Hierdie liefdesverhaal strek van Suid-Afrika na Nederland en weer terug. Hier is twee mense wat bestem was om saam te wees, maar mekaar verloor het en na baie jare weer gevind het.

Magiese oomblikke wanneer amper-vergete herinneringe meteens klokhelder opgeroep word; die elke dag se herontdekking van mekaar – maar ook die onbeskryflike hartseer met die besef van al die verlore jare en ʼn futiele woede oor verspeelde geleenthede en gedane sake word op pragtige maniere uitgebeeld.

Baie trane is gestort – soms van weemoed, soms van blydskap, soms van wanhoop. Daar is ook onthou, ontdek, gelag, geniet, gesoek, gevind. Die leser gaan saam op reis en sal dit moeilik vind om nie meegevoer te raak nie.

A watercolour journey through the experiences of the forest folk during the pandemic.

This book introduces a series of characters, each with a personal struggle, often presented with a humoristic twist, and how they have dealt with it during a particularly trying time. The characters, although fictional, capture the struggles of many, even those who attempt to conceal theirs.

The overall theme is that we are all united in our struggles and challenges. The artworks are authentic, and although the pages were edited to blend with the text, the watercolour is unedited. The various textures and techniques match the characters’ personalities. The book has a distinctly South African flavour with international appeal.

Louis, a self trained photorapher , grew up on a smallholding north east of Pretoria in South Africa. Louis qualified in the field of commerce and followed a corporate career in a large financial services organisation . At the age of 40, Louis started to take photography, his hobby for many years, more seriously.

He enrolled for varies courses and did a lot of self studying on the subject. Louis discovered the value of photography as a medium to communicate without words and how to paint stories with light. He became passionate about photographing remote landscapes, places and ordinary people. Over the last 20 years, Louis has participated in several solo and group exhibitions. He exhibits permanently in Price Albert, his hometown, and shares his passion for photography with others during workshops .

An invaluable resource for every card maker! Filled with ideas for card makers of all levels and especially useful when you just don't know where to start, this fabulous collection of blueprints will simplify the process of creating beautiful cards. Basic information on colour, composition and balance is practically applied in easy to follow sketches that will help you save time and give you a basic design so you can focus your creativity on selecting and combining the different elements. Each sketch has detailed information on the proportion, placement and sizes of all elements, so you can use your existing supply of paper, cardstock and embellishments to create the cards, knowing that all the elements will be balanced and the card visually pleasing. They are both time-saving and a great way to use up scraps from earlier paper projects. Each sketch has multiple application possibilities when rotated clockwise or anti clockwise, or flipped horizontally or vertically, or inverted. Layouts are included for standard, square, oblong and large cards in both vertical and horizontal orientation. Each sketch is illustrated with multiple examples of cards made by different card makers, showing you several applications of the same plan in different styles, from really simple to intricately layered ones. Examples show how the same basic design can be used for several occasions, from birthdays to wedding invitations. With a basic plan in hand you can think out of the box and use embellishments and paper combinations in ways that you have never thought of before.

In Moerstaāl word oorsprong in oënskyn geneem: perspektiewe word gebied op geskiedenis en erfenis en hoe dit met taal saamhang. ’n Skryfwyse wat deur Khoekhoegowab geïnspireer is, veral wat die gebruik van die makron op klinkers betref, word ingespan tesame met Sols se kenmerkende Ghoema-Afrikaans. ’n Respek vir byna uitgestorwe kennis word oorgedra en in dié opsig is die gedigte ’n kreet van verlies en ’n bewuste poging tot ’n daad van bestendiging.

Die lewe-gewende moederfiguur tree hier na vore – die vrou wat verguising en ontkenning moes deurleef en wie se bydrae en plek, soos ook dié van die taal, in en deur die bundel herstel, of ten minste openbaar gemaak, wil word.

Die musikaliteit van Sōls se vorige twee bundels is weer hier teenwoordig. Só ook sy vlymskerp kommentaar en ironie, en sy digterlike gebruik van spreektaal. Sols se terugkeer na geskrewe poësie – die eerste bundel in sestien jaar – is beslis ’n groot aanwins vir die Afrikaanse letterkunde.

This book will let the reader into the world of migrant workers and how they have used their culture and heritage to reimagine and create a new socio-economic order through the production of cultural goods and services.

This is the story of Kwa Mai Mai; an economic trade zone that has captured the imagination of people who dared to dream. Kwa Mai Mai is the beginning of everything Johannesburg is meant to be, the City of Gold, a place where dreams deferred become true. The book tells a story of a people’s culture, wrapped in beautiful memories of life in villages left behind but collectively remembered by those who refuse to forget, lest they lose themselves in the concrete jungle that knows no mercy.

This is a story of how cultural memory, sacredly preserved and transported to new geographies, can serve both as cultural weapon that can be used to resist subjugation, while unleashing it as an economic weapon to turn those priceless traditions into tradeable commodities. The book narrates a story of how those who are the keepers of cultural memory can wield it as a weapon of survival and use its power to petition the entrepreneurial and creative spirits buried deep down in the souls of their true being.

The book raises an argument built on an assumption that if cultural memory can be stored and retrieved through artefacts, sites, ceremonies, myths and rituals, including texts, then Kwa Mai Mai assembles and converges these into one place and space of worship and celebration. This is a place where the hypervisibility of its bearers is always in a constant fight against being eclipsed by those who would rather pretend it did not exist – the City that created it.

The book combines both the author’s observation and interpretation gathered from ethnographic work of over four years, as well as the voices of those who reluctantly remained in this City when no other alternative presented itself, short of returning to the villages in absolute defeat.

What with the rising cost of travel, the scary exchange rate, the cost of visas, traffic congestion on the roads to the coast, the environmental cost of air travel and – generally – a lack of time, perhaps we should revisit the concept of holidays. Do we really have to travel halfway across the world or halfway across the country for a holiday to ‘count’? After all, what makes a holiday a holiday anyway? What makes it special? Two days of genuine relaxation within 100km of your home is worth more than a week in a glamorous resort if you’re stressing out about work, are in semi-constant contact with the office, or are trying to figure out how you are going to resuscitate your credit card when you get back. A holiday is a state of mind.

It’s a series of special moments that you will treasure forever. And that’s what’s so great about staycations. No long queuing and interviews for visas, no long queues at the airport, no long flights, and no long, thousand-yard-stare, endless drives through the Karoo. By choosing a staycation, you minimise the boring, long bits of holidays, and maximize the fun, interesting bits that make for treasured memories. And, hey, you save money, save fuel, and pile up carbon credits at the same time. What’s not to love? And you would be amazed at how much there is to do so close to the city – stunning hikes and country stays, big five safaris, awesome golf, amazing adventures, romantic retreats, and genuinely fun family-friendly resorts where your kids can act their age, and so can you.

So, check it out – you’ll find amazing golf staycations, adventure staycations, safari staycations and a range of fabulous one-tank-cations spreading out from the city like the petals of a daisy. North, south, east, west – close to home is best.

"Things Even Gonzalez Can't Fix" is the shockingly brilliant debut memoir of a 24-year-old Greek South African girl, Christy Chilimigras. It is nothing like "My Big Fat Greek Wedding". Although there are old women in black plucking stray hairs from their chins, the nuts in the baklava appear by way of a dash of crack cocaine, a sneaky brand of sexual abuse and cereal Tupperwares, packed to the brim with dagga. It is also very funny.

It is the story of a young girl growing up in Johannesburg in a space of pure chaos, raised by two addict parents. In reality Christy, otherwise known as Mouse, is raised by Tiger, her older sister. Their childhood is strange, made up of crack excursions to Hillbrow on second weekends at 3am, courtesy of their father, and a dope-smoking mother, Old Lass, who raises the two young girls single-handedly while starting her own business. Tiger and Mouse’s worlds are overturned when Old Lass proceeds to marry an alcoholic control freak under an unsuspecting tree, only to get arrested following an invasion by the Hawks.

“Children of addicts are curious things. We are deathly serious. We tinker on the edge of the worst case scenario. We are manic in our joy. We mean to dip our toes, but rather dive head first into extremes. We despise drugs … and people who do drugs. So what then does it say about me when at 16 I fall desperately in love with a boy who perpetually has a joint dangling from his lips?”

"Things Even Gonzalez Can't Fix" is also a disturbingly brutal story about two sisters, raised by a father who has been sexualising them since they were toddlers.

“We are desperate for answers and the knowledge of where to place our discomfort. If it feels like abuse and hurts like abuse, but it doesn’t look like the abuse we read about in magazines, does it even count?”

At 16 Christy falls in love with Olive Oil, a dopehead addict, then, at 22, with a much older sado masochist, The Italian, who introduces her to a world of dangerously rough sex.

“The book is my attempt at reclaiming my sanity and sexuality, which was colonised a long time ago. It involved countless bowls of pasta, glasses of wine (which best you believe I overthought) and a compulsion to be honest; very honest. Like oh sweet Jesus it hurts to spill your guts. It hurts to be this honest.”

A book that simply pulsates with edgy originality, that unleashes a Millennial’s unapologetic perspective of our world, Christy Chilimigras is a new voice that demands to be read. Not since Kopano Matlwa’s "Coconut" has a book promised to shake perspectives and overturn the way we see things.

Emile Joubert is sy lewe lank ’n kosgenieter.

Op sesjarige ouderdom het sy ouma se kerrie ’n groot indruk op hom gemaak en van daar af was hy ’n onkeerbare smulpaap en het kos hom betower – of dit nou die skoolmaaltye in sy kortstondige verblyf in Londen was, die honger en dors in die weermag, of die seekos wat hy uitgeduik het – Joubert se kosobessies word lewend in sy lekker skryfstyl in die oortreffende trap.

Sy kosreise strek van Londen tot Griekeland, Italië, Frankryk en die dorre landskap van Angola. Die Mars bar, fondue, baked beans, oesters en boeliebief is enkele van die kossoorte wat sy reise vergesel.

Alle Sondaars Welkom is ’n mengelmoes gedagtes oor God en sy mense wat oor die laaste paar jaar geskryf is.

Jaco Strydom motiveer lesers om te leer by groot geeste in die verlede en die vreemde wesens wat ronddwaal in die hede; community met ander soekers te ontdek; in verwondering te staan voor die misterie en nuut te kyk na Jesus.

Die boek sal jou uitdaag om saam te soek na die wilde waarheid, na geloof te midde van ongeloof, bygeloof, misterie en verwondering.

Hoekom is ons ryker as ons voorsate? Wat het 'n Indonesiese vulkaan met die Groot Trek te doene? Hoe wen jy 'n Wêreldbeker? En wat het Karel die Grote gemeen met koning Zwelethini? Dit is maar enkele van die vrae wat die gewilde Rapportrubriekskrywer Johan Fourie onderhoudend verken in hierdie heerlik leesbare ekonomiese geskiedenis wat strek van die migrasie uit Afrika 100 000 jaar gelede tot vandag.

Skatryk is 'n boeiende reis deur die geskiedenis wat ons wys hoe welvaart geskep en uitgebou word. Hoekom floreer een groep, maar 'n ander bly 'n sukkelbestaan voer?

Fourie verduidelik in sy unieke, vermaaklike styl vol onverwagse feite waarom die bouers van 'n samelewing - eerder as dié wat afbreek - uiteindelik seëvier.

Annamarie van Niekerk gaan brutaal eerlik om met vraagstukke waarmee ons daagliks worstel: plaasmoord, geweld teen vroue, skuld en onmag, aandadigheid en keuse.

Sy woon in Den Haag, maar keer terug Suid-Afrika toe vir die begrafnis van haar liewe vriend, Ruben, wat saam met sy ma in ʼn wrede plaasmoord vermoor is. Dié reis lei terug na ander reise: Van haar kinderjare in PE in ʼn streng Nasionale huishouding met ʼn Broederbondpa. Na Umtata, waar sy gaan klasgee en verlief raak op ʼn swart kollega. Na Hillbrow, waar die twee van hulle onwettig saamwoon en aktief is in skrywersirkels met vriende soos Nadine Gordimer en Njabulo Ndebele. Tot geweld ook hul verhouding binnedring. Uiteindelik na die tronk, waar sy Ruben se moordenaars gaan soek in haar strewe na verstaan.

Van Niekerk vervleg haar eie storie aangrypend met ’n verkenning van die groot kwessies in ons land. Onder ʼn bloedrooi hemel is ʼn diep ontroerende persoonlike reis, van geweld na genade, meesterlik vertel.

Wanneer gebed iets is wat jy elke dag moet doen, ’n gesprek met die plafon of die vervelige herhaling van dieselfde woorde het die wonder van gebed vir jou verlore geraak.

In hierdie heruitgawe van Ferdinand Deist se klassieke topverkoper boek oor gebed gesels hy met mense wat wil bid, maar nie kán nie.

Hierdie is geen kitskursus in die kuns van gebed nie, maar 'n toeganklike sagte begeleiding vir elkeen om die geheim van gebed terug te vind.

Hoe gaan jy aan as jy beroof is van die lewe wat vir jou kosbaar was? Die insig wat Johannes de Villiers verwerf het toe sy eie lewe uitmekaar geval het, is die inspirasie vir hierdie boek.

Johannes gaan steek kers op by deskundiges en terapeute, maar ook veral by gewone mense wat deur die lewe platgevee is. Groei, vind hy, is nie om veerkragtig terug te bons na wie jy was voor dinge verkeerd geloop het nie.

Maar jy kán dit oorleef - en selfs sterker wees.

Speel jy al 'n ruk lank met mosaiekwerk, maar voel jy moet dit nou op 'n hoer vlak beoefen? Of is jy 'n beginner wat soek na 'n uitdaging? Dan is hierdie boek net wat jy nodig het. Dit bied mosaiekwerk aan as 'n kunsvorm waar lyn, kleur en tekstuur almal saamwerk om pragtige resultate te lewer. Die treffende foto's op elke bladsy is inspirerend en leersaam. Die skrywer, wat oorspronklik 'n tekstiel ontwerper was, besef hoe belangrik die keuse van 'n ontwerp is wanneer jy 'n mosaiekprojek wil onderneem. Hierdie boek sal jou leer hoe om die regte ontwerp te kies en dit as 'n ontwerptekening weer te gee. Die tegniese inligting wat verskaf word, sal jou lei deur die proses om 'n ontwerp te kies, jou leer van die verskillende teels wat beskikbaar is, oppervlakke waarop jy kan werk en watter vir bepaalde toestande gebruik moet word, die materiaal en gereedskap wat nodig is, sowel as die verskillende mosaiektegnieke wat vir die voltooiing van jou projek gebruik kan word. Daar is selfs voorstelle vir alternatiewe as benodigdhede in jou omgewing moeilik bekombaar is. Die stap-vir-stap-projekte is pragtig en kan presies gevolg word, maar die skrywer moedig mosaiekwerkers aan om die projekte hul eie te maak deur met kleur en tekstuur te speel. Die projekte sluit groot en klein items in wat jy in jou huis of as geskenke kan gebruik, en gee alternatiewe voorstelle en idees ingeval jy 'n ander voorkoms of gevoel sou verkies. Mosaiekkuns behels soveel meer as die blote plasing van teels langs mekaar, en met Doen Mosaiek in die hand sal jy ontdek hoe geweldig bevredigend hierdie handwerkvorm kan wees.

As a follow up to the bestselling Killing Kebble: An Underworld Exposed (2010), Ministry of Crime: An Underworld Explored examines how organised crime, gangsters and powerful political figures have been able to capture the law enforcement authorities and agencies.

These various organisations have been eviscerated, hollowed out and left ineffective. They have been infiltrated and compromised and, as a result, prominent underworld figures have been able to flourish in South Africa, setting up elaborate networks of crime with the assistance of many cops.

The criminal justice system has been left exposed and it is crucial that the South African public knows about the capture that has occurred on different levels.

The people who face the biggest dangers from the COVID-19 pandemic are pensioners.

The virus places their lives at greater risk, and their limited finances are under serious threat. They need to take action now to ensure they keep themselves financially afloat. And the COVID-19 virus is not their only threat. They were already faced with the major fallout from state capture under Jacob Zuma’s presidency and the resulting downgrading of South Africa to junk status and the plummeting of the value of the rand.

This book clearly explains the challenges facing pensioners, and outlines what they can do to improve their situation. Written by award-winning author Bruce Cameron and leading financial planner Wouter Fourie, and based on research by the country’s largest pension fund administrator, Alexander Forbes, as well as life companies Just SA and Sanlam, this book is essential for anyone concerned about their financial future.

At the northern entrance to Prince Albert in the Great Karoo lies Northend, a neighbourhood home to a special group of people. They have a very special way of communicating with others through their stories, which indicate an inherent joy of life. However, judging by their environment and circumstances, it is clear that they have experienced many hardship, and for an outsider it is an enriching experience to meet them.

Every picture in Slow Down Look Again tells a story and is supported by explanatory text. These enable the reader to gain insight into the past and the present of this unique neighbourhood and its residents.

The joy and sorrows of the residents of Northend - as well as their scant earthly possessions - are illustrated through Louis Botha?s excellent choice of photographic backgrounds. And yet the absolute neatness of their homes illustrates a certain pride - poverty without dilapidation. The intimacy of the photographs ultimately leaves the reader enriched. We become witnesses not only to the extraordinary character of a close-knit community, but also of its trusting relationship with the person whom they have allowed to tell their story. Louis Botha was born in Bloemfontein in 1955 and grew up on a small-holding north-east of Pretoria. After school he studied finance and followed a career in the Financial Services Industry. At the age of 40, and encouraged by his wife he pursued his hobby more seriously. He?s held several exhibitions and lives in Prince Albert.

For two decades before a railway system linked southern Africa’s principal cities in the mid-1890’s, the world’s richest supplies of diamonds and gold were transported by coach and horses to distant ports for export. For Irish soldiers based at Fort Napier, Pietermaritzburg, the temptation of this fabulous wealth proved irresistible: they deserted by the score and, as members of the ciminal ‘Irish Brigade’, embarked on a spree of bank, safe and highway robberies.

Masked Raiders follows the wild exploits of legendary brigands like the McKeone brothers and ‘One Armed Jack’ McLoughlin, who ravaged the subcontinent, from the mining towns of Barberton, Kimberley and Johannesburg, to the borders of Basotholand, Bechuanaland, Mozambique and Rhodesia. With tales of heists, safe-cracking, illegal gold dealings, prison breaks and hidden roadside treasure, the book reveals the potency of the highveld’s ‘criminal heroes’.

Startling insights also reveal how the hidden grammar of brigandage informed political actions of the day, such as the Jameson Raid, and how the movement of bandits across the interior helped shape the borders of what was to become modern South Africa.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Die geliefde skrywer Dana Snyman deel sy waarnemings en belewenisse van die vreemdste tye wat ons nog beleef het: Die boek begin triomfantelik met die Springbokke wat die Rugbywêreldbeker wen, en toegejuig word tydens optogte deur die hoofstede van ons land. Maar baie vinnig verander alles. Die koronavirus slaan toe, en die hele wêreld word onderstebo gekeer. “Dinge is anders nou, meneer, in die tyd van die gif,” soos ’n ou oom by die plaaslike kafee vir Dana vertel.

Dana beskryf die eerste veertig dae van die eerste inperking; dan ry hy trein om sy sterwende vriend in Gauteng te gaan groet. Hy skryf oor die treinrit, en ook oor die treine wat nie meer ry nie. Laastens praat hy met die mense wat die grootste gevaar loop ter wille van ander – die dokters en verpleegsters wat die siekes versorg. Dan kry hy self ook Covid19.

Dana se kenmerkende fyn waarneming maak In Die Tyd Van Die Gif ’n leesmoet. Daar is pyn en verlies, maar ook geloof en hoop. Dit alles met ’n goeie skeut humor.

Are you tired of feeling stuck and unsure in your love life? Have you been searching for answers on how to improve your relationship but haven’t found anything that works?

Whether you’re struggling with attracting the wrong partners, feeling unsure about investing more in your current relationship, or simply seeking to strengthen your connection with your partner, “Uncomplicated Love” is the definitive resource to help you move forward with confidence.

This book is your ultimate guide to navigating the complex landscape of love and building a thriving partnership with your significant other.

The miracle of birth brings great joy to new parents, but it also raises many questions and concerns.

This new edition includes updated content and the latest information on COVID-19 and provides sensible answers to your questions - even answers to questions you have not yet thought of!

• Preparing for conception
• How to care for your baby and yourself during pregnancy
• Choosing the right caregivers
• How your partner can contribute during pregnancy, birth and in caring for your baby
• The latest information on tests during pregnancy
• Pain relief and birthing options
• Advantages of breastfeeding and practical tips for breastfeeding success
• Preparing to bring your baby home and how best to involve siblings
• How to care for your newborn (and yourself, your partner and your family)
• The latest South African shoppers' guide and support groups

Both India and South Africa have shared the infamy of being labelled the world's 'rape capitals', with high levels of everyday gender-based and sexual violence. At the same time, both boast long histories of resisting such violence and its location in wider cultures of patriarchy, settler colonialism and class and caste privilege.

Through the lens of the #MeToo moment, the book tracks histories of feminist organising in both countries, while also revealing how newer strategies extended or limited these struggles.

Intimacy and injury is a timely mapping of a shifting political field around gender-based violence in the global south. In proposing comparative, interdisciplinary, ethnographically rich and analytically astute reflections on #MeToo, it provides new and potentially transformative directions to scholarly debates this book builds transnational feminist knowledge and solidarity in and across the global south.