In this thought-provoking manuscript, Andrew Murray-Desmond Tutu Prize winner Siya Khumalo presents a powerful critique of institutional Christianity, arguing that when faith becomes aligned with empire and power structures, it transforms from a prophetic force into a tool for social control and legitimacy.

The work calls for a Christian witness that refuses assimilation into systems that domesticate faith, and for a renewed spirituality that protects conscience from consumption, and practices restraint and accountability rather than domination. It sustains the indictment of empire's capture of religion while calling for a faith that destabilises power, preserves prophetic conscience, and remains true to the vulnerable, crucified Saviour who judges all human authority structures.

It challenges readers to discern when saying “no” to religion becomes an act of faithfulness to the God who stands outside and critiques all human power.

Over the past few years, it has become clear that the path of transformation in schools since 1994 has not led South Africa’s education system to where we had hoped it could be. Through tweets, posts and recent protests in schools, it has become apparent that in former Model-C and private schools, children of colour and those who are ‘different’ don’t feel they belong.

Following the astonishing success of How To Fix South Africa’s Schools, the authors sat down with young people who attended former Model-C and private schools, as well as principals and teachers, to reflect on transformation and belonging in South African schools. These filmed reflections, included on DVD in this book, are honest and insightful.

Drawing on the authors’ experiences in supporting schools over the last twenty years, and the insight of those interviewed, A School Where I Belong outlines six areas where true transformation in South African classrooms and schools can begin.

This is the first book to capture the poignant stories of transnational African families and their use of Information and Communication Technologies (ICTs) in mediating their experiences of migration and caring across distance.

Transnational Families in Africa analyses the highs and lows of family separation as a result of migration in three contexts: migration within South Africa from rural to urban areas; migration from other African countries into South Africa; and middle-class South Africans emigrating to non-African countries. The book foregrounds the importance of kinship and support from extended family as well as both the responsibilities migatory family members feel and the experience of loss by those left behind.

Across the diverse circumstances explored in the book are similarities in migrants' strategies for keeping in touch, but also large differences in relation to access to ICTs and ease-of-use that highlight the digital divide and generational gaps. As elsewhere in the world, and in spite of the varied experiences in these kinship circles, the phenomenon that is the transnational family is showing no signs of receding.

This book provides a groundbreaking contribution to global debates on migration from the Global South.

In Mei 2000 skryf die joernalis Chris Louw ’n ope brief aan Willem de Klerk waarin hy sy griewe lug teenoor die regering wat aan bewind was in die tyd van die Grensoorlog (ongeveer 1966–1989).

Chris Louw, oftewel “Boetman”, is ontnugter deur die patriargale leiding van die Afrikanermans van daardie tyd.

Pieter Fourie het Chris Louw se brief omskryf tot ’n drama waarin verskillende stemme en menings gehoor kan word, onder andere dié van ’n ma wat haar seun in die Grensoorlog verloor het, die joernalis Annesu de Vos wat met Chris Louw ’n debat op LitNet gevoer het en ’n swart aktivis.

For the child in all of us, a timeless illustrated story about connection and compromise brought to life with imagination, from the #1 New York Times bestselling author of Born a Crime

“But sooner or later your mother will find us,” Walter said, looking back at the house. “She always does.”

The boy’s eyes lit up again. He had an idea.

“Then this time we need to go where we’ve never gone before,” he said. “Into the uncut grass!”

In the tradition of The Boy, the Mole, the Fox and the Horse comes a gorgeously illustrated fable about a young child’s journey into the world beyond the shadow of home, a magical landscape where he discovers the secrets of sharing, connection, and finding peace with the people we love. Infused with the author’s signature wit and imagination, in collaboration with visionary artist Sabina Hahn, it’s a tale for readers of all ages—to be read aloud or read alone.

Futureproof your business, career and family with these invaluable insights. This is an essential compendium of trends for anyone who is anxious or excited about thriving in the uncertain decade ahead. Along with accompanying actionable insights to pre-empt and solve the challenges and problems they represent to the serious South African with business, career and family interests to look after, it's a must-have.

Die skrywer se eerste boek, Vandag se sekretaresse (Human & Rousseau, 1988), was gebaseer op ontelbare kantore, kollegas en werkgewers waarmee sy tydens 'n elektroniese revolusie te doen gekry het. Daar was wêreldwye bekommernis oor of die sekretaresse met moderne kantoortoerusting vervang sou kon word. Nou is daar weer wêreldwye onsekerheid tydens 'n pandemie waar vetsug lewensgevaarlik is. My laaste dieet is die memoires van 'n smullende skaalslaaf. Ná 'n lewenslange stryd en ervaring van vraatsug, gepaard met kennis en ondervinding van 'n magdom diëte, beskou die skrywer haarself as die Koningin van Diëte.

Mitch is living the good monkey life. As his home is in a tree above a fancy restaurant, his diet consists of fine-dining gifts from dinner guests. So when the chef puts up a new sign that reads ‘Do NOT Feed The Monkey!’, Mitch panics. Who will bring him delicious food now? But with help from some unexpected cooks, Mitch discovers that making his own food isn’t so bad after all.

This is a cookbook for children with 49 creative and easy recipes for all occasions, told through the adventures of a hungry monkey and his friends on the African savannah. The author, Marleen Lammers, is an experienced children’s fiction book storyteller, while the illustrator, Anja Stoeckigt has created the most charming and engaging depictions of both the animals and the recipes.

Die koeël is deur die kerk. Die huweliksbootjie het gesink. Hy kry die bed en sy die tafel. Hoekom skei hulle en hoekom skei hulle nóú dat jy ’n volwasse kind is?

Jou ouers is besig om te skei of hulle is klaar geskei. Almal fokus op hulle, maar jy suffer ook. Volwasse kinders kry swáár wanneer hulle ouers skei. Net so swaar, indien nie swaarder as jong kinders nie.

’n Eerste in Afrikaans — ’n handleiding vol raad oor hoe om die sleg en gesukkel van ’n egskeiding te hanteer waar volwasse kinders van egskeiding (18 jaar en ouer) hulle eerstehandse ervaring, verwarring, onsekerheid, woede en hartseer deel wat begin die oomblik as Ma en Pa sê: dis verby.

Die slegte nuus? Die egskeiding sal altyd ’n wond wees. Die goeie nuus? Jy kan leer hoe om dit beter te hanteer en met tyd kan dit net ’n letsel word. Soos Gretha (26) sê: “Time makes all wounds bearable.”

“Becoming a mother has been my deepest desire. But it’s not happening. Now what?”

Through her very open and honest first-hand account of her seven-year struggle to conceive, titled Abundantly Empty, Cathy hopes to help remove the stigma, improve understanding and provide inspiration to others on how to cope and keep moving forward.

Abundantly Empty delves deep into the world of infertility and offers an insightful 360-degree perspective, with informative contributions from leading fertility specialists, including Professor Thabo Matsaseng, and her clinical psychologist, as well as input from her husband Julian, family and friends. The egg donors and surrogates share their experiences too. In clear, direct ‘journal’ language, the book traces the highs and lows, the elation and intense grief of the infertility rollercoaster. It also explores its impact on Cathy’s marriage, her friendships and her career.

The primary reason for writing this book, Cathy says, was to send a ‘You are not alone’ message to other couples battling to start a family, to break the silence and increase understanding of what it takes to survive infertility and retain hope, courage and meaning.

Abundantly Empty is an emotionally gripping, heart-warming and useful must-read not just for those on the fertility journey, but also for those on the sidelines who want to provide support, but don’t know how.

Alex la Guma was a major twentieth century South African novelist. His first novel, A Walk in the Night, in 1966 brought him instant recognition as a pioneering writer on the African continent. Its ‘startling realism and accurate imagery’ drew high praise from his contemporaries. Wole Soyinka, later awarded the Nobel Prize for Literature, and Ngũgĩ wa Thiong’o . The critic and writer, Lewis Nkosi, likewise, compared La Guma’s intense and sombre vision of the individual in society to that of Dostoevsky. La Guma was also an important political figure. As leader of the South African Coloured People’s Organisation and a communist, he was charged with treason, banned, house arrested and eventually forced into exile. At the time of his death in 1985 he was serving as chief representative of the African National Congress in the Caribbean.

Published on the centenary of Alex La Guma’s birth on 20 February 1925, The Early Writings of Alex La Guma contains a selection of his early work as a journalist and short story writer, before he became a published novelist and was forced into exile. It provides unique cameos of South African life and politics during a turbulent time in the country’s history – the late 1950s and early 1960s, the years around Sharpeville – at the same time giving us insight into the making of a novelist. The ‘hidden’ world of Alex La Guma – material, social, emotional, political and intellectual – at a time when he was developing into a serious writer, is revealed. Many of the themes in his fiction are first encountered and developed in these early newspaper articles, providing useful material for literary scholars seeking to understand the progression of his work.

A reviewer wrote that this book, like Alex La Guma’s novels, captures not only the misery of poverty and oppression in South Africa, but also the rich song of everyday life beneath the surface. It reads easily as fiction and adds significantly to our understanding of popular culture in Cape Town, as well as to the social and political history of the city. When asked what one of his novels was about, La Guma – born and bred in District 6 – replied, ‘Ag, just about the folks back home’. La Guma peels off, as if with a scalpel, the glossy covers of the Cape’s tourist-brochure ‘liberalism’ to reveal the hard realities faced by the majority of its (non-) citizens: This is District Six talking. It is unmistakable – terse, racy, humorous, as convincing as truth.’

La Guma’s insider accounts of contemporary politics also help with the recovery of important aspects of the history of the South African liberation movement.

Low Carb is Lekker Three continues the journey begun by Inè Reynierse in 2015, when her awardwinning cookbook, Low Carb is Lekker, took the country by storm.

Building on the demand for carb-conscious, sugar-free and grain-free meals, Inè’s recipes put the emphasis on nutritionally upgraded, healthy eating. Her dishes don’t require speciality ingredients or expensive food substitutes.

Living in a small Boland town, she has learnt to be creative with what she has to hand: good quality meat and dairy, and the freshest vegetables and herbs. Her dressings, dips, sauces and gluten-free flour mixes form the basis of a superb selection of recipes that will take you from breakfast to dinner and from weekday family meals to weekend entertaining.

With her focus on improving general health and wellbeing, Inè’s recipes will appeal to anyone who wants to put good food on the table every day of the week.

This is a unique collection of writings on race and racism by black women from South Africa and Brazil. Encompassing both fiction and non-fiction, the anthology is made up of academic essays, creative non-fiction, poetry and short stories.

Through these different modes, the book engages with the complexities of race in multiple social, political, economic, institutional and personal spaces. Concerned with social justice, human rights and freedom, the various feminist critiques centralise the intermingling of racial, gender and class subjectivities and how these are marked on bodies, but also how they are un-marked, re-marked and re-made. These critiques are tied to global and local social and political phenomena in the modern-day world.

The contributors interrogate their political and personal worlds, revealing layered, intersecting ways of being that are essentially foregrounded by colonial histories, but not defined in totality by coloniality and oppression. In speaking to the immediacy of these experiences, they reflect and narrate the past, contemplate the present and imagine the future.

This anthology is underwritten by questions that centralise freedom. What does freedom mean? When do we have it, and when do we not? Most importantly, how do we get it?

Hoekom is ons ryker as ons voorsate? Wat het 'n Indonesiese vulkaan met die Groot Trek te doene? Hoe wen jy 'n Wêreldbeker? En wat het Karel die Grote gemeen met koning Zwelethini? Dit is maar enkele van die vrae wat die gewilde Rapportrubriekskrywer Johan Fourie onderhoudend verken in hierdie heerlik leesbare ekonomiese geskiedenis wat strek van die migrasie uit Afrika 100 000 jaar gelede tot vandag.

Skatryk is 'n boeiende reis deur die geskiedenis wat ons wys hoe welvaart geskep en uitgebou word. Hoekom floreer een groep, maar 'n ander bly 'n sukkelbestaan voer?

Fourie verduidelik in sy unieke, vermaaklike styl vol onverwagse feite waarom die bouers van 'n samelewing - eerder as dié wat afbreek - uiteindelik seëvier.

In this compelling anthology of essays, professor Aslam Fataar reflflects on the ethical foundations essential for faithful and just living in today’s complex world. Anchored in the principle of adab al-ihsān – ethics of beauty and excellence – Fataar guides readers towards God-conscious, dignifified living that champions social justice.

Drawing from personal experiences, including his hajj pilgrimage with his wife, Najwa (co-author of four of the essays), and the legacies of anti-apartheid icons such as Imām Abdullah Haron and Imām Gassan Solomon, this work offffers both intellectual depth and practical wisdom. Addressing critical issues such as social inequality, genocide, war, environmental crises, and digital disruption, Fataar inspires readers to confront moral challenges with compassion, truth, and justice.

This essential volume serves as a beacon for those invested in public theology, ethical leadership, and social transformation in South Africa and globally.

The ancient Greeks trained in the nude in the gymnasium and also competed in the buff in the Olympic Games – they literally had skin in the game. The ancient Greek word for gymnasium – gumnasia – means to train naked. However, the ancient Greek gyms were not just for physical training but also had dedicated spaces for intellectual exercise, for philosophy, teaching and conversation.

To train naked is to show up just as you are – no pretences, no masks, no BS. We train to compete, we practise in order to nail a presentation. We should also be training to become better human beings, to craft meaningful lives, do work that matters, and to thrive in chaos. Pierre du Plessis’s daily reflections, meditations and practices presented in this book are a call to train naked, to practise for the ultimate marathon, and to have skin in the game.

Train Naked is a curated selection of short reflections – prompts to get skin in the game – on building a meaningful life and doing work that matters. Combined with a selection of ancient practices, such as meditation, Pierre’s thoughts and ideas aim to inspire each reader to take charge, to try, to act, to learn and to do.

Eierigting is‘n regsterm wat beteken dat jy die reg in jou eie hande neem.

In ‘n grondwetlike bestel is die uitgangspunt dat die burgery kollektief hul reg om hulself te beskerm oordra aan die staat. Wanneer die staat faal en nie meer sy burgers beskerm nie, verander die situasie. Dan raak eierigting nodig.

Willie Spies skryf sedert 2016 – die jaar van Fees Must Fall in Suid-Afrika en die verkiesing van Donald Trump in die VSA – rubrieke vir Beeld en Netwerk 24.

Die rubrieke ontgin die stand van die makro-omgewing van verval van die staat waarin Suid-Afrikaners hulle bevind gedurende die jare van staatskaping, die einde van die Zuma-bewind, die EFF, die einde van Afrikaans in die universiteitswese, die era van Rama-forie, die COVID-pandemie en gepaardgaande wêreld gebeure in historiese konteks.

Dit keer telkens terug na die mikro-werklikheid van eie menswees, geloof, hartseer, eensaamheid, verlies, ouer-word en vergifnis.

Dit ondersoek ’n nuwe vryheidsideaal, 30 jaar na die verkiesing van 27 April 1994 en beskryf hoe eierigting regmatig deur instellings van die burgerlike samelewing plaasvind wat leemtes vul wat die staat ooplaat.

Waarom glo mense dat die sterre en planete se posisies jou toekoms kan bepaal, of dat gesprekke met dooies moontlik is? Dis die soort vrae wat George Claassen in hierdie boek stel. George Claassen is dosent in wetenskapjoernalistiek aan die Universiteit Stellenbosch en die skrywer van die By-rubriek "Kwakoskoop" waarin hy vreesloos alle vorme van kwaksalwery onder die soeklig plaas. Hierdie teks bestaan uit vyftig hoofstukke waarin ’n verskeidenheid onderwerpe aangeroer word, van evolusie en die kartering van die menslike genoom tot supersnaarteorie en sieninge oor die ontstaan van die heelal.

Met haar nuutste bundel, Disteltyd, neem die digter Marlise Joubert bestek op haar lewe; die verouderingsproses met gepaardgaande fisieke aftakeling en verlies, maar ook besinning oor familie, eie kinderjare en die onlangse inperking, beurtkrag en geweld.

Dit is gedigte met ’n sterk poëtiese en visuele inslag en word gekenmerk deur ’n introspektiewe, selfs nostalgiese, toonaard. Soos die distel as onkruid ’n saadpluim lewer wat lig, dartelend en lieflik is, is hierdie gedigte ook.

Disteltyd is ’n bundel wat weens die geskakeerdheid daarvan ’n belangrike bydrae lewer tot die steeds groeiende korpus van laatwerke; gedigte wat meestal ontroer weens die menslikheid en humor daarin verwoord, maar terselfdertyd ook die leser konfronteer met die maatskaplike onregte kenmerkend van ons tyd.

In Rocklands, Liezille Jacobs reframes psychology not only as a profession, but as a profound calling that is intertwined with personal and societal evolution. Traversing her own personal journey from her adverse childhood experiences in Rocklands, Mitchell’s Plain, to being the first black Head of Department at Rhodes University in 120 years, Jacobs illuminates the interconnectedness of personal, professional and public roles, advocating for a shift from careerism to a movement grounded in shared values and principles.

At the same time, the book makes a brave and erudite scholarly contribution to the field of psychology. Its method is unconventional but carefully considered. Those who have provided comments on the manuscript unanimously concur – this book is essential reading for students and academics, families and patriarchs in equal measure.

The transformation imperative within psychology demands a stance of activism, if not revolution, against systems of oppression. This stance urges readers to view this book not only as an academic exercise but as a profound transformative exploration of “giving psychology away”; emphasising the idea of making psychological knowledge and expertise more accessible to the general public and sharing the benefits of psychological science with society to improve people’s lives.

When do you use hanged and hung, or you and me and me, myself and I? And what about the use of the numerals thousand, million, billion and trillion?

Find answers to these and many other language questions in the fourth, updated edition of The Write Stuff, which focuses on typical problems that non-English speakers encounter when writing English.

This handy reference and useful teaching guide contains valuable tips on English language issues and guidance on recent writing trends.

Orchids in South Africa - A gardener's guide shows new and existing growers how to care for their orchid plants. Learn how to treat your orchids (and most commercially available orchids are quite easy!), water and feed them, how much shade or light they need, and how you need to grow, maintain and propagate them to prosper and flower regularly. Many species are discussed in detail, and the accompanying photographs of the species and a selection of popular hybrids will help you identify the different kinds, and also show you what other species you may be able to grow in the conditions you are able to provide. Orchids in South Africa - A Gardener's Guide is an invaluable guide for orchid growers in South Africa. It contains chapters on Orchids and their history; Basic botanical information on orchids; General growing information, and Repotting and dividing of orchids. Growing orchids is a fascinating and satisfying hobby. However, be warned that when you obtain your first orchid you will be blessed with an instant, life-long addiction to orchids!

God’s Waiting Room: Racial Reckoning at Life’s End is a poignant and immersive exploration of life in a South African nursing home, built atop a graveyard left behind by the forced removals of apartheid. Through the lens of Casey Golomski’s seven years of immersive research, the book offers a glimpse into the lives of the residents and caregivers of “Grace” nursing home. This institution, both a symbol of apartheid’s lingering scars and a microcosm of racial, social, and generational divides, becomes a space for exploring the tensions and reconciliations that emerge at the end of life.

At its core, the book confronts the painful history of apartheid, a system of racial segregation that displaced millions and dehumanized generations. As the older white residents and younger Black caregivers co-exist within Grace, they must navigate a complex dynamic born from decades of systemic violence. Golomski reveals, through vivid conversations and reflections, how these everyday interactions become moments of racial reckoning, tempered by the shared reality of aging and mortality.

What sets God’s Waiting Room apart is its narrative form. Golomski artfully combines creative nonfiction with ethnography, weaving together the past and present of his subjects’ lives in a single day-long tour of the home. Told in breathtakingly intimate and witty conversations with the home’s residents and nurses, including the untold story of Nelson Mandela’s Robben Island prison nurse, readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. The stories of seven individuals highlight the tension between care and prejudice, survival and memory, as they reckon with the apartheid era’s haunting legacy.

Knowledge And Global Power is a ground-breaking international study which examines how knowledge is produced, distributed and validated globally.

The former imperial nations – the rich countries of Europe and North America – still have a hegemonic position in the global knowledge economy. Fran Collyer, Raewyn Connell, João Maia and Robert Morrell, using interviews, databases and fieldwork, show how intellectual workers respond in three Southern tier countries, Brazil, South Africa and Australia. The study focuses on new, socially and politically important research fields: HIV/AIDS, climate change and gender studies.

The research demonstrates emphatically that ‘place matters’, shaping research, scholarship and knowledge itself. But it also shows that knowledge workers in the global South have room to move, setting agendas and forming local knowledge.

The radio in Africa has shaped culture by allowing listeners to negotiate modern identities and sometimes fast-changing lifestyles. Through the medium of voice and mediated sound, listeners on the station – known as Radio Bantu, then Radio Zulu, and finally Ukhozi FM – shaped new understandings of the self, family and social roles.

Through particular genres such as radio drama, fuelled by the skills of radio actors and listeners, an array of debates, choices and mistakes were unpacked daily for decades. This was the unseen literature of the auditory, the drama of the airwaves, which at its height shaped the lives of millions of listeners in urban and rural places in South Africa. Radio became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K.E. Masinga and a host of other talents opened by radio, the exiles Lewis Nkosi and Bloke Modisane made a niche and a network of identities and conversations which stretched from the heart of Harlem to the American South. Nkosi and Modisane were working respectively in BBC Radio drama and a short-lived radio transcription centre based in London which drew together the threads of activism and creativity from both Black America and the African continent at a critical moment of the late empire.

Radio Soundings is a fascinating study that shows how, throughout its history, Zulu radio has made a major impact on community, everyday life and South African popular culture, voicing a range of subjectivities which gave its listeners a place in the modern world.