the collection will be the first of its kind to make the case that indigenous and other political minorities’ forms of relation to land are vital resources for the protection of African ecological wellbeing, and that they define a contemporary African environmentalism that makes a crucial contribution to rethinking and re-storying climate negotiations, conservation, and development.

My name is TT Mbha and I'm going to take you through a 19-day journey of how I recovered from having tested positive for Covid-19 on the 24th of June 2020 and finally recovered on the 9th of July 2020, and finally started and launched Tough Talk with TT on the 12th of July. So if you count the days from the 24th of June all the way to the 12th of July, it is 19 days; and its these 19 days that have shaped and changed my life for the better and I would like to share the journey and story with the hope that somebody out there, you reading this book right now, can get hope and healing.

Tough Talk with TT is all about bringing hope and healing to our nation and so as we navigate these 19 chapters, which are represented by each day, I really hope you will receive the healing that is intended to come your way. I'm very big on being a channel. Being a channel is something very close to my heart. What does being a channel mean? Whatever we touch, we leave fingerprints, and as we touch other people's lives; we leave our identity in them.

Life is better when you're happy, but life is at its best when others are happy because of you. Be faithful in touching other people's hearts. Be an inspiration. Nothing is more important and worth practicing than being a channel of God's blessing. Nothing in nature lives for itself. Rivers do not drink their own water, trees do not eat their own fruits, the sun does not shine for itself and certainly flowers do not spread their fragrance for themselves.

Living for others is a rule of nature. We are all born to help one another. No matter how difficult of a situation you find yourself in, still, do good for others. This for me has been such an important message that Ive learnt during the past 19 days. I'd like to put a disclaimer upfront; this is by no means a perfect book; it is not meant to showcase a perfect life. In actual fact it is all about exposing the imperfections that we all have as human beings. Allow me to be human by reading this book from the eyes, hearts and minds of a human being.

Hoekom is ek so, wat is fout met my? Ek kan nie regtig met iemand hieroor praat nie. Ek sien nie kans vir die verwerping, spot en veroordeling nie. Wanneer my ouers, vriende en familie dit uitvind, hoe gaan hulle reageer? Wat dink God van alles, waar pas Hy in? Hoekom straf Hy my so? Ek bly liewers stil en leef ’n lewe van leuens.

Hierdie is 'n moet-lees boek vir:

• Die wat anti-gay is (ouers, familie, vriende, kerkleiers) en nie besef watter bloedspoor gelos word deur die misbruik van die Skrifte, mites en ongevoelige uitsprake teenoor gay mense nie.
• Die gelowige gay mens wat met sy of haar seksualiteit sukkel en hopelik aangespoor sal word om hulleself te aanvaar.
• Die pro-gay mense (ouers, familie, vriende, kerkleiers) wat swaar dra in die proses om die gay mens te beskerm.

A message for today’s women – it is time for you to step into your starring role.

Being empowered is a choice; it is a daily decision that defines who we are and it is accessible to everyone. Meeting Your Power is a reminder that power is inside all of us, and that your journey to empowerment begins with you!

This is the story of two remarkable women, DJ Zinhle and Nokubonga Mbanga, who have experienced life’s ups and downs. They share the lessons learnt on their life journeys through inspirational words - words that will invoke your inner power, words that will help you return home to your essence, and words that will encourage you to return to the source of your power, the power that we are all born with.

Being an empowered woman is more than just doing, it is also about being. This book will show you how to look at power differently and will help you to unleash and harness your inner power with honest, simple and practical examples and advice. Most importantly, you will learn that your greatest empowerment project is being authentically you, every day. Prepare to meet your power and radiate your possibilities. Let’s ignite a movement of women and girls who understand the higher meaning of love for oneself and others, who appreciate and celebrate our collective growth; who nurture a solid mindset of achievement and who value creating, protecting and preserving our inner peace.

Rise and Raise!

Indexed in Clarivate Analytics Book Citation Index (Web of Science Core Collection)

Maak Jou Lewe 'n Plesier is ‘n praktiese gids wat lesers help om geluk in elke dag te vind.

Baie mense is ongelukkig, depressief en angstig oor die lewe en hul toekoms. Dit is nie nodig om so te leef nie.

Almal kan ‘n gelukkige en gebalanseerde lewe ervaar. Hierdie boek is vol keuses wat jy moet maak om blymoedig en vreugdevol te lewe.

The honeymoon is long over. Dad says it’s now whiskey and marriage on the rocks. Mom says she’s going to take him to the cleaners.

Why are they getting divorced and why now that you’re an adult child? Your parents are divorcing or maybe they have divorced already. Everyone is focused on them, but you’re suffering too. Adult children have a really tough time when their parents split up – just as tough, if not tougher, than young children. In this book several adult children of divorce (18 years and older) share their advice, first-hand experience, confusion, uncertainty, anger and sadness that begin the moment when Mom and Dad say: It’s over.

The bad news? The divorce will always be a wound. The good news? You can learn how to handle it better and in time it could just become a scar. In the words of a respondent, Gretha (26): “Time makes all wounds bearable.”

‘My hope is that people can grow to appreciate this sector – its challenges and opportunities, but most importantly, the role agriculture can play in improving South Africa’s rural economy, creating jobs and bringing about much-needed transformation (or inclusive growth).’
Wandile Sihlobo is perfectly positioned to provide a well-rounded, accessible view of agriculture in South Africa. He spent his school holidays in the rural Eastern Cape, studied agricultural economics at university, has worked in private-sector agriculture, consulting with farmers across the country, and has been an adviser to government as part of South African policymaking bodies.

Finding Common Ground is a selection of key articles from Sihlobo’s regular Business Day column, framed with insightful commentary and context. The book covers the broad themes that have marked current discussions and outlines the challenges and opportunities faced by South Africa’s agricultural sector, including:

• The contentious and complex issue of land reform;
• The potential for new leadership to revive the sector;
• How agriculture can drive development and job creation;
• Cannabis as an exportable commodity;
• The urgent need for agricultural policy to address gender equity and youth involvement;
• Technological developments and megatrends that are underpinning agricultural development;
• The importance of trade in growing South Africa’s agriculture; and Key lessons that South Africa and other African countries can learn from one another.

Hierdie drama handel oor tien tieners in ’n bos by ’n oorlewingskamp waar spoke, hormone, groepsdruk en goggas die senuwees behoorlik laat knyp. KAMP KOERSHOU is nie vir sissies nie. Want grootword is nie “lekker” nie. Grootword is pyn. En “verwonding".

Die tien jeugdiges vertrek op 'n oorlewingskamp, in 'n bos, onder toesig van 'n paramilitaire instrukteur. Dit is hulle rite of passage sodat hulle weerbaar ‒ paraat! ‒ die grens na volwassenheid kan oorsteek. Maar hoe hou jy koers as jy nie weet waarheen jy wil gaan nie?

Die toneelstuk is in 2012 by die KKNK opgevoer met regie deur Marthinus Basson en Stian Bam in die hoofrol.

'n Verversingstasie is in 1652 in Tafelbaai aangele om skepe te bedien op die roete tussen Europa en Oos-Indie. Die diens is deur 'n netwerk van bemande buiteposte aan die Kaapse kus en op die nabygelee eilande moontlik gemaak. Die Buiteposte is die resultaat van 30 jaar van navorsing in Suid-Afrika en in Europa, waar die VOC sy ontstaan gehad het. Dr. Sleigh is een van slegs 'n klein aantal geskiedkundiges wat die sewentiende-eeuse skrif van die VOC-dokumente met gemak lees. Hy is lid van verskeie plaaslike en internasionale geskiedenisverenigings en bewaringsorganisasies en word landswyd erken as adviseur rakende sake wat op die VOC betrekking het.

Johannesburg: The elusive metropolis is a pioneering effort to insert South Africa's largest city into urban theory on its own terms. Johannesburg is Africa's premier metropolis. Yet theories of urbanization have tended to cast it as an emblem of irresolvable crisis, the spatial embodiment of unequal economic relations and segregationist policies, a city that responds to but does not contribute to modernity on the global scale. Complicating and contesting such characterizations, the contributors to this collection reassess classic theories of metropolitan modernity as they explore the experience of 'citiness' and urban life in post-apartheid South Africa. They portray Johannesburg as a polycentric and international city with a hybrid history that continually permeates the present. Turning its back on rigid rationalities of planning and racial separation, Johannesburg has become a place of intermingling and improvisation, a city that is fast developing its own brand of cosmopolitan culture. The volume's essays include and investigation of representation and self-stylisation in the city, and ethnographic examination of frictions zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and litereary relationship between Johannesburg and Maputo, Mozambique's capital. One contributor considers how Johannesburg's cosmopolitan sociability enabled the anti-colonial projects of Ghandi and Mandela. Journalists, artists, architects, writers and scholars bring contemporary Johannesburg to life in ten short pieces which include reflections on music and megamalls, nightlife, living as foreigners in the city, and built spaces.

The beauty and fashion world attracts enormous interest. Everybody knows who Naomi Campbell is, but few know who South Africa's local Naomi Campbells were (and are)!

This title is an extraordinary mix of glamour, nostalgia and social analysis. It takes the reader on a journey through our South African history and politics from the unusual perspective of the beauty industry. Backed by a photo gallery of classic icons from the 50s, 60s and 70s to the present, it celebrates the inspirational role of beautiful and courageous Black women, especially models and beauty queens. It also looks at the business of beauty and recounts the struggles and successes of Black practitioners trying to make it in this competitive sector.

The author is someone who herself was a leading model of the 1980s. Nakedi Ribane co-owned one of the very few Black modeling agencies of note in South Africa. She is ideally placed to offer a fascinating 'behind-the-scenes' look at one of the most under-rated yet influential industries of our time.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present.

In 10 Inspiring Singers, Writers & Artists, you will read about the poets, singers, painters and writers who used their creative talents to express themselves. These are women who shape our worlds with art, culture and literature.

• Nontsizi Mgqwetho
• UMntwana uMagogo Constance Zulu
• Gladys Mgundlandlu
• Noni Jabavu
• Miriam Masoli Tlali
• Dorothy Masuku
• Esther Nikwambi Nostokana Mahlangu
• Madosini Latozi Mpahleni
• Busi Mhlongo
• Brenda Nokuzola Fassie

Met kaarte en geografiese grense sal mens wel kan bepaal waar le die Tankwa-Karoo. maar vir Adriaan Oosthuizen kry jy die streek wanneer jy die langste grondpad tussen twee dorpe in Suid-Afrika aanpak: die pad tussen Ceres en Calvinia. Saam met Adriaan se foto’s vertel Leti Kleyn van haar besoek aan hierdie geliefde stuk land en dit word aangevul deur Dawid Slinger se vertellings en skrywes. ’n Fees vir die oog, lekkerleesboek en ’n inligtinggids ineen oor die geliefde streek wat die Tankwa-Karoo heet.

The radio in Africa has shaped culture by allowing listeners to negotiate modern identities and sometimes fast-changing lifestyles. Through the medium of voice and mediated sound, listeners on the station – known as Radio Bantu, then Radio Zulu, and finally Ukhozi FM – shaped new understandings of the self, family and social roles.

Through particular genres such as radio drama, fuelled by the skills of radio actors and listeners, an array of debates, choices and mistakes were unpacked daily for decades. This was the unseen literature of the auditory, the drama of the airwaves, which at its height shaped the lives of millions of listeners in urban and rural places in South Africa. Radio became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K.E. Masinga and a host of other talents opened by radio, the exiles Lewis Nkosi and Bloke Modisane made a niche and a network of identities and conversations which stretched from the heart of Harlem to the American South. Nkosi and Modisane were working respectively in BBC Radio drama and a short-lived radio transcription centre based in London which drew together the threads of activism and creativity from both Black America and the African continent at a critical moment of the late empire.

Radio Soundings is a fascinating study that shows how, throughout its history, Zulu radio has made a major impact on community, everyday life and South African popular culture, voicing a range of subjectivities which gave its listeners a place in the modern world.

Griefseed is a gift, an offering from the pen of Malika Ndlovu that seeks to transform the ways we think about and process grief.

Multidisciplinary in scope, the text includes poems, personal essays, images, and reflections on grief that punctuate the life story of the poet, offered here as medicine. These creative pieces function as both window onto an individual woman’s life as she has journeyed with, through and beyond grief; as well as a mirror, inviting the reader to see their own lives and losses reflected within Ndlovu’s.

This invitation to sit with grief, hold it, look it in the eye, and tend to it, is also an invocation to consider multigenerational relationships – how grief cements our relationships to the past, to ancestors, to descendants. To note where grief echoes along kinship lines, spreading itself throughout the branches of family trees. How centuries of grief from our grandmothers and grandfathers lodge themselves in our own bodies, crying out for release, relief and processing. If we dare to take up this visceral knowing, grief can transform us, becoming a generative site for renewal, rethinking, recasting.