The South African economy has a secret weapon: stokvels. If harnessed correctly, investments in stokvels could significantly bolster the economy. The following statistics, provided by the National Stokvel Association of South Africa, are mind-blowing: at present there are 11.4 million South Africans who are members of stokvels; around R44 billion is pooled collectively by ordinary people in stokvels; and it is saved by 820 000 stokvels. A lot of ideas have been put forward on how these monies can be utilised by stokvels, but it is not really clear how these can be practically applied.

This book will appeal to readers who are already in a stokvel, those who want to be in one, and even those who never thought of joining one. It contains all the necessary information you need about this form of investment, including:

• how this collective power emerged;
• how to set up a stokvel and the admin involved in running one;
• the opportunities within stokvels and the possible collaborations with other institutions;
• real people’s experiences with stokvels; and
• the challenges and future landscape of stokvels.

Most importantly, it explains how an individual can make money by being part of a stokvel.

In hierdie nuwe wêreld van kwantumfisika kan ons eenvoudig nie meer na die lewe kyk met die bygelowige drieverdieping-wêreldbeeld van onder meer die Bybel en die Koran nie. Die oorkantste oewer daag tradisionele denkwyses en lewensbeskouings uit. Dit nooi die leser om saam nuwe moontlikhede te ontdek en terselfdertyd ruimte en respek aan mekaar te gun.

For the child in all of us, a timeless illustrated story about connection and compromise brought to life with imagination, from the #1 New York Times bestselling author of Born a Crime

“But sooner or later your mother will find us,” Walter said, looking back at the house. “She always does.”

The boy’s eyes lit up again. He had an idea.

“Then this time we need to go where we’ve never gone before,” he said. “Into the uncut grass!”

In the tradition of The Boy, the Mole, the Fox and the Horse comes a gorgeously illustrated fable about a young child’s journey into the world beyond the shadow of home, a magical landscape where he discovers the secrets of sharing, connection, and finding peace with the people we love. Infused with the author’s signature wit and imagination, in collaboration with visionary artist Sabina Hahn, it’s a tale for readers of all ages—to be read aloud or read alone.

Hoekom is ek so, wat is fout met my? Ek kan nie regtig met iemand hieroor praat nie. Ek sien nie kans vir die verwerping, spot en veroordeling nie. Wanneer my ouers, vriende en familie dit uitvind, hoe gaan hulle reageer? Wat dink God van alles, waar pas Hy in? Hoekom straf Hy my so? Ek bly liewers stil en leef ’n lewe van leuens.

Hierdie is 'n moet-lees boek vir:

• Die wat anti-gay is (ouers, familie, vriende, kerkleiers) en nie besef watter bloedspoor gelos word deur die misbruik van die Skrifte, mites en ongevoelige uitsprake teenoor gay mense nie.
• Die gelowige gay mens wat met sy of haar seksualiteit sukkel en hopelik aangespoor sal word om hulleself te aanvaar.
• Die pro-gay mense (ouers, familie, vriende, kerkleiers) wat swaar dra in die proses om die gay mens te beskerm.

In 2002 Elke moved to South Africa to start a new phase of life. Having been a successful international business woman, she wanted to share her knowledge and resources. She knew little about the traumatic history of apartheid and the brutal impact of racism in the country. To serve to lead – supporting South African women to succeed was the motto of the social entrepreneurship organisation she created. The book is a powerful testimony of successful women entrepreneurs in spite of the huge challenges faced by them in a still deeply divided country.

Little did Elke know that soon she would face a deeply jarring crisis, profoundly challenging her white western identity and values which seemed ill gotten in the context of white society’s racism and the brutal exclusion and oppression of black South Africans. The book tells with shocking honesty how she reached a breaking point, realizing that once again she belonged to the culture of perpetrators. She struggles with white society’s denial, silence, blaming and selfish protection of false privilege; it felt so painfully similar to post Nazi Germany from where Elke fled as a young adult, feeling such shame and guilt about her parents participation and her struggle with ‘loving parents and their evil choices’.

The book describes a gripping journey towards the healing power of dialogue. She meets amazing black South Africans, generous, dignified and accomplished who offer her guidance and embrace her in friendship and love. In that process, Elke shifts from anger and resentment into taking responsibility beyond shame and guilt as a descendant of Nazi parents and today as an undeservedly benefitting white South African. Together with a deeply committed Jewish educator Elke starts inter-racial dialogue sessions with school groups, students, teachers and scholars at the Holocaust Centre in Cape Town. Elke’s narrative is an moving account of conversations between people of diverse backgrounds, sharing their deep seated pain and shame.

The new, updated edition of the 2017 bestseller!

Coming to grips with money, making wise decisions and setting ourselves on a path to wealth can be daunting. Some women excel at this; others battle from payday to payday. What do ‘smart women’ know that the rest of us can learn? In this updated edition, Smartwoman reveals who is competing for your money (black tax and other family pressures), how to create a designer life (as opposed to filling up space with designer stuff), and how to start a side hustle. It also covers major life events, such as marriage, divorce and death, and how you can make smart financial decisions at these times.

Knowing how and where to invest is crucial to building wealth, and this book covers the full spectrum of investment options, including equities, property, offshore investment and alternative investments, such as art.

New chapters include how Covid-19 impacts our cash flow and investments; side hustles; investing offshore; and cryptocurrencies and how they fit into an investment portfolio.

Whatever your life stage or circumstances, being in financial control, owning your destiny and building long-term wealth is within every woman’s reach.

Veronique Jephtas verteenwoordig die kraakvars stem van ’n nuwe generasie Afrikaanssprekendes – die born frees, gebore ná 1994 – wat grootgeword het in ’n land met meer geleenthede vir almal maar waar die wonde van die verlede halsstarrig bly sweer.

In Soe rond ommie bos skryf Jephtas protesposie en verbeel ’n gemeenskap wat vry is van gesprekke wat rondom die bos loop.

Like many national curricula around the world, South Africa’s curriculum is rich in environment and sustainability content. Despite this, environmental teaching and learning can be challenging for educators. This comes at a time when Sustainable Development Goal 4 via Target 4.7 requires governments to integrate Education for Sustainable Development into national education systems.

Teaching and Learning for Change is an exploration of how teachers and teacher educators engage environment and sustainability content knowledge, methods, and assessment practices – an exposition of quality education processes in support of ecological and social justice and sustainability. The chapters evolve from a ten-year research programme led out of the DSI/NRF SARChI Chair in Global Change and Social Learning Systems working with national partners in the Fundisa for Change programme and the UNESCO Sustainability Starts with Teachers programme. They show the integration of education for sustainable development in teacher professional development and curricula in schools in South Africa. They reveal how university-based researchers, teachers and teacher educators have made theoretically and contextually reasoned choices about their lives and their teaching in response to calls for a more sustainable world in which education must play a role.

Teaching and Learning for Change will be of interest to education policymakers in government, advisors and educators in educational and environmental departments, NGOs and other institutions. It will also be of interest to teacher educators, teachers and researchers in education more generally, and environment and sustainability education specifically.

River Fugue is Sarah Frost’s second poetry collection, and continues with the search to find herself through her connections to nature which she explored in her first collection, Conduit.

The poems grapple with the persistence of wonder, how one finds it, then loses it, then finds it again. By describing the loss, they evoke it as well, the absence accentuating even more strongly what she yearns for. The collection records a coming to terms with a difficult childhood, and the renegotiation of an adult relationship with the poet’s parents.

Writing to forgive, the poet has crafted poems that are transcendent and affirmatory.

Shortly after the giant bronze statue of Cecil John Rhodes came down at the University of Cape Town, student protestors called for the decolonisation of universities. It was a word hardly heard in South Africa's struggle lexicon and many asked: What exactly is decolonisation? This book brings together some of the most innovative thinking on curriculum theory to address this important question.

In the process, several critical questions are raised:

• Is decolonisation simply a slogan for addressing other pressing concerns on campuses and in society?
• What is the colonial legacy with respect to curricula and can it be undone?
• How is the project of curricula decolonisation similar to or different from the quest for post-colonial knowledge, indigenous knowledge or a critical theory of knowledge?
• What does decolonisation mean in a digital age where relationships between knowledge and power are shifting?

Strong conceptual analyses are combined with case studies of attempts to `do decolonisation' in settings as diverse as South Africa, Uganda, Tanzania and Mauritius. This comparative perspective enables reasonable judgments to be made about the prospects for institutional take-up within the curriculum of century-old universities. Decolonisation in Universities is essential reading for undergraduate teaching, postgraduate research and advanced scholarship in the field of curriculum studies.

Francis Grobler skuif die sluier van ’n verskuilde wêreld met ’n afgerigte werklikheid en konformiteite oop met ’n moderne benadering tot digkuns. Die digbundel se outentieke benadering dra by tot ‘n skaars, maar nodige kommoditeit in Afrikaanse poësie.

Nagblind is ’n kragtige, eiesoortige en eenmalige leserservaring. Die woord word verhelder deur retoriek en metafore wat vonk en word sterk beeldend verwoord. Dit delf in die geestelike dimensie en verfyn en rond die eindproduk tot ’n “andersheid” af wat ver verby die grense van konvensies gaan en aan die geskrewe woord ’n nuwe betekenis gee.

Nagblind breek behoorlik die skedels tot nuwe denke.

2016 was 50 years on from when District Six was declared a whites only area and this publication commemorates this event in our history. This revised edition (in a smaller format aimed at the tourist market) of this beautiful book shows poignant images from Breytenbach’s collection of District Six during the 1970s before the area was dramatically demolished by the apartheid government. It is an historical record about the inhabitants and their surroundings of that time and was compiled over a period of five years.

The Cape Town area known as District Six (so called for its geographic position on the municipal map of the city) developed into a dense residential area close to the centre of Cape Town during the second part of the nineteenth century. Home to a diverse community with a wide range of historical origins, neglect on the part of landlords and local authorities led to the area becoming rundown. The government repeatedly directed requests to the city council and the landlords – most of whom were white and not residing in the area – to upgrade what was fast becoming a slum on the doorstep of one of the most beautiful cities in the world. On 11 February 1966, the government declared District Six a white area under the Group Areas Act, and the wholesale removal of the inhabitants was started – mainly to areas away from the city.

This process took fifteen years and some 60 000 people were removed.

In 1937 a group of young Capetonians, socialist intellectuals from the Workers’ Party of South Africa and the Non-European Unity Movement, embarked on a remarkable public education and cultural project they called the New Era Fellowship (NEF). Through public debates, lectures, study circles and cultural events a new cultural and political project was born in Cape Town. Taking a position of non-collaboration and non-racialism, the NEF played a vital role in challenging society’s responses to events ranging from the problem of taking up arms during the Second World War for an empire intent on stripping people of colour of their human rights, to the Hertzog Bills, which foreshadowed apartheid in all its ruthless effectiveness.

The group included some of the city’s most talented scholar-activists, among them Isaac Tabata, Ben Kies, A C Jordan, Phyllis Ntantala, Mda Mda and members of the famed Gool and Abdurahman families. Their aim was to disrupt and challenge not only prevailing political narratives but the very premises – class and race – on which they were based.

By the 1950s their ideas had spread to a second generation of talented individuals who would disseminate them in the high schools of Cape Town. In time, some would exert their influence on national politics beyond the confines of the Cape. Among these were former minister of justice, Dullah Omar, academic Hosea Jaffe, educationist Neville Alexander and author Richard Rive.

This book is a testament to how the NEF was at the forefront of redefining the discourse of racialism and nationalism in South Africa.

Kan eet teruggeëis word as heilige daad, deels met die wete dat jy nooit geïsoleerd is nie, selfs al voel dit so?

Hedendaagse verbruikerskultuur vergeet die onsigbare, minag die ontasbare en maak ’n bespotting van die geringe. Is daar ’n lewegewende alternatief vir hierdie kultuur? Ons kan dit verander deur Christelike spiritualiteit en die keuse om aandagtig en bewustelik te lewe. Jy kan dit doen by ’n tafel – jy kan ’n sinnelose, bedwelmde bestaan ontkom en jy kan sien en hoor wat jy nooit sal sien en hoor as jy slegs ’n gewone verbruiker bly nie. Begin deur bewustelik te eet. Kyk na jou bord, asem die reuke in, kyk saam met wie eet jy, besef dat iets moes sterf vir daardie kos om op jou bord te beland, hetsy ’n hoender of ’n wortel. Die tafel is die verbindingsplek, met jouself, die natuur, met ander mense en met God. Kry balans in alles – moenie te veel eet nie, moenie te min eet nie, eet van alles, eet volhoubaar.

In Losing The Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature's founding moment was the 'transition' to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot- the mapping and making of social betterment - appears to have been lost.

The compulsion to forensically detect the actual causes of such loss of direction has resulted in the prominence of creative nonfiction. A significant adjunct in the rise of this is the new media, which sets up a 'wounded' space within which a 'cult of commiseration' compulsively and repeatedly plays out the facts of the day on people's screens; this, De Kock argues, is reproduced in much postapartheid writing.

And, although fictional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fiction underplots, yielding to the imprint of real conditions to determine the narrative construction.

Both India and South Africa have shared the infamy of being labelled the world's 'rape capitals', with high levels of everyday gender-based and sexual violence. At the same time, both boast long histories of resisting such violence and its location in wider cultures of patriarchy, settler colonialism and class and caste privilege.

Through the lens of the #MeToo moment, the book tracks histories of feminist organising in both countries, while also revealing how newer strategies extended or limited these struggles.

Intimacy and injury is a timely mapping of a shifting political field around gender-based violence in the global south. In proposing comparative, interdisciplinary, ethnographically rich and analytically astute reflections on #MeToo, it provides new and potentially transformative directions to scholarly debates this book builds transnational feminist knowledge and solidarity in and across the global south.

This amazing series contains the stories of 12 women who deserve to be celebrated; women that will inspire anyone.

From well-known women like Thuli Madonsela, Caster Semenya and Vanessa Govender, to more unsung heros such as Grizelda Grootboom and Suna Venter.

With unique, colourful illustrations by Linki Brand, this series is a must have for every young reader. This box set features four books, with three stories per book.

Book 1: Thuli Madonsela, Ingrid Jonker, Grizelda Grootboom

Book 2: Caster Semenya, Zulaikha Patel, Saray Khumalo

Book 3: Zolani Mahola, Maggie Jooste, Suna Venter

Book 4: Esther Mahlangu, Vanessa Govender, Elsje Neethling

Le ncwadi eyinqophamlando ngeyokuqala ngqa eyabhalwa ngesiZulu ngumbhali ongumZulu. UMagema Fuze wayibhala ekuqaleni kweminyaka ye-1900, wayishicilela ngasese ngowe-1922 ngesihloko esithi Abantu Abamnyama, Lapa Bavela Ngakona.

Kule ncwadi eyisimanga, umbhali usethulela akutholile ngemvelaphi nokwehlukana kwezizwe, achaze nokuthi bazinza kanjani abantu kwelaseNatali. Ubuye abhale ngamasiko amaZulu, asitshele ngomlando wamaZulu ngezikhathi zeziphithiphithi ngekhuluminyaka leshumi nesishiyagalolunye, konke ekubuka ngeso lamaZulu ayephila ngaleso sikhathi. Kulo mlando welaseNatali, uFuze ubuye adidiyele ukubhala kukaMbhishobhi Colenso uFuze abuye aphawule ngendlela okubekwe ngayo. Okubuye kwayicebisa kakhulu le ncwadi yisandulela esibhalwe nguHlonipha Mokoena esiphawula ngokujulile ngezimo zezikhathi zakudala ezazinezinselelo.

Abantu Abamnyama umthombo ohamba wodwa nje ongaba yigugu kubafundi abafuna ulwazi ngomlando wamaZulu nendlela okwakuphilwa ngayo ngezikhathi zawoShaka. Lo msebenzi uyimpendulo kubantu abahlale bebuza ukuthi – “Kodwa abantu abamnyama bavelaphi?”

Funeral service and insurance provider AVBOB, through its sponsorship of the AVBOB Poetry Project, gave South Africa the gentlest, most inclusive act of bereavement support in the form of an online poetry competition in all 11 official languages.

Poets submitted words of loss and consolation in all 11 mother tongues. Editors in all languages were carefully selected to curate the collection of poems entered, and they too were transformed by the process.

This is a poetry portal for all South Africans – a cathartic space where amateur and accomplished poets can use their craft to comfort others.

What can ancient wisdom teach us about thriving in today’s world? Why do some people achieve far more than others? Is it luck, or something deeper? What if you could combine the insight of Joseph and the foresight of Noah with a deep understanding of financial markets?

Joseph and Noah: What Ancient Wisdom can Teach us About Thriving in Today’s World explores the lives of ordinary individuals who achieved extraordinary success, fame, or wealth by thinking and acting differently. From ancient biblical figures like Joseph and Noah to modern-day icons—including a basketball legend, an award-winning actor, and a renowned constitutional judge—the pursuit of success transcends generations. This book also highlights lesser-known individuals who quietly built legacies of wealth, global brands, and landmark tourist destinations.

Each story reveals a common thread—a guiding model—similar to the principles drawn from Joseph and Noah, which helped these individuals navigate challenges. Ultimately, Joseph and Noah uncovers the truth behind success, debunking its often-romanticized portrayal and instead revealing a reality shaped by perseverance, resilience, and strategic decision-making.

Lewensgids vir vroue, Aletté-Johanni se nuwe boek, is geskryf vanuit ’n vars, nuwe perspektief en bied tydlose wysheid wat aanklank by vroue van alle ouderdomme sal vind.

Die boodskappe in hierdie handige lewensgids is gegrond op wat die Woord sê oor ’n wye verskeidenheid onderwerpe en uitdagings in vroue se daaglikse lewens. Aletté-Johanni gesels met die leser soos ’n goeie, wyse vriendin. Die inhoud bied die leser praktiese en geestelike raad en wenke wat vroue se hedendaagse leefstyl, verhoudings en situasies in ag neem en spreek die verskillende fases van vrouwees aan.

Van die onderwerpe wat bespreek word is ‘Hoe om die beste JY te wees’, ‘Hoe om ’n goeie vriendin te wees’, ‘Hoe om ’n goeie jong student te wees’, ‘Hoe om die beste vrou te wees’, ‘Hoe om die beste ma te wees vir babas/kleuters/laerskool kinders/tieners’, ‘Hoe om sosiale media te benader’, ‘Hoe om finansies te hanteer as individu/getroud/gesin’ en vele meer.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Die laanie Bernie Fabing by Vannie Kaap wil wiet: Is alles oraait byrie hys? Dis ’n bundel van hul mees popular memes en sluit oek nuwe eksklusiewe content in, wat nooit aanlyn sal verskyn nie.

Vannie Kaap is ’n plaaslike brand wat gewild geraak het toe hul inhoud op Facebook viral gaan. Vannie Kaap, gestig in 2015, se doel is om Kaapse kultuur te eer, maar dit het oek ’n movement geword om ander kulture oor die Cape Coloured se herkoms en taal te leer. Die deure vannie eerste Vannie Kaapwinkel het in 2017 oepgemaak en daar’s tans winkels innie V&A Waterfront, Cape Gate en Canal Walk.

“Is alles oraait byrie hys?” is die tagline wat gepaard gaan met die Vannie Kaap brand – aanlyn en op merchandise. En as jy nog nie van hulle gehoor het nie . . . raak wys!

Colouring-in is a favourite children’s pastime, and here’s a new addition to Struik Nature’s ‘Read, colour and keep’ series that will give hours of fun, while also expanding children’s knowledge of the natural world.

Why is Bulbine such a useful plant? Which flowers can we eat, and which are poisonous? What is South Africa’s national flower? Why do some flowers give off a rotten smell? Who pollinates our beautiful flowers?

Children will learn interesting facts while enjoying hours of fun colouring in this selection of our most striking flowers. They can consult the colour guide in the middle of the book when choosing which shade of crayon or paint to use for the more than 40 outlined images – or make up their own fantastically-hued flowers!