Daniël Lötter soek geeste en gedaantes op, besoek spookhuise en vertel meer oor sieners en legendes wat Suid-Afrikaners reeds jare lank laat kopkrap.

Maak kennis met die heks van Hexrivier, die seemonsters van die ou Kaap en Antjie Somers. Jacoba Marais, Japie Roux en Marie van der Post is van die minder bekende sieners, maar natuurlik bly Johanna Brandt en Siener van en Rensburg nie agterweë nie.

Waarom spook 'n skoorsoekerige goewerneur, 'n koninklike kleinseun en 'n gewetenlose moordernaar ewe vlytig as Daisy de Melker, sr. Henrietta Stockdale en lady Anne Barnard? En wat is dit met dwaalligte en spookfoto's?

Confrontation is a memoir based on real events. Set in the early nineties, it follows the journey of a child growing up in South Africa’s season of change.

But all is not as it seems – biologically, domestically, emotionally – three words that immediately takes shape like the head, neck and tail of a monster brooding beneath the bed. Domestic unrest casts a thick veil over a much greater problem.

“One of your greatest challenges in this world, my darling, would be men... It’s a shame because you think you’re the relationship type?” So-called advice from a friend who suggested being gay might be a better option than what she was contemplating. Not that she had a choice. She wasn’t entirely herself yet, and that was the problem.

Kirsty Steinberg is the pen name for the author. Confrontation is her debut work.

Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.

Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.

By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.

In what will surely become a classic of South African non-fiction, Led by Shepherds begins with twelve-year-old Jeffrey Rakabe leaving his village to attend an initiation ceremony, believing it to be the key to his manhood. But the weeks-long rite of passage in the mountains is a far cry from the adventure he’d imagined.

Years later, as a student, Rakabe discovers the nurturing world of books and thrives within the hush of the Johannesburg Public Library.

The presence of caring women in his life, from his concerned mother and supportive partner to a librarian who feeds his intellectual curiosity with a steady supply of literature, spur Rakabe to investigate the possible links between the koma ritual, awash with misogynistic language, and gender-based violence in SA.

Part memoir, part manifesto, Led by Shepherds is a moving, vital and controversial book and Jeffrey Rakabe a brave voice for a new generation.

In 1982 aanvaar Nico Smith ’n beroep na die NG Kerk in Afrika se Mamelodi-gemeente. Hy en sy vrou laat hulle gemaklike lewe agter en gaan bly in Mamelodi. Hier leer Nico en Ellen rêrig die hart van Mamelodi se mense ken, en beleef swaarkry saam met hulle. Hulle leer wat dit beteken om swart te wees in Suid-Afrika onder apartheid. Hulle leer ’n ander God ken, nie die God van Nico se vaders nie, maar die God van die verworpenes en die verdruktes.

Hierdie drama handel oor tien tieners in ’n bos by ’n oorlewingskamp waar spoke, hormone, groepsdruk en goggas die senuwees behoorlik laat knyp. KAMP KOERSHOU is nie vir sissies nie. Want grootword is nie “lekker” nie. Grootword is pyn. En “verwonding".

Die tien jeugdiges vertrek op 'n oorlewingskamp, in 'n bos, onder toesig van 'n paramilitaire instrukteur. Dit is hulle rite of passage sodat hulle weerbaar ‒ paraat! ‒ die grens na volwassenheid kan oorsteek. Maar hoe hou jy koers as jy nie weet waarheen jy wil gaan nie?

Die toneelstuk is in 2012 by die KKNK opgevoer met regie deur Marthinus Basson en Stian Bam in die hoofrol.

The honeymoon is long over. Dad says it’s now whiskey and marriage on the rocks. Mom says she’s going to take him to the cleaners.

Why are they getting divorced and why now that you’re an adult child? Your parents are divorcing or maybe they have divorced already. Everyone is focused on them, but you’re suffering too. Adult children have a really tough time when their parents split up – just as tough, if not tougher, than young children. In this book several adult children of divorce (18 years and older) share their advice, first-hand experience, confusion, uncertainty, anger and sadness that begin the moment when Mom and Dad say: It’s over.

The bad news? The divorce will always be a wound. The good news? You can learn how to handle it better and in time it could just become a scar. In the words of a respondent, Gretha (26): “Time makes all wounds bearable.”

Professor Ntongela Masilela (1948–2020) is recognised as one of South Africa’s most eminent scholars, and his highly respected and meticulous contributions to local and global intellectual discourse, most significantly via his historical archive, offer essential insights into disciplines such as literature, film, arts, and political and intellectual history.

The book comprises essays by Masilela; each of which is prefaced by an introduction by the volume editor. The essays contain Masilela’s most significant writings and illuminate the essence and breadth of his gifted mastery of the aforementioned disciplines; a mastery that he deployed in service of elucidating both the intellectual contributions of others – most notably the members of the New African Movement – and the interconnectedness of people, body politics, events and ideologies across time and space. In this way, the book befittingly presents Masilela as a widely read and travelled scholar, who scoured the national archive to unpack the most intricate aspects of our history and its interconnectedness with the history of the world.

The essays further showcase Masilela’s historico-biographical approach in their exploration of three key periods: the diaspora (exile), the interregnum, and post-apartheid South Africa, as well as offer us an advanced understanding of the locus that drove the works of others, such as Bernard M. Magubane, H.I.E. Dhlomo and Nadine Gordimer.

In so doing, Masilela brings to life both prominent and lesser-known African intellectuals by engaging with their archives in a manner that empowers the reader to appreciate also the value of biographical sketches. His treatment of race, language, culture and indeed literature itself is not just theoretic but verges on the dramatic, and thereby he gives these paths of inquiry both life and contemporaneity. Further, there is an ongoing debate in contemporary Africa about “what is South African literature”, “what is national liberation” and “what are the markers of a successful post-colonial state”. The book will enrich these debates, which are sometimes stylised and conducted without historical context.

The transdisciplinary nature of the book enables it to serve as reference material across various disciplines in the global south and the global north Therefore, itt will be of interest to readers of political and intellectual history, cultural (arts and film) studies, literature, political science and diaspora studies.

Met kaarte en geografiese grense sal mens wel kan bepaal waar le die Tankwa-Karoo. maar vir Adriaan Oosthuizen kry jy die streek wanneer jy die langste grondpad tussen twee dorpe in Suid-Afrika aanpak: die pad tussen Ceres en Calvinia. Saam met Adriaan se foto’s vertel Leti Kleyn van haar besoek aan hierdie geliefde stuk land en dit word aangevul deur Dawid Slinger se vertellings en skrywes. ’n Fees vir die oog, lekkerleesboek en ’n inligtinggids ineen oor die geliefde streek wat die Tankwa-Karoo heet.

This collection explores topical and current issues in indigenous African language literatures of South Africa. These include, among others, narratological elements of literature, language usage, poetry analysis, and song lyrics.

Each scholar or pair of scholars present findings that are particular to their own research. This makes the collection a valuable source of knowledge penned in a diversity of writing styles across different literary genres.

An innovative aspect of the work is that it combines both English and isiZulu material. Seventy per cent of the chapters are written in English and thirty per cent in isiZulu, a gesture towards encouraging research presentations in indigenous languages. Also of interest is that the chapter content covers traditional or largely obsolete forms such as folklore and essays.

The scarcity of published books that discuss aspects and issues found in indigenous African language literatures is what prompted the publication of this collection.

James Scott is 'n kliniese sielkundige: Hy sien mense en word deur hulle gesien. Die woorde “Dan sien ons mekaar” is die eerste keer geuiter deur die spesialis wat sy kornea-oorplantings behartig het.

Dan sien ons mekaar is 'n versameling eg menslike stories oor die lief en leed op James se persoonlike lewensreis; en dié van sy kliënte van die afgelope dertig jaar.

Dit is 'n eerlike blik op hoe terapeut en kliënt mekaar se lewens raak.

Though Graeco-Roman antiquity (‘classics’) has often been considered the handmaid of colonialism, its various forms have nonetheless endured through many of the continent’s decolonising transitions. Southern Africa is no exception. This book canvasses the variety of forms classics has taken in Zimbabwe, Mozambique and especially South Africa, and even the dynamics of transformation itself.

How does (u)Mzantsi classics (of southern Africa) look in an era of profound change, whether violent or otherwise? What are its future prospects? Contributors focus on pedagogies, historical consciousness, the creative arts and popular culture.

The volume, in its overall shape, responds to the idea of dialogue – in both the Greek form associated with Plato’s rendition of Socrates’ wisdom and in the African concept of ubuntu. Here are dialogues between scholars, both emerging and established, as well as students – some of whom were directly impacted by the Fallist protests.

Rather than offering an apologia for classics, these dialogues engage with pressing questions of relevance, identity, change, the canon, and the dynamics of decolonisation and potential recolonisation. The goal is to interrogate classics – the ways it has been taught, studied, perceived, transformed and even lived – from many points of view.

Futureproof your business, career and family with these invaluable insights. This is an essential compendium of trends for anyone who is anxious or excited about thriving in the uncertain decade ahead. Along with accompanying actionable insights to pre-empt and solve the challenges and problems they represent to the serious South African with business, career and family interests to look after, it's a must-have.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.

Hierdie liefdesverhaal strek van Suid-Afrika na Nederland en weer terug. Hier is twee mense wat bestem was om saam te wees, maar mekaar verloor het en na baie jare weer gevind het.

Magiese oomblikke wanneer amper-vergete herinneringe meteens klokhelder opgeroep word; die elke dag se herontdekking van mekaar – maar ook die onbeskryflike hartseer met die besef van al die verlore jare en ʼn futiele woede oor verspeelde geleenthede en gedane sake word op pragtige maniere uitgebeeld.

Baie trane is gestort – soms van weemoed, soms van blydskap, soms van wanhoop. Daar is ook onthou, ontdek, gelag, geniet, gesoek, gevind. Die leser gaan saam op reis en sal dit moeilik vind om nie meegevoer te raak nie.

'n Treffende debuut waarin Roux die siklus van die lewe van jeugherinneringe tot die dood van geliefdes en die skepping van nuwe lewe verken.

Die bundel bevat eietydse belewenisse en verwysings na die Covid-tyd waarmee baie lesers sal kan vereenselwig.

Alle Sondaars Welkom is ’n mengelmoes gedagtes oor God en sy mense wat oor die laaste paar jaar geskryf is.

Jaco Strydom motiveer lesers om te leer by groot geeste in die verlede en die vreemde wesens wat ronddwaal in die hede; community met ander soekers te ontdek; in verwondering te staan voor die misterie en nuut te kyk na Jesus.

Die boek sal jou uitdaag om saam te soek na die wilde waarheid, na geloof te midde van ongeloof, bygeloof, misterie en verwondering.

Dié jongste bundel van Antjie Krog verskyn agt jaar ná Mede-wete.

Krog ontwikkel voormalige temas soos die landskap van die vrou, die huwelik, die aftakeling van die lyf, die vreugde van klein gesinsoomblikke, maar terselfdertyd vernuwe sy, opnuut.

Daar is ’n onrusbarende kwesbaarheid, ’n brandende woede en ’n direktheid, en tegelyk ’n hartverskeurende deernis met die ouerwordende self. In die openingsgedig skryf sy: “Dit kom nie meer op my af nie / die geluid/ die geluid van ’n gedig kom nie meer op my af nie.” En dan, teenstrydig hiermee, sleur Krog die leser in die daaropvolgende verse mee in ’n jubelsang en ook ’n klaaglied van die land wat geplunder word, maar ook die self wat plunder.

Krog probeer oplaas sin maak van die land, van die self, van die verlede. Soos Alfred Schaffer sê, daar is gewoonweg niemand in Afrikaans wat só skryf nie. Sy wys wat digkuns moet en kan wees. En hoe dit in Afrikaans kan klink en resoneer.

A rare collection of messages from members of a family reunited in the afterlife.

Lesley May was living in KwaZulu-Natal when she received and conveyed detailed descriptions of different aspects of the afterlife from her mother and various family members who had passed on.

From heavy metal music bands to monobrows and mood swings, this story is about navigating adolescence in a foreign country, surrounded by other teenagers from varying backgrounds and cultures.

Gabi writes about her life - her experiences and the emotional fallout - after her family moved to Saudi Arabia from Johannesburg when she was twelve years old. Her story reflects the difficulties of growing up in culturally foreign environments and the long term mental health consequences of bullying as she fought to find her sense of self.

You don't have to live in Saudi to be able to relate to some of these stories. The issues are universal, and this story is just one contribution to the conversation.

Evolution is proffered as a scientific theory throughout the world. Is it the truth, or could it be one of the biggest lies ever told? Is it possible that evolution is nothing more than an elaborate belief system with the aim to oppose the Christian faith and the Bible directly?

To provide answers to these questions, the basic assumptions of the Big Bang and the theory of evolution are thoroughly investigated in this book.

The following are some of the questions discussed:

• Did the Big Bang really happen?
• How did life on Earth originate?
• Is Darwin’s theory of evolution at all feasible?
• Is life on other planets, for example Mars, possible?
• How old is the Earth?
• Was there a worldwide flood?
• Did dinosaurs really become extinct millions of years ago?
• Is the story of Noah and the Ark possible?
• Does the fossil record support or contradict the theory of evolution?
• Is evolution a science or merely an atheistic belief system?

The conclusions in this book may be surprising to many and will provide answers to the complex questions people frequently ask. This book is recommended for every scholar, student and parent, or anyone wanting to make rational decisions about what they believe.

Patrick Watson is currently South Africa’s most innovative and versatile landscape architect. Known for designing extensive mega-sites, such as Sun City and an entire Indian Ocean Island, he is also the creator of exquisite small gardens in private homes and quiet spaces for reflection, such as the Apartheid Museum and the Garden of Hope at St George’s Anglican Church in Parktown, Johannesburg.

In all he does, he combines artistic intuition with extensive botanical knowledge and a deep concern for the conservation and restoration of nature. His projects are creative, fresh with inspiration, and often bold, and he uses plants, colours, landforms and space to create visual and emotional experiences.

Covering 23 gardens and landscapes, and richly supported by sensitive photography and some specially commissioned artworks, the book is a beautiful record of a remarkable local talent, a visionary whose art is informed by nature. It recognises and celebrates the combination of knowledge, skill and instinct that make up the man, and the radical influence he has had on his profession.

Soos Hilda Smits se eerste, bekroonde bundel die bome reusagtig soos ons was betrek die verse in hierdie bundel die leser by die hoogs persoonlike en gee dit terserfdertyd betekenis aan die universele belewenis.

Die verse is magies soos bewussynstroom, soos drome waar die kloutjie nie altyd by die oor uitkom nie, ʼn mens ervaar dit met jou onderbewuste, in jou maag. Dis dromerig soos meditasie, dis soos sit en staar na reën teen ʼn ruit.

Sinne is onvoltooid, werkwoorde hang in die lug sonder naamwoorde, byvoeglike naamwoorde is bedrieglik eenvoudig; “gewone” woorde soos mooi, sterk, fyn, jonk – dis egter die onverwagse beelde wat verras, en woorde wat buite hul normale konteks ingespan word, wat jou uitknikker.

The grass family, known as Poaceae, is probably the most important plant family on earth. Grasses were the first food plants to be cultivated by man. Grass crops, such as maize, wheat, rice and sugarcane are still our most important food source to farm animals and the large herds of grazing animals in the wild. The identification of grasses becomes important during land management as the various grass species differ in their grazing value and other ecological functions. Furthermore, weedy grasses react differently to different herbicides and therefore need to be correctly identified. This title, Guide to grasses of southern Africa, is the most comprehensive colour identification guide to the common grasses of southern Africa and includes, among others, the following features: descriptions and illustrations of the 320 most important grasses in southern Africa, an easy-to-use grass identification key, more than 1 000 excellent photographs in full colour, thirteen short, fully illustrated introductory chapters with general information on grasses, common names of grasses in indigenous languages, icons that enable the reader to obtain certain information at a glance.